Poetry in April -- in celebration |
Pummeling the roof, grasping and rasping obsessed with a plan, one grisly storm sifts from the night my haunting dream. My childhood dream leaks through the roof, wobbling in the night, its low voice, rasping, drones with the storm in a wrinkled plan. This faceless plan of my reckless dream, fertile in the storm, captive beneath the roof, ravenous and rasping, devours the night. The resurrected night ravages the plan, overgrown and rasping, and my shadowed dream claws at the roof, blinding the storm. Tossing in the storm, the low-voiced night hammers from the roof the broken plan of my fateful dream on a crucifix, rasping. Exiled and rasping, I hide a storm inside my dream, tied to the night, shrouded by the plan, cursing at the roof. I storm to the roof, rasping, as dawn lights plan shackles for the dreams of the night. ==================================== Sestina From poets.org The sestina follows a strict pattern of the repetition of the initial six end-words of the first stanza through the remaining five six-line stanzas, culminating in a three-line envoi. The lines may be of any length, though in its initial incarnation, the sestina followed a syllabic restriction. The form is as follows, where each numeral indicates the stanza position and the letters represent end-words: 1. ABCDEF 2. FAEBDC 3. CFDABE 4. ECBFAD 5. DEACFB 6. BDFECA 7. (envoi) ECA or ACE The envoi, sometimes known as the tornada, must also include the remaining three end-words, BDF |