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Review of The Armory  Open in new Window.
Review by C. T. Hill Author IconMail Icon
In affiliation with WdC SuperPower Reviewers Group  Open in new Window.
Rated: 18+ | (4.0)
Please remember that these are only suggestions and opinions and I mean no offense by them.

Context: Interesting enough context, but I would have liked to see a more fulfilling ending than what you provided. I understand leaving a reader to his or her own thoughts, but in this instance, you kind of left it all up to us, which can be less than desirable. Mainly, you have a good idea, and the ability to write a story with good flow, you just need to finish it off.

Imagery: I should take this tab out. Every story can use some more descriptors. Your goal should be to paint the picture of your story for the reader without forcing the visions upon them, if that makes sense.

Emotion: Most of the displayed emotions in the piece seem odd or forced by the characters. I don't think they all need to be changed, but I saw a few repeated ones, such as startled. Try to make the reader feel, empathize with, the characters.

Mechanics: There are quite a few errors, but for the most part they are minor sentence structure issues, and missing or misplaced commas. I have never seen someone separate dialogue with colons like this story. Needless to say, it is incorrect. Overall, not bad. I corrected everything I saw below, but I am sure I missed some things. Just go over it a few times on separate occasions and you should be able to iron out any of the kinks.

1) Peter approached cautiously the narrow opening sending the stone-filled tree trunk before him. This sentence is kind of Yodaish. Peter approached the narrow opening cautiously, sending the stone-filled tree trunk before him.

2) No garrison was waiting for them and the tree trunk sprung no hidden traps. Since this is two independent clauses, a comma is necessary after them.

3) Dochia entered first followed by Duncan and Niklaus. Comma after first.

4) They watched in wonder the vast cavern opening around them. Another Yoda sentence. If you are going to leave it like this you need a comma after wonder, otherwise: They watched in wonder as the vast cavern opened around them. You can try something like that.

5) "It is said that Tamas never locks his armory's doors as there's a fiery dragon behind them. Anyone trying to enter is burned alive." Peter announced. You need a comma after alive, not a period, since 'Peter announced' is dependent.

6) Niklaus rose his eyebrows but remained quiet as, in fact, he stayed the whole trip. Wrong verb choice, and the ending of the sentence is odd. Niklaus raised his eyebrows, but remained as silent as he had the entire trip.

7) Dochia suspected that Duncan and Peter also noticed Niklaus' strange behavior. Not really mechanical, but since when is raising your eyebrows in surprise or concern strange behavior? You could say they also noticed his gesture, or his worry, but I don't think it is strange.

8) They are indeed unlocked, one of them leading to the armory, and just like in your story, death awaits behind the others. Sentence structure. They are indeed unlocked. One of them leads into the armory and, just like in you said, death awaits behind the others.

9) Dochia startled at the scuffle and lowered her eyes from studying the candelabrum. You have already used startled a couple of times.

10) Niklaus turned and smiled at her, a guilty smile that didn't reach his eyes. Kind of a weird sentence. Niklaus turned and released a mocking smile, one that did not reach his eyes.

11) Peter shrugged and asked: "Did she tell you also which door it is?" You don't need a colon here. Peter shrugged and asked, "Did she also tell you which door it was?"

12) "No, she said she didn't know." Duncan answered with a shrug of his own. Comma after know, not a period.

13) "You're losing your touch ol' man." Peter drawled but stopped short at Niklaus' mutinous look. Commas. "You're losing your touch, ol' man," Peter drawled, but stopped short at Niklaus' mutinous look.

14) Dochia schooled her features, straightened her shoulders and interjected: "He speaks the truth, for once, Erzsbet didn't lie, she doesn't know. Tamas didn’t like the risk of keeping the same door open so it is changed often. If the secret spills, the intruders would try opening the wrong door." Again, no colon needed and some missing commas. Dochia schooled her features, straightened her shoulders, and interjected, "He speaks the truth, for once. Erzsbet didn't lie, she doesn't know. Tamas didn’t like the risk of keeping the same door open so it is changed often. If the secret spills, the intruders would try opening the wrong door."

15) Peter was still not convinced: "It looks painful and risky changing the door often and spreading the word to his knights. Messengers can be captured or bribed, and pigeons shot." Colon. Sentence structure. Peter was still not convinced. "It looks painful, risky even, changing the door so often and then spreading the word to his knights. Messengers can be captured or bribed, pigeons can be shot."

16) Miklos is a wastrel, however he is fond of puzzles. When using the adverb however in the middle of a sentence instead of at the beginning you need a semicolon before and a comma after. Miklos is a wastrel; however, he is fond of puzzles. At the very least, all mid-sentence adverbs need commas before and after, but however is sort of special.

17) I think we have a puzzle in front of us that will tell us which one is the door to Tamas' armory." answered Dochia icily. Comma after armory instead of a period.

18) Niklaus sighed as he started pacing the floor of the large hall and Dochia knew why. Two independent clauses means a comma before the conjunction.

19) Duncan's eyes sparkled with interest and in two strides he was near Dochia. Commas. Duncan's eyes sparkled with interest and, in two strides, he was near Dochia.

20) "A puzzle, how interesting my lady, I am quite fond of puzzles myself." he whispered, his voice even lower than usual. Commas and sentence structure. My Lady is a title, so it needs to be separated by a comma, even if you do not decide to capitalize it. "A puzzle, how interesting, my lady. I am quite fond of puzzles myself," he whispered, his voice even lower than usual.

21) "Seven, door number seven." jumped Duncan. Comma after seven, not a period.

22) Beautiful, popular, dressed in the most becoming dresses and... hating puzzles, Erzsbet was everything she wasn't. Sentence structure and punctuation. Erzsbet was beautiful, popular, and dressed in the most becoming dressed. Most importantly, she hated puzzles, making her everything that she herself was not.

23) Her heart sunk but she pushed her thoughts back, as the three men's eyes were aimed at her. Commas. Her heart sunk, but she pushed the thoughts back as the three men's eyes focused on her.

24) Niklaus pushed strongly the stone filled trunk toward the door, and it rolled smoothly hitting the door with a low thud. The rest of the party started on the clear path it left on the floor when Duncan put his hand on Dochia's arm: "I... We will go first my lady. Once we are through the door you might follow us. " Sentence structure, colon. Strongly is an adverb and adverbs generally precede verbs, but in this case it is unnecessary. Try to avoid adverbs in your writing if at all possible as they tend to bog down the story. Niklaus pushed the stone filled trunk toward the door. It rolled smoothly, hitting the door with a low thud. The rest of the party started down the clear path it left when Duncan put his hand on Dochia's arm. "I... We will go first, my lady. Once we are through the door you might follow us."

25) A strong compulsion made Dochia look into his eyes and put a soft kiss on his lips. It was as well she couldn't see the white knuckles on Duncan's side. He attempted a smile and answered somewhat strained: "You honor me, my lady." Period instead of colon.

26) "You put to shame higher-born knights, Sir. I don't believe a word of what Peter said about you and Erzsbet." Who said this?

Overall: Not a bad story by any means. I read it from start to finish, which is definitely a plus, and you had a significant enough premise that drew me into reading it. The main thing the story needs is a good couple of edits, and just some basic rewrites, nothing too fancy or time consuming. You have some interesting characters, and I think you have definite talent as a writer. Keep writing!

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Elemenopy


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Review of Reins of Courage  Open in new Window.
Review by C. T. Hill Author IconMail Icon
In affiliation with WdC SuperPower Reviewers Group  Open in new Window.
Rated: E | (4.0)
Please remember that these are only suggestions and opinions and I mean no offense by them.

Context: The premise of the story was intriguing and, for the most part, you kept my interest throughout the piece. The ending of the story did falter a bit, and there were some consistent errors throughout the piece, but I still enjoyed the story. The narrator has a unique voice, though at times can be a bit bland and unbelievable. The ending seemed rushed and kind of obscure, like you didn't really feel like writing anymore. There could have definitely been more about the valiant rescue of which the entire premise of your story was based. Also, the description of the narrator's life following the story seemed equally rushed.

Imagery: There can always be more imagery, but I think you do all right with the story. Perhaps some better descriptions of the area and the various characters would bring the reader into the story better.

Emotion: Emotion was there until the rescue. I was pretty disappointed in how rushed and bland that entire scene turned out. It would be a rather easy fix, but since it is such a big part of your story, I believe it is warranted.

Mechanics: I found and fixed most of the errors within the story, though I didn't depict every one below. Certain times when you used adverbs to begin the story you left the comma out that followed. Also, you left out commas before conjunctions such as but. Most of the errors are simple fixes and shouldn't take much time. Overall, not bad on the mechanics.

1) There were bottles of homemade moonshine that would give a man a good buzz and strong enough to chew the lining of a stomach away. You need a comma after buzz, and you need another verb in the second clause because you used a conditional verb tense with 'would' and it does not translate throughout the sentence. There were bottles of homemade moonshine that would give a man a good buzz, and was strong enough to chew the lining of a stomach away.

2) It’s sad that the sweetness of the tea didn’t subdue these mean spirited onlookers. It's is present tense and you are telling the story in past. Also, mean spirited, because it is a unified descriptor of onlookers, needs a hyphen. It was sad, but the sweetness of the tea didn't subdue those mean-spirited onlookers.

3) Town people had brought their house servants along to serve them. This is a bit nit-picky, but are you generalizing that all town people brought their house servants along with them, or are you pointing out to the reader that 'those' town people brought their house servants with them?

4) There were four chimneys. So the house was cool in the summer and warm in the winter. Join these two sentences. There were four chimneys, so the house was cool in the summer and worm in the winter.

5) Her parents weren't that happy about the union but my mother was not attractive and as a beau, Add a comma after union.

6) Pa was disappointed in the gender but Joseph Jr. followed within a year. Comma after gender.

7) Every line was earned from worry, pain and then there were the scars from beatings. Just a sentence structure issue. Every line was earned from worry and pain, and then there were the scars from the beatings.

8) She knew my mother had let her children stay around her until then but the pain of separation was heartbreaking. The children would cry but Mariah was stoic and quiet. Commas after then and cry.

9) Yet I knew if I dared to question my father's behavior toward our servants, I would be punished. Yet is an adverb and when you use an adverb to begin a sentence you need a comma following it.

10) This is not really a mechanical issue, but while reading the dialogue between the narrator and Ephraim, I became increasingly confused as to not only who was speaking, but what exactly they were talking about.

11) Then he shoved me in the hay. Then is an adverb, so you need a comma after it because it begins a sentence. There are quite a few other sentences in the story that begin with then and are lacking a comma.

12) It was like the start of the Civil War. This statement is a bit confusing since the story in question takes place before the Civil War.

13) "You heard me, young lady. This is men's business." 'This is men's business' is kind of an odd way to say it, though it is not necessarily incorrect.

14) My Pa has known Ephraim his whole life. Pa knows he is a loyal Christian boy, my friend that would die for me and something that meant even more; a valuable crafts worker. That is property Pa could sell at a high price.
Instead he chooses to believe Jason, a man he hardly knows, a drinker and gambler over his own daughter and Ephraim. This is the Southern code. If any slave woman was asked to spread her legs for the Master, she does. Jason is a white man, a son of slave owners with a plantation and a man deemed worthy to marry his daughter.
You tense jump all throughout this paragraph and there are quite a few other errors. My Pa had known Ephraim his whole life. Pa knew he was a loyal Christian boy; my friend that would die for me and, something that meant even more, a valuable crafts worker. That he was property Pa could sell at a high price. Instead, he chose to believe Jason, a drinker and a gambler whom he hardly knew, over his own daughter and Ephraim. It was the Southern code. If any slave woman was asked to spread her legs for the Master, she did. Jason was a white man, a son of slave owners with a plantation, and a man deemed worthy to marry his daughter. From this paragraph on you pretty much switch in and out of past/present tense. The story started as past tense so you should go through and make sure all of the verbs match that.


Overall: This is not by any means a bad story. It could use some editing, as does any story, but has the potential to be an astounding read. I liked the moral issues within the story, but there could be a bit more linking Pa's actions and his personality, because there is little that relates his true character other than what you display about him being cruel at the end. It seems somewhat unwarranted. The main issue I see with the story is the lack of emotion during the rescue of Ephraim. You are a good writer and you display a very interesting style of narration in the story. Keep on writing!

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Elemenopy


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Review by C. T. Hill Author IconMail Icon
In affiliation with WdC SuperPower Reviewers Group  Open in new Window.
Rated: E | (4.0)
Please remember that these are only suggestions and opinions and I mean no offense by them.

Context: Well, the premise of this story is somewhat interesting, but lacks any real conviction. The dialogue seems tense, or forced, and it left me wondering exactly who the characters where and why any of this mattered. One of the main problems I noticed was the lack of identifying the speaker in your dialogue. It is a rare gem in your story to know exactly who is speaking. That is not a huge issue, and can be worked out without too much trouble.

Imagery: Really the only imagery I noticed was at the end when you attempted to describe the entrance of the second alien race. Basically, the story needs some more descriptors. I understand that it is not necessarily the type of story that requires a ton of visual descriptors, but a few more can't hurt.

Emotion: You tried to throw some emotion in there, but it is odd and alien feeling (especially from the alien). They are having a conversation that seems hostile at first, and then all the sudden I got the impression that the Commander knew the human characters somehow, but the link was so fragile that it almost crumbled when I tried to find it. And then, after all of that, the alien just starts to cry. It was fairly odd, but I can see what you were trying to accomplish. Clean up your dialogue a bit and give us a little more back story and the emotion will follow. We have to identify with the characters to actually feel any emotions they are trying to impress upon us.

Mechanics: Mechanically, the story needs a couple of good edits, and more eyes than I possess. The story has errors, but most of them are small and easy fixes. My main issue with the piece is the constant tense jumping, which is easily fixed, but can ruin a story if it is ignored. I tried to catch most of the errors below, but I did leave off some of the verbs that needed to be changed from present to past tense. Also, there were some missing commas that I did not put down, but a quick read through should allow you to find those.

1) Joel places his pen down to answer it. Half of your story is in past, and the other half is in present tense. I would change this to past since it is generally preferred over present. Joel placed his pen down to answer it.

2) Joel and his wife Daniele's apartment is comfortable, having the essentials; water, power, lights. The possession identifier is wrong and the semicolon should be a colon because you are listing items. Joel and his wife, Daniele, had a comfortable apartment with all of the essentials: water, power, and light.

3) Joel has a job. Many people do now and most were in the employ of the Nezaur, an enterprising alien race, come to Earth to do trade. Again, I'd move everything to past tense. Joel had a job, many people did. Most were in the employ of the Nezaur, an enterprising alien race, after they came to Earth to trade. This version, in my opinion, is cleaner and flows better.

4) While much needed, many, over the years were troubled by the relationship they had built with the Nezaur. Odd sentence. While people supported the trade in the beginning, many over the years became troubled by the relationships that were built with the Nezaur. Something like that...

5) Winston, Joel's friend was invited to discuss their concerns. Comma after friend.

6) And now we make and ship green glowing-batteries and other parts to their home world. The hyphen goes between green and glowing, not glowing and batteries.

7) “Winston... remember when he told us he'd overheard the commanders talking and make a curious statement. Make should be making.

8) Winston slumping a bit in the couch to rebut, “Yeah I remember but Joel, come on, he could have just been jaw jacking with his buddies. You've seen them. They love to talk.” Slumping in this sentence is progressive, which by itself is not a verb tense. You can either change slumping to slumped, but the sentence needs some other work as well. Try: Winston slumped in the couch as he thought of a response. "Yeah, I remember, but Joel, come on. He could have just been jaw jacking with his buddies. You've seen them when they are together. They love to talk."

9) “Yes, yes I know, that's how I felt too, but Daniele and I saw the Doc last week and.... Winston, he didn't recognize us. Add a closing quotation after us.

10) Winston sits up looking into their faces for signs of a joke. But, there were none. “How can that be? He lived with you guys for...what? Five years?” Tense again and sentence structure. Winston sat up, searching their faces for any signs of a joke, but there were none. "How can that be? He lived with you guys for what, five years?"

11) “Thinking Doc was kidding around, I asked him anyway. Had he gained any insight into why Earth was such a great location? And he looked at me with such anger then grabbing my arm tightly he demanded our names and addresses as though we were strangers.” You have a quote within a quote here without any punctuation. Rather than structuring it that way, however, try this: "Thinking Doc was kidding around, I asked him if he had gained any insight into why Earth was such a great location. He looked at me and anger filled his eyes. He grabbed my arm tightly and demanded our names, addresses, as if we were strangers.

12) All heads turned, as the door swung open and three Nezaur security men rushed in with weapons drawn and taking aim at each of them. Structuring, some tense issues. Their heads turned as the door swung open. Three Nezaur security men rushed in with their weapons drawn, sights aimed at each of them.

13) "What Winston is about to tell you Joel will be incomplete. But, don’t be afraid, my men are here for your protection.” Some comma issues, and when you use But or And in the place of However you don't need a comma directly after it. "What Winston was about to tell you, Joel, is incomplete. But don't be afraid, my men are here for your protection."

14) Ignoring him and turning to Winston it commanded, “Give your report human”. Punctuation. Ignoring him it turned to Winston. "Give your report, human," it commanded.

15) “As you have surmised, the Doctors question was important Joel.” Punctuation. Question is a possession of Doctor in this sentence. "As you have surmised, the Doctor's question was important, Joel."

16) Joel turns to Winston; "the bio-batteries are not for domestic use. Tense, punctuation. Joel turned to Winston. "The bio-batteries are not for domestic use."

17) The alien smiles, “That’s correct.” Smiled. Period after smiled, not a comma.

18) Joel puts his head in his hands saying, “Yes, yes it does Winston. Our location was important because it was unknown to their enemy and now we’ve been discovered and I’m guessing in a short while, we can expect to be visited. They brought us into a war. Did I miss anything commander?” Some run-on issues, structuring, tense. Commander is a title. Joel put his head in his hands and said, "Yes, yes it does, Winston. Our location was important because it was unknown to their enemy. But now we've been discovered, and I'm guessing in a short time we can expect to be visited. They brought us into another war. Did I miss anything, Commander?"

19) Joel still angry, “Now we know, so go!” You need a verb here. Joel, still angry, said, "Now we know, so leave!"

20) “We're Humanoids Joel. To them we're just food,” the commander says. “Stay and be consumed.” Tense again, change says to said.

21) The commander’s communicator beeps. He answers then hangs up. “It seems I was mistaken.” says the commander, as an electric blue flash brightens the night skyline and living room followed by the thunderous sound of a huge explosion in the distance, which causes the building to shudder. Structure and tense issues. Again, Commander is a title. The Commander's communicator beeped. He answered, listened for a moment, and then hung up. "It seems I was mistaken," said the Commander. Behind him far away in the night's sky an electric blue flash brightened the horizon, followed by a huge explosion in the distance that caused the building to shudder.

Overall: Overall, definitely not the worst story I have read here. In fact, it was rather good despite the grammatical issues. You have some real talent, and with a few more edits, this piece has some real potential. I love science fiction and I like the story you have created. Let us identify with the characters a bit more, and that includes the alien race, and give us a bit more description. Thank you for the post and keep writing.

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Elemenopy


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Review of HUNTER'S RUN  Open in new Window.
Review by C. T. Hill Author IconMail Icon
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Rated: 13+ | (4.5)
Please remember that these are only suggestions and opinions and I mean no offense by them.

Context: This story has an interesting enough premise, and I think you start it off well. I enjoyed the narrator's unique voice. I think the story accomplishes everything that you want it to, and does so without taxing the reader.

Imagery: The imagery is done well. Obviously, there is always a different way to say something, or describe something, but that does not always make it the better way. Nice job.

Emotion: Not really that kind of piece, but for the moments that it was required, you definitely delivered.

Mechanics: I only found a few errors, and some of them might have been due to the narrator's voice that you were attempting to put forth. Either way, your mechanics are solid and your writing is sound.

1) The world rolled and spun – a kaleidoscope of snow, rocks, pine trees and pain. This is not really incorrect, or that big of a deal, but you introduce three organic objects that make up part of the kaleidoscope of what the narrator is seeing and then add in a feeling, or a sense, of pain. It doesn't really fit into the kaleidoscope reference. I would add another sentence after and describe the pain apart from any visual stimuli.

2) Must have slammed into it pretty hard, hit my forehead and knocked myself silly. As it stands, this sentence is a fragment. Just start it out with 'I must have'. I must have slammed into it pretty hard, hitting my forehead and knocking myself silly. It flows a bit better.

3) Pushing up to sit, I felt drunk, frozen-numb all the way through, but sick to my stomach from my pounding head and throbbing elbow. I thought it might be broken. Damn thing felt broken. I'll just tackle this whole passage together. Pushing into a sitting position would make more sense. Frozen and numb are separate adjectives and in this instance do not require a hyphen. You could say I looked down at my frozen-numb hand, because now you are adding an identifier to your hand, but as you have it in the story it can be separate. Try this: As I pushed myself into a sitting position a wave of nausea washed over me. I felt drunk, frozen; numb all the way through. My head pounded. My stomach turned. Everything hurt. I thought my elbow was broken, the damn thing felt broken. By breaking it down in that manner it is quick, flows well, and gets every point across that I believe you were attempting to display.

4) They seemed okay, too. Felt like logs more than legs, but I could move them good enough. I can make the link between the two sentences, but the second one is still a fragment. If you make it a compound sentence you can leave it the way it is, otherwise you need to add a subject otherwise we don't know what you are talking about. They seemed okay, too--felt more like longs than legs, but I could move them well enough. The em dash is an amazing tool to bring sentences together, despite the issues with WDC formatting. In Word it looks much nicer.

Overall: Overall, you have a good short story. I enjoyed the entire read, and like I said in the mechanics section, there were very few errors. There is nothing particularly spectacular about the story, but that in itself, I think, makes it wonderful. You took a situation and made it your own with an interesting character and his loyal companion. Good job, and keep writing.

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Elemenopy


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5
5
Review by C. T. Hill Author IconMail Icon
In affiliation with WdC SuperPower Reviewers Group  Open in new Window.
Rated: 18+ | (3.5)
Please remember that these are only suggestions and opinions and I mean no offense by them.

Context: I suppose I understand the point of this story, at least in its most basic form, but I had trouble sticking with the plot. There is a lot of 'I did this and you did this and we did this', if that makes sense. You are trying to tell us a love story, so let the story do the explaining for the reader. Take away the monotony and replace it with some real description.

Imagery: There was little imagery in the story and, as it is a romance piece about love lost and regained (at least that is what I gathered), I would like to see more imagery. Don't just tell the reader that she smiled and you loved her. Paint a picture of that smile, of what it looked like, and let us really know how much you loved her, how it made you feel. The readers like to feel the emotions in the story.

Emotion: You definitely tried to put emotion into the story, but I have to say that a lot of it seemed forced, and much of it was unbelievable. The part where he is breaking up with her and she is crying... and then out of no where she is mad and screaming and he is crying... that part completely lost me.

Mechanics: Quite honestly, this story needs a lot of work. For one, there is no uniform tense. You jump from present to past to past progressive and to a kind of progressive tense you made up that doesn't really exist. There is also a lot of issues with sentence structure and fragments throughout the entire piece. Below I tried to iterate a few of those points as examples, but I could not put them all in there. For the most part, everything in the story that needs work can be easily fixed. You need to change the tense. I would suggest past since that is what I think you want to tell the story in. Also, I would take it out of second person. Take out the you and we and us from your story. First person is fine, but second makes the entire thing feel odd.

1) Funny that I didn't need to be told, that I still remembered your voice so well. The comma is unnecessary in this sentence. I would also start the sentence differently. It's funny, the fact that I didn't need to be told that I still remembered your voice so well.

2) A tearful goodbye for both of us, though I like to fool myself that you didn't hear it in my voice. This is a fragment. Try this: It was tearful goodbye for both of us, though I like to fool myself by thinking that you didn't hear it in my voice. Just some minor changes.

3) Constant contact, via phone, Skype, email, instant messenger. This is another fragment. I would either add it to the sentence before it or add something at the end like: Constant contact, via phone, Skype, email, and instant messenger was nowhere near what we needed.

4) Storming into the apartment, locking my door behind me, flinging my keys at the wall with a scream of rage. These progressive styled verbs are fine, but the manner in which you use them in this sentence, as well as how much you use them, is incorrect. I stormed into the apartment, locking the door behind me. I flung my keys at the wall with a scream of rage. Progressive verbs only work with an identifier. If you start the sentence with 'I stormed', the reader understands that you are still in past tense. By then using 'locking' you have moved to past progressive, but progressive as it stands on its own is not an actual tense in English.

Overall: I think you have the potential to write some good stories in the future, but your mechanics and general understanding of grammar and sentence structure definitely need some work. There were more fragments than I wanted to count, and you continuously used a progressive form of verbs without identifying what tense you were working in. Also, towards the end, there is a lot of present tense which is very confusing. The things I would change as far as tense and person, go with past tense first person. That means that everything happened already and there is no you, we, or us in the story. Clean up some of the grammar issues and get rid of the fragments and you will have a good base to build upon the emotion and imagery, as well as the opportunity to give the reader some characters that they will truly love. Thanks for the post and keep on writing.

Kudos! Keep up the good work and stop by and check out my pieces whenever you get a chance!

Thanks for the post!
Elemenopy

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Review of The Embryo  Open in new Window.
Review by C. T. Hill Author IconMail Icon
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Rated: E | (4.0)
Thank you for your review request on "Invalid ItemOpen in new Window., I hope that this review helps. Please remember that these are only suggestions and opinions and I mean no offense by them.

Initial Thoughts: An interesting look at the thoughts of a fetus. Not a bad bit of prose, and it allows the reader to make of it what they will.

Characters: Only the embryo, but I think it is enough for this short piece.

Mechanics: No issues that I could find.

Overall: Well, it raises questions to me at least, such as how dose an embryo know what waves are, or how to describe thoughts of feelings. I realize that it is all a bit of personification--not that a fetus is inanimate, but simply unaware--that holds this piece together, but just something to think about. Like I said before, not a bad prose.

Thank you for the post and keep up the good work!


Elemenopy

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7
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Review by C. T. Hill Author IconMail Icon
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Rated: 13+ | (4.5)
Thank you for your review request on "Invalid ItemOpen in new Window., I hope that this review helps. Please remember that these are only suggestions and opinions and I mean no offense by them.

Initial Thoughts: You have a well written story here. Honestly, I am not a big fan of the genre or style, but you obviously have a knack for putting together well written thoughts. That is something that really cannot be taught. Some people just have it.

Characters: Andy is still an interesting character, and I like the introduction of the girl, Maru. The supporting cast in his friends make a compelling character base for your story.

Mechanics: Nothing that really required changing. Most of the things I saw were not incorrect, but simply writer's preference. So, good job in that regard.

Overall: Like I said, not really my style of reading or writing, but you are a good writer. You put the piece together well and it flows throughout. The dialogue is not awkward or rushed, and you have the ability to keep an uninterested person, interested (if that makes sense). Good second part of the story you have here. I saw nothing that needed to be changed.

Thank you for the post and keep up the good work!


Elemenopy

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8
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Review of Charming  Open in new Window.
Review by C. T. Hill Author IconMail Icon
In affiliation with WdC SuperPower Reviewers Group  Open in new Window.
Rated: E | (4.5)
Thank you for your review request on "Invalid ItemOpen in new Window., I hope that this review helps. Please remember that these are only suggestions and opinions and I mean no offense by them.

Initial Thoughts: Well, I have to say that this story is very well written. It flows well, and I found little to no errors throughout my initial read through. This is a cool look at how two lovers are reunited, even if it is by some less than orthodox way.

Characters: Mr. Sands is definitely an intriguing character, with Lane bringing up the foundation of the piece. I like how the two characters interact throughout the story, giving us bits and pieces of what is going on, but not revealing too much. Good job.

Mechanics: Your mechanics are good. I honestly couldn't find anything to fix.

Overall: I generally like to give longer reviews than this, but I feel that there is little I can add to this story. You have some interesting characters, and even though you do not have enough time to give them real depth, you establish enough about them in the time that you do have to create a very good image of who they are. The story reveals enough to keep it interesting, and then does a good job with the reveal at the end. I like the simplicity of it all, though I doubt many people could have thought this story up. I would like to thank you for posting this in the request forum and I hope that I was of some help. Keep writing!

Thank you for the post and keep up the good work!


Elemenopy

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9
9
Review by C. T. Hill Author IconMail Icon
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Rated: ASR | (4.0)
Thank you for your review request on "Invalid ItemOpen in new Window., I hope that this review helps. Please remember that these are only suggestions and opinions and I mean no offense by them.

Initial Thoughts: I can see why some people might not like this story, but I found it pretty amusing. I like that you created a character that absolutely despises cleaning so much that he would rather make more of a mess, and destroy all of his toys in the process. I don't think you will win the Pulitzer, but it is a fun piece nonetheless. My initial assessment left me wondering what was happening, but by the time I was done with the story I was chuckling softly.

Characters: The narrator is all the character you need in this story... well him and Ivan the Unsquishable. They made a good protag/antag rivalry.

Mechanics: You have just a few grammatical issues with some of the ways you present dialogue. Not a huge deal, pretty easy fixes. You forget to capitalize I a few times, another easy fix. For the most part you have a pretty clean piece here. I mean, I didn't write down everything, but hopefully this gives you a baseline. Good job.

1) "Pull yourself together." I said to myself, "you can do this." This is a fairly simple fix. Now, you didn't do anything wrong by using a comma after 'myself' and continuing the dialogue, but dialogue, for the most part, should follow the same grammatical rules as non-dialogue. "Pull yourself together," I said to myself. "You can do this." Anytime you continue the sentence from dialogue it should follow the same process. "I laughed," he said. "And then I ran." Like I said, easy fix.

2) "Haha, you missed, you didnt even hit the right wall." and he was right, I had thrown my phone in a completely different direction from Ivan, I'm not sure why, it's just what i did. This passage needs some work. "Haha, you missed! You didn't even hit the right wall." And, of course, he was right. I had throne my phone in a completely different direction from Ivan. I can't explain why, it's just what I did. Just a suggestion.

3) Throwing it across the room with all the force I could muster, it broke into a million pieces just two feet below Ivan. This sentence doesn't make sense with the semi-past progressive verb beginning it. I threw it across the room with all the force I could muster, and watched as it broke into a million pieces a mere two feet below Ivan.

Overall: Not a bad story by any means. I think you took something that is not necessarily special, and made it into something fun and unique. I especially liked the ending. I mean, Family Guy is important. But seriously, a lot of writers out there know a story, and have proper grammar and sentence structure and all of that, but they lack just something in their writing that you simply cannot teach. Well, you have a unique voice, and you are a good writer. Good job, I enjoyed it.

Thank you for the post and keep up the good work!


Elemenopy

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10
10
Review by C. T. Hill Author IconMail Icon
In affiliation with WdC SuperPower Reviewers Group  Open in new Window.
Rated: ASR | (4.0)
Thank you for your review request on "Invalid ItemOpen in new Window., I hope that this review helps. Please remember that these are only suggestions and opinions and I mean no offense by them.

Initial Thoughts: The narrator's voice is very interesting and definitely draws the reader into the story. I like how down-to-earth he seems with a look on the world that implies a slight cynicism, but not to the point that it is taxing. You transition well from adulthood to childhood, and the alliance made between the two boys is interesting. I like the dynamics involved in the quasi-elementary-school-thriller you have going on, and I would like to see where it goes.

Characters: Abraham is interesting, but I think the story is made by the narrator. He has a sense of humor, but it is generally well used and not too cliche or overly done. I like how you started the book, despite not knowing much about the content or where the plot is going. You can write, that much is apparent. I would go through it a few times with a fine-toothed comb and fix any small issues you can find, because the main things right now is just editing, but don't do that unless you are done with the entire novel. Story first!

Mechanics: Not a ton of errors. Most of the story is written in past tense, save for a few instances that I found it in present. I know in some parts the narrator is speaking directly to the audience, but I would still try to keep it in a uniform tense to avoid confusion. Other than that there wasn't much. I highlighted a few minuscule things, but nothing that will take more than a couple of minutes to iron out. Good work.

1) I'd returned home, to my own home, mind you, around nine in the evening, to find Abraham brazenly chatting up my wife. This sentence is just a bit of a run-on. It can be improved without much trouble. I returned home, to my own home mind you, around nine in the evening. I walked in to find Abraham brazenly chatting with my wife. Fairly simple, it improves the flow and cleans up the narrative a bit.

2) Now, there were definitely times when my wife's hereditary lack of jealous bone came in handy, but unfortunately it worked both ways. Just add in 'a' before 'jealous bone'.

3) She expected me to view the world with the same pair of innocence glasses she did. Nothing necessarily wrong, but what are innocence glasses? I mean, I get what you are trying to say, but it just sounds off. She expected me to view the world with the same innocence she did. or She viewed the world through a film of innocence that I could not hope to understand. Just some ideas.

4) "Kids. Used to do it all the time in my neighborhood. Where you put gum in someone's lock, and then it dries?” And she looked at me as if to question whether I'd even had a childhood, or perhaps simply emerged one day, fluorescent wings a-fluttering, from my upper-middle-class cocoon. This passage could be cleaned up a bit. Once again, nothing technically wrong. I understand that it is dialogue and that we in our normal pitfalls of everyday conversation use the verb 'use to' despite its obvious problems. That being said, I would shy away from using it in anything that I wrote. "Kids did it all the time in my neighborhood. You know, where you put gum in someone's lock so that it dries and ruins the lock?" She looked at me as if to question my childhood, or lack there of, as if I may have simply hatched from some upper middle class cocoon. You said a lot in the original passage, but a lot of it could have been left out.

5) We don't go fishing together, and we don't go clubbing together, and he's told me what he does for a living at least a dozen times now but it must not be anything exciting because I honestly can't remember what it was. Everything up to this point is past tense. We didn't go fishing together. We didn't go clubbing together. He told me what he did for a living at least a dozen times, but it must not have been anything exciting because I could not even remember what it was. Some of the sentences that follow are written in present tense as well. Just read through the entire story and make sure you don't tense jump. Easy fix.

6) But then again, I might feel differently after a few hours with a contagious literate. Again, wrong tense. But then again, I may have felt differently after a few hours with a contagious literate like Abraham.

Overall: Good starting point. I am definitely interested, and even though there is not much going on right now, you introduced the characters and at least a small amount of detail about where the story is going. The characters are interesting. The narrator has a unique voice. Don't stop writing and I would love to read more.

Thank you for the post and keep up the good work!


Elemenopy

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11
11
Review of Vent  Open in new Window.
Review by C. T. Hill Author IconMail Icon
In affiliation with WdC SuperPower Reviewers Group  Open in new Window.
Rated: E | (4.0)
Thank you for your review request on "Invalid ItemOpen in new Window., I hope that this review helps. Please remember that these are only suggestions and opinions and I mean no offense by them.

Initial Thoughts: This is an interesting piece of tragedy prose. I like the despair present, and I think you captured the mood you originally intended. I understand the simplicity, but it is one of those instances where I finished it and was wishing there was more.

Characters: The narrator is unique, but we learn little more about him than the despair he is experiencing.

Mechanics: I didn't see much in terms of grammatical mistakes. The first person present tense was done fairly well. Just a few things:

1) People are reaching in to help me, but their ropes are to short. too

2) Water, its deep in this well. This is an odd way to present this statement. The water is deep in the well. Crisp. Simple. And it doesn't stand out as something that will ebb the flow of your piece.

3) People, light, people are on the top, shining light at me. Again, another odd presentation. I see people through the rippling water, light silhouetting their outlines.

Overall: Good simple piece. I only highlighted a few of the errors I saw, but overall there wasn't many to begin with. You have at least given the narrator a voice. I would like to see this turned into something larger, where the reader can figure out without a doubt what is going on, what it all means to him. Good job

Thank you for the post and keep up the good work!


Elemenopy

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12
12
Review by C. T. Hill Author IconMail Icon
In affiliation with WdC SuperPower Reviewers Group  Open in new Window.
Rated: 13+ | (4.0)
Thank you for your review request on "Invalid ItemOpen in new Window., I hope that this review helps. Please remember that these are only suggestions and opinions and I mean no offense by them.

Initial Thoughts: At first I kind of skimmed over parts of the story, hoping to find some part of it that would interest me, and though you never really establish anything grave or spectacular, you do well enough with your writing and with some decent starting characters that I found my way to the end of the story. There are some ways that you can improve this first part of the story, and I touch on a few things later on, but you show some talent in this piece. I like that at times it can be really simple, a conflicting view of morality that will eventually create an ultimate choice for the main character. At least you are on the right track. Good job so far.

Characters: You have some interesting characters. I would like to get to know Andy a bit better, and I think that Tarah is cool in a weird sort of way. Mr. Clark makes for a good bad-good guy, if you know what I mean. I realize this is just the first part, but I am hoping to get a little more back story on Andy. Right now, to be honest, he seems kind of dumb and lazy, with little more to offer as far as attributes go. Obviously, I do think there is more too him than that, but I am just going off of what I have seen so far. Remember, good characters = plot, but plot doesn't always = good characters!

Mechanics: Not bad, I will highlight a few of the issues I saw throughout the story.

1) Some sentence structure examples:
         a)And through the crack of an open window, a voice could be heard instructing the class within, sounding strong both within the walls and outside of them. Nothing technically wrong here, but you repeat a word and could otherwise improve this sentence a bit. And, through the crack of an open window a voice could be heard instructing the class, the strength apparent even through the walls of the classroom. Just a thought.

         b)A tall, black man of thirty was finishing up class, taking a quick glance around the room. Setting down a large textbook labeled Philosophy Today, he stood up from his chair and folded his wiry arms behind his back in a patient sort of pose. Again, nothing too extreme, but you are taking kind of a past continuous tense, which isn't incorrect, but can be bothersome to a reader. A tall, black man around thirty years old was finishing up class. He took a quick glance around the room and, after setting down a large textbook labeled Philosophy Today, he stood up from his chair and folded his wiry arms behind his back in a patient sort of pose. This way you kind of keep that forward motion despite the past tense, but improve the flow of those couple of sentences.

2) Description is one of those things that can either be done with moderation, and be spectacular, or can be overused, and bog down the story. I don't think you are the latter, but you are close. Sometimes simplicity is a good thing. Take for example: The fire in the man’s eyes was burning with the afternoon light pouring from the blinds. Now ask yourself, does this description really convey the anger int he man any more than simply saying: Mr. Clark's lips pursed together, the anger apparent on his face. Now, I'm not saying to get rid of your descriptive mechanisms, but every once in a while just tell us exactly what is happening. A large portion of your story is just describing things to us in ways they relate to other things, as opposed to just telling the story and having it unfold out in front of us.

Overall, your mechanics are pretty good. You do start a handful of sentences with the same past continuous style of verb, but that is a fairly easy fix. I've already touched on the descriptive process, so I won't harp any longer on that. The only other thing I would suggest is to just go through the story and clean up some of the words you don't really need. Sometimes we put in so much extra into the sentence and we run circles around what we are really trying to say. Other than that, good job.



Overall: I think this story has some potential. I must say I try to veer away from the quasi-high school teen emotional struggles, but you kept it all fairly fresh and easy to read. I won't touch on anything you have already read, but just know that I enjoyed reading the first part of this story and look forward to reading the rest. I wish you the best and hope you continue growing as a writer!

Thank you for the post and keep up the good work!


Elemenopy

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13
13
Review by C. T. Hill Author IconMail Icon
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Rated: 13+ | (3.5)
Thank you for your review request on "Invalid ItemOpen in new Window., I hope that this review helps. Please remember that these are only suggestions and opinions and I mean no offense by them.

Initial Thoughts: Well, apart from the grammar and sentence structure issues, I feel like you have a decent story. I did get kind of bored because not a lot happens, but you have enough potential as a writer with this story to breathe some life into it.

Characters: We don't really know much about either character. You give no back story to the narrator, about who she is or how she feels, other than her few descriptions of her emotions considering Daniel. And, as far as Daniel goes, we know next to nothing about him as well. Sometimes with short stories I like to take a minimalist approach. You can achieve a lot by focusing the reader on small, simple details without dragging in the entire descriptive process. Take some time and build some characters that are real not only to the reader, but to you. They should be your friends. As crazy as it sounds, you should be able to talk to them, to know them.

Mechanics: The story has quite a few grammatical errors. I pointed out some of the more important ones and tried to hit as many points as I could. Give the story a good read over out loud so that you can recognize any sentences that need work or that sound out of place.

1) The last time I saw Daniel Shawn was before 15 years. This sentence doesn't make sense. Try: The last time I saw Daniel Shawn was 15 years ago. I would also suggest adding a little hook factor into your opening sentence. The first sentence sets the tone for the story. It is also where most readers will decide if they are going to spend the time reading it, or just pass it over.

2) Word usage. Just be cognizant of using certain words throughout your story. Yes, convivial means friendly or lively, but most readers will see that word and know it doesn't fit within the context. Neitzsche wrote that way, and I must admit I was hard pressed to understand what was going on.

3) Your overall sentence structure throughout the story needs work. I will post just a few examples that should allow for you to recognize and then build on in the future.

a) Never thought love would hit us at this age, well. This is a fragment. Either add it into the sentence before it, or simply add in 'I' at the beginning.

b) Going down the memory lane, the first time, we met, I was walking in the middle of a road on my way to a new hotel, which fortunately or not I could not find, not because it was a late night, but because I was an idiot without a proper address. This is a run-on sentence. You should be able to break it up easily. I thought back to the first time that we met. I was walking in the middle of the road on my way to a new hotel, which I could not find. The hotel eluded me not because it was late at night, but because I misplaced the proper address.

c) The look on his face would get a smile from a lion, only; if lion had been there to see. This sentence is kind of confusing as it stands. The look on his face could have caused a lion to smile, had there been a lion.

4) Most of the time I try to stay away form parenthesis in fiction writing. You can convey everything that you need to with proper descriptions and good dialogue.

5) Dialogue should be presented a certain way to assist the reader in knowing exactly when someone starts talking, who actually is talking, and who they are talking to. For example:

John stood up, his eyes full of rage. "What did you say?"

"I'm sorry!" Jane squealed.

"Sorry doesn't cut it!" John replied.



Overall: I don't think you have a bad story here by any means, just a story that needs work. I already pointed out the grammar issues, so I will not beat that into the ground any more. As far as the ending goes, it felt really rushed. You give all this description of how they met, their first date, and all of that, and then you put that they got married and he died of a car crash, but is still watching over her. It is not bad, but you put all this work into the beginning of your story, why not finish it off strong?

There definitely needs to be some more deep interaction between the two characters. You also could change it from first person to third person to give us the emotions of both characters.

Like I said, not a bad story, just needs some TLC. Give it some good read overs and get some more eyes on it and I think you will have a very good product. Best of luck in the future and I hope I helped at least a little.

Thank you for the post and keep up the good work!


Elemenopy

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14
14
Review by C. T. Hill Author IconMail Icon
In affiliation with WdC SuperPower Reviewers Group  Open in new Window.
Rated: 13+ | (4.5)
Thank you for your review request on "Invalid ItemOpen in new Window., I hope that this review helps. Please remember that these are only suggestions and opinions and I mean no offense by them.

Initial Thoughts: I absolutely enjoyed the first chapter of this novel. You have done a very good job of setting the stage for the story, and I happen to find this setting exceedingly interesting. I also liked how you ended the first chapter, setting up your main character and supporting main character and giving the reader sufficient information about both to make them viable. Good job.

Characters: Both Zaharra and Matthias are shaping up to be unique, well rounded characters that are linked by an tragic event. I think you did a good job of giving enough back story to set the stage and build them up, but not too much that we feel too saturated by meaningless information. Sometimes people go way too Stephen King on their characters.

Mechanics: Past tense is a good tense for this story and you kept to the mold well. As far as mistakes go, I did not find many. For the most part, they are simple fixes that should take no time at all. Just read through the story again and try to smooth out any of the longer sentences.

1) If only I could be more like Hannah. She aspired. Simple fix here. Just take out the period and put in a comma, lowercase she. If you leave it italicized you don't need quotes, but it still is the same concept of a quotation. If only I could be more like Hanna, she aspired.

2) Hardly conscious of it, Zaharra gripped the earth when she felt her stomach tightening into a ball of pain brought on by her fear; the dirt working its way stubbornly under her fingernails. I would take out the semicolon there and just make the last section a separate sentence. I also changed a few of the words, just as a suggestion. Sometimes the use of ly adverbs can sodden you work. In most cases, you can supplement your writing with better, stronger verbs, as opposed to adverbs. Hardly conscious of it, Zaharra gripped the earth when she felt her stomach tightening into a ball of intense pain. The dirt worked its way under her fingernails as fear enveloped her body.

3) Nevertheless no mercy was supposed to be shown for a woman of sins. Just a few fixes. I would suggest taking out supposed altogether. Nevertheless, no mercy was to be shown for a woman of sins.


Overall: I enjoyed the read and definitely look forward to reading the rest of it. I like the setting. I like the characters. Your mechanics are good and consistent throughout the chapter, and you did a good job of breaking the story up from what I can see. Awesome job.

Thank you for the post and keep up the good work!


Elemenopy

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15
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Review by C. T. Hill Author IconMail Icon
In affiliation with WdC SuperPower Reviewers Group  Open in new Window.
Rated: 13+ | (4.0)
Please remember that these are only suggestions and opinions and I mean no offense by them.

Context: Very interesting beginning to a novel that I think, with some polishing, will be a increasingly good read. I liked the deeply disturbed feeling I got from the narrator. I think that you created just enough intrigue with the way you presented the story to keep a reader interested.

Imagery: There was not a ton of imagery, but I think that is a result of this part of the story being the prologue. No big deal.

Emotion: You have some definite emotion in the opening to this novel. I think the narrator is a deeply disturbed individual, yet there is still some good in her that is struggling to surface. I would like to see where this goes.

Grammar and Spelling: There are some general tense issues. You jump from past, to present, to a conditional tense where you bridge future, and back to past again. Go through the piece and take a good look at each verb and make sure that your tenses match throughout the piece. In foreshadowing or flash backs, it is okay to change the tense a bit, but if you do so too much you will succeed in confusing the reader. All in all there was not many mistakes, though.

1) I sensed its cold presence, I felt the room grow still and I encountered the battle for my soul, as the darkness grew around me until I could see nothing. . . until I was lost and confused. Nothing specifically wrong with this sentence, you could just make it flow a bit better. I sensed its cold presence. I felt the room grow still. As the darkness grew around me, I encountered a battle for my soul. I could see nothing. I was lost and confused. Sometimes simple is good. The short, concise sentences lead the reader on to the next one, and so on. Just a suggestion.

2) I know the plans I have for you. I would hear Him say to me. Even though I am pretty sure the narrator is thinking the first sentence, the way you have it set up is like dialogue. Just to clarify, I would do it something like this. "I know the plans I have for you," I heard Him say to me. I would also take out 'would hear', which is a modal auxiliary verb or helping verb, but it sets the stage for a conditional tense. Now, conditional tenses are not necessarily incorrect, but I try to avoid them whenever I can.

3) Evil visited me more frequently; I felt the demons around me, I felt angels protecting me, I felt the battle. . . Again, just clean up the sentence a bit, right now it is a run-on. Evil visited me more each night. I felt the demons around me. I felt the angels protecting me. I felt the battle.

4) The scars however were not so easily erased, they weren’t physical nor could they be seen, for they were scars of the heart---scars that ran deep and for which I feared there was no healing. Just a bit of tweaking to this compound sentence. The scars, however, were not so easily erased. They were not physical, nor could they be seen. They were scars of the heart, scars that ran deep; scars that I feared to be incapable of healing.

5) I’ve begun to think I’m not normal anymore; a tear trickles down my face and I wonder. . . do I feel? You kind of change tenses here, and though you do a bit of tense jumping throughout the piece, I think that if you clean it up into one tense it will make the story much more clear. I began to think that I was not normal anymore. A tear trickled down my face. Do I even feel any longer?, I began to wonder.


Overall: Interesting prologue, I will definitely read the rest of what you have posted in the request forum. I liked the setup, and I liked the mystery that you left us with, the hook if you will. That is exactly what a prologue is meant for. Just take a bit of time and edit it whenever you get a chance, but get the story down completely before you take time out of your day to edit, otherwise you will be caught in a never ending cycle of read, edit, rewrite, reread, and never get the novel finished.

Thanks for the post, I enjoyed reading it and look forward to reading more!

Kudos! Keep up the good work and stop by and check out my pieces whenever you get a chance!

Thanks for the post!
Elemenopy

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16
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Review of Glimmer  Open in new Window.
Review by C. T. Hill Author IconMail Icon
In affiliation with WdC SuperPower Reviewers Group  Open in new Window.
Rated: E | (4.0)
Please remember that these are only suggestions and opinions and I mean no offense by them.

Context: I know this is just what you have so far, but I must say that I am intrigued. I want to know more about what is going on, about what the bracelet is all about. I like the tone of the piece.

Imagery: There is some decent imagery, but try to keep away from multiple descriptions. "The French, round, jewelry box," is almost too much information. Try to paint the picture of the setting, of the environment, through interactions between the character and his surroundings.

Emotion: Good emotion in the piece. I liked the fear that builds, the unknown.

Grammar and Spelling: Mostly minor fixes. Some of the things I have denoted are not specifically grammatical or spelling errors, but should at least give you some ideas.

1) I can’t say exactly when, what caused it or even who. But those three words, “look behind you.” have stuck with me. Those three words send shivers down my spine. These few sentences could be cleaned up a bit. I would also edit the way you presented the three words. I can't say exactly when, what caused it, or even who, but those three words have stuck with me. Look behind you. The very words that send shivers down my spine. This way you just italicize the three words and continue on with the story without having to worry about quotations. Just a suggestion.

2) From that moment I’d looked over my shoulder, feeling as though someone, something was watching, me. The first thing I would change is "I'd looked", which basically means I had looked, which is past progressive and, though this is not incorrect, it can tend to drag down the flow of your story. Try: Ever since that moment I looked over my shoulder, feeling as though someone, something, was watching me.

3) Everywhere I go they echo around me, people whispering, “look behind you.” as they walk by me. Again the three words presented in quotes, though in this instance I think it is okay. There are some present tense verbs that need to be switched to past, though. Everywhere I went the words echoed around me. People whispered, "Look behind you," as they walk by me.

4) Printed on books, magazines, newspapers, graffitied on the walls I pass, the intensity and frequency growing day by day. What is printed? I know that you stated in the preceding statement, but the sentence is a fragment without a subject, unless you added it into the previous one, making a compound sentence. They were printed on books, magazines and newspapers. Graffiti littered the walls as I passed, the frequency growing each day.

5) I move towards it, my fingers hesitated as they wrapped around the key, turning it slowly. The entire story up to this point, and past it from what I can tell, is written in past tense. I moved towards it, my fingers hesitated ever so briefly before finally wrapping around the key and turning it slowly.

6) Climbing into bed I pulled the covers over my head, the duvet acting as a barrier from the bracelet. Try to stay away from progressive forms of verbs. As I climbed into bed, I pulled the covers up over my head. The duvet acted as a barrier from the bracelet.

7) Sleepily, I stretched. Now, this isn't incorrect, but it is painfully simple. Sometimes adverbs are the easier choice, but not always the better one. Try to let your verbs tell the story, not your adverbs. I stretched, attempting to shed the sleep that clung to my mind. Or you know, something like that.

8) Remembering the events that had unfolded last night my hand flew to my wrist. Again, the progressive form of the verb makes this sentence awkward to read. My hand flew to my wrist as the memory of last night's events assaulted my mind.

9) Washing my face I looked in the mirror my eyes fell on my left wrist. To use the progressive form in this instance, you would need to add in a subordinating conjunction such as while. While washing my face, my eyes focused onto my left wrist in the mirror.

10) There was the box, still sat on my window sill; I started looking for the key. Unnecessary use of a semi colon. There was the box, still on my window sill. I started looking for the key.


Overall: Good story so far. I definitely want to know what happens in the end. You have succeeded in peaking the readers' interest, and I can only assume the story will just get that much better with completion, time, and some good editing. Just try to polish up the grammar and sentence structure a bit once you are done with the entire story and I think you will really have something here. Thanks for posting the story, and I wish you the best in all that you do.

Kudos! Keep up the good work and stop by and check out my pieces whenever you get a chance!

Thanks for the post!
Elemenopy
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17
Review of I Just Sat There  Open in new Window.
Review by C. T. Hill Author IconMail Icon
In affiliation with WdC SuperPower Reviewers Group  Open in new Window.
Rated: 13+ | (4.0)
Please remember that these are only suggestions and opinions and I mean no offense by them.

Context: I like the desolate environment you bring us into, it is increasingly interesting. From the start you describe a world that only exists in the mind of the narrator, yet you translate it well to the audience. I like the inner struggle present throughout the story.

Imagery: There is some good imagery in the piece, especially the subtle entries you made, such as the rat, and your descriptions of the room, the door. Good job.

Emotion: Definite emotion envelopes this story. There is a sense of progressive unease that begins with the first sentence and continues on to the end of the story.

Grammar and Spelling: The mistakes are relatively small, nothing that some quick edits won't fix. The main issues I saw were run-on sentences and tense problems. Dickens loved to write paragraph long sentences, but they are increasingly hard to do well, or correctly for that matter. The problem with them in a situation like this is that it is a short story, and sometimes the flow of the piece is sacrificed for in depth descriptions and unnecessary adjectives/adverbs.

The tense problems should be the easiest fix. For the most part throughout the story you stay in past tense. However, you do throw in present tense through some of the story. I caught that some of the present is the narrators visions of his 'invisible self', but the narrator is telling the story in past tense, so wouldn't it make sense that what he is describing would be in past tense as well? A common rule of thumb is that writing in the past tense is the easiest, though present tense writing can increase suspense. Just decide what you really want to accomplish with the story, and then go through and edit accordingly. I did catch some of them and put them as examples below, but there are others that I did not put down. Other than that, the story was well written with only a few errors. Good job.

1) And it gave me such a rush. A rush that I had never felt before. The second sentence here is a fragment. And it gave me such a rush, one that I had never felt before. Just a suggestion.

2) My heart beat faster, as I looked again over each crack and hole, letting each one tell me its story, reliving it over in my mind. This sentence isn't necessarily incorrect, but I think you could improve it a bit. My heart beat faster as I looked once more over each crack, each hole, letting them tell me their story as I relived it in my mind. Part of editing is just ironing out all of the kinks, but kinks don't always mean errors.

3) My ears rung with the sound of the splintering of the wood, the dreadful cracking that accompanied the splintering. This sentence doesn't really make sense. Try: A dreadful cracking accompanied the splintering wood and my ears rung with the sound of it.

4) It didn’t hurt but the blood that ran over my finger was so smooth and silky I focused on the shiny crimson viscous liquid for a few seconds, mesmerised by it. But again my focus shifted to the door. There is a lot of description in this sentence, almost too much. When you over-explain things sometimes it muddies the story and pulls the reader away from what you are actually trying to accomplish. I felt no pain. The blood that ran over my fingers was smooth and silky. I focused on the crimson liquid for a moment, mesmerized by it. My focus then shifted to the door. Just an example of one way to clean up the flow.

5) The invisible me pauses for breath; the bat is starting to feel heavy, the wood course against my skin, the end starting to look as miserable as the door. You can clean this compound sentence up into smaller sentences that will help with the flow of the piece. The invisible me pauses for a breath. The bat starts to feel heavy, the wood course against my skin. After each hit, the end starts to look as miserable as the door. Just some minor changes, nothing too extreme.

6) Without looking at it, I knew each charm that was on it: a small dog, like a terrier, a heart, a guitar next to that, a music note, and finally a horse in full gallop before coming back to the dog again. I wouldn't say this is wrong, but for a fiction story I would try to avoid listing things sequentially after a colon. Try: Without even a glance I knew each and every charm, from the terrier to the heart, and the guitar next to that, then the music note, and finally the horse in full gallop that ended the cycle.

7) My mouth watered with excitement at the tender smell of food and my stomach rumbled demandlying. Demandlying is not a word. Try: My mouth watered with excitement as the tender smell of food reached my nostrils. My stomach rumbled greedily.

8) I reluctantly stood up, groaning with agony as my knees clicked loudly. 'Groaning with agony' does not really make sense. Also, try to avoid adverbs if at all possible. A few are alright, but the flow of your piece can suffer if you load up the story with them. I lifted myself off the ground. My knees click as a groan escaped my lips.


Overall: I liked the story. I liked the dark, sad feeling that you portrayed, and I liked the seemingly dismayed nostalgia of the narrator is he recounted his experience. You have some good skills working in this story and I would definitely like to read more. I hope I was at least some help, and I thank you for posting this story. Best of luck in the future and I hope to read more of your work!

Kudos! Keep up the good work and stop by and check out my pieces whenever you get a chance!

Thanks for the post!
Elemenopy
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18
18
Review by C. T. Hill Author IconMail Icon
In affiliation with WdC SuperPower Reviewers Group  Open in new Window.
Rated: 18+ | (3.5)
Please remember that these are only suggestions and opinions and I mean no offense by them.

My review has been submitted for consideration in "Good Deeds Go NoticedOpen in new Window..

Context: The third installment to your Fingers of Betrayal story is very good and I enjoyed the read. I was, however, bogged down by some repetitive tense problems and other various errors. Despite that, I am looking forward to reading the fourth installment, you have a good story going and you have some very interesting characters developing.

Imagery: There is good imagery in the piece and most of the descriptions are done well.

Emotion: Each installment of your story brings with it more emotion. I am truly getting a feel for each character and what makes them tick. Good job with the emotion so far.

Grammar and Spelling: There are a lot of mistakes through the piece, but most of them are pretty easy fixes that will improve the flow of the story and allow the reader to focus on your story and not on any errors. Take what you want from my suggestions, they may or may not be what you are looking for.

1) Oblivious to her she didn’t see the Chevy sedan parked two houses behind her. This sentence doesn't make sense the way you have it presented. She was oblivious to the Chevy sedan parked two houses behind. This version, or something like it, would be correct and flow better.

2) Nor did she see the tall, stringy haired stranger with the binoculars watch her leave. You should shy away from using 'nor' unless it directly follows neither. Right now the sentence is a fragment. I would actually blend the sentence that I previously diagnosed into this: She was oblivious to the Chevy sedan parked two houses behind her, and she also failed to see the stringy haired stranger with binoculars who watched her leave. Something along those lines keeps you from fragments and improves readability.

3) The small backpack swung casually over one shoulder hung weightlessly down her back. Not really a grammar issue, but how can something hang weightlessly? Maybe effortlessly would be a better adverb.

4) Looked around the wooded park area and seeing no one, he exited the car. This is a fragment. Try: After looking around the wooded park and seeing no one, he exited the car. or He looked around the wooded park but saw no one. Without further hesitation he quickly exited the car.

5) Correction he thought with a lascivious grin, James and Shannon’s home. If you are going to jump into first person through character thought it helps the reader if you italicize. Correction, he thought with a lascivious grin.

6) All houses were empty save two. The house to the right of Shannon’s home and the one on the corner of the street James now walked. Right now the second sentence is a fragment. All of the houses were empty, save two: the house to the right of Shannon's and the one on the corner of the street James was walking on.

7) He hunkered down at the back of the vacant house and waited for the old couple to dodder off to wherever they went. Not really a grammar issue, but I would change He to James just to avoid any confusion with the reader since you went through various different characters in the few previous sentences.

8) As the car doors shut and the engine started he looked around one last time. Seeing no one he rose up and walked to the fence which he easily scaled. Right now you are just missing commas to separate the sentences. As the car doors shut and the engine started, he looked around one last time. Seeing no one, he rose up and walked to the fence, which he easily scaled.

9) Stepping onto the grass of his new backyard his heart accelerated. You have this sentence a little discombobulated. His heart accelerated as he stepped onto the grass of his new backyard.

10) So close to her he could smell the fragrant scent of her flesh. Same with this sentence. He was close enough to her to smell the scent of her flesh.

11) There was only one obstacle left. The man who stayed with them, but patting the long, slim sheath at his waist, he would prove no problem. No problem at all. Again, just some fragments. The man who stayed with them was the only obstacle remaining. James patted the long, slim sheath at his waist and smiled quietly. He will prove no problem, no problem at all, he thought.

12) Checking the rotted wooden moldings around the lower right pane of glass he removed the blade from its sheath and proceeded to pry up the wood holding the pane in place. Just needs a little tlc to improve flow. He quickly checked the rotted wooden moldings around the lower right pane of window glass. Satisfied, he removed the blade from its sheath and proceeded to pry up the wood that held the pane in place.

13) Lying full under the blast of sunlight he saw nothing save two boys and a dog playing on the field. The first part of this sentence doesn't make sense and is unnecessary because of the previous two sentences. He saw nothing save two boys and a dog playing in the open field.

14) Shannon Millney pulled into a visitor’s spot next to the squat, two storey, brick building housing Scorpion Publishing, INC. story

15) She looked up and seeing Shannon waved, smiled, and held up a finger in a just-a-minute gesture. Again, you keep using present progressive verbs to enhance your past tense sentences. Keep it simple. She looked up and waved when she saw Shannon. She smiled and held up a finger gesturing just-a-minute.

16) Her reverie was interrupted by Hilda’s pleasant but stern voice. Not necessarily grammar or spelling, but reverie means a pleasant daydream, and she seems to be having anything but pleasant thoughts in the previous sentence.

17) Hilda couldn’t have put more emphasis on the not if her life depended on it. This sentence doesn't make sense. I will give it a shot on what I think you meant. Hilda couldn't have put more emphasis on Bill's absence, not if her life depended on it.

Overall: You have a good story, like I have said before. I really like where it is going and I enjoyed the ending of this installment. There are a lot of mistakes, but most are easily fixed. Keep in mind that when you start a sentence with a present progressive verb like 'Carrying,' you need to break the sentence up. Also, you start numerous sentences that way and it gets very repetitive. Read through the piece and you will see what I mean. You are writing in past tense. Keep it simple. If he sat, 'He sat down.' If he drank, 'He drank the water.' It is not incorrect to say 'While drinking the water, he tasted the reverse osmosis greatness,' but simply saying 'Drinking the water he tasted the reverse osmosis greatness,' is incorrect.

Just a few things to think about. Anyways, keep going with the story, I am looking forward to the fourth installment. Thanks for posting and I hope you have a great day!

Kudos! Keep up the good work and stop by and check out my pieces whenever you get a chance!

Thanks for the post!
Elemenopy
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19
19
Review by C. T. Hill Author IconMail Icon
In affiliation with WdC SuperPower Reviewers Group  Open in new Window.
Rated: 18+ | (4.0)
Please remember that these are only suggestions and opinions and I mean no offense by them.

Context: This portion of the story gives us a little more in terms of the premise of the story and I like it so far.

Imagery: There is almost too much imagery, especially in the first few paragraphs where you are describing Bill's situation. However, not a huge deal.

Emotion: I don't think you have any problems with the emotion in this piece.

Grammar and Spelling: The main thing I saw was some tense problems from the beginning paragraphs until about “Awww, looks like the poor baby wet himself.” The dark-haired demon mocked, “Now we’ll have to clean you up.” Before that sentence you are writing in present tense, for example: It slides down his throat, filling his lungs with water. Hands grab him roughly by the shoulders flipping him on his belly. And then you change to past tense. Awash in the sudden chill of shooting water Bill jerked and sputtered. That is a fairly simple fix. I would assume you should change the beginning to past tense to match not only the rest of this story, but your previous version as well.

Other than that the rest of the grammar mistakes are much the same as your first piece, so I will not waste either of our time in reiterating them. Just give the piece a good couple of read overs and I am sure you will catch them.

Overall: Everything in this part of the story fits better than some of the instances from the first part. You are finally giving us something about Bill, which helped keep me interested. I like where it is going and I am excited about reading the rest. Fix those few issues and look over the grammar/punctuation side of the story and you will have a good piece here. Thanks for the post, I'll get to the third part soon.

Kudos! Keep up the good work and stop by and check out my pieces whenever you get a chance!

Thanks for the post!
Elemenopy
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20
20
Review by C. T. Hill Author IconMail Icon
In affiliation with WdC SuperPower Reviewers Group  Open in new Window.
Rated: 18+ | (3.5)
Please remember that these are only suggestions and opinions and I mean no offense by them.

Context: I think you have a good beginning here. I will have to read the follow-ups to get a real feel for your storytelling abilities, but so far you at least kept me hooked.

Imagery: You have good imagery through the story. I did get lost a few times in some of the descriptions.

Emotion: Each character has their own personality and their own sets of emotions. I liked the way you presented each. I did find that the last few paragraphs were odd, like they didn't fit. You have this good paced story going with some interesting characters and then you throw in the flower delivery guy who all the sudden openly sexually harasses a customer in full view of the office? That just doesn't make sense. I honestly almost stopped reading it right there. I mean, I have nothing against throwing a little color into stories, but that particular instance did not fit in with what you were trying to accomplish.

Grammar and Spelling: Most of the mistakes were small, but I will go through a few of the more pressing ones.

1) This isn't necessarily a grammar mistake, but there is a way to improve this sentence. He pried open his left eye and grey, wooden walls peered back at him. Right now you have two different ideas thrown together by 'and'. I would try "He finally pried open his left eye. Grey, wooden walls peered back at him." Easy, simple. You don't have to use that exact rendition, but you get the idea. It just makes it flow a bit better in my opinion.

2) Jace flipped a butter knife end over end, “Do you think something happened to him?” he asked. You need a period after end, not a comma. Same thing with the following sentence.

3) There is a simple fix to these sentences. A lime-green Pontiac pulled up to the curb in front of what was once a modest house and honked twice. But the years of neglect and weather had taken their toll. I would try something simple like: A lime-green Pontiac pulled in front of the once modest house, the years of weather and neglect clearly taking their toll. I am assuming you were talking about the house there as far as the neglect goes, but if you are addressing the car then the sentence needs a bit of a change.

4) This passage does not make sense. With a nod of her dark brown locks the little girl turned back into the house. Jace shook his head at the little girl thinking that girl has her father’s attitude and her mother’s mannerisms. She’s perfect for them.’ Here would be an easier way to present it. She nodded her head as she moved back to the house. Jace shook his head with a slight smile. That girl has her father's attitude, her mother's mannerisms. She's perfect for them, he thought.

5) “Bill never came home last night.” She uttered. Just change the period after night to a comma, lowercase the s in she. Simple fix. "Bill never came home last night," she uttered.

6) Matty cocked her head and thought back to the previous day. “Around 4:30 or so, just before I left. I offered to run him around but he said ‘No thanks.’ he had to run downtown.” The ending of this passage doesn't need the quote in a quote. I would change it to something like: "Around 4:30 or so, just before I left. I offered to run him around, but he said no thanks." You don't really need the last few words, you already stated the part about him needing to run errands. Easy enough.

Overall: Like I said before, I think you have the beginnings of an interesting story. I really do think that the whole part with the flower delivery guy is way over the top and didn't fit at all, but other than that I thought you presented the characters well, and set up a scenario where the reader will want to follow the rest of the story. You have some talent. I look forward to reading the rest.

Kudos! Keep up the good work and stop by and check out my pieces whenever you get a chance!

Thanks for the post!
Elemenopy
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21
21
Review of The Resurrection  Open in new Window.
Review by C. T. Hill Author IconMail Icon
In affiliation with WdC SuperPower Reviewers Group  Open in new Window.
Rated: 18+ | (3.5)
Please remember that these are only suggestions and opinions and I mean no offense by them.

Context: Well, I was expecting something a tad different, which I guess is a good thing. The premise of the story is interesting, even if the ending was semi-lackluster.

Imagery: You did well with the imagery. The entire scene at the ocean was done well and I really saw it play out.

Emotion: I think you attempted to give the audience an expectation of what was going to happen, and then reverse it on them, creating some emotion in the process. I do think you succeeded, however I would have liked to see just a bit more. I guess it wont help much, because I can't really elaborate on the feeling, but it just feels like it needs something that goes a little farther, or gives a bit more. I mean the huge elephant/man demi-god is cool, but kind of cliche if you asked me. I'm rambling. Stop me.

Grammar and Spelling: Not much from what I could see, mostly just small mistakes that I would not worry too much about.

Overall: You have some talent as a writer, that much is for certain. I think you could turn this piece up a notch and give the reader just a bit more bang for their buck. I would give us a bit more build up, maybe add in some characters that we can relate to. I realize that this is a short story, so depth is not going to be paramount, but you can look around and find depth in even the shortest pieces. Hemingway did it in six words. I did like how you gave us a twist at the end though. I mean, the final statement, "Brother Lavell turned around, his eyes now as black as the giant from the depths, smiled a madman’s smile and said quietly:" was cliche to say the least, but at least you didn't give us the same 2012 prophecy as others. Remember, the customary zoom in on the evil characters now evil looking eyes happens time and again, throw in a little spice!

I guess all I am trying to say is right now you have a story that when, at least I as the reader, was done reading it, I was like hmm... well it wasn't bad, but it could be better. I know that is not something most people want to hear, but I mean it in the best way possible. It generally takes someone telling me exactly what I don't want to hear about my stories for me to improve them. Take what you will from the review, but I hope I at least helped a bit.

I enjoyed the read and will be looking at the rest of your portfolio in the future. Thank you for the post, and I hope to see more soon!

Kudos! Keep up the good work and stop by and check out my pieces whenever you get a chance!

Thanks for the post!
Elemenopy
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22
Review of Bridge Mix  Open in new Window.
Review by C. T. Hill Author IconMail Icon
In affiliation with WdC SuperPower Reviewers Group  Open in new Window.
Rated: E | (4.0)
This is a WDC Power Reviewers Group Review! Please remember that these are only suggestions and opinions and I mean no offense by them.

Context: Cute story with a humorous ending. I liked the way you presented this simple story. It was one of those that you read quickly, smile, and go on with your day just a bit brighter.

Imagery: There was sufficient imagery in the piece. Too much and it alters the piece negatively, too little and we are left wanting. Good balance.

Emotion: Oh gross! I thought you did a good job of capturing the emotion of the piece.

Grammar and Spelling: There was not much, just a few things I saw.

Paragraph 1: During my second marraige, an ex-husband and I use to visit my in-laws more often than I cared to. I know that in our every day English that we speak, "I used to" is perfectly acceptable. I would try to stay away from using the verb 'use' as a past-tense identifier in your writing, just a thought.

We'd left the house that day and hadn't eaten, because we'd been invited for dinner. This sentence isn't terrible, but sometimes we get caught up in the 'had done' or 'was going' style of writing that sometimes bogs down the flow. I would simply put it as "We left the house that day and I did not eat because we were invited for dinner." I don't know, I just feel like it is crisper.

Paragraph 3: "Oh god!" I'd shrieked. Again, you use past progressive here, oh and God is proper :D, so try. "Oh God!" I shrieked."

Nothing too crazy, no big deal.

Overall: Overall, fun piece. I enjoyed it from start to finish and I feel like you have a good style. I caught this story in the random read and I am glad that I did. You have talent and I hope to read more of your material. Have an amazing day.

Kudos! Keep up the good work and stop by and check out my pieces whenever you get a chance!

Thanks for the post!
Elemenopy
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23
23
Review of Suited  Open in new Window.
Review by C. T. Hill Author IconMail Icon
In affiliation with WdC SuperPower Reviewers Group  Open in new Window.
Rated: E | (3.5)
Please remember that these are only suggestions and opinions and I mean no offense by them.

Context: I think you have an interesting idea here. Making the different cards of the deck actual characters in a story seems to have a promising future. I do think that this piece needs some work. There are grammar and some fundamental dialogue and plot problems.

Imagery: There is honestly not much imagery throughout your story. I think you could spend some time describing the setting, such as: the castles, the cities, etc.

Emotion: It is really hard to gather emotion from the piece. A lot of the dialogue is choppy and erratic and you go so quickly from one to the next that there is not a lot of time for the reader to bond with any of them. I would slow down, go in and actually give your characters a soul.

Grammar and Spelling: There is quite a few errors throughout your piece. I will give a few examples and hopefully you will be able correct the rest from there.

1) The first one is nit picky, but “Ooh just something I made up myself, just for you. My little secret” answered the Queen. Go ahead and add a comma after secret. You make this type of mistake a lot through the story, not only with commas, but with ending punctuation as well.

2) This passage of dialogue is fairly difficult to follow. The King of Clubs opened the letter and read it aloud, “Dear Royalty of the Clubs, My husband, the King of Hearts, has been poisoned by a foul cookie in which I have made him, he is in a coma and will not awaken for some time, if you have any desire to attack this city, you should strike now, by this time I will have already fled to the Diamonds’, and will be safe from any harm you would bring. You must be wondering why I’ve done this, and I’ll tell you: The King of Hearts was a bit too friendly with his best friend, Jack, and I will not accept that. Kings need their Queens. Do with them what you will, Sincerely, The Queen of Hearts”

I will explain a few things here and then post it again with how I would fix it, but feel free pick and choose, or disregard altogether.

The part where you describe the poisoned cookie is oddly worded, "by a foul cookie in which I have made him," There is a presentation problem. Plus, this entire sentence is a run-on sentence. Take a look at this:

"The King of Clubs opened the letter and read it aloud. "Dear Royalty of the Clubs: My husband, the King of Hearts, was poisoned by a foul cookie that I made him. He is currently in a coma and will not awaken for some time. If you have any desire to attack the city, you should strike now. By the time you have received this letter I will be safe and sound in the Kingdom of Diamonds. You are probably wondering why, and I will tell you. The King of Hearts was simply too friendly with his best friend, Jack, and I will not accept it. Kings need their Queens, so do with them what you will. Sincerely, The Queen of Hearts."

Most of the errors are similar, if you would like me to go into them deeper I will, but I figure to expedite some time on both ends, well you get it...

3) This next one isn't necessarily grammatical or spelling, but I figured I would throw it down here. Too late? What do you mean?” asked the Ace. “He’s gone, safe, away. You fell for it, you all did” “Explain yourself, or you will get a club to the head”

I just find this extremely choppy and well... odd sounding. There are many similar instances in the story.

Overall: I am giving the piece a 3.5 due to the grammar errors and general plot structure/dialogue problems. The other issue I saw was at the very end when you go into the whole paragraph about how everyone was deceived and so on. Honestly, I got extremely lost during this rambling paragraph because you jump around from ideas of who did what and why and so on. Simplify it, if the reader feels like they are going to have to work to figure out your piece, they probably aren't going to read it. This piece just needs some tlc and editing and it will be very good. I think you have talent, and the whole idea behind the story is very cool. So, good luck in your future endeavors, and I look forward to seeing your finished product.

Kudos! Keep up the good work and stop by and check out my pieces whenever you get a chance!

Thanks for the post!
Elemenopy
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24
Review of I Am Not a Hero  Open in new Window.
Review by C. T. Hill Author IconMail Icon
In affiliation with WdC SuperPower Reviewers Group  Open in new Window.
Rated: ASR | (4.5)
Please remember that these are only suggestions and opinions and I mean no offense by them.

Context: Very well done short story you have here. It is rare for me to find a story that I truly get into on this site, but this one kept me on the edge of my seat the entire time. You wove a wonderful tale of courage and despair that intertwine to create a tempting story. Very well done.

Imagery: The imagery was done very well. I felt like I could watch the entire story play out in my head. Well done.

Emotion: I feel the shame put out from the narrator. It is sad yet rectifying. There is great emotion with this piece.

Grammar and Spelling: Honestly, I didn't see anything but a few little nit picky issues that I won't even touch on. Good writing.

Overall: Very well done piece. I enjoyed it from start to finish. I definitely think you could take this short and turn it into something much much bigger. You have the snippets of a new world growing here, run with it and I think the story will be very intriguing as a novel, if you were interested in that sort of thing. Otherwise, keep up the good work!

Kudos! Keep up the good work and stop by and check out my pieces whenever you get a chance!

Thanks for the post!
Elemenopy
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Review of Auronium  Open in new Window.
Review by C. T. Hill Author IconMail Icon
In affiliation with WdC SuperPower Reviewers Group  Open in new Window.
Rated: 18+ | (4.0)
I am not going to go through my normal reviewing process for this piece, mainly because I liked it and it is for a contest. I definitely think you followed the prompt very well. You created an entire world and it fit perfectly, nice job. I always have problems following prompts haha. I did think some of the dialogue could be cleaned up a tad, but part of it could have just been the difference in characters coming out.

All in all, the story unfolds nicely. At first I was like bah, another sci-fi story, but I was pleasantly surprised by the ending. The only other thing I saw was some minor grammar issues, but honestly I don't feel like nit picking through the piece to point them out. They are pretty insignificant anyways, mostly missing or misplaced commas.

Anyways, good job, keep it up.

And good luck!
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