  Horror/Scary
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Writing Scary Pop-Ups
The best part of a really scary movie is when something unexpectedly jumps out atcha. It's a visual thing; our eyes register it as something horrific and hair-raising, and then our adrenalin kicks into over-drive and we feel a rush of fear that can only be experienced from the down-slope of a high-speed roller-coaster. It's what makes scary movies . . . well, you know, scary. All the blood and gore, which at times can be laughable, pale in comparison to the rush of the 'Pop-Up'; and when it happens, our bodies get hooked on it. You can say you hate it, but you know you love the thrill . . . you love it. Come on, you know you do, YOU LOVE IT! It's that 'Jack-In-The-Box' mentality we have when we turn that flimsy crank on the little tin box, hear that really creepy music (that drives us absolutely batty) knowing all the while that at any moment we are going to get the be-jeezus scared out of us when that 'Killer Clown' pops up.
So how do we write something like that? How can we get our readers to feel that jolt of adrenalin when we have to describe everything before we actually show it?
Good question! And one I actually have no answer to. In reality, a visual scare is much more thrilling than a written one. Why is that?
You can't do pop-up-scares in a book. There's no computerized special effects, or actors covered with gruesome makeup and KY jelly. And besides, you can always put a book down for a few days and walk away. And yet, the creepy prose of horror's greatest writers has the power to hold you trapped in a spell of terror that no film crew can match. The secret is internal dialogue. When films try to do that it immediately becomes...BORING.
Here are 5 horror novels that are scarier than almost any movie you could be watching. Better read these with all the lights on, kiddies.
1. The Shining by Stephen King
The movie version of The Shining is a pop culture touchstone — but as usual, the book is even better than the movie. There's a reason King is considered a horror master: The tense atmosphere and freaky supernatural occurrences get into the reader's head and make you begin to doubt your own grip on sanity, along with that of the characters. Most people are probably familiar with the premise of the book: An alcoholic father takes a job as the off-season caretaker of an isolated mountain resort, in order to work on his writing and become closer to his family. The son is a psychic, a "shiner", who can see the hauntings in the hotel. Sure the book is chock full of supernatural visions — but equally disturbing is the human-on-human violence. The child's-eye view of his parents' deteriorating relationship — and sanity — is meant to dredge up uncomfortable memories of childhood's confusion and powerlessness.
2. Haunted: A Novel in Stories by Chuck Palahniuk
The one-star and five-star reviews of this book actually say the same thing — it's absolutely disgusting and disturbing. A group of would-be writers answers an advertisement for a three-month writing retreat. When the attendees arrive, they're locked in an old-theater, with dwindling supplies. The novel is actually a series of short stories strung together under the artifice of the captives telling tales, and the tales become more horrifying and grotesque as the situation deteriorates. A situation made worse by the participants themselves, as they begin to practice murder and self-mutilation in the belief they are in some kind of reality show. It is said that when Palahniuk read the first tale "Guts" on book tour, people were fainting left and right. The reader is freaked out, not just by the graphic violence and unnerving supernatural bits — but also, the uncomfortable questions about what people will do for fame.
3. The Haunting of Hill House by Shirley Jackson
Four people venture to spend a summer in the reportedly haunted Hill House: Dr. Montague, an occult scholar looking for proof of ghosts, Theodora, his assistant, Eleanor, a young recluse, and Luke, the heir to the house. The group begins to experience strange and unexplained events. That plot might be familiar to you if you've seen either the intense 1963 psychological thriller movie The Haunting or the goofy, bad 1993 version of The Haunting. Jackson was such a master of creating suspenseful tension that there is even an award named for her that recognizes contemporary literature of psychological suspense, horror, and the dark fantastic. What makes the novel so effective is its unreliable narrator, Eleanor. Being limited by her incomplete perspective makes the reader just as unsure and vulnerable as she is. This perspective become more suffocating and tense as the line between the real and unreal and the living and dead becomes more and more blurred.
4. The Turn of the Screw by Henry James
While The Turn of the Screw has a gothic feel to it, Henry James was breaking away from a tradition of blatant "screamers" and "ragers," and creating ghosts that were eerie extensions of the everyday. The story is about a young governess that takes a position at the secluded Bly house to care for an orphaned brother and sister. The governess begins to see apparitions of the former governess that died under scandalous rumors, and another dead servant Quint, who'd terrorized the house and possibly sexually molested the boy and other servants. She becomes convinced the children can also see the ghosts and are being hunted by them. The stiff and formal language along with the unfamiliar mores of the time might be a barrier to a modern reader — but if you let it flow over you, an eerie and unsettling scene takes shape. Nothing is ever explicitly stated in the story, from the crimes of the deceased servants to whether the children can actually see the ghost, to what was the actual reality of the ending. The written word allows for an ambiguity and unresolved tension that allows scholars to still argue about what was real and what might have been madness. The questioning for answers is what makes the story so creepy and evocative. Well, that and the creepy kids. Apparently unnerving, creepy children are not a new idea.
5. The Terror by Dan Simmons
In 1845 the Franklin Expedition, which consisted of 126 men on the two ship the H.M.S Erebus and H.M.S Terror, went to the Arctic circle in search of the fabled Northwest Passage. None of the men returned alive from this expedition. Dan Simmons blends historical fiction and horror to tell of the deaths of these men. The two ships are trapped in ice for years and as the supplies dwindle and go bad, madness and disease descend upon the crew. In the midst of the more mundane murder and cannibalism, a giant unknown beast begins stalking the men and killing them off in ones and twos. Simmons is masterful at setting a scene with a great attention to details that shows off his extensive research (though this tends to make for very long books). The book is a harrowing tale of survival horror builds fear with an inescapable environment and boosts of adrenaline from being hunted.
There are some things writers can do that film makers can only hint at, and that is to be able to describe what a person feels and thinks. The ability to feel what the characters are going through can only be achieved through good writing. Pop-Ups go to the Horror movie producers, but descriptions of someone afraid for his life and slowly going stark raving mad belongs to the authors and writers of real Horror.
Until next time,
billwilcox
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DEAD Letters
dragonwoman 
Comment:
Love this newsletter. You're one of my heroes Bill
BIG BAD WOLF is Merry 
"Dead Rising: Your Story" [18+]
Comment:
All I have to say is- Ah! Zombies!
Quick-Quill 
Comment:
In looking for a topic or definition for Horror; I came across this article. It explains a lot as to why the content judged today has to be bloodier or gutsier. Hacker Slasher movies and books seem to be the glut of the market. What really constituted the Horror genre. I like this article and as I tried to write a story for the 13th birthday I wondered what criteria the judges on WDC look for? I've written some horror and wasn't too impressed. Now I'm wondering if it was really my writing or the expectations of the genre?
Here is the link to the artical: http://www.horror.org/horror-is.htm
It's a good question and one I've tried to answer in this newsletter. Good horror keeps you riveted to the page. It's good writing. There is plenty of Horror out there that has no gore at all; just a good scary story.
LJPC - the tortoise 
Comment:
Hi Bill!
I loved your newsletter! I feel the same way about heroes, and that's why I write horror. In my novels the good guys always win no matter how evil, dastardly, and powerful the villain is. But the villain sure gives them a run for their money first! *Laugh*
~ Laura
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Horror/Scary: October 02, 2013 Issue [#5915]
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