  Mystery
This week: Edited by: Vivian  
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I tried to read three different books this past week, two of which were mysteries or sub-mystery genre. I couldn't force myself to plow through the words between the covers.
I'm a avid reader. When I can't find anything else, I may read the back of cereal boxes. But these books defied my attempts to force myself to read them. So, I decided to analyze the problem or problems as to why the reading was labored and uninteresting.
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Amazon's Price: $ 9.99
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5 Ways to Avoid Boring Mysteries
Using three books (but not identifying them to protect the poor authors) as examples, I can give several reasons that books can be unreadable, things that an author needs to avoid. However, this time I'll discuss five.
1.Too many subplots can become confusing. Confusing, and thus losing, readers isn't a good thing. That doesn't mean that having subplots is a bad thing, just that too many spoil the book. Too many subplots makes the overall plot too complex.
2. Making "make-believe" world unbelievable. Readers can suspend belief IF authors develop a world in writing that a reader can accept, can suspend belief enough to accept. However, a reader must be able to say, "Oh, yes, I can see how that might happen if such a world or circumstances did exist." Therefore, as Laura Whitcomb states (Writer's Digest, March/April 2009), "Readers need to buy into the reality put forward by what they're reading." An author cannot go too far with a plot point or not far enough as the reading audience is being prepared. The plot cannot become too far fetched, or readers will not be able to suspend belief enough to accept it.
3. Dialogue can't be just talking heads. Action needs to be involved as well as conversation, and conversation with action should move the plot along and reveals character.
4. An unsatisfactory conclusion should be avoided. A twist or surprising ending that has a good foundation laid in the story is good. An ending that does not "fit" is bad.
5. Forced emotion can destroy believability. Most people do not sit mulling over their inner most thoughts and emotions in the midst of action. Yet, I'm discovering many novels that have a character do just that. Not only does such needless and in depth thinking tell and not show, but it becomes monotonous.
There, five ways that cause mysteries to become targets for the waste basket, when avoided, can improve a story.
Maybe when I guest edit the Mystery Newsletter again, I can add to the list. |
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Words from Our Readers
I've been guest editing the Mystery Newsletter off and on for a few months. I usually don't have feedback after an issue, but I did after the February 18th one (which came out on my 47th anniversary). Thanks for the comments, Steph.
SantaBee 
Viv! Thanks so much for sharing your experiences in meeting your writing "heroes." It was a very inspirational newsletter. I'm already proud to say you are one of my heroines.  And thank you for featuring my story, "Holding Out for a Hero." I hope you enjoyed it.
See you again in the Mystery Newsletter April 1.
Viv |
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Mystery: March 18, 2009 Issue [#2939]
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