You wake up in an ordinary room, or at least what seems to be an ordinary room. It's not yours, though, so you are still frightened and confused as to where you are. You get out of the bed, which feels very stiff and has no covers, and look around. There is the typical furniture, like a dresser and a wardrobe, and when you open them you find clothes (albeit they look and feel very amateur.) Deciding to look for more clues, you head out into the landing. It is a very narrow corridor, but it leads to another bedroom. It is practically identical to the last one you woke up in, but this one contains a large wooden sculpture of a man, standing in the corner with a blank eerie stare. It freaks you out a little and you leave, going downstairs. There is a living room, complete with more tacky fragile-looking furniture like a sofa and a table, and another large wooden mannequin - this one being a young boy. You check the other room and find that it's a kitchen. When you examine the cooker and the fridge more closely, you find that they are fake and there are no leads or lights on them. In fact, the food inside the fridge is also fake. The model of the woman also sits in the corner, staring at you.
It's almost like this whole place is a dollhouse or something.
"Well well," a powerful booming voice echos not just through the house, but through your own head, like it's coming through your mind. "Look who's awake."
You dart around, trying to find the source of the voice, and you find it. The window is now occupied with an enormous red eyeball, which blinks and squints at you.
It goes without saying that you are just about ready to freak out and faint on the spot, because you are now in a dollhouse and someone is outside looking in - and they do not look happy. You are just about to go through with the 'freak out and faint' plan when you feel the house itself shake and quake, making you lose your footing and trip. What on Earth can you do?! The rational part of you is saying that there's no point and you might as well be obedient to this giant woman - she might be easy on you if you're no trouble - but the more frightened part of you is saying that you should run and hide somewhere, or maybe you could even take a chance and run over and punch her in that huge blinking eye of hers.
You can feel the house shake more and more as she fiddles with the locks. You make your decision.
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