For Authors: September 02, 2015 Issue [#7196] |
For Authors
This week: Periods of Intense Activity Edited by: Jeff More Newsletters By This Editor
1. About this Newsletter 2. A Word from our Sponsor 3. Letter from the Editor 4. Editor's Picks 5. A Word from Writing.Com 6. Ask & Answer 7. Removal instructions
"The two most engaging powers of an author are to make
new things familiar, and to make familiar things new."
-- Samuel Johnson
Trivia of the Week: In June of this year, some publicist somewhere thought it would be a good idea to take an almost universally-detested author (E.L. James of 50 Shades of Grey fame) and introduce her to the acerbic world of Twitter for a Q&A before the release of her new book. Predictably, it did not go well. There is a very, very long list of insulting "questions" that include everything from asking if there's a safe word the audience can use to get her to stop writing, to asking if she wants Stephenie Meyer to do a Twitter Q&A first so she can just rip off what Meyer writes (again). Needless to say, if you ever happen to publish a critically panned series of novels, it's probably not a great idea to publicly accept questions from one of the snarkiest communities on the internet.
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PERIODS OF INTENSE ACTIVITY
There are a handful of times throughout the year where writers have the opportunity to really buckle down and push out a lot of words in a very short amount of time. The most popular of these times is National Novel Writing Month (NaNoWriMo) in November, where writers from all over try to crank out 50,000 words of a novel in only thirty days. For those of us on Writing.Com, though, there's another time of year - going on right now, in fact! - where we have the opportunity to really dive in and get a lot of work done.
WdC's "Writing.Com Party Central 2024!" has a ton of member-run activities that give people in our community the chance to get involved in a variety of ways. There are literally dozens of opportunities, some of which focus on reviewing, some on fundraising, and a great many of them on writing stories, poems, blog entries, etc.
If you're someone like me who struggles to impose deadlines on himself, these times of the year can be an excellent time to get back into a writing habit by using the established deadlines to get some work done. However, it can also be very stressful and time consuming, as you're working on a very limited clock and, in some cases, you're trying to generate a lot of diverse material in that short amount of time. If you're thinking of jumping in and using this week's birthday festivities as a way of plunging into some writing, I'd offer the following tips and advice:
Plan your schedule. This is especially important if you have a lot of diverse activities (like WdC Birthday Week) rather than one overall activity (like NaNoWriMo). Before you even jump in, take some time to sit down, review all the activities, and plan your time accordingly. Make a note of important deadlines, prompts, word limits, and other details that will help you look objectively at your "to do" list and prioritize. Even if you're jumping into this halfway through the first week of September and realizing some activities are already going on, don't rush into things without scheduling your time so that you're not running around in a panic trying to remember everything on the fly.
Give yourself downtime afterward. When the big push is over, make sure you take some time to recuperate. There's a good chance you'll have burned through a lot of your energy, creativity, etc. and you don't want to make the mistake of diving right into another big project or another period of intense writing without giving yourself a chance to recover. And by recover, I mean still working... but working less. I've made the mistake of stopping cold turkey after an exhausting birthday week or NaNoWriMo and it's hard to get back on the tracks after you've completely derailed your motivation. Instead, set manageable goals for yourself while you recover. Kind of like an athlete will have less strenuous workout days than others to give their bodies a chance to recover, you should do the same with your writing. If you regularly write 2,000 words a day and you've been pushing yourself to do twice that number to keep up with everything during the birthday celebration, consider cutting back to 500 or 1,000 words a day for a week or two and enjoy the slower pace. Similarly, if you regularly do 5-10 reviews a week and you suddenly do 100 this week for various activities, give yourself permission to maybe only do 1-2 a week for a couple weeks until you've built your energy back up again.
Work on different types of activities. If you're really determined to get involved in the birthday week activities, try limiting yourself to only one or two of the same type of activity: reading/reviewing, writing, and fundraising. It can be incredibly stressful to have to maintain bids in six different actions, or have to do twenty reviews a day to keep up with four different review activities, or have to write three stories a day to keep up with various writing deadlines. I'd suggest going through the list of activities and picking out your absolute favorite in each area. Then, once you've committed to that, if you find yourself with more time to do a particular type of activity, start adding them one at a time. Maybe one writing contest only has a deadline at the end of the week and you decide to pick up a daily writing challenge in the interim. Or maybe one review activity only requires a couple of reviews so you feel comfortable picking up another review activity without overloading yourself.
Periods of intense writing can be really exciting, and really beneficial. The clarity and focus and hard work you put into your work can really pay off and inspire you. But it can also be an exhausting process that takes a lot out of you. Make sure you're scheduling your time and approaching the activities you want to participate in with a clear head so that you don't overload yourself. And most of all, make sure everything you're doing is something you enjoy!
Until next time,
Jeff
If you're interested in checking out my work:
"Blogocentric Formulations"
"New & Noteworthy Things"
Community Activities ▼
" The Dark Society" 13+: A horror group that worships all things dark and sinister. Join at your own risk!
" The Cube" E: An exclusive auction & raffle to raise funds for groups and activities across Writing.Com |
I encourage you to check out WdC's Party Central this week:
You'll find all kinds of incredible activities to participate in this week, including:
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Feedback from my last newsletter about proper labeling of your work:
Brandiwynš¶ writes: "Great topic! One of the most controversial OctoPrep assignments is the "Target Market" exercise. Participants are required to identify specific markets for their novels, and many of them argue things like "mainstream fiction" or "all readers" and refuse to identify even a genre, let alone their ideal readers. Authors with no understanding of how marketing works think they can write a book that every reader will enjoy. But even (and, arguably, especially) the most beloved books are clearly labeled and have clear target readers. To your point, a reader who loves thrillers might be disappointed in your mislabeled crime drama, and they'll be unlikely to recommend the book to their friends. Word of mouth is still the strongest marketing tool for any fiction work. If you identify the right audience up front, then that reader who actually loves crime dramas will be much more likely to spread the word on your behalf." (Submitted item: "October Novel Prep Challenge" [13+])
Thanks for writing in with such great insights! I totally agree that refusing to identify a genre for your writing is a mistake. In the entertainment industry we call broad stories "four quadrant" (meaning the project appeals to all four key demographics: men and women, young and old). Some people refuse to say their stories are anything other than four-quadrant stories, even when they're clearly not or when there's a clear subset of the audience that will really like it. They're afraid of alienating a larger audience but the truth is they're actually alienating their target audience by not creating something for them!
Apondia writes: "I was very happy to see this article because I am always saying as I label--"Does this fit? Does this fit?" Also I am glad we have so much to choose from on WDC because I give short reviews for a challenge and it seems really necessary to tell someone who might read the review where the book fits in the scheme of reading."
WdC definitely spoils us with the number of ways we can classify and categorize our writing!
Quick-Quill writes: "Jeff, you have another great NL! I cringed as I read this. I'm one of the misdirected. I have no idea what to categorize my stories as. I try as close as I can get. When writing my book, I thought it was a drama. It is, but that's not a real distinction. I wonder what Nicholas Sparks labels his books as? I finally decided mine is a family mystery. It works. I think I need to go back to my port and take another look as my stories and see if I can do a better job of labeling them. I never search for anything other than fiction/short stories... "
Sometimes the broader genres are perfectly acceptable, and you shouldn't go trying to squeeze a story into smaller defined boxes if that's truly not the best representation of what it is. But yeah, anytime you can easily get more specific in telling a reader what type of story it is, the more it'll benefit you to be specific. And I'm always going through my port and making sure everything's update to date as well.
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ASIN: 0997970618 |
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Amazon's Price: $ 14.99
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