Horror/Scary: May 01, 2013 Issue [#5651] |
Horror/Scary
This week: Writers on Writing Edited by: Brooke More Newsletters By This Editor
1. About this Newsletter 2. A Word from our Sponsor 3. Letter from the Editor 4. Editor's Picks 5. A Word from Writing.Com 6. Ask & Answer 7. Removal instructions
Welcome to the Horror Newsletter. It is our goal that Writing.com members of all ages can find useful information and entertaining articles within. If you have specific questions, try visiting "Writing.Com 101" or emailing the editor.
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“[Horror fiction] shows us that the control we believe we have is purely illusory, and that every moment we teeter on chaos and oblivion.”
― Clive Barker
If you could give your childhood self some advice, what would it be?
Be more aware of what goes on around you, take note. Write more journals – and DON'T throw them away. Don't give up on your dreams. - Devil's Delight-Cherry
Great advice. There are other good reasons for journaling as well.
Clarify your thoughts and feelings. Do you ever seem all jumbled up inside, unsure of what you want or feel? Taking a few minutes to jot down your thoughts and emotions (no editing!) will quickly get you in touch with your internal world.
Know yourself better. By writing routinely you will get to know what makes you feel happy and confident. You will also become clear about situations and people who are toxic for you — important information for your emotional well-being.
Reduce stress. Writing about anger, sadness and other painful emotions helps to release the intensity of these feelings. By doing so you will feel calmer and better able to stay in the present.
Solve problems more effectively. Typically we problem solve from a left-brained, analytical perspective. But sometimes the answer can only be found by engaging right-brained creativity and intuition. Writing unlocks these other capabilities, and affords the opportunity for unexpected solutions to seemingly unsolvable problems.
What has been the toughest criticism given to you as an author? The best compliment?
The toughest criticism probably came from the people who gave me the best compliments to be honest. Those who were tough on me are the very same as those who helped me to improve and continue to do so. Stuckintime
Critique is important to good writing. You can (and will) learn a lot from critical reviews of your writing. Some of the most important areas to look for:
Characterization
Continuity
Techniques
Format
Dialogue
Plot
Pacing
Conflict
Getting involved in a writing critique group is a very beneficial part of your journey. Critique partners can help authors see their writing from a different angle. As they get to know your style and expectations, they can look out for you and your interests. They can offer insight and helpful resources.
What is the hardest part of writing for you? Is there anything you find particularly challenging in your writing?
I love similes and metaphors, but for some reason they don't come easy to me. And I'm still trying to find my 'voice'. I recently told an author on WdC that I could pick his writing out of anybody's, and he said that was one of the best compliments he ever received on here. - Angus
What piece of writing advice would you share with our new authors?
Write for yourself not for others. In other words write what you like not what you think will sell (so to speak). If you like marauding kittens then write about them. Don't write a zombie novel because that's the current flavor.
Another important piece of advice is to watch your language. I don't mean this in the prudish sense such as swearing. I'm talking about your prose -- writing style. Keep your diction clear, concise and simple as possible. Don't let your language get verbose and melodramatic unless of course you are intentionally writing purple prose. Even then you want to use simple language. It is nice to have a million dollar vocabulary but the key to good writing is knowing when to use it. Nothing will frustrate a reader faster than having to look something up in the dictionary. - Lilithmoon☽
Sometimes it can take years for an author to find his/her 'voice'. It's definitely worth searching for though and as I read an article called "3 Steps to Finding Your Voice" I got to wondering how many of my fellow authors are in search of theirs at this very moment.
Speak your reader’s language
Stop talking at your readers.
Stop talking over them.
Stop talking through them.
Talk to them, in simple lingo.
Know why you are writing
"All the writing skill in the world won’t do you any favors if you don’t know why you’re writing in the first place." Wise words. Purposeful writing is passionate writing. Whether that means creating an outline, jotting down a character bio or just plotting out your story, it depends on you. Try different things, inspire yourself to create your masterpiece.
Brand it, baby
Just like mentioned in the quote above, when a reader can pick your writing out of a pile of stories, it's often your 'branding' that tips them off. Branding can be something as simple as using certain words that a reader will connect with your characters or it can be as discriminating as your personality slipping through inside your characters. Either way, it's a good thing. Let your writing speak for itself but don't hesitate to let yourself shine through.
What do you feel is the most important element of good writing? Characters, plot or something else?
Well, if it doesn't have a good character or plot it's not really a story, so I'd have to say 'something else'. What is that something else? For me it's the 'unexpected ending'. There is nothing more important than giving your reader the 'big payoff' (the most satisfaction) and an unexpected ending does just that. They finish the tale and say, "Wow, I never saw that coming." Besides, that's what I do, I'm unpredictable. - billwilcox
That's great advice and just one of many reasons Bill is an excellent storyteller. A great article I read (I'm a voracious reader of anything educational I can get my hands on.) explained "25 Things You Should Know About Writing Horror". It not only gave some excellent examples but it uses unique and concrete imagery to hammer it home. "Fear is built off of understanding consequences." Terror, dread, suspense, tension ... the emotions that make you hold your breath until the results are thrown in your face. He even discusses the age old adage "Show, don't tell" and how doubly important that is in horror fiction. As he states, "You can’t tell someone to be scared. You just have to shove the reader outside the firelight and hope that what you’ve hidden there in the shadows does the trick."
I'm going to share the link because it's a great article, but I will preface the link with the note that it does contain graphic language (profanity) that we would rate 18+ at Writing.com
25 Things You Should Know About Writing Horror from the blog of author Chuck Wendig.
I hope you enjoyed this editorial. If you would like to share your thoughts, please send me a note using the box at the bottom of this newsletter.
Excerpts from interviews included are from "Invalid Item"
Write and Review on! ~ Brooke
[Related Links]
Here are some creative activities going on around the site.
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"The Writer's Cramp" [13+] by SophyBells
"Invalid Item" [] by A Guest Visitor
Looks like a good book. What do you think?:
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This month, I'm featuring work from new that either caught my eye and I thought it would be nice if you'd give them a peek.
Excerpt:
“How exactly does it work?”
Nathan stared into obsidian-colored eyes of the woman dressed in white, her pleasant expression comforting despite her eyes’ excited glisten. His gaze wandered from those dark holes and took in the swinging motion throughout the room. Feet jerked in a charade of a marionette’s dance. Some drew slow, elongated circles full of grace, while others had completed their swing and remained stilled.
The sight of all the legs and feet provided excitement that stole his breath.
Excerpt:
As soon as I saw the baseball bat that stood propped against a Flexible Flyer in Murph’s Secondhand Store, I knew I had to have it. The bat was a Ted Williams’ model Louisville Slugger; Murph’s price: $6.00. As I gripped it, a feeling of power swept over me. I took a few swings at phantom baseballs, sending each over a phantom ballpark’s fence. As I was about to unload a grand slam, my mother’s gentle whisper eased me from my reverie: Take me home, Thaxton. Please, take me home.
Excerpt:
Lorelei began the final part of her act using the chair as a prop and she did it so seductively that Jim became aroused to an extent greater than he could recently remember. Jim studied her eyes; they lingered on the young man and he became instantly jealous.
The lewd suggestions started when the music ended.
Excerpt:
Looking back, I was probably depressed in some way. On the face of it, everything seemed to be going fine in my life: I had a beautiful wife, a great job, and a young baby daughter. Everybody always told me I was so lucky. But I wasn't really happy – deep down within myself there was always this nagging sense that something wasn't right, that my life was just happening around me while I cruised through it on autopilot. It was like I was on rails and just going through the motions every day, doing what was expected of me, and never really being myself.
Excerpt:
I've been told to take them out. The revolution has taken too long to organize, and is too close to fruition for those three little pigs to go and fuck everything up. The humans will pay for the slaughter they've dealt out to all of us, be it sheep, cows, wolf or bird. All animals are ready to strike back. My boss hasn’t given me too many details, but these pigs were apparently trying to ruin everything.
Excerpt:
Tony was just waking up from his afternoon nap when his girlfriend, Valerie, walked in their small apartment. She took off her coat, hung it on the rack, and sat down beside him.
“So, how’d the funeral go?” he asked, rubbing his eyes.
“Oh, it went great,” Valerie said matter-of-factly. “There were enough crocodile tears to fill an Olympic swimming pool.”
Tony realized he’d opened a Pandora’s box, but there was no closing it now.
Excerpt:
I didn't want my parents to work forever educating me. I wanted to do something for myself; I needed to pay my fee which wasn't possible if I didn't get a job. I had tried several times at different hospitals and organizations but luck had never been on my side. I was scared I would never get a job which meant that my parents would continue striving for me and my younger sister would never stop touching on my weakness whenever we quarreled
Suddenly, something struck me like hot iron.
Excerpt:
When I met her, I fell in love with her instantly. She had golden, flaxen hair that danced in the sun, skin that glowed with an ethereal light, and eyes that sparkled like blue sapphires. I was certain that when she walked, her feet never touched the ground, but rather, she floated on air, as if the ground beneath her feet would soil her.
But what drew me to her was her smile. Her teeth were tiny white pearls of perfection that brandished a dazzling smile. Her smile exuded warmth and promised happiness, and mere mortal that I was, I had to succomb.
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Footnotes http://psychcentral.com/lib/2006/the-health-benefits-of-journaling/ http://www.copyblogger.com/find-your-writing-voice/ This printed copy is for your personal use only. Reproduction
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