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Fantasy: February 14, 2018 Issue [#8754]

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Fantasy


 This week: Romantic Subplots
  Edited by: Robert Waltz Author IconMail Icon
                             More Newsletters By This Editor  Open in new Window.

Table of Contents

1. About this Newsletter
2. A Word from our Sponsor
3. Letter from the Editor
4. Editor's Picks
5. A Word from Writing.Com
6. Ask & Answer
7. Removal instructions

About This Newsletter

A tramp, a gentleman, a poet, a dreamer, a lonely fellow, always hopeful of romance and adventure.
-Charlie Chaplin

Deceiving others. That is what the world calls a romance.
-Oscar Wilde

True love stories never have endings.
-Richard Bach


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Letter from the editor

As this newsletter is scheduled to appear on Valentine's Day, I thought I'd throw in some of my thoughts on romance in fantasy.

Fantasy, and its cousin science fiction, are what I consider to be meta-genres. That is, there's room in their scope for the inclusion of almost any other genre you can think of: politics, war, history, mystery, science, fashion... and romance, just to name a few.

It could be argued that romance is one of the earliest sub-genres of fantasy - consider fairy tales, which are at least tangentially "fantasy," as they involve magic and the supernatural; these stories tend to involve some sort of romantic element.

But, being a hopeless cynic, I can usually see only the downside of romance. To me, it becomes just another complication, a source of conflict, and a device to push the plot along.

Which doesn't mean it shouldn't be incorporated. On the contrary - complications, conflict, and other plot movers and character-revealing devices are what we should be looking for.

The problem, as I see it, is in the fairy-tale versions - the "happily ever after" bits.

Consider Star Wars.

I'm using Star Wars as an example because I suspect the vast majority of readers have been exposed to this universe, if only through the movies. Warning: Spoilers ahead, but come on, if you haven't seen them by now, I'm going to have to assume that you just don't care.

Focusing on the first movie trilogy, we start out in Episode IV, the first movie, with a potential love triangle set up between Han, Luke, and Leia. Well, everyone knows how that was resolved: turns out Luke and Leia were siblings, and there went *that* conflict right out the window.

In the second trilogy, the one consisting of not-so-great movies, we see a romance between Anakin Skywalker (proto-Darth Vader) and Amidala. Boy, that turned out well, didn't it? Not only did Amidala die in childbirth, but their offspring - the perfectly normal result of their romance - turned out to be their father's undoing. It's about the polar opposite of "happily ever after."

By the time of the third trilogy, of which two movies have been released at this point, we see the result of the Han/Leia ship from way back in the first trilogy: not only are they old and barely talking to each other (again a perfectly normal result of "romance,") but they have a son who's turned to the Dark Side. In a nice rhyme with what has gone before, the offspring turns out to be the father's undoing.

I've often said, "There are no happy endings; there are only stories that end too soon." This is probably one reason I don't have many friends. That aside, Star Wars is proof positive of this maxim. Had Luke not felt attracted to Leia, we wouldn't have had decades of cringe when we consider what might have happened if they hadn't figured out they were siblings. Had Han not been attracted to Leia, they wouldn't have had sex, which led to them having a kid, who turned to the Dark Side and killed his father.

In short, while romance isn't dead, stopping a story before the romance turns into a plot device can fool people into thinking there are happy endings.

People seem to like that sort of thing, though, so you end up with stories ending before the couple has their first serious argument.

I see Star Wars somewhat differently, though; and I have done so ever since I figured out the one truth about the movies: Star Wars is actually the story of R2-D2 and C3PO. The first movie opens not with Luke, or Leia, or even Darth Vader, but with these two droids. They are the first characters we see. And it doesn't take long before they're stranded on a desert planet... arguing with each other like an old married couple.

In the second trilogy, chronologically earlier, we see how they met and began their adventures together: their budding relationship.

And in the third trilogy, they're barely speaking to each other.

Yes. Star Wars is, at base, the romance of these two droids. Best of all, they can't (canonically) have offspring that will end up killing one or both of them.

And they lived happily ever after.


Editor's Picks

Just some fantasy here - romantic elements optional.

Georgie Flies Open in new Window. [ASR]
A boy buys a dream, for only a quarter.
by CeruleanSon Author Icon


 Cauldrons in the Catacombs  Open in new Window. [ASR]
Fantasy flash fiction.
by WyrdNaos Trippin' on Yello Author Icon


 The Special Tree Open in new Window. [E]
About a tree that's full of emotions.
by pinkbutterflies Author Icon


 Out of Place Open in new Window. [13+]
A coma victim wakes up. (Flash Fiction)
by Hyperiongate Author Icon


 Caught by Death Open in new Window. [E]
A girl tries to escape death, and falls into its arms.
by Silver Moon Author Icon


 The Bogeyman Open in new Window. [13+]
'Check carefully beneath the bed........'
by ~Sue~ Author Icon


 Dead Upon Awakening Open in new Window. [ASR]
What is it like to wake up dead? Writer's Cramp, 6/22/08
by Heather Author Icon

 
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Ask & Answer

Last time, in "Frigid FantasyOpen in new Window., I talked about the cold as antagonist.

BIG BAD WOLF is Howling Author Icon: Unless you live in Upper Michigan, you don't know Winter unless you've lived through a genuine Western New York Winter. [Submitted Item: "Family ChristmasOpen in new Window. [E]]

         No, thanks.


Pepper Author Icon: Brrrrr! I hate the cold too, unless I'm just reading about it. In fact, one of my all-time favorite short stories is "To Build a Fire" by Jack London. In my opinion, this is one of the best examples where the cold is the antagonist.

         My dad made me read some Jack London stories when I was a kid, because he wasn't thrilled with my genres of choice (fantasy and science fiction, of course). I did appreciate them, but it's been a long time. But yes, from what I remember, London was a master at turning external things into antagonists.


Quick-Quill Author Icon: May I suggest Dan Browns Deception Point? To me this is better than any of his books. Others have started to read it and couldn't put it down. I had the CD version and I was following my daughter in the airport and told her not to talk to me on the plane ride home. I had a bag of batteries in case power ran out of Sony CD player. Yes I'm old. If you don't think this book would far out perform in a movie then, let me know. If I were a billionaire I'd be buying the rights to this and making a movie with Peter Jackson as director. Not Ron Howard.

         The practice of making books into movies (or TV shows) is something I might explore at some point. In brief, I think you both gain and lose some things - and the tradeoff is a matter of personal preference.


dragonwoman Author Icon: I'm with you Robert Waltz, not a cold weather person. Just looking out the window makes me cold! But then again, don't like it overly hot either. I should have been a zone in the middle lol

         While I'd like to be warmer, I'm used to the climate in Virginia, and don't think I'd be satisfied living anywhere else for an extended period. The winter cold just makes me appreciate the muggy hot humidity of summer that much more.


And that's it for me for drear February. See you next month! Until then,

DREAM ON!!!

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