An oboe whimpers to the tune of an erupting
fault, its wooden tube
an understatement of that event
like it was 1960; May in Valdivia, Chile,
but that’s just the nature of the beast.
Ninety-five pounds lay incorporeal,
the content is what’s missing.
No less tangible than the raven’s song itself,
liturgically ranting;
a greeting in the kindest of words.
Here, Mercalli couldn’t begin to calculate
flesh as it drips from a telephone pole, burning
to say good-bye
or caput mortuum hair saturated in the blood of a little girl.
Catastrophic isn’t close.
At least she was sleeping, content in four-doors
when those tires hissed with a vengeance
and a disregard for gravity.
When tectonic crusts collided, she was a second thought.
Those narcissistic bastards
had a better idea of composure,
her asthenosphere too brittle,
too weak.
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