A collection of my poetry and short stories. |
There are a couple of very annoying pieces of advice making the rounds to writers these days. For some reason, the thought is that all names must be easy to pronounce and read. That they must be bland and common. And that all characters must talk with bland and boring language. Any writer that dares not to follow the advice is in for a good talking to and will receive a lecture about how publisher and editors won't accept their work. Or they will be told that readers will hit the first strange name, or piece of dialect, and stop reading. While I understand that there are probably some publishers and editors that might have a problem and that some readers might go cross-eyed with the stranger names, or dialog that is heavy with dialect, I have to argue that the advice is wrong. Imagine this scenario. You wake up in the middle of the night to flashing lights just outside your window. You throw on a bath-robe, dash outside and are startled to see, hanging above your backyard lawn, a large alien space-ship. Your mouth hangs open as a gaunt creature with four heads and ten arms crawls out of the ship and starts across your lawn. Before you have a chance to move, the creature stops and says, "Hi. My name's Jim. Can you tell me how to get to Mars?" I'll wait while you stop laughing. The above scenario is stupid because, with the exception of bad comedy movies, the likelihood of a creature from another planet being called by a common earth name and speaking common English is pretty low. Now we'll change the setting and instead of a flashing space ship, what's sitting outside your house is a wrecker towing a beat-up car. The driver is a muscular man with a dirty work shirt and greasy jeans. He walks up to you and say 'Howdy. Ma' name's Josiah. Ah'm lookin' fer Billy-Bob Horton. Kin ya tell me how ta find 'em?" This second scenario is no different from the first. We have a character who isn't from the common area. He speaks distinctly and has a name that's probably not real common but the advice will be heaped upon the poor writer to do away with the dialect. That the reader can use their intelligence to fill it in and to make the words readable. The writer will also be told, kindly of course, that their readers would rather have the character use a common name, so they can identify with it. To which I say: poppy-cock. All writers are also readers. I'm sure some have a problem with the dialect and odd names, but most probably don't. Not when they're reading. But wait till they start giving advice to other writers! As far as editors or publishers rejecting a piece, that too is nonsense. If it were true, there'd be no published books or stories in magazines with odd names and characters speaking with dialects. But there are. Lots of them. |