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5 Public Reviews Given
7 Total Reviews Given
Public Reviews
1
1
Review of A very bad day  
Review by WordMaestro
Rated: 13+ | (4.5)

FIRST IMPRESSIONS

This is a powerful story from start to finish. Your opening line did a great job of hooking me - and your succinct, descriptive prose held my attention right to the very end. You drew wonderful word pictures throughout the story. I think this is especially critical when you are talking about something like the battlefront of a war, which is foreign and unfamiliar to most people. Fantastic job!

GREATEST STRENGTHS

The clipped, raw style of prose you used was a perfect fit for this story. Also, your colorful word choice was instrumental in bringing the setting and action to life.

EXCEPTIONAL LINES

Here are a few really stellar sentences. This is just a short list of lines I would encourage you to KEEP in your story:

"Then Miller dropped. One pop. Not even a rat-tat. Just one. Then everything went to hell."

Okay, this is more than one sentence, but this bit of writing was just awesome.

"Through the fabric mask he could taste the fight. It was a nasty blend of dirt, blood, hot metal, and smoke."

What a great word picture. You just dropped me right down into the scene!

"The realization roared through his system and every inch of skin prickled."

Great way to describe the "lightbulb" going off in his head.

"He fired. Percussion. Pound, pound, pound. The backfire reminded him that this was real. His shoulder was gonna hurt tomorrow."

More fantastic imagery. Wonderful job.

SUGGESTED IMPROVEMENTS

One thing that didn't work for me personally is when you had Lippman give the boy with the bomb the name Tim. I am guessing you did this to try to personalize that character, which makes sense. But what would compel Lippman to mentally assign the boy a name in the midst of all the war chaos? That isn't believable to me, unless it is some kind of military practice - in which case that would need to be made clear.

THE NITPICKY STUFF

I have several minor things for you to consider...

"It was too hot, too dry, too brown. When there was a merciful break of rain, the sand turned to rank, boot-sucking-off mud that dragged you down and made you curse rain."

Your use of the phrase "merciful break of rain" threw me. At first it seemed like you were saying "when there was a break in the rain" - but that didn't make sense given your first sentence was all about being too dry. I had to re-read it to realize you meant that the rain was the merciful break from the heat. I suggest rewording this slightly so that it doesn't interupt the flow for other readers. Maybe something along the lines of "On the rare occasion that it did rain, the sand... etc."

"...the kind of fabric they used to use for flour" This is very nitpicky, but "used to use" sounds kind of clunky to me. Maybe "would use" instead?

"Now he was running and getting into everything, according to his frazzled wife. It was kind of funny. She wanted to know what he was doing, but he always lied. She worried enough even when thinking he did nothing but watch radar screens, which he did, in between the raids and door-breaking."

The use of "he" and "his" in the first sentence makes it sound like you are talking about one male person, when you are actually talking about two. You need to clarify which one is Lippman and which is his son. I would suggest referring to his son by name instead of "he" or "his".

The second issue I have with this section is there is no transition from talking about Lippman's son back to talking about Lippman in the third sentence. At first I thought we were still on the son when you said "She wanted to know what he was doing..." So we need to know you are back to talking about Lippman again.

"Shouts assaulted his ears, fighting for dominance over bullets and IEDS going off everywhere." The uninitiated (me included) may not know what "IEDS" are. It's a good thing to be accurate and realistic, but be careful when using military slang so that you don't lose the reader.

"Attentions were too scattered." This has an awkward feel to me. I actually think you could cut this line out completely - you already say in the line before that no one else saw the boy. If you changed that line to "Nobody else had noticed Tim", I think that is all you need to make your point.

"Just one pop. Lippman tried not to hate himself.

And pulled the trigger."


This is a dramatic ending, and I think you are on the right track, but I think it could also be improved. Instead of "just one pop", I would have liked a sentence describing his conflicting emotions (or maybe he doesn't even have time to process them?) as he aims his gun at the boy.

Also, the last line bothered me. I know sometimes in writing we start sentences out with "and", even though technically it isn't proper syntax. I do it myself. But sometimes it doesn't fit, and I think this is one of those times. In my own personal opinion, "Then he pulled the trigger." would work better as your final stand-alone sentence.


FINAL THOUGHTS

This was a very well written piece! I know I picked at several minor details, but when the writing is as good as yours is, it frees me to look at all the little things. I believe that by tightening some of these small details, you can take this piece to an even greater level. Really great job on this - I look forward to reading more of your work!

2
2
Review by WordMaestro
Rated: 13+ | (4.0)

FIRST IMPRESSIONS

You have true poetic talent! Your word choice is expressive and lyrical, and the poem conveys the depth of emotion felt by the narrator.

GREATEST STRENGTH

You chose strong action verbs and decriptors that held my attention and made the poem interesting to read.

GREATEST WEAKNESS

The narrator spends two and a half stanzas extolling the outward beauty of the person being described. But then, suddenly, we are told in one vague line that the person's heart strayed to darkness - and you abruptly close the poem by talking about your commitment to Christ.

Personally I think you just need to expand this poem a bit. It would help us feel the impact of your message if you added a stanza that contrasts the person's outward beauty with his/her inward ugliness. Show us the repulsiveness of the dark soul hiding behind the beautiful apearance. Then we will have a context for your final point - that you are enticed but not ultimately swayed by outward appearances.

FAVORITE LINES

I really like the word choice in this line:

"Your eyes absorb my soul and all it feels"

The verb "absorb" is absolutely perfect for this line and paints a wonderful word picture.

SUGGESTED IMPROVEMENTS

1. In the first stanza, your opening two lines read:

"Can raptured beauty be found in a man?
If so, it has divinely adorned you"


The second line is weak, because it is stated passively. I would suggest "divinely adorns" instead of "it has divinely adorned". By making it present tense, you automatically give it more power.

2. The next two lines in the opening stanza read:

"To the extent that God chose to command,
It's purpose, this abandoned heart to woo."


Two things. First a minor sytax issue - you need to remove the apostrophe from the word "It's". Second, these lines are a bit awkward to me. Particularly "this abandoned heart to woo". That just doesn't roll off the tongue naturally. You might consider rewording to flow more smoothly.

3. The first two lines of the second stanza read:

"Creation's Hand so fervently reveals
Beauty's grace for desire's eye to find."


I would suggest finding a way to express this without using three possesive contractions so close together (creation's, beauty's, desire's). This became distracting to me when I read it and interupted the flow.

FINAL THOUGHTS

I actually think you've got a strong first draft of a poem with a LOT of potential. You have the talent and tools you need to make this poem really shine - I encourage you to continue working on it. I would love to read future revisions. Great job, Sparrow. I hope this helps!
3
3
Review of What's Wrong  
Review by WordMaestro
Rated: E | (4.0)
You expressed perfectly what it's like to mask everything raging on the inside with an "I'm fine" response. I've been there, all to often!

I particularly liked how you connect stanzas with a common word or thought that brings up a new worry the narrator is dealing with. That is a great technique and really holds the reader's attention.

My suggestion for you is to revisit some of the lines in the poem that sound forced or are lacking proper meter. If you are going for a rhyming poem, the closer you stick to the meter you've established, the better your poem will flow.

For example:

"Oh no! The phone! The bill's past due.
Did his check get deposited today?
I hope it did or else I guess
the dial tone will go away."


Two issues here.

1) The second line's number of syllables is dramatically different from the fourth, so it sticks out like a sore thumb. There are several places like this throughout the poem.

2) The fourth line sounds a bit forced, in order to make it fit. The phrasing "the dial tone will go away" just doesn't sound very natural to me.

On a more nitpicky note,

He looks at me and says,
"Dear, what's wrong with you"?
"You're awfully quiet tonight,
is there something I can do?"


Can I suggest removing the closing quote marks on line two, and the opening ones on line three? It's all one thought so the extra quotes are distracting.

The thoughts are spinning when he says again,
Is something wrong? Something on your mind?
So I smile and say I'm sorry dear,
Nothing, nothing is wrong, I'm fine.


Since you used quotes in the opening stanza, I'd add them where appropriate here as well, like:

The thoughts are spinning when he says again,
"Is something wrong? Something on your mind?"
So I smile and say "I'm sorry dear,
Nothing, nothing is wrong, I'm fine."


This is a neat poem that, with a little tweaking, could really shine. I'd just revise it to improve meter and any syntax errors.

Awesome job!


4
4
Review of The Last Page (1)  
Review by WordMaestro
Rated: 13+ | (4.0)
Overall Impression

This is a solid work with many strengths. You have a knack for characterization and detail that breathes life into the scenes. For example, I enjoyed this sentence near the beginning that gave us a real sense of your main character:

"They all had some sort of idiosyncrasy that she could pick out by the time they left the place, and she made it her mission to find out what this quirk was each time someone caught her eye."

And here is a bit of description I particularly liked:

"She remembered standing there, gazing up at the intermittent streams of light that came through the high-reaching trees, and turning slowly in circles for a minute or two, searching for every last one of the rays that seemed to come from some distant land that lay above the treetops.

That said, I also think there is room for improvement in a few areas...

Suggestions:

In your excerpt you make heavy use of adverbs ending in "ly". I counted 12 in the first four paragraphs alone.

Ultimately, adverbs ending in "ly" should generally be avoided, theoretically because they unnecessarily clutter the flow of a normally fine sentence. If you get my drift...

Also, a word of caution regarding your wonderful attention to detail; too much of it can be as bad (or worse) than not enough. I was bogged down by excessive descriptiveness in several sections. Case in point:

"The Twin Creeks apartment complex sat in the north end of Tacoma, and was comprised of several hundred apartments, two tennis courts, a weight room and a pair of pools (one indoor, one outdoor) that seemingly always needed attending to. As she pulled into her parking spot, Karen climbed out of her car and walked down the concrete path in front of her until she came to a stairway and made her way up to her apartment on the second floor. After fiddling with the lock for a moment and giving the door a good shove, she pushed through the doorway and into her apartment.

Turning on the lights, she immediately opened up one of the sliding, wooden hanging doors on her right that opened into a small closet. On the floor lay a bookshelf that had once rested atop an old dresser of hers when she was a child. Taking her keys and purse, she placed them on top of it and peeked around the corner to the left at her answering machine. The small red light blinked twice at her as she walked around this tiny nook and into her kitchen.

She opened up the fridge, exchanged the remainder of her lunch for a bottle of water and looked around as she shut the door and took a sip. The small kitchen quickly gave way to the charcoal gray carpet that covered the rest of her apartment, and directly ahead of her lay a small, circular, wooden dinner table and two chairs, both of which faced out towards the balcony just beyond. Along the railing were four terra cotta pots with various plants spilling over the far edge, perhaps in an attempt to avoid her dirty, eighteen-speed bike that rested against the railing beneath them. The metallic black color had long since begun to fade through years of use, and her excursions into the muddy trails of Point Defiance, as well as to other areas affected by the Northwest’s mixture of dirt and rain, had left mud cakes so thick in some places that she dared not try to remove them. Bikes weren’t made to be kept clean anyway."


I feel your story would benefit from a "word liposuction" here. A brief paragraph describing her apartment would suffice -- let's get on with the plot! The reader wants to get to the action, and will tend to skip over long-winded descriptions.

Specifics

A few comments on specific portions of your story:

- "He never did anything to warrant anyone’s looking over at him for any particular reason, the coffee servers not withstanding"

The "anyone's looking over at him" gives this sentence an awkward feel. I suggest something along the lines of "He never did anything to warrant anyone's attention, the coffe servers not withstanding."

- "Now, however, with Spring in full swing, and the seemingly year-round Washington coastal rain and cloud cover lifting somewhat, he seemed a bit more inclined to allow a few inches of skin to actually meet with some of the sun’s rays from time to time."

There is room for debate, but to me this sentence could use some paring down. For example this part:

"he seemed a bit more inclined to allow a few inches of skin to actually meet with some of the sun's rays from time to time"

could be reduced to something like

"he seemed more inclined to expose a few inches of skin to the light of day"

and still have the intended effect without the wordiness.


- "never verbally asked any of the servers for something to eat or drink."

The word verbally is unnecessary.

- "As she headed for the door, she looked to her right and saw that the man was still there at his computer, seemingly unfazed by his surroundings, by what she guessed would be abject hunger by this point, and without any apparent regard for how long he had been sitting there in that uncushioned metallic chair."

A few notes on this sentence. (1) I suggest cutting the part about her looking to her right. As the reader, I frankly don't care what direction she looked. (2) I don't think "unfazed" quite fits the context of the sentence; a closer fit might be "oblivious". (3) If you're going to go for "abject", I'd recommend "abject starvation" rather than "abject hunger", as it has a stronger connotation.

Final Comments

Again, a well-written story worthy of additional revision. I suggest keeping "ly" adverbs to a minimum, and focusing more on progressing the plot while reducing the number of words you use in each sentence. Overall, bravo!







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