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Short Stories: July 24, 2024 Issue [#12610]




 This week: Good Dialogue
  Edited by: Annette aka Din Djarin
                             More Newsletters By This Editor  

Table of Contents

1. About this Newsletter
2. A Word from our Sponsor
3. Letter from the Editor
4. Editor's Picks
5. A Word from Writing.Com
6. Ask & Answer
7. Removal instructions

About This Newsletter

"Writers can train their ears to hear rhythms and speech patterns just as musicians can train themselves to hear melodies and musical rhythms." ~ Linda Seger in Creating Unforgettable Characters


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Letter from the editor

Good Dialogue


It's probably impossible to teach anyone to be great at anything. Great paintings, great music, great anything is a labor of love of the individual who makes it. Great also lies in the eyes of the beholder. Things that are just okay to me could be great to you.

It is possible to teach, learn, and practice how to create good dialogue. That is, dialogue that most readers will readily accept as a character's way of speaking. Dialogue that is not intrusive in the narrative but helps to to flow and develop.

Good dialogue
*Bullet* has a beat, rhythm, melody
*Bullet* is short (no more than two or three lines)
*Bullet* moves back and forth between characters
*Bullet* reveals character by conveying conflict, attitude, intentions
*Bullet* is easily spoken out loud

Bad dialogue
*Bullet* is stilted, wooden
*Bullet* is difficult to say out loud
*Bullet* all characters sound alike
*Bullet* characters sound artificial
*Bullet* simplifies characters rather than reveal their complexity

One simple way to make dialogue more dynamic is to use contractions. Most people say "Don't" instead of "Do not."
If you have a character who doesn't use contractions, make that her/his special trait. Did they learn the language late in life? Is this how they overcome stuttering?

You can add vocal quirks to the spoken expressions of your characters. My middle son used to hum after speaking. Just a little single note sound. As if he were punctuating what he just said.

Use the setting and what the characters do while they speak another way to give reasons for pauses in speaking that the reader can see.

Don't forget about subtext. Sometimes, two people will say a bunch of words, but what they are really saying to each other means something else. Subtext is what isn't said. Subtext is usually easier to understand through actions that contradict the spoken words.

What tools and tricks do you use to make dialogue in your stories appear natural?




Editor's Picks

FORUM
The Dialogue 500  (18+)
Dialogues of 500 words or less.
#941862 by W.D.Wilcox

 
STATIC
One Big Pain In The Grass  (ASR)
First Place in the May, 2024 Dialogue 500 Contest
#2319970 by Indelible Ink

 Libtertalien  (ASR)
Some nonresident aliens don't pay taxes. Dialogue 500 entry.
#2318861 by Jeff masquerading as Deadpool

 Invalid Item 
This item number is not valid.
#2317012 by Not Available.

 
STATIC
Twenty-three  (E)
A man finds a strange message on a beach. 2nd in No Dialogue Contest, September 2023.
#2303941 by Beholden

 
STATIC
Friendship  (E)
No Dialogue Contest Entry February 2021 - 3rd Place
#2243437 by Lovina

 
STATIC
Interview with a Leprechaun  (18+)
written for the Dialogue 500 challenge. Prompt: fun with the wee folk.
#2079588 by GaelicQueen

 The Crazy Professor  (ASR)
Except, the Prof might not be the crazy one. DIALOGUE-ONLY story for The Whatever Contest
#2280144 by THANKFUL SONALI HAPPY WDC 24

STATIC
WDC Power Challenge Bird Story  (E)
Dialogue between birds in image for WDC Power Challenge.
#1790474 by Princess Megan Rose 22 Years

 
STATIC
A Life Together  (13+)
Two become one, then one again [No Dialogue Contest, 2/2020]
#2212257 by Writer_Mike

 
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Ask & Answer

Replies to my last Short Stories newsletter "Emotional Fiction Writing"  that asked Which emotion do you think you write well? Which emotion would you like to write better?

markmore wrote: great newsletter. I think all of my characters are emotionally troubled . my problem is figuring out how to show them correctly.

I guess that's the problem in all story telling. How to get the message across?

brom21 wrote: I have to consciously put emotional reactions into my characters especially and fear. I constantly must check for lines like-"He was full of fear" or "He was overwhelmed with dread." I get the same thing with shock and surprise. I have more or less learned to assign decent emotional descriptions to human feelings. Like I said, it takes some effort to do so. Thanks for the NL!

I agree that it's hard to catch those phrases that come so easily, but really don't feel like anything to the reader. I too have to figure out how to make my reader feel emotions instead of reading about them.

Bikerider wrote: Your May 7th Newsletter, Emotional Fiction Writing was very informative. I sometimes use The Emotion Thesaurus which I find helpful to describe a character's inner emotions. I've also found that using the senses can evoke emotion: a song that was popular when you dated your first love can lead to emotion, so can the smell of the ocean that reminds you of your honeymoon/vacation etc., or even the touch of your lover's fingers on your skin. And many more. Thanks again for the informative newsletter.

Whoa! Great answer with some superb tips. Thank you!

dragonwoman wrote: Thanks for including my flash "The Good in Advertising" in your picks.

Thank you for writing it.

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