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Printed from https://shop.writing.com/main/newsletters/action/archives/id/565-.html
For Authors: August 17, 2005 Issue [#565]

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For Authors


 This week:
  Edited by: Holly Jahangiri Author IconMail Icon
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Table of Contents

1. About this Newsletter
2. A Word from our Sponsor
3. Letter from the Editor
4. Editor's Picks
5. A Word from Writing.Com
6. Ask & Answer
7. Removal instructions

About This Newsletter

“Whoever would overthrow the liberty of a nation must begin by subduing the freeness of speech.”

—Benjamin Franklin


“[I]t’s not just the books under fire now that worry me. It is the books that will never be written. The books that will never be read. And all due to the fear of censorship. As always, young readers will be the real losers.”

—Judy Blume


Word from our sponsor



Letter from the editor

The Hero’s Journey
Is there a formula for successful storytelling, or is The Hero’s Journey merely a tool for analyzing literature?


From “Introduction to the Hero's Journey,” by Sandra DeMers (http://www.loyno.edu/~MidAges/sdemers.html):

Spiritually and psychologically, the journey is a metaphor for growth. …

The psychological basis for the journey is largely credited to Carl Jung, who once studied under Sigmund Freud. Jung believed that people from around the world shared in what he termed a “collective unconscious.” … Although we vary greatly in our conscious attitudes and goals, our unconscious minds, revealed through dream studies and psychological research, are quite similar the world over. Jung suggested that these similarities, or archetypes, reflected different aspects of the human mind and that our personalities divide themselves into these archetypal characters to serve various roles in our lives. 

Joseph Campbell built upon Carl Jung’s work by studying world mythology. In The Hero With a Thousand Faces (Princeton University Press, 1949), Campbell shows how these archetypes reveal themselves in myth after myth in the universal theme of the Hero’s Journey. All heroes follow a path that takes them from their known world, initiates them into a new world order, and returns them, forever changed, into the old world with new talents and gifts to share with the community. 

For an interactive, graphical representation of the stages of The Hero’s Journey (and an interesting analysis of some ancient myths in light of these stages), see http://ias.berkeley.edu/orias/hero/

The following storytelling tool provides a question and answer framework through which you can explore The Hero’s Journey using your own stories, or analyze existing stories in terms of The Hero’s Journey: http://www.mcli.dist.maricopa.edu/smc/journey/ The existing stories are pretty bad; the ones I glanced through appear to be nothing more than users’ attempts to play with the tool. Fortunately for you, I marked mine “Private,” and it is equally as bad as the rest. Don’t let that discourage you from giving the tool a try.

For additional resources explaining archetypes, The Hero’s Journey, and more, see: http://www.webenglishteacher.com/hero.html


The Quest, or What’s My Motivation?

"What's my motivation?"

I sit here, staring dumbfounded at the page, while my devilishly handsome protagonist demands to know his purpose in life.

Your motivation? I think. Why, to find the magical thingamabob, get the girl, and live happily ever after. Duhh.

"Sorry, but I wouldn't know what to do with a magical thingamabob, and you keep throwing impossible obstacles in my path. I get the feeling you don't really want me to find the thingamabob, you make it so hard. And for your information, I'm gay. Not only do I not want the girl, I don't even like the girl. And no one lives happily ever after. Your readers will never buy it."

Do your characters ever do this to you? If so, you should count yourself lucky. The alternative is wooden zombies who allow themselves to be moved across the page like pawns in a very boring Chess game. But it can be aggravating when your characters come to life and start arguing with you, too.

I'm never sure which comes first: plot or character. I've decided it doesn't matter, but your story needs both. To make the plot work, your characters absolutely must have a credible purpose and motivation. And they must make the reader care enough to keep turning page after page, to find out if they achieve their objective.

In action adventure stories, for instance, it's not enough that the goal of the hero is to find the magical thingamabob, win true love, and live happily ever after. We have to understand why the magical thingamabob is important to our hero, why our hero is just the guy – or gal – to go after it, and why we should care.

Let's take Shrek. All Shrek wants is a little peace and quiet. He wants to go back to his happy bachelor ways and get all the fairy tale misfits and magical creatures off his property. That's pretty much all the ogre needs to be content. But that's not going to happen unless he gets the girl – for someone else. And getting the girl is going to be a major pain in the tush, because she's locked in an impossibly high tower guarded by a fierce dragon. Ho hum... But let's just get this over with, thinks Shrek, so I can go back to living my happy bachelor life on my land without all the oddball squatters. Note that Shrek's real motivation is not "get the girl" but "get my land back." The girl is just a condition of his achieving his ultimate purpose. He doesn't particularly want the girl.

And let's be honest. She doesn't really need or want Shrek. In fact, she sees him as an obstacle to her achieving her own goals. She's been fantasizing all these years about being rescued by a handsome prince, awakened by the kiss of true love, and living happily ever after – or at least having a future that doesn't involve endless mudpacks, diets, color-correcting cosmetics, and Botox injections. But hey – nothing ever quite works out the way it's planned.

We, the audience, know that Shrek and Fiona belong together (odd-looking couple that they are), because that's how fairy tales work. But they won't figure that out until the last part of the movie, and that's what keeps us watching. For now, they're just in each other's way. But to reach their separate goals, it turns out they'll have to cooperate. And in cooperating, they begin to like each other and to figure out that maybe, just maybe, they have other, more important goals. Like ending up together, despite the obstacles in their way and despite the "sacrifices" they'll have to make. Isn't that more real than the real Sleeping Beauty story?

Secondary characters, like Donkey, can provide comic relief, assistance, someone to kill off (as opposed to having to kill off our main characters, when they action gets sloggy and we need a grisly death to spice things up), or a mirror by which we can see our main characters more clearly. Each time Shrek tells Donkey to leave him alone, we get a clear and convincing picture of Shrek the loner, but we also begin to see that he has a heart capable of being moved. And like Donkey, we begin to convince ourselves that Shrek's not a loner at all – just an introvert who needs a little help making friends, despite his protests and objections.

For the reader, satisfaction comes not only from watching characters achieve their goals, but in watching them struggle to do so. Even when we know how the story ends, we want something that connects the drama to us, something we can relate to. And that comes in the form of conflict and obstacles to success. We all struggle on the path to happily ever after. Who wants to watch a bunch of beautiful people easily attaining their hearts’ desires?

No, we want hardships and journeys of profound revelation. We want a full eight-course meal to savor, not ten minutes of “found the magic thingamajig, battled evil incarnate with the nifty sword of invincible power (just for show), got the girl, lived happily ever after.” We want three-dimensional characters we feel have earned the right to live happily ever after. If we get less, we leave the movie - or throw down the book - wishing they’d thrown themselves off a cliff.

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The Trouble with Heroes

The trouble with heroes, as written by most novice writers (and a few who really ought to know better), is their sheer omnipotence.

Can God create a stone so heavy that he cannot lift it? (For a discussion of omnipotence, logic, paradox, and the omnipotent being’s ability to defy logic, see http://www.nationmaster.com/encyclopedia/Omnipotence-paradox) In ancient mythology, the gods themselves were not endowed with omnipotence; they had their flaws. That made them more interesting, from a literary standpoint. It also served to inspire and give man hope. Man might strive to climb Mount Olympus or to best the gods in some contest of skill, intellect, or physical prowess. The gods usually won, or humans won only with the aid of other gods, but the gods often rewarded courage and honor. Sometimes they even fought with one another over a worthy human. Of course, they loved to punish hubris, which is courage coupled with an irresistible urge to thumb one’s nose at the gods or try to usurp their place.

The ancient storytellers’ heroes had flaws, too, of course. Without challenges, life would be dull. A perfect hero is a boring hero, just as the ultimate evil villain – perfect in his evilness – is ho hum. If your hero is perfectly good and omnipotent, or your bad guy is perfectly horrible and omnipotent, then there should be no doubt about the outcome of the story – and thus no point in reading further. An omnipotent hero squared off against an omnipotent villain – just imagine it. Can a truly creative writer devise characters so omnipotent that the battle would rage on for an infinite number of pages? Can such a writer be successful, despite having bored all of his readers into an infinite sleep?

That’d be a tough sell.

Until next month,
Holly Jahangiri Author IconMail Icon




Editor's Picks

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#808633 by Not Available.

Not your stereotypical dragon fantasy, this ongoing saga will keep you in stitches.

 Invalid Item Open in new Window.
This item number is not valid.
#989551 by Not Available.

Wacky fun. Could help you regain some perspective when dealing with overly omnipotent characters. At the very least, it should provide a giggle and a smirk.

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This item number is not valid.
#908727 by Not Available.

A heart-warming account of real-life heroes, and their lasting effect on a young woman.

 kilauea Open in new Window. (E)
Extraordinary once-in-a-lifetime adventure made better by thoughts of companionship.
#1000661 by BeHereBook Author IconMail Icon

I’ve only dreamed of such adventures (I once planned to become a volcanologist when I grew up); instead, I had the one this author may have missed. But darnit, I want to toast marshmallows on Kilauea! (Bonus: This item includes photos!)



 
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Ask & Answer


Thanks for the informative article on semicolons! This helps clear up my nearly life long confusion!

I know I'm a little late in responding to this newsletter.... I have had to take an unscheduled break from writing.com but am back now! Great article!

Thanks and keep up the great work!

Welcome back! Better late than never. It’s good to hear from you, and I’m glad you found that issue helpful. — Jessiebelle



Hi, Jessiebelle. Thanks for another wonderful newsletter! I'm honored that you included my article link.

We, as writers, definitely have a responsibility. Words are power, and as the old saying goes, with power comes responsibility. This should extend to everything that is written to be publicly viewed, including blogs and message board posts. I counter those who use the freedom of speech rule as an excuse to be rude and obnoxious by reminding them that it only applies if we don't step on anyone else's freedom by saying whatever it is that we say, or write what we write. People tend to forget that part. We don't have the freedom to say what we wish if it jeopardizes someone else's safety or well-being.

I'll save this one to check out those links.

Well said, and thank you. — Jessiebelle



I've been thinking about stories and writing good ones. My thoughts led to me the concept of "The Hero's Journey." I've read some people say that it is ONLY a literary tool for analysis and shouldn't be used as a template for creating a story. What do you think?

Thanks,
Lolli

I think it can be used as a framework for creating a story, if it helps. Notice, though, that when writers write honestly about any human endeavor or desire, their fiction tends to fall within this framework whether they try to make it so, or not. It seems to me that the Hero’s Journey is a way to “codify” the experience and motivation shared by most humans. That said, anything followed too rigidly, as a “formula,” is likely to seem contrived. — Jessiebelle



Ms. Belle:

What an outstanding newsletter. I am looking forward to reading some of the back issues as well.

Take care, and God bless...
--A

Thanks, A. — Jessiebelle



Thanks for this one, this shows me to pick an e-mail publisher is not so easy, is it?

More work ahead, this truly helps.

An email publisher? Choosing any agent or publisher can be tricky. It’s always wise to do a little research before doing business with anyone, but that’s especially true when you’re getting ready to send your carefully-crafted literary creations off into the void. — Jessiebelle



Jessie,

I learned things I didn't realize before about the different writing awards. Granted, I have never aspired to anything higher than writing as a hobby, the newsletter this week sort of makes me feel inspired.

Thanks, Lady Lore

Good! There are lots of contests. I was just amazed at how simple the rules and requirements seem to be for those two prestigious awards: the Nobel Prize and the Pulitzer Prize. Sort of makes you think “I could do this…” And why not? — Jessiebelle



Thanks for an informative newsletter. There are several referances in Blue by you and other writers I intend to go back and review. I also do not know about em's or en's but then I am an eighth grade drop out. I will be playing with the Auto Format controls and spell check on my word 2000. I currently do not agree with many of it's correction applications. Some would rob my story of meaning, others just do not make proper sense.I do need to find out more about agent /publisher scams. I have spent too much time and put too much of myself in my baby . If someone did it wrong I would have to hunt them down and kill them. Thanks for a wonderful newsletter. Keep on writing. TopKat

TopKat, it’s never too late to learn. Put eighth grade behind you and move forward. There is only forward. As for MS Word, I’d suggest that if AutoCorrect flags something, you view it as “suspect.” Not “wrong,” just “suspect.” Check it out with a real dictionary, a real writing guide, or a friend. Put it up for review on Writing.com, if you still disagree with Word’s suggestions. And definitely do your homework before selecting an agent or publisher. — Jessiebelle



Excellent newsletter. Choice and timely topic. The right of freedom of speech needs to be exercised...or risk losing it.

Sin.D

Yep. “Use it or lose it!” Just use it responsibly and wholeheartedly. — Jessiebelle



I had a similar experience with Poetry.com, only I made the mistake of sending something like thirty or so poems to them as a kid. I got my first one "published" when I was sixteen.

It can be quite disappointing when you finally find out that they are a fraud..fake..phony.

I deliberately sent them a poem that was all about how they weren't real. THEY SENT BACK A PROOF! I cried for hours. (I wonder if a bunch of us should team up and get them..heheheh.)

The newsletter was great, thanks.

LOL! I think it’s been done. Search Poetry.com for the author name “Habte.” — Jessiebelle



Thank you for reminding us that we must think of the legal and business side of writing as well as the fun side of it; ie. creating.

We can hope that the legal and business side of writing is the next logical step from our efforts, can’t we? But never lose sight of the fun parts, either. — Jessiebelle



This newsletter is SO AWSOME! I would rather win a Bram Stoker Award as opposed to Nobel or Pulitzer.

Any award feels pretty good, really. *Wink* — Jessiebelle



Hi Jessiebelle! As always, I thoroughly enjoyed your newsletter! A quick thought on freedom of speech: Should books be published on clearly illegal topics? I work at a major book store, and was shocked to learn that there is a section for books on how to grow and cultivate marijuana and other drugs. These books are not in any restricted section, they're at the end of gardening. Anyone can look up exactly how to grow marijuana in your closet, or anything else. People can also order books on how to make bombs. These books teach people how to break the law. Do you believe these books should or should not be available? Interesting dilemma: freedom of speech vs. the law.

Great NL!
ShadowDawn

Yes. I believe in freedom of information. What people choose to do with that information may be good or criminal. Years ago, I read The Anarchist’s Cookbook. I did not go out and cook my neighbor with homemade napalm-loaded lightbulbs. I did not build a bomb. I did not smoke banana peels or whip up a batch of marijuana brownies. I wanted to know why a character in a movie added liquid detergent to gasoline when turning a lightbulb into an incendiary device. As I recall, that book answered my question (makes the burning gasoline stick to the victim and other flammable surfaces). It satisfied my curiosity. It did not prompt me to go out and commit illegal acts. Ultimately, it’s bad human behavior that should be punished, not the freedom to exchange information and ideas. — Jessiebelle



Jessiebelle, that's one awesome newsletter mix of helpful explanations, encouragement and inspiration. This is going to my resource file!

Tuck me in there gently, okay? — Jessiebelle



Hi! I have a quick question. I was reading your Ask and Answer section and DB Cooper commented that POD had uses too, to which the editor agreed. Um, what is POD? I'm sure I've heard of it before, but right now I'm drawing a blank.

Thanks!

ShadowDawn

POD is “print on demand” or “publish on demand.” These terms are used interchangeably, and that leads to some confusion. “Publish on demand” could refer to a vanity press, though the actual printing may be offset printing. “Print on demand” refers to the ability, thanks to high-speed, high-quality copier/printers, to economically print low quantities of books – as few as one – “on demand.” Lulu (http://www.lulu.com) is a little of both – it’s a very easy, economical way to self-publish your book, since it requires no up-front setup fees and no minimum book purchases from its authors. Books are printed – black and white or full color - on a Xerox DocuTech printer. That said, I wouldn’t call it a “vanity press” because there’s no one there catering to the author’s ego. There’s no one pushing extra, high-cost services. Self-publishing isn’t for everyone, but it’s worth exploring if you want to be in control of your book from start to finish, can edit your work or have access to a good editor, can design and format your book from cover to cover, and have decent marketing and sales skills. — Jessiebelle



An informative, intelligent newsletter, as always, Holly Jahangiri Author IconMail Icon.

Dan

Why, thank you, Dan. — Jessiebelle



I enjoyed the newsletter on freedom of speech, Jessie. You packed a mighty lot of info in this. Oh, didn't you hear? Our book will a Nobel Prize in Literature. Well, you said dream big. ~~ Viv

Our book? Oh, you mean this book? *Bigsmile*

ASIN: 141163103X
Product Type: Book
Amazon's Price: Price N/A

But of course it will! — Jessiebelle



Great newsletter. Love your focus on freedom of speech, and all the great practical advice, too, and extensive letter section. Great work.

Thank you! — Jessiebelle



Another excellent newsletter. Great links, good discussions and a lot to think about.

Thanks. Readers’ feedback keeps it from being a totally one-sided discussion, and that’s what keeps it fun for me, too! — Jessiebelle



Jessie - You can do it all! Have you ever written a column for a newspaper? This newsletter's content is top-notch and written in such user friendly terms. The love you have for this art-form is palpable and aren't we the lucky ones!

Thank you! My dream is to one day have a job like Leon Hale (http://www.chron.com/cs/CDA/ssistory.mpl/metropolitan/hale/3209170) — Jessiebelle



This newsletter was very informative and thought provoking. I was very pleased.

Kaitlin

“Informative and thought provoking” has a nice ring to it. Thank you! — Jessiebelle


I love getting feedback on the For Authors Newsletter – it lets me know you’re reading, and it tells me whether I’m writing about the subjects that interest you. Please keep those questions and comments coming!


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