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Rated: 13+ · Message Forum · Writing · #1474311
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Oct 8, 2018 at 10:30pm
#3220937
I'm plotting something...
As we get into the thick of plotting our stories, I thought I'd share some story telling tips from some of the most successful storytellers out there: Pixar. (Not surprisingly, most of it is about your character, not the plot. If you slacked off last week, this week may be a bit tricky for you.)

#1: You admire a character for trying more than for their successes.

#2: You gotta keep in mind whatā€™s interesting to you as an audience, not whatā€™s fun to do as a writer. They can be very different.

#3: Trying for theme is important, but you wonā€™t see what the story is actually about til youā€™re at the end of it. Now rewrite.

#4: Once upon a time there was ___. Every day, ___. One day ___. Because of that, ___. Because of that, ___. Until finally ___.

#5: Simplify. Focus. Combine characters. Hop over detours. Youā€™ll feel like youā€™re losing valuable stuff but it sets you free.

#6: What is your character good at, comfortable with? Throw the polar opposite at them. Challenge them. How do they deal?

#7: Come up with your ending before you figure out your middle. Seriously. Endings are hard, get yours working up front.

#8: Finish your story, let go even if itā€™s not perfect. In an ideal world you have both, but move on. Do better next time.

#9: When youā€™re stuck, make a list of what WOULDNā€™T happen next. Lots of times the material to get you unstuck will show up.

#10: Pull apart the stories you like. What you like in them is a part of you; youā€™ve got to recognize it before you can use it.

#11: Putting it on paper lets you start fixing it. If it stays in your head, a perfect idea, youā€™ll never share it with anyone.

#12: Discount the 1st thing that comes to mind. And the 2nd, 3rd, 4th, 5th ā€“ get the obvious out of the way. Surprise yourself.

#13: Give your characters opinions. Passive/malleable might seem likable to you as you write, but itā€™s poison to the audience.

#14: Why must you tell THIS story? Whatā€™s the belief burning within you that your story feeds off of? Thatā€™s the heart of it.

#15: If you were your character, in this situation, how would you feel? Honesty lends credibility to unbelievable situations.

#16: What are the stakes? Give us reason to root for the character. What happens if they donā€™t succeed? Stack the odds against.

#17: No work is ever wasted. If itā€™s not working, let go and move on - itā€™ll come back around to be useful later.

#18: You have to know yourself: the difference between doing your best & fussing. Story is testing, not refining.

#19: Coincidences to get characters into trouble are great; coincidences to get them out of it are cheating.

#20: Exercise: take the building blocks of a movie you dislike. How dā€™you rearrange them into what you DO like?

#21: You gotta identify with your situation/characters, canā€™t just write ā€˜coolā€™. What would make YOU act that way?

#22: Whatā€™s the essence of your story? Most economical telling of it? If you know that, you can build out from there.

*Books3**Books6* Sarah Rae *Books4**Books1*



 
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I'm plotting something... · 10-08-18 10:30pm
by Sarah Rae

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