This week: Anatomy of a Crime Edited by: Shannon   More Newsletters By This Editor 
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1. About this Newsletter 2. A Word from our Sponsor 3. Letter from the Editor 4. Editor's Picks 5. A Word from Writing.Com 6. Ask & Answer 7. Removal instructions
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Welcome to the Short Stories Newsletter. I am Shannon  and I'm your editor this week.
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"Injustice anywhere is a threat to justice everywhere."
~ Martin Luther King Jr.
I have been a nurse for 24 years. Most of my career was spent at the bedside in neurosurgery, med-surg, ortho, telemetry, and long-term acute care units. For the past two and a half years I have worked as the RN CQI Data Analyst for all the prisons in my state. I audit 400-500 medical charts every month, looking for ways to improve and/or streamline the care we deliver.
The majority of our sites are for male inmates, but three are female facilities. The prisoners range in age from 18 to 80+ and they're incarcerated for a variety of crimes. Some of their stories would make for fascinating crime literature.
Crime literature fascinates audiences with its ability to excite and perplex, stirring emotions of unease, curiosity, and fear. The genre encompasses a range of narratives, from quirky small-town capers to international organized crime syndicates. Crime writers delve into the darker aspects of human behavior and craft intricate plots that keep readers engaged.
Whether you're a seasoned crime author or just dipping your toes into the genre, grasping the subtleties of crime writing is crucial for crafting captivating stories.
EXPLORING GENRES
Crime fiction is a genre that encompasses multiple subgenres. Here are a few:
- Detective stories typically revolve around a sleuth or investigator unraveling a mystery or solving a crime. Classic favorites include Sherlock Holmes and Miss Marple. A good contemporary example is Harry Bosch (LOVE the Hieronymus Bosch series).
- Police procedurals emphasize the investigation and frequently include in-depth descriptions of police tactics and procedures.
- Legal thrillers typically revolve around the courtroom setting and legal proceedings, emphasizing tactics and dramatic courtroom scenarios.
- Psychological thrillers take you deep into the minds of criminals, victims, and detectives as they unravel the psychological complexities behind crimes and investigations.
- True crime stories delve into infamous or notorious cases for compelling storytelling purposes.
- Cozy mysteries are shorter, lighthearted crime stories featuring amateur citizen detectives and small, close-knit communities. This subgenre typically avoids sex, graphic violence, and swearing.
Every crime story genre requires a strategy to tackle it effectively; at the heart of all crime writing lies a mystery that begs to be unraveled – usually through examination of motives and clues while navigating various distractions and false leads.
CRAFTING A MYSTERY NARRATIVE
Any compelling crime tale revolves around wrongdoing - a killing, a risky robbery, or a puzzling vanishing act – that is both captivating and complex enough to leave the audience wondering: Who did it? What drove them to it? How did they pull it off?
- Create a storyline by incorporating a crime that has connections to the characters, such as passion-driven incidents of revenge and betrayal that evoke strong emotional responses from the readers.
- Try something unexpected. Unconventional plots can be just as intriguing and captivating to explore.
- Weave hints of what's to come and keep secrets close to the chest to build suspense and keep readers on edge. A hint here and there draws them in without giving away too much.
CRAFTING CHARACTERS
Characters play as much a role in shaping the narrative as the storyline itself. While numerous crime stories showcase characters who seem all good or all bad, others mix it up by making them a little of each. These come across as more realistic, well-rounded characters.
- The main character in a mystery story is usually the detective or investigator who must be relatable and have flaws and depth to be compelling. A flawless protagonist would lack the intrigue that imperfections bring to the character.
- The bad guy doesn't have to be a stereotypical mustache-twirling villain. Readers expect complexity and layers to the characters they love (or love to hate). Why do they engage in illegal activities? What drives them to do what they do? What inner conflicts do they grapple with? Creating a multi-dimensional villain with nuances and moral ambiguity can lead to a more captivating and stimulating narrative.
Develop layers by providing backgrounds and motivations for supporting characters, whether they are witnesses, suspects, or mere onlookers in the plotline. Each individual should come across as a genuine person, with distinct aspirations and imperfections of their own. Try creating character maps for each individual. This can help you flesh out each one and bring them to life.
CRAFTING TENSION AND MAINTAINING RHYTHM
Crime stories rely heavily on building suspense to engage readers. The goal is to keep them hooked until the end. To capture and maintain reader interest effectively in this genre, you must perfect your pace.
- Kick off with the crime promptly, followed by an unraveling of the investigation bit by bit. Incorporate plot twists and revelations along the way, with setbacks strategically placed to sustain a gripping atmosphere throughout the narrative.
- Sometimes telling the story through different character viewpoints or timelines enhances the suspense. Maybe one chapter is written from the detective's point of view and the next from the villain's. Try alternating these with chapters written from the victim's perspective. Various viewpoints or timelines can heighten the intricacy and allure of the storyline.
- Switch between action sequences and introspective investigative moments for a harmonious blend of suspense and contemplation.
CLUES, HINTS, AND MISDIRECTION
A captivating crime narrative is a subtle dance that unfolds between the writer and the reader - clues are scattered with precision while misdirections are seamlessly woven in. The art of crafting a mystery lies in planning to ensure that each hint holds weight while avoiding the pitfalls of forced diversions.
- Without being too conspicuous, plant hints at the beginning of the narrative to set the stage for a "Eureka!" moment when they are revealed later on.
- Misdirection can be just as important as the clues themselves. Guiding your audience along a certain path before surprising them with a turn of events is crucial for engagement and suspense.
- While realistic investigations may progress slowly and methodically in life situations, a good crime story sets a steady pace and should maintain an element of surprise and unpredictability to keep readers engaged.
PAINT A PICTURE
In crime stories, the location is vital as it sets the tone for the narrative. Whether your story takes place in a mist-covered London alley, a gritty street corner in New York City, or the quiet countryside in small-town America, it impacts how the story feels overall and can even influence how characters behave and what drives them forward.
- It is common to create a brooding and ominous atmosphere by using descriptions that evoke feelings of unease and tension.
- Symbolism plays a role in storytelling as settings can represent themes like urban decay or rural loneliness. Often the environment mirrors the inner conflicts of the characters.
WRAPPING IT UP
The ending of a crime story is crucial as it significantly impacts the reader's overall experience. If you've written the piece as a stand-alone story, it's essential for the ending to tie up the mystery and offer a sense of closure for the characters involved. If it doesn't, the reader may feel cheated, like they wasted their time, and they may not give you a second chance to win them over.
- The big reveal should come as a surprise, tying together all the clues dropped throughout the story.
- Not every crime tale requires a resolution. If you plan the piece to be the first in a series, you might want to leave the reader hanging so they come back for the next one. That's fine as long as you don't keep them waiting too long. Sometimes leaving readers with lingering uncertainties and moral ambiguity can be equally impactful.
- Character development is key. Focus on how the investigation impacts the characters, especially the detective. A satisfying conclusion should highlight the detective's growth or transformation.
IN CLOSING
Crime writing is a genre known for its suspenseful plots and unexpected twists and turns that keep readers hooked until the end of the story. Remember, good crime writing goes beyond simply telling a story about a detective who solves a murder; it delves into the darkest aspects of human behavior, shedding light on the ways people lie, deceive, cheat, steal, and hurt one another, and all the ways society seeks justice.
Have you written a crime story you'd like to share with the WDC community? Every registered author who shares their ideas and/or creative endeavors relating to or inspired by this week's topic will receive an exclusive "Fiction Noir" trinket. The image used to make this month's trinket was created by yours truly. I will retire this month's limited-edition trinket in May when my next short stories newsletter goes live.
"Poverty is the mother of crime."
~ Marcus Aurelius
Thank you for reading.
P.S. There's been a lot of talk about AI lately and how AI can help clean up your writing. There's also been a lot of talk about how AI often gets things wrong. This piqued my curiosity, and I decided to conduct an experiment.
I plugged the text from this week's NL into Copilot prior to posting to see if it identified anything AI could clean up or clarify. There were a few things, like maybe 5-10 word substitutions/sentence structure suggestions that I liked and incorporated into the NL. Then I copied and pasted the NL text in its entirety into 5 free online AI detectors to see how much of the newsletter they'd say was AI generated. These are the results:
AI Detector #1: 0%
AI Detector #2: 53%
AI Detector #3: 99%
AI Detector #4: 0%
AI Detector #5: 100%
100%?!? This is insane, especially when you realize the first two paragraphs are about my actual (very specific) life experience and work history!
Pretty big difference between the five detectors, wouldn't you say?
Anyway, I thought it was interesting and wanted to share. 
![Swirly Mutlu Font Signature [#1905737]
A swirly signature I made using the Mutlu font and a drop shadow.](https://shop.Writing.Com/main/trans.gif) ![Swirly Mutlu Font Signature [#1905737]
A swirly signature I made using the Mutlu font and a drop shadow. A swirly signature I made using the Mutlu font and a drop shadow.](https://www.writing.com/main/images/action/display/ver/1354062298/item_id/1905737.gif)
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I hope you enjoy this week's featured selections. I occasionally feature static items by members who are no longer with us; some have passed away while others simply aren't active members. Their absence doesn't render their work any less relevant, and if it fits the week's topic, I will include it.
Thank you, and have a great week!
|  | Malice Intended (ASR) Who is the slapdash, foolish criminal behind a crime scene in a hotel? #445131 by Joy   |
|  | The Visitor (18+) A Man Wakes Up In Jail To Find A Visitor In His Cell..."How are you feeling?" #1925859 by Angus   |
|  | Burned (13+) She was hot on the trail of the arsonsist, but was she getting too close....? #678732 by Scott Joseph   |
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Have an opinion on what you've read here today? Then send the Editor feedback! Find an item that you think would be perfect for showcasing here? Submit it for consideration in the newsletter! https://www.Writing.Com/go/nl_form
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The following is in response to "Homophones: Theirye're, Problem Solved!" :
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ßlυҽყҽʐ 🤍  writes: I just finished this poem "Good Mourning Whirled" for "PromptMaster !" when your newsletter popped into my inbox!
Four Reel! Know lye!
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S 🤦  writes: Coincidence! My most recent blog entry also involved homophones ("20250113 Vocabulary Matters" ) because while reviewing I kept seeing mistake after miss take after Ms Steak.
I know some people say, "An editor will pick it up," or, "Chat GPT will fix it," or, "Grammarly told me to use that one so it must be right," but (a) AI gets things wrong more and more (thanks to increased user curation), and (b) an editor might pick it up, but you look unprofessional, so why would they bother if you don't bother?
Sorry. I'm ranting. But, really, it's not that hard to learn these things...
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Sum1's Home!  writes: I love playing with words at times. Specifically Homonyms and Synonyms. Here's my offering of a poem using Homonyms. "Fun With Homonyms" 
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BIG BAD WOLF is Merry  writes: Always a story.
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St. Patrick's Sox  writes: Usually I don't have any problems with the theres. My bigger problem it to and too. I am one typo away from wrong there.
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Jeff  writes: The homophones I always end up having to check myself on are affect/effect and palate/palette/pallet. Even if I'm sure I've got the right one, I'll end up re-reading the sentence half a dozen times and debating it with myself.
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QueenOwl ~ A New Day Dawns  writes: Hi Shannon. Re: Homophones: Theirye're, Problem Solved!
This is an excellent subject you presented. It's apropos anytime and all the time. Sometimes I want to scream when I come across these violations in my readings but I resist the urge to just be polite. Thank you for bringing this to our attention.
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Annette  writes: I don't struggle with they're type homophones. But words like sow / sew or loose / lose stymy me at times.
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Beacon's Light  writes: As right now, I'm trying to proof read my own work but I don't mind it honestly. It's a journey and writing is part of my life now. I just have to keep going and not give up. I've had writers block long time ago and I gained it back by writing something. I hope you are doing well and I love your Newsletter. I will read the next one, when you send the next one out.
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dragonwoman  writes: I like what you did by using their instead of there! I usually don't have too much trouble with these, mostly because I don't use them much.
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sindbad  writes: Hi, Shannon.
This is an eye opener for me, I have yet to come across such clear precise and educative take on homophones. The clarity of thought in roles they play and how we can use them in a creative and safe way to express our thoughts and create a deep impression in readers mind. This is great indeed..sindbad
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Princess Megan Rose  writes: There are different variations of words and spelling. Short Stories are my favorites to write. Some good selections I enjoyed reading. This newsletter is informative and well written. I enjoyed reading this.
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St. Patrick's Sox  writes: I struggle with homophones sometimes. It is always cool when I catch them and can help another writer out with what I know, even if it is my own father. Theiy're all done!
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Detective  writes: I haven't struggled with homophones or used them in a story, but it might be a good writing exercise.
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