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This is a continuation of my blogging here at WdC |
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This will be a blog for my writing, maybe with (too much) personal thrown in. I am hoping it will be a little more interactive, with me answering questions, helping out and whatnot. It follows on from the old one, which is now full. An index of topics from old and new can be found here: "Writing Blog No.2 Index" Feel free to comment and interact. And to suggest topics! |
| Borrowing Ideas I have mentioned before that ideas are not copywritable. You can steal an idea to your heart’s content. You cannot steal story beats, you cannot steal character names, but ideas – fine! How far does this extend? This question came up on Discord, and I thought I'd answer here. That is an interesting question, and one that was tested in a court of law. A film company (okay, it was Asylum) was sued by Disney for having a space adventure where the characters used “laser-swords” which were light-sabers from Star Wars in all but name. The ruling was that although it was copied from Star Wars, the name was different, and it is an idea or concept. Now, this is Asylum, and their entire oeuvre is based on being derivative of the works of others. But what about others who want to be taken more seriously? An example is Eragon by Christopher Paolini, which is Stars Wars taken away from SF and put into epic fantasy. It is so Star Wars as to be laughable. I have talked about it before ("BOOK #11 – ERAGON" This brings me to the biggest issue a creative will have when borrowing ideas – being accused of theft, of being imaginatively bankrupt, or all sort of other things. Sometimes it can come across as fan fiction, and there are all sorts of issues with putting that into a public sphere. But sometimes it can be done quite wonderfully. Anne Rice’s Interview With The Vampire borrowed ideas and story beats from Carmilla by Joseph Sheridan Le Fanu, Dracula by Bram Stoker and The Vampyre by Polidori and created something that came across as wholly original and ended up being one of the best vampire books ever written. The original vampire mythos of Eastern Europe was shunted right to the background; she took from those who came before her in fiction. No-one is decrying her book as being derivative. No-one is accusing her of theft. Where Paolini suffered both accusations, none were thrown at Rice. It all comes down to delivery and how the influences and borrowed ideas are utilised. Another example is Kurosawa’s classic film Seven Samurai. Every idea and most of the story beats were taken and used to create the classic 1960 movie The Magnificent Seven, with the major difference being a shift from feudal Japan to the Wild West of the USA. Then Corman made Battle Beyond The Stars which shifted Kurosawa’s story to a Star Wars influenced science fiction setting. Remakes or reinterpretations of ideas? It’s a fine line. So, borrow ideas to your heart’s content. Remember to change words and names. But be original at the same time, in setting, delivery, tone and/or message. Don’t let it be an issue. |