Reading, Writing, Pondering: Big Life Themes, Literature, Contemporary/Historical Issues |
Our thoughts and prayers are with the families and loved ones of those lost in the tragic plane crash in India, and to the remaining eight survivors. Obax and The Night-Riders, a Stage Play ACT TWO, SCENE FIVE April 27, 1863 Macon, Georgia, CSA Wesleyan Ladies' College Dormitory Lounge, Ground Floor (Comfortable armchairs and davenports are scattered throughout, interspersed by tall round tables covered with antimacassars and vases of Spring- blooming fresh flowers. The atmosphere is very chintzy, and it is obvious that there is a Victorian England influence, as the room is fairly crowded. To STAGE REAR, LEFT of CENTER, is a staircase just through an archway, and to the right of the staircase is another room, mostly shadowy. The HOUSE MOTHER'S suite is in that direction (STAGE REAR- RIGHT of CENTER). (To STAGE LEFT stands a chest-high oak counter, behind which sits the HOUSE MOTHER of the Dormitory. At this moment she is standing behind it, wringing her hands and looking particularly anxious.) (To STAGE RIGHT sits a stocky man of medium height, well but not fashionably attired. His cravat is slightly crooked, where he has been pulling at it from nervous afflictions. He is clearly uncomfortable in an environment wholly feminine, and no doubt prefers the company of men (as he has amply demonstrated in his encounters SUPERINTENDENT JAMES BURTON of the CONFEDERATE ARMORIES and with MAJOR SHERROD NELSON LACEY.) (INSTRUCTOR VONNIE ANDERSON enters through the outside door, STAGE FOREGROUND, LEFT of CENTER) (The HOUSE MOTHER moves forward to the counter, calling for INSTRUCTOR VONNIE ANDERSON'S attention) HOUSE MOTHER: MISS ANDERSON! MISS ANDERSON! Over here! (INSTRUCTOR VONNIE ANDERSON continues to tow VONDA LACEY through the door. Once she is inside, she turns her toward the HOUSE MOTHER'S counter, but by now, upon seeing VONDA LACEY appear, the man on the horsehair davenport has jumped up and begun to cross the wide lounge parquet floor.) HARRALD NEALM: MISS VONDA! MISS VONDA! I came as soon as I heard! (walks rapidly toward VONDA LACEY and INSTRUCTOR VONNIE ANDERSON, who have now stopped in front of the HOUSE MOTHER'S counter) HOUSE MOTHER: MISS ANDERSON, this gentleman has been waiting all morning! He's asking to see MISS LACEY! I told him, no student can be seen without a chaperone! INSTRUCTOR VONNIE ANDERSON: (to HOUSE MOTHER, soothingly) It's all right, Mrs. Jenks. Ah'm here with her. Ah will chaperone. (INSTRUCTOR ARABELLA WILLIS strides in, taking in the situation at a glance-or the situation as it appears to her.) INSTRUCTOR ARABELLA WILLIS: Sir! What business have you here?! HARRALD NEALM: (he has almost reached VONDA LACEY, but INSTRUCTOR VONNIE ANDERSON stands just in front of her; he halts in front of INSTRUCTOR ARABELLA WILLIS and bows.) A proposal, Madame. I bring a proposal. Might I address MISS LACEY now, since she has three such diligent chaperones present? (INSTRUCTOR ARABELLA WILLIS frowns again, but INSTRUCTOR VONNIE ANDERSON looks first to VONDA LACEY, and when she nods slightly, addresses HARRALD NEALM.) INSTRUCTOR VONNIE ANDERSON: Sir, MISS LACEY has just suffered a terrible shock. If you would please just wait a few moments more, Ah shall take her upstairs to freshen up and then we shall return, along with her roommate. (ushers VONDA LACEY to STAGE REAR, throught the archway and up the staircase to an upper floor). (HARRALD NEALM subsides with a quiet “Thank you” unheard by either INSTRUCTOR VONNIE ANDERSON nor VONDA LACEY, and returns to sit on the edge of the horsehair davenport, once again highly uncomfortable in these feminine environs.) (INSTRUCTOR ARABELLA WILLIS motions to HOUSE MOTHER to exit from behind the counter, and the two walk through the archway at STAGE REAR CENTER and move toward STAGE REAR RIGHT, into the mostly shadowy room that leads to the HOUSE MOTHER'S suite.) (Lights dim.) (Lights up.) (Same setting. April 27, 1863 Macon, Georgia, CSA Wesleyan Ladies' College Dormitory Lounge, Ground Floor One half-hour has passed.) (HARRALD NEALM is still on the uncomfortable horsehair davenport at FAR STAGE RIGHT CENTER, now with head buried in hands, clearly distraught and anxious about the outcome of this afternoon's meeting with VONDA LACEY. Indeed, after a half-hour, he is no longer certain he will even be allowed to meet with her. Yet he has much to tell her, and a boon to ask.) (Footsteps are heard on stairs.) (VONDA LACEY comes into view on the last several steps, accompanied by INSTRUCTOR VONNIE ANDERSON. Walking just behind the two is STUDENT ASHLEY DUMPLING, roommate of VONDA LACEY.) (VONDA LACEY is now dressed in a serge gown of a brown shade so deep as to appear black, with a band of black silk tied around her upper left arm.) (HARRALD NEALM stands up, holding his bowler in both hands, but remains silent, gazing at VONDA LACEY with a combination of awe and dismay.) (INSTRUCTOR ARABELLA WILLIS and the HOUSE MOTHER appear from STAGE RIGHT REAR, LEFT of CENTER, from the direction of the HOUSE-MOTHER'S rooms. HOUSE MOTHER carries a black gown and hat with veil, also all black, across her arms. INSTRUCTOR ARABELLA WILLIS and HOUSE MOTHER intercept VONDA LACEY, INSTRUCTOR VONNIE ANDERSON, and STUDENT ASHLEY DUMPLING, who has clearly been crying as tear tracks still show on her plump cheeks, at the bottom of the staircase.) HOUSE MOTHER: (breathless) MISS LACEY, honey, Ah altered this dress foah yah, and heah's a black hat and veil. Ah will work all naht tonaht to sew yah some moah dresses, dear child. VONDA LACEY: (reaches for the dress and hat with veil, but ASHLEY DUMPLING steps forward first and takes them.) ASHLEY DUMPLING: Ah'll cahry them for yah, VONDA dear. Y'all have enough on yah mahnd raht now. VONDA LACEY: (doesn't speak, but squeezes ASHLEY DUMPLING'S arm with a taut smile in thanks.) (VONDA LACEY, accompanied by INSTRUCTOR VONNIE ANDERSON, and trailed by ASHLEY DUMPLING (whose arms are now loaded with the black gown and black hat with veil), INSTRUCTOR ARABELLA WILLIS, and the tut-tutting HOUSE MOTHER, approaches HARRALD NEALM, her right hand outstretched regally.) HARRALD NEALM: (steps forward, takes the right hand of VONDA LACEY, bends low over it, kisses the top of her hand, then forgets to release it, until INSTRUCTOR ARABELLA WILLIS loudly clears her throat.) HARRALD NEALM: MISS VONDA, Ah am so very, very sorry for yah loss. Please accept all my condolences. MISS VONDA, Ah have received a telegram from yoah Cousin, MAJOR SHERROD NELSON. MAJOR NELSON infohms me that he is now yoah Guardian, ma'am, as yoah fathah and yoah brothah-God rest they precious souls-have passed on in the sahvice of our beloved Confederacy. And MAJOR NELSON also infohms me in this lil telegram that Ah have his express permission, since this is a grave and grief-filled matter-and since yoah ahr graduatin' this comin' month of May-and since yoah have no one in the woald no moh othah than yoah Cousin MAJOR NELSON, and he is a-way in the sahvice of our beloved Confederacy- (pauses for a much-needed breath) -to ask for yoah hand in mahriage, to me, at yoah eahrliest conveen-ee-ence, MISS LACEY, ma'am. ASHLEY DUMPLING: (gasps) Oooh! (INSTRUCTOR ARABELLA FISK frowns, deeply. HOUSE MOTHER JENKS tut-tuts, softly. INSTRUCTOR VONNIE ANDERSON beams, then looks to VONDA LACEY to check her reaction. Only VONDA LACEY remains calm-perhaps resigned to her new fate.) VONDA LACEY: Sir-under othah circumstances Ah would say, it is too soon to discuss. But as Ah have suffered (pauses to pull an emboridered hanky from her sleeve and wipe her left eye) so just now, Ah will accede to the wishes of my Guardian, MAJOR COUSIN. If yoah wish to marry-we shall marry. Kindly wait till Ah have graduated, if yoah will. It is what my Papa wished. (INSTRUCTOR VONNIE ANDERSON beams and pats VONDA LACEY on the back.) (HOUSE MOTHER JENKS considers how much more sewing must be accomplished, in addition to the mourning wear, to prepare for a wedding. Then she realizes wedding finery should be white, and tut-tuts again, this time loudly, to think that a bride should be marrying just at the time of her father's and brother's demise. Yet there seems almost no other way out. And her Guardian has willed it.) (Lights dim. Lights out.) END OF ACT TWO, SCENE FIVE ACT TWO, SCENE SIX May, 1863 Macon, Georgia, CSA Wesleyan Ladies' College Greater Lawn Graduation Ceremony, Class of 1863 (Graduating students, their families, and underclass students mill about on the lawn. Parents and Guardians stand in deep discussion with faculty members, while underclass students clump to giggle and discuss present fashions. Fathers, Uncles, and Guardians not engaged in conversing with Instructors gather in small groups to discuss the progress of the War, which has now dragged on for just over two years.) (Reverend President Rufus A. Fisk strides across the green swath of the Great Lawn, resplendent in its May finery, and climbs the steps of the reviewing stand. He is accompanied by a lady in her twenties, swathed in cream=colored silk, with a wide-hat, also sashed, and a veil.) REVEREND PRESIDENT FISK: Ladies, Gentlemen! Might I have your attention now! (The crowd quiets and turns toward the reviewing stand. “Aahs” of admiration issue from some of the underclass students when they see the lady standing next to the REVEREND PRESIDENT. She is not only fashionably attired, a task not always achievable two years into the War, but she is very lovely as well.) REVEREND PRESIDENT FISK: May I introduce for your delight our Keynote Speaker for today's event, the Graduation of the Wesleyan Ladies' College Class of 1863? (applause throughout the crowd.) REVEREND PRESIDENT FISK: Our Keynote Speaker today is the beauteous Miz Prescelia June Leigh Hargrove, Mistress of Twenty-Three Oaks Plantation of Cameron's Crossing, South Alabama, Confederate States of America (further applause) and wife of Colonel Junior Dee Hargrove, who even as we speak is fighting our battles for The Just Cause! (shouting these last three words to high applause from crowd) (MIZ PRESCELIA JUNE LEIGH HARGROVE takes the podium. She declaims at length on the role of long-suffering women in the War Effort, extols the instruction available at Wesleyan Ladies' College-as she herself is an alumni-and concludes with the announcement of the impending wedding, to be held that afternoon, of Graduate VONDA LACEY to HARRALD NEALM of Brunsmoor, South Georgia, Confederate States of America.) (Loud applause.) (Lights dim. Lights out.) END OF ACT TWO, SCENE SIX END OF ACT TWO |