Reading, Writing, Pondering: Big Life Themes, Literature, Contemporary/Historical Issues |
I had a scary thought this morning concerning the oil spill. Not only is that broken pipe still pumping out oil despite the containment efforts, not only might the volume of oil pouring into the Gulf of Mexico be up to fourteen times greater than the quantity announced by British Petroleum, owner of the defective and destroyed rig-but hurricane season is fast approaching this exact area. Hurricane Season commences June 1-only 10 days away. http://www.nhc.noaa.gov/index.shtml http://www.latimes.com/news/nationworld/nation/la-na-oil-spill-20100521,0,776162... One positive point may be that where BP can't fix it, perhaps Kevin Costner, the actor can. He has worked for fifteen years, to the expense of $24 million, to find a containment solution for oil spills. http://feeds.latimes.com/~r/latimes/news/science/environment/~3/kWAnin1kf2s/la-n... Obax and The Night-Riders, A Stage Play continued: ACT TWO, SCENE FOUR April 26, 1863 Wesleyan Women's College Macon, Georgia, CSA REVEREND PRESIDENT FISK's Office Afternoon. (Lights up.) Sunshine through wide West windows pools on plush carpeting and highlights floor-to-ceiling bookshelves, STAGE RIGHT. Large desk is set just to North (or to rear) of West windows (nearly floor-to- ceiling) and is almost covered with papers, memos, and books. A quill pen, ink stand, and blotter are also on the REVEREND PRESIDENT FISK's desk, and a name plaque sits at the front left corner of the desktop reading “REVEREND PRESIDENT FISK RUFUS A. FISK.”) (Behind the desk sits a large heavyset man with chin whiskers, sideburns, all in white, and a thick head of white hair, combed straight back from his forehead. His face is jowly and fleshy, pinkish but not ruddy. Clearly he is of a temperate constitution, as befits a minister in the Methodist Episcopal Church.) (At a knock on the door, STAGE RIGHT FOREGROUND, he sets aside the book he has been perusing, and selects a telegram, which he holds just above the desk and reads carefully, frowning.) (A female secretary in a starched white shirtwaist and pale blue serge skirt, a graduate of Wesleyan Ladies' College and an alumnae, opens the door (STAGE RIGHT FOREGROUND) and peeks around it, addressing THE REVEREND PRESIDENT FISK.) SECRETARY: REVEREND PRESIDENT FISK, MADEMOISELLE WILLIS and her student VONDA LACEY are here, at your request. REVEREND PRESIDENT FISK: (nods without looking, reaches to his left for a second telegram) Thank you, Miss Barnes. Please give me one more moment and then send them in. SECRETARY: Yes, REVEREND PRESIDENT FISK, thank you. (bows out the door, closing it behind her.) (REVEREND PRESIDENT FISK sets both telegrams, one atop the other, back on the center cleared space on his desk. He then puts his elbows on the desk, clasps his hands, and rests his forehead on them. Clearly he is spending this moment in prayer. When he is finished, he raises his head, places both hands flat atop the telegrams, and calls out.) REVEREND PRESIDENT FISK: Come in, please! (Door opens STAGE RIGHT FOREGROUND. SECRETARY enters, ushers in INSTRUCTOR ARABELLA WILLIS, student VONDA LACEY, INSTRUCTOR VONNIE ANDERSON.) (INSTRUCTOR ARABELLA WILLIS wears a gray cotton dress with a white apron. Her dull black hair is pulled into a bun so tight that her complexion appears stretched. Her mouth is downturned and crimped. Obvious frown lines stretch from nostrils to chin.) INSTRUCTOR VONNIE ANDERSON, however, is elegant in a pale grey silk gown with ruffles vertically on the front, a pearl grey wide sash, and a white collar. Her high-button shoes are highly polished, as if they had just received the administrations of a bootblack, and her hair is pouffed at the front in the Gibson Girl style that will not become a fashion mode for another three decades, with curls descending over each ear. Her hair is a chestnut brown, lighter than VONDA LACEY'S, with golden-reddish highlights.) (STUDENT VONDA LACEY wears a chocolate brown, but stylish gown. Her shoes are also polished, but not to the glaring extent of INSTRUCTOR VONNIE ANDERSON'S. Her hair is combed neatly back and fastened into a French chignon just above her high white collar. Her expression is troubled, almost anxious, as she has been summoned from INSTRUCTOR ARABELLA WILLIS' Ladies' Deportment class in the morning, and told by REVEREND PRESIDENT FISK'S SECRETARY to report to THE REVEREND PRESIDENT FISK'S office this afternoon at two PM.) REVEREND PRESIDENT FISK: Come in, Ladies, come in. Please have a seat, MISS LACEY. (All three women note that REVEREND PRESIDENT FISK does not suggest either of the instructors be seated, but only the student.) (INSTRUCTOR ARABELLA WILLIS' frown deepens.) (INSTRUCTOR VONNIE ANDERSON looks unconcerned and even flighty, as always, and appears supremely unaffected by the dismayed glance given her appearance by REVEREND PRESIDENT FISK.) (VONDA LACEY moves to the davenport in front of the bookshelves at STAGE RIGHT and sits in the center, on the edge of the cushion, back very straight in the upright pose insisted on by INSTRUCTOR ARABELLA WILLIS' Ladies' Deportment course, but her hands are clasped in her lap so tightly entwined that their color has turned to pale.) REVEREND PRESIDENT FISK: (Looks up, gives VONDA LACEY on the davenport a considering, yet pitying look, straightens, clasps both hands atop the stack of two telegrams, then speaks.) REVEREND PRESIDENT FISK: MISS LACEY-VONDA-I regret very much to inform you that (sighs deeply) your father, and your brother (another deep sigh) have been lost fighting for the Glorious Cause. VONDA LACEY: (emits a low-voiced scream, gasps, bows her head and covers her face with her hands, sobbing quietly into her palms) REVEREND PRESIDENT FISK: You will need to hear some details, MISS LACEY, and then there is a little matter we must discuss. INSTRUCTOR VONNIE ANDERSON: Sir, MISS LACEY lost her mother just a few years ago, before she came to us here at The College. With this loss of her father and brother, she is now alone in the world, with no Guardian and no remaining close family members. VONDA LACEY: (voice muffled by hands over face) MAJOR NELSON VONNIE ANDERSON: (bends over VONDA LACEY, places a hand on VONDA'S quaking shoulder) What, dear? INSTRUCTOR ARABELLA WILLIS: (snorts in disapproval of INSTRUCTOR VONNIE ANDERSON'S familiarity with a student) VONDA LACEY: (raises her head, but keeps hands close together just below her chin, now clasped as if in prayer) My cousin. MAJOR NELSON. SHERROD LACEY NELSON-he's a Major in the Army. He and my Papa (here bursts into sobs and again buries her face in her hands) (recovering somewhat) COUSIN NELSON and Papa are-were-third cousins. He is the only family left that I know of. He lives-his home is at Savannah. He is an Attorney; he came to see me at the time of the dedication for the Cornerstone for the Armory, and earlier, when The College had the Debutante Ball. (turns to INSTRUCTOR VONNIE ANDERSON and INSTRUCTOR ARABELLA WILLIS) You remember, don't you, MISS ANDERSON? MADEMOISELLE WILLIS? You met my COUSIN MAJOR NELSON. REVEREND PRESIDENT FISK: (clears throat) MISS LACEY, your Cousin is part of what I need to tell you now. Please listen. (delivers a quelling look at INSTRUCTOR VONNIE ANDERSON and INSTRUCTOR ARABELLA WILLIS) Your father, I regret to say, was lost at the Battle of Bayou Pierre, in your home state of Mississippi, back on April 2. I do not know why I was not notified earlier of his decease. I just this morning received a telegram from your Cousin, MAJOR SHERROD LACEY NELSON, informing me of the loss of your father. Your brother, Ford, died at the Battle of Tuscumbia, in Alabama, our neighboring state, just three days ago, on April 24. (He holds up the top telegram.) THAT telegram arrived just this morning, also. It is not clear from your COUSIN MAJOR'S telegram this morning whether he has been apprised of your brother Ford's death; but I will send him a reply telegram this afternoon. At any event, MISS LACEY, all of us here at Wesleyan Ladies' College deeply regret your loss, and all of the Instructors (bending a stern eye toward INSTRUCTOR ARABELLA WILLIS and INSTRUCTOR VONNIE ANDERSON) will do all they can to assist you in your time of grief. Your graduation date is approaching-early next month-and you of course will need to make plans as to what you wish to do following graduation. I am certain that a place may be made ready for you if you wish to remain with us at The College as an instructor. I understand your French language and culture abilities are [italicized]non pareil. A position could certainly be found for you as an Instructor, or at minimum a tutor. (finally pauses for breath. In the intervening silence, only the ticking of the grandfather clock at STAGE LEFT FOREGROUND, and the continued quiet sobbing of VONDA LACEY can be heard.) (INSTRUCTOR VONNIE ANDERSON continues to pat VONDA LACEY on the shoulder and to rub her upper back gently. INSTRUCTOR ARABELLA WILLIS watches this, frowning.) REVEREND PRESIDENT FISK: (clears throat, pauses, speaks) MISS LACEY, I will notify your Cousin by telegram this afternoon and ask what he intends. In the meantime, perhaps you would benefit by returning to your room and resting. I am sure your roommate- (looks quizzically at INSTRUCTOR ARABELLA WILLIS) INSTRUCTOR ARABELLA WILLIS: MISS ASHLEY DUMPLING, Sir. REVEREND PRESIDENT FISK: Yes, MISS DUMPLING-I am certain she will be pleased to watch over you while you rest. In the meanwhile, once I have had information from your Cousin, the Major, I will advise you as to what steps are to be taken. (REVEREND PRESIDENT FISK stands, in what is clearly a dismisal, and motions to INSTRUCTOR ARABELLA WILLIS to take VONDA LACEY out of his office. However, INSTRUCTOR VONNIE ANDERSON, already at VONDA'S side, is lifting VONDA to her feet and escorting her to the door, one arm around the younger woman's waist.) (INSTRUCTOR ARABELLA WILLIS frowns at the two women, then turns toward REVEREND PRESIDENT FISK, still standing behind his desk, holding the two telegrams, and bows her head, unsmiling. She reverses and follows INSTRUCTOR VONNIE ANDERSON and Student VONDA LACEY through the door, STAGE RIGHT FOREGROUND.) END OF ACT TWO, SCENE FOUR |