Reviewing this at your request.
First impression: Kind of a light, breezy narrative (mostly) that mainly seems to serve to introduce characters.
Suggestions: A few to consider; these are mostly just my opinion.
“It’s open Pugna! Come in!” Here, and in a couple of other places, you need a comma before whoever the speaker is addressing. "It's open, Pugna!" "Nice joke, dude." "Lighten up, Pecks."That sort of thing.
If you don’t already know, Primis is the first day of the week in Tutum. This sort of thing breaks the fourth wall. Either do it a lot more or, and this would be my preference as a reader, rewrite things so as not to need the asides. In writing fantasy or other otherwordly stuff, it's important to strike a balance between feeding the reader information and just letting them view the scene.
I had kept writing down things in my journal Tense switch from past to past perfect.
The man carrying the boxes seems to be nothing more than an excuse to a) demonstrate how boy-scoutish the narrator is and b) introduce Amare. I'd recommend against introducing a throwaway character in the first chapter, so I suggest either a) finding another way to accomplish these narrative tasks or b) show some interaction with the box man, and make him happen again later in the plot.
There are some paragraph formatting issues. They are distracting and easy to fix.
I hadn’t stand a chance. I didn't stand a chance, or I hadn't stood a chance. The former is preferable.
When Amare comes in out of the rain, and during the ensuing dialogue, it would flesh things out a bit if you showed some of the effects of a thoroughly soaked girl dripping water all over the narrator's room. Also potentially amusing as he would put up with that because he's into her.
I’m 99.99% sure I should’ve blacked out because of my vasovagal syncope. Everything else this guy say is pretty basic. Normally I'd say "vasovagal syncope" is out of character, but in this case it made me laugh. I hope that was what was intended. Still, I'd nix the "99.99%" bit, as it definitely seems out of place in this narrative.
I looked out at the setting sun and how beautiful it was. Ten seconds ago (in the narrative), it was raining. It is, of course, not uncommon for rain to stop and make the setting sun visible, but I felt like there should be some sort of acknowledgement to the change in weather, perhaps related to how long the narrator has been unconscious. Also, instead of "how beautiful it was," maybe use some descriptive words: colors, play of light, that sort of thing.
All of these suggestions notwithstanding, I think the three main characters are introduced well, and the stage is set for whatever comes next. We still need to know what was bugging Amare upon the first meeting, but I assume that can come later.
Opening: The lava below me bubbles and pops as I fall. Especially since the rest of the chapter sets the "normal" scene of the narrator, I think this is a good hook. However, we can probably do without the rest of the paragraph, as noted above.
Ending: Not an ending, really, just the end of the chapter. While it's not a cliffhanger, there's probably enough hints dropped in this chapter to make the reader want to know more, especially as to how this "normal life" is about to be disrupted by the plot. At least, that's what I hope will happen.
Overall: Maybe work on the dialogue a little, show some more minor actions and descriptions, but I think that, apart from the suggestions above, it's a good start. Keep it up!
Exercise your writes!
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the pun is mightier than the sword
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