This week: It Takes a Village Edited by: Lilli voted early.𧿠â More Newsletters By This Editor
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âYou should be kissed and often, and by someone who knows how.â
~ Gone With The Wind by Margaret Mitchell
âI wish I knew how to quit you.â
~ BrokeBack Mountain by Annie Proulx
âI am nothing special; just a common man with common thoughts, and Iâve led a common life. There are no monuments dedicated to me and my name will soon be forgotten. But in one respect I have succeeded as gloriously as anyone whoâs ever lived: Iâve loved another with all my heart and soul; and to me, this has always been enough.â
~ The Notebook by Nicholas Sparks |
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What is a love story?
Love stories are centered on the progression of two charactersâ relationship as they deal with internal and external obstacles to be together. Love stories explore the value of belonging and love, usually romantic love, and deal with the emotional and interpersonal forces of attraction, connection, desire, trust, vulnerability, betrayal, and commitment. However, not all love stories are about romantic love. Some involve friendship, community, and belonging. But, at the end of the day, all stories need great characters that the reader can either fall in love with or despise.
This week we'll take a closer look at the different types of characters that fit into the Romance/Love genre.
Protagonist Archetypes
First is the protagonist, the character the story is about. Here are a few ideas:
The Idealist
A character who believes in âtrue loveâ and âsoul matesâ and has been desperately waiting to find theirs.
The Loveable
A character with plenty of romantic experience and who has a long history of using their charm and self-confidence to pursue (and possibly manipulate) their love interests, but one who also has a vulnerable, even soft-hearted side few ever see that makes them sympathetic. (Without the vulnerable side, they would make a better villain than a protagonist!)
The Lone Wolf
A character with a dark past and a history of emotional pain who has become distrustful of people as a result must let their guard down in order to experience love and connection.
The Knight in Shining Armor
A protective, loyal, and competent character who may attempt to rescue their love interest in the process of the story.
The Rebel
A character who is independent, unconventional, and perhaps cynical, and finds themselves challenging the expectations of society and potentially the love interest. This type often blends with other archetypes.
Love Interest Archetypes
Every love story needs a love interest, obviously.
The Guy/Girl Next Door
A new character who recently emerges to capture the protagonist's attention.
The Out-of-Reach Attraction
A character who, due to their status, wealth, or other factors, seems unattainable (but of course, they eventually fall for the protagonist, since this is a love story!).
The âBest Friendâ
A longtime friend who, at some point in or before the story, begins to foster romantic feelings.
Rival Archetypes
Almost all love stories have a rival, either a second love interest to make the protagonist's choice more complicated, or someone also pursuing the love interest, increasing the obstacles. The presence of the rival creates a love triangle, one of the central elements of love stories.
The Ex
A former romantic partner who reappears just at the right time to cause emotional mayhem.
The Unlovable One
A charming but manipulative character who attempts to seduce either the protagonist or love interest for selfish reasons.
The Unrequited Love
Someone likes someone else, but they don't feel the same way. Oh, the drama!
The âPerfectâ Match
A character who seems perfect for the protagonist, but who just doesn't have the right spark.
The Sidekick Archetype
Most love stories have a sidekick character, a friend of the protagonist who characterizes and aids the protagonist and usually gives the story some humor. Additionally, these sidekick characters will even have their own subplot story arc of their own!
The Promiscuous Sidekick
The promiscuous sidekick is more experienced (or at least more interested) in romantic pursuits, particularly of the more carnal variety, and is usually paired with a more inexperienced protagonist to draw them out and challenge them.
The Idealist Sidekick
Believing in âtrue loveâ and âsoul mates,â the idealist is best paired with a protagonist who is more cynical.
The Funny and Supportive Sidekick
Caring, kind, and always supportive, this sidekick is best paired with a protagonist with a difficult past.
The Nervous Sidekick
Rule-following and concerned, this supportive sidekick should be paired with a protagonist who is more daring.
You don't need to use any of these specific character archetypes, but you should create at least one character for each of these broad categories: protagonist, love interest, rival, and sidekick. Use the above archetypes as inspiration or invent your own!
Which of these character archetypes is your favorite? Which do you have in your stories? Let us know in the "Ask & Answer" comment section below. |
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Comment(s) received from my last Romane/Love Newsletter, "Lifesaving Love" :
NaNoNette wrote:
You are so right that the love between a human and an animal is just as real as the love between humans. When our cat first walked in here, he was just curious. I tried to find out where he came from for several weeks, ready to give him away. Now, I can't imagine not having him here. Although he misses the ability to go outdoors, I think he does like our family. He chooses one of us to be his sleeping buddy and cries when my first son leaves the house even when others are here to entertain him.
It's wonderful that he managed to work his way into your hearts and now has a forever home. |
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