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69 Public Reviews Given
114 Total Reviews Given
Public Reviews
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1
1
Rated: 13+ | (5.0)
This is one of those poems that stick with you for a very long time. I read this poem for the first time perhaps two years ago. I think of it occasionally and it echoes through my mind as if from a watery grave. It has all of the makings of a classic poem. It has its roots in reality, from the core of the earth. It has just enough repetitiveness to be captivating. It does indeed seem to well up from someplace deep and threatening. I feel as though I can hear the whisper echoing through time. Very well done, Ms. Enga. Continue to write and think deeply so that you might produce more amazing pieces such as this.

Keep writing,
Rebecca
2
2
Review of A Ship in Harbor  
Rated: E | (3.0)
Hello there! I am going to be reviewing your poem, "A Ship in Harbor
*Pencil* First Impressions:
A pleasant tale of a sailor returning who reveres the sea.

*Pencil*My Favorite Part:
In return we keep her well tended

A ship in the harbor is where the sailors life ended.


*Pencil* Suggestions:
(All suggestions here are based on my own opinion and I hope you feel free to take them into consideration or disregard them as you see fit.)

*BulletV* Alas, as we pull in from a long journey Made,. I feel like "Made" is confusingly capitalized. I don't get any sense of personification or importance that would require it. Also, with palatial in the line: Her berth oddly Palatial.

*BulletV*And listen to the vociferous cry [of] seagulls aloft

*BulletV*The narrating sailor refers to his position as unimportant: The platitude of my post I have finally escaped. It implies he does not enjoy it and he felt trapped by it. Yet he seems to respect his life as a sailor when he refers to the berth place of the ship as palatial and keeping it well tended.

*BulletV*The point of view of this piece is first person up into the last sentence, where it turns to third person omniscient: A ship in the harbor is where the sailors life ended. I would suggest separating this from the previous stanza to physically mark the shift, else it seems a bit to sudden for me.

Also, grammatically, it should be sailor's life because it is possessive, or it should be sailors lives ended.

There is also a confliction of tense in the last sentence. You are present tense up until this point, and I think it would be better if you continued that (mostly because there is only one wrap-up sentence and any changes seem abrupt to begin and to end.

Composite suggestion: "A ship in the harbor is where a sailor's life ends."

*BulletV*You are the third review I've given this week with a great intention of punctuation :) However, there are a couple of iffy locations for both punctuation and spelling. My corrections are in bold:

I look upon the moorings as they slide through the chock [removed period]

And listen to the vociferous cry seagulls aloft

---

As if they hadn't moved [removed period]

Since [spelling error] I departed last year.

---

The platitude of my post I have finally escaped [removed period]

[apostrophe added:] 'Til the sea calls me back

---

My family in tow [spelling error and removed period]

---

I look back at her mast [removed period]

---

She brought me to places both fair [I was not sure if you meant fair (decent, good) or far] and wide.

---

*BulletV*Her berth oddly Palatial. I wasn't sure if you meant this to be a fragmented thought, but I thought I would point it out to you. Perhaps: "Her berth was oddly palatial."

*BulletV*I also want to point out that you did not identify the subject when you said: She brought me to places both fare and wide. You may want to consider identifying the "she" as the ship, because if I had not known that berth was a naval word, I might not have quite grasped the shift as well.

*Pencil* Overall Impression:
A good idea and story, but it needs some tuning up. You use a few fancy words that almost seem out of place, and there is an amount of spelling errors that need fixing. I wish you luck and continue writing and revising!



All love, and happy revising,
Rebecca

*Pencil* My review has been submitted for consideration in"Good Deeds Go Noticed.
3
3
Review of Checkmate  
Rated: E | (4.0)
Hello! I've got a review for you! :)

"Paranoia is quite common in men known to engage in somewhat devious behaviour, "Walter replied. "If you live a life that leads many a men to become your enemy, eventually you must begin to wonder if some form of retribution is coming your way."

The quotation mark is in the wrong place after the first dialogue, next to Walter instead of behavior. Also, the phrase "many a men" is incorrect. To be grammatically correct, it would be: "many a man."

It hurt he didn't care.
This needs to be two sentences, or separated by a conjunction or semicolon: "It hurt. He didn't care." or "It hurt but he didn't care."

"What did you do," his voice was straining. "What did you do, Richard"
A bit of punctuation is needed here, a simple question mark after Richard.

"The poison you gave me, it'll take quite a few more spins of this minute hand before it finishes me off," he grinned as he tapped his finger lightly against the watch front. "But the stuff I gave you? It goes through the blood stream and that's much, much faster. Only a couple more spins of that hand around and...yikes, that's it."
In this part, I get a bit twisted up in the dialogue. It says a few more spins of the minute hand until the poison would kill him, and then a couple more spins of the hand and... yikes. Then it also says that the poison Richard purchased worked in about a single minute, which means that the two references to the minute hand were either contradicting each other, or the latter was contradicting the approximation of a minute.

He resisted saying anything else and left the room, ready to expunge the poison from his system.
Expunge doesn't seem to fit very well. It means more of to erase. Expel would be the word I think would fit better here, and perhaps flow a bit smoother.

Walter's eyes slowly rotated around in his skull, the last remaining movement of his body. He looked down at the broken broach on the table - the mangled metal, the scarred diamonds, the golden pin coated with the poison and his blood.
I understand that in this part, you are trying to say that the broach was coated with poison and that it how it got into Walter's bloodstream. But I only came to that conclusion after first thinking that the poison was in his blood was how it got on the broach. I eventually did reason it out, but you never want a reader to have to convince himself or herself of how something happened when unsure of something. I would suggest including a phrase such as, "...and the golden pin, now able to see the think dust of the poison on the tarnished surface." Just a little something to help the reader along. Also, it says his eyes were rotating in his skull but them he looked down at the broach. In a purely physical aspect, it seems kind of contradictory that when your eyes are rolling around you'd be able to find something to specifically look at let alone focus on. Maybe saying "his eyes came to rest upon", or "through the tumbling haze of his vision, he found the shape of the broach."

What a cheap worthless trinket.
How a story ends is probably the most important part. It leaves the reader with a sense of "Ah, that was good," or "Gee, I wonder what happens next?" or several other powerful thoughts and emotions. This last phrase lacks that sort of "Umph" that should mark the ending of a tale such as yours. I wanted to hear his last thoughts, regret or anger, betrayal or concession. Try to find something that will leave a lingering emotion in the reader and possibly make them want to read more of your work!

All in all, this story felt a bit forced. It was kind of strange that these men would be so ready to poison each other. I guess my issue was that Walter did not seem suspicious over the fact that Richard was not suspicious.
I wanted a bit more of a back story, even more information about this girl, to give me a sense of their motivation. Why are they both willing to kill each other?

I hope that I helped!!

All love,
Rebecca
4
4
Review of October's Lie  
Rated: ASR | (4.5)
Hey there,

"After watching Mike turn toward the house, Amy continued to the car, her thoughts whirling back to October the year before: rushing her tiny daughter to the doctor’s office, then to the hospital; watching the infant struggle to breathe; standing helplessly by as Dina took her last gasp. " Using the word 'gasp' here seems incorrect to me. When I think of babies I think of crying and sighing and whining, not gasping. The word gasp just seems too strong.

"We, I had Dina for six months, her smiles, her love, her arms around my neck. I wouldn’t change having her, even if it meant missing the grief.”
I'm not sure how you meant to have this spoken exactly, but the beginning should be one of the following:
"I --we-- had..."
"We... I had..."
"We had..."
"I had..."
"We--I--had..."

With a wry grin, she added, "Huh, I'm repeating myself a lot."

“Amy, don’t . . .”

“Please, let me finish. I’m scared about this baby, too..."

You said "Please, let me finish..." when it didn't seem as though he was interrupting her.


A heavy sigh raised the chest under her hand that gripped his shirt.

Whoa, there seems to be too much going on in this short li'l sentence. Four subjects: sigh, chest, her hand, his shirt. Three verbs: raised, under, gripped.

“No, my love, they can’t ever be the same..."
this seems much too old-fashioned for a piece that seems so modern. 'my love' isn't a term that is often heard and lesser read.

All love, and I really hope I helped you out some,
Rebecca
5
5
Review of Redeemed  
Rated: 18+ | (5.0)
Hey there,

in my opinion, this was fantastic, the perfect tale of modern horrors and sin combined with instinctual survival and psychology.

I can't make any edits on story line, it was too good. But there was one typo: 'paralized' is supposed to be 'paralyzed'.

All love, and good luck
Rebecca
6
6
Rated: E | (5.0)
Hey there, again,

this poem was very touching. The diction alone was weaved intricately into the poem to the point where it was in perfect balance, not so plain to be boring, but not so overcomplicated to be incomprehensible. The message given was also very good, and the picture brought an image of my own Christmases to mind.

Might I suggest, that you put in some sort of separation for stanzas, or even random intermissions? Because if I am just looking at it without having read anything, the huge block of text seems daunting and solid which is truthfully unlike the fleeting words that are light and paint pictures. So the look of the poem can have an effect on who actually reads it. Just food for thought!

All love,
Rebecca
7
7
Rated: E | (4.5)
Hey there, again and again :)

This poem had a mystical and mythical theme to it, which I found very enticing. It was alluring through its descriptions and brings back thoughts of childhood fairy tales.

However, the first stanza confused me, because it was basically all just one big run on sentence, and that made it difficult to see what the subject and purpose of the sentence was.

The rhymes were well done, and there didn't seem to be much of a strain to fit the poem to the rhymes like there sometimes is.

Continue to write, and I may pop back up later to review again, :)

All love,
Rebecca
8
8
Rated: E | (3.5)
Hey there,

the poem wasn't that bad in and of itself, but the ending summation didn't quite make sense to me. The preceding parts of the poem were very spiritual, but then to go in and throw a physical bestowal such as career and money, it seems superficial and anticlimactic. The courage and strength you mentioned were honorable, but to have a throne of money rather than a throne of wisdom and health, seems contradictory to the rest.

All love,
Rebecca
9
9
Rated: E | (4.0)
Hey there,

the connection between the cloud's physical visuals and the metaphorical sense it has from the perspective of a parent and spouse, does not match up very well, I think.

Much poetry takes you to a literal place and gives you that impossible experience, and I thought that was what this one did, but it changed to a metaphor. So I think your beginning is misleading, but it's not entirely bad. :)

All love,
Rebecca
10
10
Rated: E | (4.5)
Hey there,

this poem was cute and had a good rhythm. There was only one iffy spot for me:

"But lately, he’d been begging for more
Of this wholesome, delicious, plentiful food;
He began to wander toward these fruit trees for
More constant feasting, every time he could…"

Could and Food don't rhyme, one has an 'oo' sound and the other a 'uh' sound, and they just don't match. I suggest rearranging something to be able to replace one of the words with a better one that rhymes, to keep flow.

Other than that, very well done.

All love,
Rebecca
11
11
Rated: 13+ | (4.5)
Hey there,

to be honest I wasn't quite sure what was really going on here, but I have to say I did really like the rhythm and rhyme you used, as well as the pattern of every other stanza. Very well done in that respect, and since I can't comment on the content because I don't really know what is going on, I'll just stick to the basics.

The title didn't quite seem to fit with the words, because the general gist seemed to be about hero versus villain and fighting and such. But there was no mention of a meal or even a chronological time, so I'm not sure that 'last meal' makes sense.

and even though I didn't know what happened, the ending seemed to wrap up nicely, speaking of his death and his success in his death at the same time.
Good luck with your future writings.

All love,
Rebecca
12
12
Review of A Clown's Tears  
Rated: E | (3.5)
Hey there,

One grammatical edit:

'i went in and was so scared of these people that looked characters from a movie

The first 'i' should be capitalized, and there should be a proper quotation mark at the beginning, and between 'looked' and 'characters' you should insert the word: 'like'.

The ending seemed like a stretch. You went from a story of looks and such to a quick change of dialogue to speak of God and superficial beauty, which seemed to add an entire separate facet to the story.

The story in general seemed to go along to quickly, starting off at one point in time and telling the minimum to get by to the next part of the story and then to the end. It seemed rushed. I would either shorten the time span or lengthen the story to match it.

All love,
Rebecca
13
13
Review of Once Upon a Time  
Rated: ASR | (5.0)
Hey there,

this was a very strong poem with a very strong message. I wasn't sure if there was supposed to be a rhyming scheme, and that confused me at first, but as I kept reading and began to pay attention to the words instead of the rhyme and rhythm, that's all I could keep my mind on.
Very well done, and I wish you everything and the best.

All love,
Rebecca
14
14
Rated: 13+ | (5.0)
Hey there,

I do have to be honest. I haven't the slightest clue as to what was going on. Probably, I'm just not up to par/snuff on what's all going on in the world, and all of the different facets of those events. However, in my few words, I can tell you that I did like the use of bold and italics. It was unusual to see, but there is also no reason not to! It draws your eyes to those parts.

Might I suggest, to take it to the next level, write something that has emboldened portions, with a relation between the things that were put in bold. Make some sort of underlying meaning to it, rather than the usual 'look at me because I stand out' reason.

I was also impressed by the magnitude of the rhyming in some sections, well done!

All love,
Rebecca
15
15
Review of A Dark Decision  
Rated: E | (5.0)
Hey there,

Rebecca here,

I read your piece, and welcome to the site!

There was one near-rhyme I didn't quite like in the second to last stanza. But other than that, a good image into my brain! lol

Enjoy your time hear at WDC!

Rebecca
16
16
Review of Portsmouth  
Rated: ASR | (4.0)
Hey there,

I'm popping by to fix up any quick grammar issues I see, if you don't mind much. Very fist sentence:
"It was not the largest port city in the world, nor was it even the largest city in Acacia; but unlike the port cities in the mainland it was unique in the way that a certain face is unique."

It is a good sentence in and of itself, but there are a couple issues I hold with it, both preferential and grammatical. Preference: you use the word 'port' twice, and 'city/cities' three. Plus, the ending with the 'unique' and 'unique' is confusing, because you don't describe why a face is unique and from what. Grammatical: the semicolon is improperly used. Semicolons are used to join two separate sentences into one, sort of like a period, but not as serious. This sentence however, needs a comma instead because it is a single sentence with a compound clause. The 'but' implies a modification to the previous statement, and so is not an independent sentence, worthy of the semicolon or the even greater period.

All love, hope it helps,
Rebecca
17
17
Review of A Few Quick Ones  
Rated: 13+ | (4.0)
The story has a good concept, but the anagram ELF does not match Executing Linking Program.

Buddy / buddy <since it is not the elf's real name, it should not be capitalized>
'tack' / 'tactic'
'Yumans' / 'Humans'
"Feeling foolish at talking to his computer’s screen image George was nevertheless eager to explain the intricacies of programming." / Feeling foolish at talking to his computer screen image, George was nevertheless eager to explain the intricacies of programming. <comma, take away 's from computer> <also, this sentence is improperly set up. To make it right, change the first clause by changing it to "Even though George felt foolish for talking to an image on the computer screen, he was nevertheless eager to explain the intricacies of programming." , or take out the conjunction (nevertheless).
-jiggered- I am not sure if that word fits well in this context.
There was a burst of light “Christmas Shopping” appeared on the screen. / There was a burst of light and the words: 'Christmas Shopping' appeared on the screen.
There were holly wreaths and bells and snow - a detailed menu promised on-line shopping, virtual tours of a mall with gaming and multiple players possible whilst one shopped. / There were digital holly wreaths and bells and snow - a detailed menu promised on-line shopping, virtual tours of a mall with gaming and multiple players possible whilst one shopped. <clarify at the beginning of the sentence that it is all animated on the computer screen>

Additional:
There is a lot of dialogue here, and while it is good, it is easy to lose track of who is saying what. Try adding in 'he said' 'the elf whispered' or other indicators like that so the reader knows who is talking.
ELF or elf – he always had success thenceforth <success in what? Clarify whether it is monetarily or just with his programming>
18
18
Review of Beached  
Rated: 13+ | (3.5)
Your Current:
The remains of my only hope of survival drift ashore. Wooden debris surrounds me, as if the ocean were mocking me – showing me its power and aggression. It could have let me go to freedom if it wanted, but it didn’t. Like everyone else back home, the ocean wanted to see me suffer, it’s no different.
The cuts on my feet sting as sand becomes caught in my bleeding wounds. I almost fear walking. I know it will hurt… Maybe I should jut lie back and wait for the tide to come in, then drag me back out to sea. Let the cruel bitch finish me off.

My side hurts…

The sun glares off the seemingly innocent surface of the ocean, blinding me whenever my gaze moves forward. Everything is against me. The water. The sand. The sun. Wanting to kill me, hurt me and blind me.

I can feel pins and needles in my side…

No one will ever find me. If I can barely survive in a civilized society, how will I survive here on my own?
I’m always looking for the easy way out… But I tried this time. I really did.

The feeling in my side is almost unbearable now. I have to see.

The barrel of a gun is wedged between the ground and my hip… Tightly… I noticed the pain but I didn’t notice the gun. I forgot all about the firearm being amongst the wreckage.
I pick up the handgun and hold it in my hand, staring at it. It’s almost peaceful in its own deceptive way. The logical side of me, the honest side of me, the side of me that still cares, says for me to throw it away. Into the ocean. Forget about it. Let the tide get rid of it. But the selfish side of me says to keep it. Think about it. It could be the answer to all my problems. It will be the answer to all my problems.
I’m always looking for the easy way out…


My Suggestions:
The remains of my only hope of survival drift [My only hopes for survival have drifted] ashore. Wooden debris surrounds me, as if the ocean were[is] mocking me – showing me its power and aggression[elaborate on the wooden debris, tell how it is actually the ship, or how "you" had hoped it would be your savior, yet now is not]. It could have[omit this word] let me go to freedom if it wanted[wants], but it didn’t[won't]. Like everyone else back home[elaborate a little on how they wanted to see "you" suffer], the ocean wanted[wants] to see me suffer, it’s no different.[end the sentence after 'suffer' and have the next three words as a single sentence, it will make it more powerful and direct]
The cuts on my feet sting as sand becomes caught in my bleeding wounds[omit]. I almost fear walking. I know it will hurt… Maybe I should jut[just] lie back and wait for the tide to come in, then[let it] drag me back out to sea. Let the cruel bitch[way too informal after the nice prose preceding it. Perhaps change it to 'the cruel ocean' or 'the cruel waters'] finish me off.

My side hurts…[put in italics, it makes it more of a thought, sneaking its way into the scene rather than an in-your-face statement]

The sun glares off the seemingly innocent surface of the ocean, blinding me whenever my gaze moves forward[awkward. Replace with 'falls upon it' or something equally fitting]. Everything is against me. The water. The sand. The sun. Wanting to kill me, hurt me and blind me.[Perfect example of a list without conjugates. Link the sentence together, to keep the drama, and get rid of the conjugate at the end. 'The water, the sand, the sun. Wanting to kill me, hurt me, blind me.']

I can feel pins and needles in my side…[italics]

No one will ever find me. [addition: No boat, plane, person, friend. No one.' It will parallel the earlier sentence, and add a sense of thought and urgency in the thoughts] If I can barely survive in a civilized society, how will[replace with: could] I survive here on my own?
I’m[this particular part needs past tense] always looking for the easy way out… But I tried this time. I really did.

The feeling in my side is almost unbearable now. I have to see.
[had to stop reviewing past this point. Thanksgiving events, and all. Have a wonderful holiday!]


The barrel of a gun is wedged between the ground and my hip… Tightly… I noticed the pain but I didn’t notice the gun. I forgot all about the firearm being amongst the wreckage.
I pick up the handgun and hold it in my hand, staring at it. It’s almost peaceful in its own deceptive way. The logical side of me, the honest side of me, the side of me that still cares, says for me to throw it away. Into the ocean. Forget about it. Let the tide get rid of it. But the selfish side of me says to keep it. Think about it. It could be the answer to all my problems. It will be the answer to all my problems.
I’m always looking for the easy way out…

You begin in present tense, yet switch in and out of past and present. Underlined portions include the conflicting portions. Bold brackets include suggestions.
Italicized portions followed by not-bold brackets indicate grammatical or other suggestions.
19
19
Review of I Miss  
Rated: E | (5.0)
Hey there! I've come to review you! Be scared! Okay, don't be scared. But be a little nervous, at least, 'kay? x]

I found this piece to be wonderfully personal. It makes the reader want to get to know the family, because there are such inside references. The most of which being:

The hearty laughter, especially when Uncle Tim did impressions,
My aunts playfully arguing over who was prettier,

Those lines have names which creates a sense of togetherness and close knit family behind to words of the poem. I find that in a piece of writing, the reader's speculation is what matters most. They speculate on the world behind the poem, which makes it all the more enjoyable to them.

It is interesting how you do not address your grandmother as herself until the last line, especially since it was the poem indirectly told the reader who it was throughout the poem. It was a good addition though, as it clarifies it and adds a nice conclusion feeling to the poem.

Very well done.

Rebecca
20
20
Rated: E | (4.5)
Hi there, Rebecca here. And I will be reviewing you today.

It is slightly unusual for me to rate a folder, but seeing as how I am more commenting on our portfolio than your specific items, I thought I would review it.

Suggestions:
On your profile page, I suggest that you enter a bio block. It helps people associate with you better when they visit. If you don't know how to do this, see below. If you do, get to it! :)

Instruction:
Near the top of the screen you will see a beige bar reading: My Account/My Blog/My Portfolio/My Gift Points/My Favorites/My Feedback.

Click on My Account.

When that page is finished loading, on the right hand side of the body of the screen, you will two boxes. One labeled: Registered Author, the other: Account Settings & Options. Just below the second box, is a link titled: Edit Text & Special Settings.

Click on that link.

When that loads, you will see a big blank box in the middle of the screen. Shortly above that, is the header: Bio Block.

Type whatever you want people to know about you in that box. Name, age, where you live, what you do, how long you have been writing, etc.

_________________-------------------

And that's it! You'll have a more hospitable portfolio for all!

Sincerely,
Rebecca

Courtesy of,
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This item number is not valid.
#1396511 by Not Available.
21
21
Rated: E | (5.0)
Hello, I'm Rebecca, and I am going to be reviewing this here poem.

First Impressions:
I can literally feel the soon-to-be-mother's excitement about having a child. This poem is very origional, and I like it. A lot.

Suggestions:
I don't really have any suggestions for this piece. As far as I can see, there are no grammatical errors, nor spelling mistakes.

Applaud:
I love how the characters of the mother shine through, as well as the father --even though he has only one line.

Overall:
I love how this poem incorporates a personal feeling to it. I hope you write some more poetry!

Sincerely,
Rebecca

Courtesy of:
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This item number is not valid.
#1396511 by Not Available.
22
22
Review of Cold  
Rated: E | (4.5)
Hiya there Fel. Rebecca here, welcome to WDC! (writing dot com)

First Impressions:
It is well writen, without any noticable spelling or gramatical errors. The theme of the poem is good. I would have liked to see some metaphors though, it would have spiced it up a bit, or just an allusion to a cold night or ice veins. Don't get me wrong, it is good they way it stands, I just have my own taste in writing.

Suggestions:

None. No feeling of it’s own,
it steals mine,
None -- no feeling of it's own,
it steals mine,

You do not have to put the title above the poem, the header on the item takes care of that for you.

Some alliteration could also spruce it up a bit, and make it more enjoyable to read outloud (which is what I do when I read a poem).

Overall Thoughts:
This piece has a good message. It has a very personal touch to it. I would like to see you write more. Though you need not necesarilly keep it on the dark/cold side. I would like to see you write something else that is so descriptive about nature.

Overall, well done.

Keep writing in different forms, explore your talent.

Sincerely,
Rebecca

Courtesy of:
 Invalid Item 
This item number is not valid.
#1396511 by Not Available.
23
23
Rated: 13+ | (5.0)
Oh gee, I really do like this piece! I would be more than happy to see you win today's round! And you most definitely will, seeing as how I've already been hinted at by the judge that my piece strayed acceptably --but still strayed-- from the prompt.

Keep writing, and especially for the "Writer's Cramp"!

In reference to an actual review, I did not find any spelling errors, nor grammatical errors. The plot is well planned out, and explained explicitly in a way that is not outside of the piece's flow.

A 5.0 for you!

Sincerely,
Rebecca
24
24
Review of Confusion  
Rated: E | (4.5)
Hello, Rebecca here. I'll be reviewing this poem of yours today.
Welcome to WDC (writing dot com), I hope you enjoy the experiences you have here, and grow as a writer; writers are meant to evolve in their style of writing. I hope you explore different styles of poetry, meter, and rhythm.

First Impressions:
Well, it is short. That is not a bad thing, but some people do not like shorter poems. I fancy them a bit, always being interested in how people convey alot in a little.

The title does not seem to match up with the theme of the poem, in my opinion. In fact, it seems to show a great contrast. The poem seems to show clarity rather than confusion. I suggest changing the title to something that more represents it. A lot of writers are hesitant to do that though, wanting to stick with one title always, and not make many edits.

Appearance:
To make the poem more visibly aesthetic (appeasing), I suggest that you fix the grammatical errors. Mainly, I am referring to the capitalization at the beginning of each line. If we view a poem as a story, and put it as such, then errors become visible that normally wouldn't be.

To demonstrate:
Your piece:

Come.
Look me in the eye. Tell me what’s real.
Don’t turn your head
And expect me to follow your stare;
We’ve been playing this game for much too long.

Because you know that if you point it out I’ll
Look there too,
And never let on that I know,
And just pretend it’s not a smokescreen.
And life goes on.


If you put all of the lines as a paragrah, you will see how the capitalization and comma use comes into play:

Come. Look me in the eye. Tell me what’s real. Don’t turn your head And expect me to follow your stare; We’ve been playing this game for much too long.

Because you know that if you point it out I’ll Look there too, And never let on that I know, And just pretend it’s not a smokescreen. And life goes on.
-------------------
Below is the same thing, but with fixed capitalization and such. Areas I will be suggesting the editing of will be bolded, and at the actual suggestion will be after in between brackets [ ].

Come. Look me in the eye. Tell me what’s [what is (not contraction)] real. Don’t turn your head and [no caps] expect me to follow your stare; We’ve [no caps] been playing this game for much too long.

Because you know that if you point it out I’ll look [no caps] there too, And [no caps] never let on that I know, And [no caps] just pretend it’s not a smokescreen. And life goes on.
-------------

Overall Impression/Opinions:
I can definitely sense the demand for truth in this poem. It makes me think of certain times in a person's life when they want to see things as they really are, rather than a comfy lie.

I hope you keep writing, and putting your work in your port (portfolio) for everyone here to see.

Rebecca

This review is courtesy of:
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#1396511 by Not Available.
25
25
Rated: E | (4.5)
Hiya Newbie :),
Rebecca here, and I'm going to be reviewing this piece here for you, and offer some suggestions and the like. But remember, they are my own suggestions, and not a true reflection on your real styles of writing.

Welcome to WDC! (writing dot com)
{:blue}~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
First Impressions:
The title is hooking, it's what made me chose this piece to read in the first place.

Side Note Suggestions:
In the description, you say: "criticism accepted". That is, I feel, and unecessary comment. Of course criticism is accepted, that's why it is posted on this site. :) If you are trying to attract reviewers, instead of "criticism accepted", put "looking for reviews".

You have this piece marked as an "other", wheras your others are marked as poetry. This piece should be labled as "short story". You can fix that under edit (if you aren't clear as how to do that, just ask me, as well as any other questions you might have)

{:blue}~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Grammatical and Appearance Suggestions:

(below you will find a copy of your peice. In it, I will put in any suggestions I have between [ ] 's. They will also be in bold so it will be easier to see)
Also, I will italicize any conjunctions that aren't in dialogue. When writing a story, there should be not conjunctions save for when in a persons speech.

[BEGIN TEXT]

I wrote this a little while ago and I think I could make it good, but I need someone to tell me how. Please review. [this should be in italics, since it isn't a part of the story, or in brakets such as these]

[There is a house, which is quite unremarkable - could go into more detail on the blandness of the house, to give the introduction of the clock more contrast] except for one thing; it [houses- this word is said twice in this sentence. I suggest changing it to improve fluidity], in the dining room, a very curious clock; a grandfather clock. One need only look at it[comma] and need only listen to it[comma] to notice something curious about it. It's hard to put a finger on, [without writing a whole paper,- awkward portion of the sentence, suggestion: omit it] but there is something about the grandfather clock in that house[, change to --] something odd.

Perhaps it's the curvature of the wood, for though small parts of the wood are now splintered and shattered, its shape still remains. Perhaps it's the color of the paint[, change to --] that shade of light blue[, change to --] though I doubt it was always that [way (specify what subject this represents) change to "color"]. Perhaps it's the tarnished pendulum, which looks like it must at one point have been engraved. Maybe the sound it makes when the pendulum swings is what does it. That sound must be a laugh. There must be something that causes me[, change to a period] every time I look at the grandfather clock, or listen to it ticking, tocking, laughing almost[, change to ;] to nearly hear it say,

"I know something you don't know."

It makes me wonder what kinds of secrets this clock holds. It makes me wonder whether this clock has seen something, or known something that, by now, is ages old. Some secret someone took to the grave long ago, not knowing there was a witness, or an object, that held his secret. It makes me wander back through time, imagining, envisioning whatever secret that might be.

I can almost see some enterprising businessman in a blue [waist-coat = waistcoat] hosting a dinner with his colleagues, smiling because his life's work has at last [had]been accomplished. Never again will his family sink into poverty. Not once do his thoughts turn to an old grandfather clock, sitting in the corner of the room behind him, its blue, faded paint shining in the lamplight, smiling in a way, saying,

"I know something you don't know."

I can just imagine some group of patriotic Americans holding this house, fighting back a British assault. As pieces of wood fly around in frenzy, the noise quiets. For one moment, perhaps longer, the British hold back, or perhaps retreat. One of the soldiers inspects the damage on the house, finding that one of the bullets hit the old grandfather clock and splintered the wood on its side, scratching the blue paint, but other than that, it's fine. It still ticks and still tells time. Its tick even almost sounds like a laugh, perhaps a laugh of defiance? He turns to check everything else, and the grandfather clock behind his back wordlessly speaks,

"I know something you don't know."

Deeper into time my mind travels in its attempt to uncover this secret, back to an age of pirates, as a group of oddly dressed men are unloading a grandfather clock they just stole into this house, their headquarters. The captain and his most trusted advisers are seated around a table discussing the voyage and its profits. The only people to have thought of the grandfather clock are the two men who unloaded it, and they quickly turn to leave the room. They don't take much notice of the clock itself, its paint now a royal blue, its wood now smooth, its shining pendulum now engraved with a wondrous design, swinging in its place, ticking, tocking, laughing. Even then, the grandfather clock still says the thing it has been saying for centuries,

"I know something you don't know."

Whatever secret that clock holds, it must have held that secret since the day it was crafted. Since the day a pair of skilled hands created the [gently] curved wood, since the day those skilled hands engraved on the pendulum, and for some reason painted the wood blue. Perhaps an old master created that clock using all of the secrets of his trade. Thus, the clock's words would be intended for the other craftsmen, telling of a secret they could never replicate. Perhaps it was crafted by an apprentice who, not realizing his work would inspire curiosity hundreds of years later, simply gave it to his master to sell. Thus, the clock's secret would be that an apprentice crafted it. It seems more likely though that the craftsman was holding a different kind of secret. Something he wasn't allowed to tell, but told that clock. Something that he kept saying as he crafted it, not knowing that the words he was saying were shaping his work. Thus, the clock's secret would be the secret of its craftsman.

With all of my speculating, I still could not say for sure what secret that clock held[. change to comma] [or what]time it gained that secret. I stopped my speculating, and turned to face the clock.

"What happens when you fade? What happens when you are so far beyond repair that you can no longer hold your secret? What will become of that [secret change to "it"]?"

The clock seemed to slow for just a moment, as if considering this possibility.

"You are made of wood and that wood is already rotten. The medal of your pendulum is already tarnished. You of all things should know the workings of time. You of all objects should know the never-ending relentless pounding of that force. What secret do you have that you've never told? What small thing is so important? A treasure perhaps, hidden within your clockwork? A secret held by your creator?"

The pendulum mysteriously stopped swinging. For only a few moments, the pendulum just hung there. The clock just paused as if it was thinking. The inevitable doom of the words I had spoken had almost frozen the clock in time. And in a whisper, I promised,

"I will find your secret. I will uncover that word or trinket, or whatever it is you hold. I will not allow your secret to die."

The moment ended. The pendulum once more began to swing, as if pushed by some internal force[, change to ;] as if motivated by a spirit. The clock resumed its ticking. The silent laughter began again, the invisible smile returned, and the grandfather clock continued with its counting of time.

It took time and many disappointments, but motivated by a promise to an object that could not live, I traced the descendants of successful businessmen. I found one who had lived in the house that held the clock. The clock had been there before he moved in. I searched through volumes of books about the wars against Britain, and finally found a battle that occurred at the clock's home. The man who owned it at the time had bought it from elsewhere. I learned everything I could about pirates, and their hideouts, finding that one of the items stolen was a grandfather clock that they had placed inside their headquarters. Finally, I managed to trace the clock and the mystery back to the family that, four hundred years ago, gave the clock its secret. They even remembered what their ancestor's secret was. And they told it to me. I found the reason for the grandfather clock's laughter. I will not tell though, because [its = it's] better that if you ever see that clock, you'll see its smile. That if you ever hear that clock, you'll hear it ticking, tocking, laughing, and telling the truth when it says,

"I know something you don't know."

[END TEXT]

{:blue}~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

All in all, this is a good piece. I like the plot. It is very origional, and so is your style of writing.

I hope you keep on writing,
Rebecca

Courtesy of,
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