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Horror/Scary: December 07, 2005 Issue [#724]

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Horror/Scary


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  Edited by: zwisis
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Table of Contents

1. About this Newsletter
2. A Word from our Sponsor
3. Letter from the Editor
4. Editor's Picks
5. A Word from Writing.Com
6. Ask & Answer
7. Removal instructions

About This Newsletter

Steal not this book, my worthy friend,
For fear the gallows will be your end;
Up the ladder, and down the rope,
There you'll hang until you choke;
Then I'll come along and say -
"Where's that book you stole away?"


Traditional book curse to prevent theft.



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Letter from the editor

In medieval times it was traditional to write a curse into a book as a deterrent to potential thieves. At that time books were handwritten, so were considered rare and unique objects. The amount of time taken to produce a book would have warranted the setting of a severe curse on any thief.

Curses are one of the most dreaded forms of magic, and a great source for horror/scary stories. During a word search on WDC for items about curses I was able to find very few featuring this topic. So I've prepared this newsletter in the hope that it'll encourage some more writing about curses.

The intention of a curse is to bring misfortune to its victim/s in a variety of ways, including financial ruin, physical illness, grievous bodily harm and death. The main reason for issuing a curse is revenge, although they’re also used to protect grave sites, homes, treasured objects and books. Curses have also been laid upon families, and can affect the members for generations. Curses can become effective immediately or lay dormant for years.

A story can be written around any curse. As the quotation demonstrates a curse can contain some very graphic description of its consequences. European legends are full of tales of curses laid upon families, particularly the aristocracy. Some of the most feared and horrible curses bestowed childlessness or death to the heirs, the oldest son or all sons in a family. This ensured the lineage and family name would eventually die out – a perfect and sobering example of exploitation of mankind’s latent fear of mortality.

The method of laying a curse is worth mentioning, because it has the potential for gory details and description. The most common way to lay a curse is to use an effigy, an image or item representative of the intended subject. The effigy can be made of wax, clay, wood or cloth, and painted to resemble the target. The more the effigy resembles the victim the greater the suffering inflicted. As the image is damaged so is the intended target. When the effigy is destroyed the victim dies. The ancient Egyptians would write the name Apep (a monster who was the sun’s enemy) in green ink upon a wax effigy, before wrapping it in papyrus and throwing it on a fire. Effigies were also stabbed with pins, thorns or knives to inflict terrible pain and suffering upon the victim.

Alternates to effigies include hearts, animal corpses and items that decompose quickly, such as eggs. These objects were buried with curses to ensure that as they deteriorated so the victim would die...

Cursing stones originated in Ireland, and were stroked and turned to the left while the curse was recited. Some claim that crystals and gemstones have the power to hold curses. The world famous 42 carat Hope Diamond is supposed to be cursed, because its owners have suffered illness, misfortune and death. One of its owners was Louis XVI, who was beheaded in the French Revolution in 1799...

Although anyone can set a curse, it is believed that the authority of the curser increases its potency and makes it more dangerous. So priests and priestesses, witches and sorcerers and members of royalty are great characters for this type of work. Note that these potential cursers are not only those who work with black magic and the dark arts; officers of the church and religion were also believed to have the ability to cast a potent curse. There are also many stories of ordinary people who, angered at being denied justice, may lay curses that are equally effective. These include women in repressive societies (the curse can be cast in secret), the destitute (who have nothing to loose) and the dying. A deathbed curse is supposedly the most powerful, because the curser uses all his vital energy when casting it.

Some cultures believe that if the victim knows about the curse and believes that he/she is doomed, then the power of the curse increases because the victim helps cause his/her own demise. In Africa fear of the supernatural is intense. Stories abound of people who, upon learning they are cursed, will themselves to die through the power of auto-suggestion. Others claim curses work just as well when the victim is unaware of the curse. These people also don’t want the victim to know about the curse in case he/she goes to another curser in an attempt to get it removed. When two opposing witches or sorcerers become involved in casting and lifting a curse there’s a chance a magical war could erupt to confirm which one has the stronger power. If the witch or sorcerer who originally cast the spell is consulted by his victim – in ignorance of course – then the storyline could be vastly different. Will the curser allow the curse to run to its deadly conclusion? Or will he/she become sympathetic to the victim and lift the curse?

Some neo-pagan witchcraft cults believe it’s against the Craft’s ethics and laws to lay curses, although others believe cursing enemies is justified. There is also the supposition that the curse will return to the curser in the original form. Traditionally, the best time for laying on and breaking curses is during the waning of the moon.

A modern example is the so-called Mummy Curse, which came to light when the Earl of Carnarvon and Howard Carter discovered Tutankhamen’s tomb in 1922. It is claimed the curse was inscribed on a clay tablet. It read:

Death will slay with its wings whoever disturbs the peace of the pharaoh.

Despite these ominous words the tomb was opened. Six months later Earl Carnarvon died in Cairo from an infected insect bite on his cheek. His son reported that the Earl’s favourite dog howled and dropped dead on the same day. When Tutankhamen’s mummy was finally unwrapped in 1925 it was found to have a wound on its left cheek – in exactly the same position where Earl Carnarvon had been bitten. By 1929 eleven people connected with the discovery of the tomb had died of unnatural causes. These included two of Carnarvon’s relatives, his private secretary Richard Bethell and Bethell’s father, Lord Westbury.

The tablet containing the curse, although documented, was never photographed, and disappeared from the artefacts collected from the tomb. By 1935 there were 21 deaths linked to Tutankhamen’s Curse.

Perhaps the power of a curse is in the mind of the person who believes in it. Howard Carter, the man who opened the tomb, never believed in the curse. He lived to the respectable age of 66 before dying of entirely natural causes… although he apparently withdrew into himself and suffered with depression for several years before he died.


Editor's Picks



Four friends unwittingly release an ancient curse, and find themselves forced to make a terrible decision… before it’s too late!

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A humorous warning of Celtic curses in poetry format.{c}

 Celtic Curses Open in new Window. (E)
Celtic, Curses, warnings, life, self esteem, humor, Irish, threats, pride, strength, fun
#810940 by Elby Wordsmith Author IconMail Icon



Cheating on his partner was fun, but in the end was it really worth it?

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#1030858 by Not Available.



Be careful what you wish for, because you may have to pay a price to realise your dreams.

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Haunted by a memory from his childhood a man is forced to confront his fears in an unusual town.

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#938037 by Not Available.



This contest started last month, and it's perfect for horror/scary writers. I encourage you to take a look... and post an entry!

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#1033445 by Not Available.


 
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Ask & Answer

Thank you for the letters; it's encouraging to know that people read and appreciate the newsletters. It means we're on the right track... so please keep sending them!

schipperke
Fantastic newsletter, Forever! I am glad you mentioned taste… my favorite sense besides sight. It is lots of fun to include taste in horror stories. For me, it is horrific to bite into mushy peas...yuck! *Sick*

Thanks for the complement, schipperke. I don’t mind mushy peas… but I can’t stand overcooked, hard peas… ewwwww! *Sick*

femmedragon
Thank you for the informative newsletter. You've given me something to think about the next time I write a piece for any genre. Thanks again.

My pleasure, femmedragon. I enjoyed writing it. Although I have to say Horror is perhaps the most exploitable genre when it comes to description of the five senses.

billwilcox
BlueJeans,
Fabulous article on the senses and how to make your writing come to life. This is definitely a SAVE item for any author--thanks for sharing,
W.D.

Your support is greatly appreciated, billwilcox… coming from a Master of the Horror Genre this is high praise indeed.

scarlett_o_h
Thoroughly enjoyed your Newsletter again. We are all guilty of not using our senses enough in writing and it's an essential in good horror writing. Your examples were great; I can still smell the burning hair and taste that vinegar. *Laugh*

I can still feel those cotton balls, scarlett_o_h. It’s been a long hidden phobia for many years, and I was amazed to discover websites dedicated to this terrible fear.


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