*Magnify*
SPONSORED LINKS
Printed from https://shop.writing.com/main/newsletters/action/archives/id/3407-.html
Action/Adventure: November 25, 2009 Issue [#3407]

Newsletter Header
Action/Adventure


 This week:
  Edited by: Kate - Writing & Reading
                             More Newsletters By This Editor  

Table of Contents

1. About this Newsletter
2. A Word from our Sponsor
3. Letter from the Editor
4. Editor's Picks
5. A Word from Writing.Com
6. Ask & Answer
7. Removal instructions

About This Newsletter

Greetings! I'm honored to be your guest host for this week's Action & Adventure Newsletter.

One can say that life itself is an adventure, as we daily encounter (fellow writers, we don't merely pass by, we notice) something to solve, surmount, answer, question - you get the point And we can write of such adventure, real or invented, in a number of genres. Adventure stories and poems can be romantic, historical, science fiction, fantasy, mystery....

Action, by definition, is movement. Action and Adventure stories and poems therefore are intense, forceful and maybe violent. The action keeps your reader involved, on edge, and needing (not just wanting) to keep reading ~ and moving from one place to another.


Word from our sponsor



Letter from the editor

         Greetings, action scenes are tactile, vivid, engaging the senses to make your reader a part of the story or poem; ratcheting up the pace, making him/her need ot turn the page or continue to the next stanza. While writing an action scene, do you sometimes find yourself squeezing the words from your pen, or pounding them out of the keyboard? Does your body sometimes tense up, breath speed up, along with that of your characters?

         Then, do you sometimes get lost along the way? One vivid scene in your adventure comes to a close and another waits to begin (or continue), How to connect them so that your reader stays absorbed in the story, needing to turn the page to continue the adventure. How to keep the chain of events and interactions going for your characters and readers.

         Transitions provide such links between chapters, scenes, stanzas, even paragraphs. In action/adventure stories and verse, when effectively used, they provide a link between settings, direct the reader's (and sometimes the character's) attention to the action about to take place or a foreshadowed reason for an action.

         Transitions can direct the reader's attention with just a few words ~
         *Bullet* Move your reader from one locale to another.
         *Bullet* Move your reader through time - recalling the past or foreshadowing future action.
         *Bullet* Change point of view or perspective.
         *Bullet* Shift the tone or mood, picking up the pace or probing with a bit more depth.
         *Bullet* Conclude one action.
         *Bullet* Create associations in the reader's mind.

         Now, how do we apply transitions to move the action from one place to another, or pass the ball from one character to another, while keeping the images tight and vivid, making our readers need to turn the page and continue the adventure.

         *Bullet* Time ~ via adverbs such as then, now, meanwhile, later, once again or adverb sentences such as Five years passed with the goal no nearer.

         *Bullet* Place - either with single words or phrases, or sentences, such as here, there, beyond, Inside the cabin.{/ii} Also, movement from one place to another - action - I closed the door, leaving the plane and such things familiar, for the vast open green of the forest. Here also in a longer piece, using a space or chapter break prepares your reader for another locale or perspective.

         *Bullet* Point of view or perspective. Changing from first person to third-person, for example, to introduce a change of venue or perception for the adventurer by introducing a battle or vivid interaction with new surroundings. Changing perspective, while holding the same point of view, from the adventurer to perhaps the antagonists's eye and hand.

         *Bullet* Focus - either on a comparison of what's different or what's the same in a different locale. For example, Sam was sweating profusely despite the sudden drop in temperature as the plane nosedived into the snow bank. Here we focused on Sam's tension/attitude while moving him to another locale - action.

         *Bullet* Emphasis - comparing or contrasting one thing to another - i.e., further, but, yet, not only, in fact This would emphasize what is to follow immediately afterwards.

         I think these are the most effective transitions in adventure writing, drawing the reader deeper into the action, keeping him/her turning the page to see what will happen next.

         Meanwhile, we can scroll down and embark on some adventures with fellow writers in our Community. See, a transition inviting further action


Editor's Picks

A few Adventures devised by members of our Community for your reading ~ and reviewing ~ pleasure

 Invalid Item 
This item number is not valid.
#1401814 by Not Available.


 Invalid Item 
This item number is not valid.
#1610129 by Not Available.


 Invalid Item 
This item number is not valid.
#1612216 by Not Available.


 Count Down To Lift Off  (E)
This is a short poem that came to me after reading an Artur C. Clark book
#1559563 by PoeticFox


 Meet Ms. Bond  (E)
An action comedy of a spy wanna be!
#1609003 by KhyatiSoparkar


 The beginning. Chapters 1 & 2.  (13+)
This is how it all started
#1578672 by Author00


 Invalid Item 
This item number is not valid.
#1465537 by Not Available.


 Halwort's Flight  (ASR)
A Prince betrays his Kingdom, and the Duke is sent to capture him. Short : )
#1521720 by Poplar


 The Adventures Of Unfortunate Brian   (18+)
Recently revised. Humorous,sci-fi/fantasy story yet to be completed.Has some expletives.
#1532531 by rab may


 Is this what you call - paradise?  (18+)
You may have known me as "Lick". Another attempt at mashing prose and poetry together.
#1586701 by First Light



 
Submit an item for consideration in this newsletter!
https://www.Writing.Com/go/nl_form

Word from Writing.Com

Have an opinion on what you've read here today? Then send the Editor feedback! Find an item that you think would be perfect for showcasing here? Submit it for consideration in the newsletter!
         https://www.Writing.Com/go/nl_form

Don't forget to support our sponsor!

ASIN: B083RZ2C5F
Amazon's Price: $ 19.99
Not currently available.


Ask & Answer

         I thank you for having me as your 'guest' host this week, and wish you a joyous holiday with loving family, dearest friends, and stalwart muse ~ an adventure forthcoming*Smile*

Happy Thanksgiving


Kate
Kate - Writing & Reading



*Bullet* *Bullet* *Bullet* Don't Be Shy! Write Into This Newsletter! *Bullet* *Bullet* *Bullet*

This form allows you to submit an item on Writing.Com and feedback, comments or questions to the Writing.Com Newsletter Editors. In some cases, due to the volume of submissions we receive, please understand that all feedback and submissions may not be responded to or listed in a newsletter. Thank you, in advance, for any feedback you can provide!
Writing.Com Item ID To Highlight (Optional):

Send a comment or question to the editor!
Limited to 2,500 characters.
Word from our sponsor
ASIN: B01DSJSURY
Amazon's Price: $ 5.99

Removal Instructions

To stop receiving this newsletter, click here for your newsletter subscription list. Simply uncheck the box next to any newsletter(s) you wish to cancel and then click to "Submit Changes". You can edit your subscriptions at any time.


Printed from https://shop.writing.com/main/newsletters/action/archives/id/3407-.html