Fantasy: January 31, 2007 Issue [#1515] |
Fantasy
This week: Edited by: zwisis More Newsletters By This Editor
1. About this Newsletter 2. A Word from our Sponsor 3. Letter from the Editor 4. Editor's Picks 5. A Word from Writing.Com 6. Ask & Answer 7. Removal instructions
Researching this week’s newsletter I learned there is no record of healthy wild wolves ever attacking or killing human beings. Our ancestors’ fear of the wolf has seen almost two million of these wonderful creatures killed since Europeans first settled in North America. In contrast to this common perception, Native Americans revere the wolf as a personification of their own treasured values, and consider them teachers rather than enemies. The wolf is a fascinating, mystical character with a well deserved place in the fantasy genre. Perhaps there’s a place for him in your next fantasy story. |
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Man’s fear of the wolf is the main reason these animals have received such a negative image. Historically the wolf is perceived as a ferocious, cruel beast driven by a ravenous hunger. His strength, intelligence (viewed as cunning) and speed were considered abnormal. Eerie. Demonic. The wolf gradually came to symbolise evil and negativity became synonymous with his name. Wolves came to represent shadowy Night and harsh Winter, terrible Storm and heartbreaking Stress… until eventually he morphed into a dark, mysterious omen of Death.
Two of the world’s most famous and best loved fantasy stories cast the wolf in a villainous role. C S Lewis’ “Maugrim” is leader of the wolves that serve the White Witch in “The Lion, the Witch and the Wardrobe”. In Tolkien’s “Rings” trilogy the Shire is attacked by wolves during a particularly harsh winter, while a pack of wolves called “Wargs” fight alongside the evil Orcs.
But not all fantasy fiction portray the wolf as a bad character. Some fantasy writers have developed the wolf’s personality in a more realistic way, using his intelligence and devotion to the pack for the benefit of the heroes in a story. George Martin’s “A Song of Ice and Fire” series features the Stark family, who use an image of a wolf in their family crest. When they adopt some wolf cubs, they learn that each child has a special link with and personality traits similar to a specific cub. In Jane Curry’s “The Wolves of Aam” the title characters are the heroes in the story, while Robert Jordan’s wolves in his “Wheel of Time” series adhere to a strict code of honour, and are also extremely intelligent. In Lloyd Alexander’s “The Chronicles of Prydain” Brynach and Briavel are wolves working for good – even liaising with human beings.
One of the most famous wolf legends is that of the twins, Romulus and Remus. They were cast into the wild at birth by their uncle, who proceeded to claim the throne for himself. After being suckled by a she-wolf the twins were raised by a peasant couple, Faustulus and Acca Larentia. Ultimately Romulus grew up, overthrew his uncle and founded Rome.
Wolves feature prominently in Nordic mythology. Whenever Odin, head of the gods, went into battle he was accompanied by Freki and Geri – two enormous wolves. The Nordic giantess Hyrrokin rides an enormous grey wolf. Norse mythology claims the sight of a wolf, when accompanied by a raven, means good fortune in battle; so “Wolfrafen” or “Wolfram” (meaning “wolf raven”) became a good name for a great and powerful warrior. Other popular Nordic names acknowledge the strength and power of the wolf, including Beowulf, Berthewolf, Ceowulf, Wulfstan and Wulfred.
The richest and greatest source of inspiration for wolf stories can be found in Native American folklore, because they have learned much from the wolf. During winter when Native Americans journeyed over frozen streams, rivers and lakes, they discovered the hard packed ice was less resistant than the snow covering the land. Observing their teacher the wolf they learned the best way to move through heavy snow was to travel in single file, saving time and energy by stepping in the same footprints. The Navajo people consider the wolf the leader of all hunting animals, while all Native American tribes consider the wolf a skilled, relentless and dependable creature, because wolves hunt in co-operative packs.
Zuni mythology tells of the common sacred spirit animals that guard the cardinal directions; the mountain lion protects the North, the badger the South, the bear guards the West and the wolf takes care of the East. The Nuu-chah-nulth, a tribe on the north western coast, honours the wolf and tells of a novel connection between the wolf and the killer whale. The story relates to the time a killer whale was beached on their shores. Upon its death its spirit transformed into a wolf… this is the rather romantic explanation for the wolf’s black and white markings – similar to the colours of the killer whale.
I conclude this newsletter with a legend featuring the patron saint of animals, Francis of Assisi. A wolf was threatening villagers living in Gubbio in Italy. Saint Francis intervened, and came to an arrangement with the wolf, whereby the villagers would feed the animal and let him wander through Gubbio without fear of retribution. In turn the wolf agreed not to harm anyone – man or animal – living in Gubbio. It is said that man sees his own bestial nature in the wolf, and that longing to control the beast within him is the reasoning behind this medieval legend. Because man and wolf share the same instincts for survival, the same bond with their fellowship and the same intelligence this example of compassion for the wolf shows a desire for self-forgiveness.
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Strange Wulf
Sometimes things can get interesting if you have more than one magic system. This has to be handled carefully though, or things will get out of hand, and the story will suffer. It's usually best to give each its own rules and stick to them.
If this is too difficult, you could also stick to just one. It's up to the author, but they should try to explore things exhaustively, even if it goes into dark areas.
Nobody likes the idea of necromancy (i.e. bringing the dead to life to do the spell caster's bidding), but such dark ideas should be addressed by your system(s). Some make it impossible to do, such as one that's just manipulating energy, while others permit it... with a high price.
Whatever your choice, be thorough.
Thank you for taking the time to comment upon the newsletter. I don’t feel anyone is adverse to the idea of necromancy, Strange Wulf , . But if not handled properly it can destroy the entire story, a fact you yourself have emphasised here. Necromancy for the sake of a short cut never works.
Strange Wulf
That should be one of the rules of writing: do what the plot calls for.
This is, of course, assuming the characters don't want to do something different. =P Then you have a problem.
Least I know I have my Supernatural Aid lined up for the hero! Though it'll pop up around the same time as the other parts. Refusal, acceptance, tragedy and supernatural aid... all mixed up into one solid mess of drama. ^_^ Breaking the old moulds is fun!
Many writers can and do handle these story developments very well, Strange Wulf , . The real trick is to do it in such a way that the reader can appreciate the storyline without accusing the writer of taking short cuts!
Hatfield of AotC
My favorite definition of fantasy fiction was by the late Isaac Asimov, who described it thus:
If you write that you went to the store and bought some milk and bread, and on your way home you met a man in a yellow hat - and you DID meet a man on the way home from the store - you are writing fact.
If you write that you went to the store and bought some milk and bread, and on your way home you met a man in a yellow hat, but you didn't, you are writing fiction (there are after all men in yellow hats and you could well meet one, but you didn't).
If you write however that you went to the store and bought some milk and bread, and on your way home you met a man in a yellow hat who is riding on a massive dragon with purple wings, NOW you are writing fantasy. Because certainly people don't go riding about on dragons in our mundane reality. But it would be fun wouldn't it?
An excellent definition, Hatfield of AotC . Thank you for sharing it with us. And I do agree – I’d love to meet a dragon!
Traci
Thank you for the tips regarding a god interfering during the final battle between good and evil. I was about to enter a scene like that into my story, but after readying your article I found a different way of approaching the scene that has the villain bringing his destruction on himself through his own arrogance. Thanks again!
I’m glad the newsletter was useful, Traci . And if you send me the link to your story I’ll happily feature it in my next issue of this newsletter.
billwilcox
Sarah,
What an awesome newsletter. Please come back again.
Signed,
God
Awesome praise indeed, and from such a high source? I had no idea, billwilcox!Truly I am honoured, SIR!
trace940
Brilliant newsletter, I've always loved fantasy and wanted to write a fantasy book. Lately I've had a bit of a writing block but your newsletter has reawakened my ambition to write in this genre. Thanks so much!
Thank you for writing in, trace940. I’m glad the newletter gave you some ideas, and I look forward to reading your story in the not too distant future. Fantasy is a wonderful genre, and it’s also very fulfilling.
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