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76 Public Reviews Given
76 Total Reviews Given
Public Reviews
1
1
Review by Eliacie Author IconMail Icon
Rated: 13+ | (3.0)
So sorry for taking longer than I intended to review this piece, I had prior commitments to review other people's work I sort of, kind of forgot about until I received a few gentle reminders *Facepalm*

Anyways, Here we go :)

A high fantasy piece that follows the flight of teenage witches on their way to escape from a state where witches or persecuted. On their way they they are accompanied by a black dragon called Blackthorn.

A very creative and imaginative piece, filled fantastical elements.

Suggestions

Something about the dragons bothers me. They live in stables, they have glistening coats, they're used as pack animals and at one point Blackthorn eats oats. They seem a little more consistent with horses then dragon.

I got slightly disorientated in the first dialogue between Sybil and Eve, a few indicator's (Sybil said, Eve said) may help clear up whose talking talking.

"Said plague shall never be lifted from the Kingdom, not until every last one of you is dead!" Consider swapping "said" for "this".

In the beginning you seem to be following Eve's POV, then you switch to Sybil, and Rose. Omniscient narrators are best avoided (it's a pet peeve of editors) and it helps anchor the reader in the story if you stick with one POV.

Avoid the word 'as'. It's same sort of nuisance word as 'Had' and 'that'

"The dragon began to stand, yawning and shaking its tail. Eve admired this creature; she never saw anything like it."
Shaking its tail is a term that implies canine behaviour. Similarly, Eve had said she had seen the Dragon as a child. Therefore she had seen something like it.

If the dragon belongs to Eve as she inherited it from her father..why do the guards try to stop her flying on him?

there are several other structural and world building inconsistencies that lead me to advise you to read the story again carefully, and remember your character maps and settings. A friend of mine is offering a course soon on world building. on the WDC forum. Check it out "Invalid ItemOpen in new Window.
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Review of Thank You  Open in new Window.
Review by Eliacie Author IconMail Icon
In affiliation with WdC SuperPower Reviewers Group  Open in new Window.
Rated: E | (4.5)
I was hesitant to read this. Its hard to give honest reviews to intensely personal work, so I tend to stick with reviewing stuff that doesn't seem to cut too close to the core of the writer. HOwever I'm glad I took a look at this.

Firstly, it's not what I expected. It's very nearly the opposite. So good going there.

There's a sense of inner strength and independence of thought that I like and respect. There's no victimhood or self pity and I don't read any strong attempt to manipulate my emotions, rather it seems honest and real. Something I always value in any text.

My favourite line is :

"We moved too often... it made me comfortable in solitude"

I rolled that line in my head for a bit before finding that the emotional conclusion was sound. I also moved often in my childhood, and I am also very comfortable being alone for long periods of time. But I had not before considered a connection between the two until I read that line. This means you caused a shift in my perception and opened up a new insight and sense of understanding. Even if it wasn't your intention, being able to do this is going to make your writing stand out.

This is good, emotional piece. It deals with a tough and complicated subject. Thank you for it :)
3
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Review by Eliacie Author IconMail Icon
In affiliation with WdC SuperPower Reviewers Group  Open in new Window.
Rated: 13+ | (4.5)
Sorry about the delay, here's my review of Queen of the shades!

What I liked:

There's some great imagery, you really give a superb interpretation of this story. The Greek pantheon is often fairly flat and two dimensional when their stories are retold, but you created modern living and breathing versions of Persephone and Hades.

Your story flows well, aside from the breaks between scenes, and the pacing is superb. It reads well. What's more it's very complete, with an entire story arc fitted well into relatively few words.

You also employ many striking descriptions. I particularly liked:

"Persephone said as she stuck her grain-entwined scepter into the ground and laid her bejeweled box next to it."

and

"Persephone sat in Hades’ lap during an unusual moment of rest. The souls had ceased to arrive for a time, and they took advantage of it. Hades planted soft kisses on her cheeks, forehead, ears and neck, and when he reached her neck, she giggled"

The last is such a lovely, close scene between two lovers.


Dialogue

Your dialogue flows well and feel remarkably natural, given the nature of your subjects.

You also use dialogue as an effective way to tell the story.



Suggestions:


You did fit a relatively big story with a fair amount of characters into a short space, making it difficult to deal with each event and each character in full. Nevertheless you did a good job. My major concern is that Apollo is introduced early on into the story, but he fades quickly without a satisfying explanation, other than Demeter's prohibition.

Another possible area that could be tweaked is the emotional reactions of the characters. Hades does not even feign being upset when Hermes comes to retrieve Persephone, nor is it clear how Persephone makes the transition from being kidnapped to being in love...was it just the seeds?

Nitpicks, sentence structure and grammar:

I'm not good at picking up on grammar mistakes faults, but I did put a few suggestions here in bold Italics, in the text.


While dashing through the fields of weeds, Persephone stopped only to catch her breath. (perhaps try not to use 'while' or 'as' where ever possible, try 'Dashing through the fields of weeds, Persephone stopped to catch her breath.')


As she wiped sweat from her brow, she heard it. (avoid using 'as')

The lyre’s tune reminisced of longing. She decided to move swifter and dropped to the ground, panting, where Apollo sat.

He stopped playing and glanced at her down his nose. A smile played at the corner of his mouth but he erased it.

“Forgive me for being late,” she said.

“I thought you might not come after all.”

“Why wouldn’t I? We agreed to meet now, and I am a maiden of my word.”

(and I am am a maid of my word)

“You kept me waiting for quite some time.”

On her knees, she clutched his wrists which wrapped around his instrument. “I couldn’t get away. Not until now.”

“What was it this time?”

“Mother needs me to grow the seedlings.”

“All of them?”

“Well, yes, I suppose. I’ll do it tomorrow, however.”

He sighed. “When will Demeter ever stop telling you what to do?”

“Don’t be cross with Mother. It is I who forget sometimes.”

As he rolled his eyes, he set the lyre down and pulled her to him.

“I’ve heard some rumors circling around, and they concern me,” he whispered.

“About what?” she whispered back, uncertain of why they whispered.

Looking around to make sure no one was listening, he cupped his hand against her ear, and ran his other fingers through her auburn-colored hair. “It seems Hades has taken an interest in you.”

She jumped high as if a scorpion pinched her. “What?”

“Shh, sit down. He’s keen on you and wishes to make you his wife. Of course, I will not allow it.”

“Please don’t!”

He held her chin as it trembled. “I’ll go at once to Demeter and request your hand. Don’t worry, my dear.”

***

“Absolutely not. I forbid it.” Demeter shook her head and finger at Persephone, who sat in a puddle of tears.

“But Mother –“

“Don’t ‘but Mother’ me! I refuse to give up my only daughter to one as vain as Apollo,” she spat, the last word tasting like poison in her mouth.

(is this segment from Demeter's point of view? If so be careful about causing confusion when the rest of the story seems to follow Persephone's POV)

Persephone jumped to her feet and ran away through the fields.

***

The crops were planted, and with Persephone’s blessing would come to bloom in late spring. She walked in a secluded field to where her mother banished her after her courtship with Apollo. The tears dried, but her heart sat heavy in her chest.

“Don’t fret, dear one,” Athena said.

“It’s not the end, and you have your whole life ahead of you,” Artemis chimed in.

The three friends picked weeds.

“I don’t understand how I can give life to such beautiful things, yet I’m not in control of my own,” Persephone said as she stuck her grain-entwined scepter into the ground and laid her bejeweled box next to it. ()I really like this line, well done!)

“I know what it is,” Athena said. “It’s Demeter. She’s had her claws in you since the day you were born, and always will if you don’t take a stand against her.”

Persephone yanked more weeds.

“She has a point,” Artemis said.

Nodding, Persephone threw down her fistful of weeds. “You’re absolutely right. I must go back and assert myself with Mother.”

“Good luck!” Athena and Artemis chimed in unison.








***

“What are you doing back?” Demeter asked.

“I –“

“I’m not interested in what you have to say, young lady. Go back to where I left you!”

With her head hung low, Persephone made the long journey to her secluded field. She almost arrived when a cold hand clasped over her mouth from behind and jerked her back. Another cold hand and arm wrapped around her waist and lifted her in the air. Kicking and screaming, the muffles couldn’t be heard. Her eyes grew wide when she saw a black chariot on the path behind her. It was drawn by four black horses, but no driver. The mysterious figure seized her and flung her into it. When she tried to open the side door to escape, she found it was locked. The chariot contained no windows.

***

“What is this place?”

Exhausted from the journey, Persephone fought to keep her eyes open. She felt there was something or someone leading her, yet she saw nothing before her. As she crept down a dark passage of smooth onyx and red lazy rivers, she paused when she reached the orifice of a much larger room. In the center against the wall sat an ebony throne with a three-headed dog next to it. After staring at the throne, there then appeared a dark figure seated atop it.

“This, my lovely, is to be your new home,” he said.

Speech didn’t come to her, and she stared at him. He crossed his legs under his black flowing cloak. Removing the hood, she finally saw his face. It wasn’t ugly; it was handsome, with a smooth forehead and a perfect nose, just like Apollo. Oh, Apollo! she thought. What would he think of all this?

When she heard whispers in the distance and someone shrieked, ( you can eliminate wordiness by saying: She heard whispers, someone shrieked, causing her to shudder.) she shuddered. “Who are you, and why have you brought me here?”

A sly smile danced across his face. “I am Hades, and this is the Underworld.”

The breath caught in her chest. Her eyes darted here and there, and she could find no exit from this great hall, not even the tunnel by which she came, for it was now sealed.

“That cannot be,” she whispered.

“It is, for I have declared it. You shall hereby become my wife, and Queen of the Underworld, for I have said it; therefore it is so.”

As tears rolled down her face, she sank to the ground. Hades sauntered over to stand above her, and she wiped her eyes with her emerald-colored dress.

“There there, it isn’t quite bad?” he said while lifting her by the elbows to stand. “You cannot imagine the glory it will be to serve as my queen.”

She didn’t dare look into his black eyes, but something told her to anyway. They were soft, albeit black and beady, with a tiny sparkle of something she couldn’t identify.

“I must return to my parents.”

He lifted a finger to her pink lips and shook his head. “Not yet. You have duties to fulfill.”



Underworld Tunnel [#1994630]
Underworld tunnel.Underworld Tunnel [#1994630]
Underworld tunnel.




***

Torches burned all over the heavens of Mt. Olympus and the earth as Demeter went in search of her daughter. She looked under every rock, behind every tree, and in every river. Persephone was nowhere to be found.

Meanwhile, the harvest for the mortals proved to be unfruitful, as Demeter refused to bless and fertilize the land.

Upon returning to her husband, she begged him to find their daughter.

“This is killing me,” Demeter said. “I cannot go on.”

“You mustn’t punish the earth for the wrongdoings of Hades,” Zeus said. “The people need their crops. You have to play your part, or else those who worship us will starve.”

“She’s with Hades?”

Zeus nodded, noting he revealed Persephone’s whereabouts, and he knew all along where she went.

(Somethings unclear about these lines, Zeus noted that he knew where she was ?.)

“How dare you! How dare you take my child away from me, and to that despicable—“

“Hold your tongue! Hades is my brother. Had it not been for his brave and honorable contribution in the Titanomachy, we wouldn’t be where we are today. I advise you to choose your words wisely, madam.”

Crossing her arms over her chest, she hung her head. “I need my daughter with me. I beg of you, I beseech you, go to him and bring her back!”

Zeus sighed and took her in his arms. “Very well. I shall pay my brother a visit, but I can’t promise you anything.”

***

Hermes stood at the doorway of Hades’ throne room. “I have come as requested by the great Zeus to return his daughter at once.”

“Quite right,” Hades said. They made the arrangement when Zeus visited him the day before, and he agreed to return his prize.

Persephone ran to Hermes and flung herself into his arms. “Oh Hermes, take me back!”

“Just a moment,” Hades said. As he sashayed over to the two, he produced from his pocket six pomegranate seeds in his hand. “A gift of sustenance for your journey.”

When Persephone took them in her mouth, Hermes cried out before she could swallow them. “Persephone, no!”

It was too late. They swirled around on her tongue, and tasted of honey. She didn’t understand Hermes’ reaction, but bowed to Hades in return for the seeds.

“Thank you. I am ever so grateful for my release.”

As the two made their way down the dark tunnel, and back to the upper world, Hades whispered under his breath, “Not for long.”

***

The earth and its crops were dead, thanks to Demeter. Persephone admonished her mother for the neglect upon returning. Demeter admitted it was due to her absence. Autumn passed uneventful, but before winter arrived and the first snows fell, a familiar figure in a black cloak arrived on Mt. Olympus with his chariot.

“What are you doing here?” Demeter cried.

“I’ve come for my wife,” Hades declared with his hands on his hips.

Persephone felt an attraction to him which wasn’t emotional, but somehow physical, as if she needed to be close to him, touching him. Then she understood.

“Those seeds you gave me?” she asked.

“Ah yes, the pomegranate. Finally you understand.”

“What –“ Demeter began, but Persephone already walked to enter the chariot.

“I’m sorry, Mother, but I’m tied to the Underworld now, forever. I have duties to perform.”

“That’s the spirit,” Hades said, smiling.

Demeter stood speechless as Hades drove the chariot down Mt. Olympus, then through the earth to reach the Underworld once more.

***

“I’ve commissioned you something,” Hades said.

“It’s lovely,” Persephone whispered, running her fingers over the ivory throne next to Hades’ ebony one.

“So you like it?”

“Of course.” She looked into his eyes and understood.

As she stepped closer to him and placed her hands on his chest, his eyes grew wide. Not expecting this, he didn’t know what would follow. When she planted a soft kiss on his cheek, he moved his face so their lips met. They both held their breath as the kiss lingered on, and Hades wrapped his arm around her waist.

“My lord, my lord, forgive me,” an unfamiliar voice interrupted.

The two drew away, each with a smile on their face.

“My lord, you must help me,” the man said as he cried into his hands.

“I must do nothing! What is this?” Hades growled, recognizing the man as a mortal. “How did you get down here?”

“It is my wife, my lord. She has moved on to your domain, and it is unjust; please allow her to return with me to the earth where we belong.”

Hades and Persephone took their seats on their thrones, and the man knelt at their feet.

“Speak your name,” Persephone said.

“I am Orpheus, my lady, and my wife is Eurydice.”

The Queen nodded her head, looking at Hades. “I know this man,” she whispered. “His glorious music fills the heavens every day and night.”

“It is your decision, my lovely.”

“Oh?”

“Of course. Yours is the right to pardon any soul and return them to their world.”

“Why should we permit you to return with your wife, when she already died?” Persephone asked the man.

“I am a musician by trade, by lady, and my wife is my inspiration,” Orpheus said. “Without her, I cannot go on. My music will die.”

Hades nodded as if in understanding, and Persephone realized why he fed her the seeds.

“Very well,” Persephone said. “But see to it while traveling across the rivers Styx, and through the crusts of the earth to the upper world, you are not to look back on your wife who will walk behind you the entire time. Grave will be the punishment if you place your eyes upon her before both of you are on the earth.”

“Thank you, my lady,” Orpheus cried. “Thank you ever so much.”

***

Persephone sat in Hades’ lap during an unusual moment of rest. The souls had ceased to arrive for a time, and they took advantage of it. Hades planted soft kisses on her cheeks, forehead, ears and neck, and when he reached her neck, she giggled.

“Two months have passed,” he said as he took a pause.

“Has it been that long? I didn’t realize.”

A smile lit his face at her response. “So you don’t find me too dreadful, after all?”

“On the contrary. I’m glad you gave me those seeds. Just don’t tell Mother.”

Laughing, they resumed kissing, this time with more enthusiasm. She ran her fingers through his long black hair, and their crowns clinked when they touched.

“I wish you didn’t have to return to Mt. Olympus in the spring,” he said.

“I know, me too. If only…”

“If only what?”

“If only you’d given me 12 seeds{{b}i} (twelve seeds), then I’d be yours forever.”

“You are mine forever.”

“You know what I mean. I wouldn’t have to divide my time between here and up there.”

“I can remedy that.”

“No, the arrangement is fine. My worshippers need me for the harvest.”

“Very well. Just know that I’ll miss you when you’re gone.”

“I’ll miss you, too, but I’ll await the day you come for me for the winter. Just don’t bring Cerberus.”

They looked at the dog who slept at Hades’ feet and laughed.

“I don’t think he’d leave anyways. He doesn’t enjoy long journeys.”

A woman sobbing interrupted them, and Persephone stood, moving towards her throne.

As the tunnel sealed itself behind her, the woman dropped to her knees, prostrating to the King and Queen.

“There is no use crying,” Hades advised her.

When she wouldn’t stop nor look at them, Persephone asked, “What is your name?”

“Eurydice.”

Even from the depths of the Underworld, the gods could hear the melancholic tunes of Orpheus beginning.

Shaking their heads, Hades and his wife motioned for Eurydice to move on to the realm of Tartarus behind them. Persephone resumed her position on Hades’ lap as the woman’s wails and Orpheus’ music blended together.
4
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Review by Eliacie Author IconMail Icon
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Rated: 13+ | (4.5)
What a great poem!

I love the clear flow you have, you have a good sense of rythm and meter and a consistent aabb rhyming pattern. Interestingly you use this poem to tell a narrative with a twist that I did not see coming. I was thoroughly impressed by the sudden turn of events, but somehow managed to stay sympathetic to your narrator.

I feel the repetition of the first stanza in the last effectively knits your poem together, giving a good sense of closure. My favourite lines include the following:

"I shoveled dirt to hide my fear"

"To the little church down the road
Past the wheat my Daddy sowed,
And the chestnut mare we always rode"

I don't see many ways to improve the poem, I think its complete and effective. I read it through three or few times looking for something I would change and finally decided...uh...grama should probably be Grama with a capital letter. Yeh, thats all I got:) It's a good poem, thank you.

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5
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Review by Eliacie Author IconMail Icon
In affiliation with WdC SuperPower Reviewers Group  Open in new Window.
Rated: E | (4.0)
Hey there,
I would like to give a few thoughts on your 100 word story. On the whole, I found this piece fairly impressive and I think you did a really good job. I love the minimalist approach and the sheer amount of information you are able to give using so few words, well done!

My favourite sentence is: 'Sleep eluded. A thirty-six hour shift began with an eight-year old boy who suffered difficulty breathing, fever, and abdominal pain."

I particularly like the use of the sentence fragment 'sleep eluded' that says so much, but at the same time by only using two words you successfully create a sense of immediacy and fast pacing.

Suggestions:

I like your dialogue, the same brevity of the rest of this piece is maintained here and is very effective. It also sounds natural and right. I would only caution against the indicators you used. 'She cautioned, he howled, she commanded.' People tend to avoid saying 'He said, she said' sometimes, thinking it becomes too repetitive. However, the reader barely notices whenever you use the indicator like 'he said' or 'she said' while replacing 'said' with ' Commanded, howled, sneered, cried, etc' can actually have the unwanted effect of tripping your reader up and breaking the rythm in the story. You don't want this. Besides, there are only two people in this conversation, so you don't really need the qualifiers;

"Does this hurt?"
"Ow!"
"Get him in exam room one. Do an x-ray and an ultrasound",

Is just as effective and there's no break in flow.

Thank you very much and write on!

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6
6
Review by Eliacie Author IconMail Icon
In affiliation with WdC SuperPower Reviewers Group  Open in new Window.
Rated: E | (4.0)
Hey there,
I would like to give a few thoughts on your 100 word story. On the whole, I found this piece fairly impressive and I think you did a really good job. I love the minimalist approach and the sheer amount of information you are able to give using so few words, well done!

My favourite sentence is: 'Sleep eluded. A thirty-six hour shift began with an eight-year old boy who suffered difficulty breathing, fever, and abdominal pain."

I particularly like the use of the sentence fragment 'sleep eluded' that says so much, but at the same time by only using two words you successfully create a sense of immediacy and fast pacing.

Suggestions:

I like your dialogue, the same brevity of the rest of this piece is maintained here and is very effective. It also sounds natural and right. I would only caution against the indicators you used. 'She cautioned, he howled, she commanded.' People tend to avoid saying 'He said, she said' sometimes, thinking it becomes too repetitive. However, the reader barely notices whenever you use the indicator like 'he said' or 'she said' while replacing 'said' with ' Commanded, howled, sneered, cried, etc' can actually have the unwanted effect of tripping your reader up and breaking the rythm in the story. You don't want this. Besides, there are only two people in this conversation, so you don't really need the qualifiers;

"Does this hurt?"
"Ow!"
"Get him in exam room one. Do an x-ray and an ultrasound",

Is just as effective and there's no break in flow.

Thank you very much and write on!

{1919873-50%}
7
7
Review by Eliacie Author IconMail Icon
Rated: E | (3.5)

HI there, I have read you essay comparing and contrasting Steinbeck's 'Of mice and Men' and Golding's 'Lord of the Flies' and would like to offer a few thoughts on it. Remember you can disregard anything as these are merely my own views and perspectives and are as subjective as anybody elses.

I like the books you chose for comparison, both are classics, the currents of power, fear and the basics of human natures are strong in both.
However perhaps more could have been made of those specific issues that key to each book. 'Lord of the Flies' deals with inner brutality of human nature, the prospect of inner savage that may rise to the surface as soon the restrictions of civilisation are stripped away. It is savagery that result in the murders of Piggy and Simon. By contrast, in Mice and Men, it is selflessness and love that ends in Lennies's death. George wants to spare Lennie the brutal death he is facing at Curley's hands. Both are murder, but the motivation is different. Another strong theme in 'Mice..' is dual aspect of the beautiful dream and loneliness and isolation. Perhaps you can find parallels in '..Flies'?

One last nitpicky points relate to sentence structure and general guidelines for essay writing, for instance:

"The themes found in these two novels show just how alike two stories can be." There's something about how this sentence is structured that makes it lose clarity and impact.

And:

"This begs the question, is fearing others part of our nature, or is it natural to come together?"
It's best not to pose rhetorical questions in an essay, as all questions should be answered, for the same reason that no statement should be made unless it can be backed up in the text and properly argued.

I'm glad to read something concerning good literature, and your thoughts about them. It's refreshing and challenging to think of the issues raised in these classics. Thank you :)

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8
8
Review of Maude  Open in new Window.
Review by Eliacie Author IconMail Icon
In affiliation with WdC SuperPower Reviewers Group  Open in new Window.
Rated: E | (3.0)
A short thriller type piece dealing with themes of sisterly love, rejection and vengeance with an open ended twist at the end. I enjoyed the incorporation of poetry into this piece and its rapid development. Well done.

A few points to consider:

Most rules can be regarded as guidelines and be safely ignored, but only once you understand them and you are absolutely sure that your story is better told without them. Because of this I never tell anybody they absolutely should never do X,Y or Z. For example, it's preferable to not use any parenthesis in your writing. However I am reading a last years Nobel Prize winner for literature and she uses them so...

Still keep it mind and I would suggest leaving them out for now. Secondly, and this is as close to a rule as you can get in literature, never use a double exclamation mark. In fact, try to use them as little as possible, let your writing carry your work, not the punctuation. This point comes up again with the consistent use of Onomatopoeia. When you say 'Knock! Knock! Knock!' or 'Click!Click Click!' you are reigning the reader into a forced auditory response. The repetition of the words, and the exclamation marks are unnecessary. If you want to bring across the sound of the knocking try to do it one or two adjectives or a quick metaphor, for instance, 'their knuckles struck a nervous pattern upon the door...'

I struggled sometimes to orientate myself in the scene, for instance, when you said;

"Beatrix was so utterly infatuated with Vivien that she found no time for others whilst in his presence. Maude resented this; more so as this was her time with her sister. Over the previous 18 months Maude had become insanely jealous of his closeness to Beatrix'

It took me a moment to follow what was going, because I did not immediately realise Vivien was the male version of Vivienne, and thought you were referring to another female. Try to stay as clear as possible, or readers will get it all mixed up:)

This story is very interesting concept and I hope to see more of you on WDC. Thank you and write on!

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Review of Query Letter 1  Open in new Window.
Review by Eliacie Author IconMail Icon
In affiliation with WdC SuperPower Reviewers Group  Open in new Window.
Rated: E | (3.0)
Ok...this is the first time I have ever reviewed a query letter, so here goes:)

First of all your story sounds lovely, a real all american story. It sounds sweet and wholesome and possibly very marketable. I therefore suggest you take a lot of time with your query letter as it your books first introduction to the world at large, and first impressions count.

The first sentence is typically reserved to sum up your book and sell it at the same time. It has to grab attention and if your reader doesn't read one more word past that first full stop they still need to know the essence of your story. A typical example would be 'When Will and *girl's name* discover an old orphaned hound dog named Hermit Jack, the three friends embark on a series of adventures where they learn about love, loss and friendship...;

There after the next two paragraphs are given over to slightly more in depth summary of the entire book. It isn't easy, but then, neither was writing 46 000 words, So you can do it :) and good luck!

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10
Review of Maude  Open in new Window.
Review by Eliacie Author IconMail Icon
In affiliation with WdC SuperPower Reviewers Group  Open in new Window.
Rated: E | (3.5)
A short thriller type piece dealing with themes of sisterly love, rejection and vengeance with an open ended twist at the end. I enjoyed the incorporation of poetry into this piece and its rapid development. Well done.

A few points to consider:

Most rules can be regarded as guidelines and be safely ignored, but only once you understand them and you are absolutely sure that your story is better told without them. Because of this I never tell anybody they absolutely should never do X,Y or Z. For example, it's preferable to not use any parenthesis in your writing. However I am reading a last years Nobel Prize winner for literature and she uses them so...

Still keep it mind and I would suggest leaving them out for now. Secondly, and this is as close to a rule as you can get in literature, never use a double exclamation mark. In fact, try to use them as little as possible, let your writing carry your work, not the punctuation. This point comes up again with the consistent use of Onomatopoeia. When you say 'Knock! Knock! Knock!' or 'Click!Click Click!' you are reigning the reader into a forced auditory response. The repetition of the words, and the exclamation marks are unnecessary. If you want to bring across the sound of the knocking try to do it one or two adjectives or a quick metaphor, for instance, 'their knuckles struck a nervous pattern upon the door...'

I struggled sometimes to orientate myself in the scene, for instance, when you said;

"Beatrix was so utterly infatuated with Vivien that she found no time for others whilst in his presence. Maude resented this; more so as this was her time with her sister. Over the previous 18 months Maude had become insanely jealous of his closeness to Beatrix'

It took me a moment to follow what was going, because I did not immediately realise Vivien was the male version of Vivienne, and thought you were referring to another female. Try to stay as clear as possible, or readers will get it all mixed up:)

This story is very interesting concept and I hope to see more of you on WDC. Thank you and write on!
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Review by Eliacie Author IconMail Icon
In affiliation with WdC SuperPower Reviewers Group  Open in new Window.
Rated: E | (3.5)
Hey there,

I quite liked this, you show a flare for description and imagery that should come in handy is you continue to write and hone your skills.

Theres somthing in the first paragraph that caught my attention; I'm reminded strongly of an old movie called what women want (or something like that) where Mel Gibson (I think) delivers a very similar speech on a woman going for a run. Was this an influence on your piece?

What's interesting about this piece is the suggestion of a strong underlying metaphor. It does not appear to be simply about somebody going for a run to calm their nerves. The rain and the brooding storm clouds seem to suggest another storm in Tanya's personal life.

The most effective thing about it is your use of imagery. Well done, you could inspire quite a few people to excerise more with this*Smile*
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Review of Puppy  Open in new Window.
Review by Eliacie Author IconMail Icon
In affiliation with WdC SuperPower Reviewers Group  Open in new Window.
Rated: E | (3.5)
Hi Marci,

I could'nt resist your poem for two reasons, I'm a sucker for puppies (I have four) and a sucker for alliteration, which you have plenty of in your poem. This poem is sweet, light hearted and heart felt.
Your description of the little things is apt, but I would like to remind you this kind of poem invites the author to have fun with words and experiment widely (think ee cummings)
Yes puppies play and perform tricks and plead, but what about the less obvious things, the way their whole bodies squirm when they they're happy, those loose folds of skin, the little puddles they leave on the floor. Sometimes describing something people are aware of, but never really consider conciously can really effect the reader. What odd little factors can you mention about puppies that people never really talk about? What about the way they inspect the house like little kings the first time you bring them home?

Because alliterating the P sound is what this poem is built on, you could also get out a dictionary and peruse the p section searching for interesting and fun words to use.

This Poem is celebration of puppies and language, thank you.

"WdC SuperPower Reviewers GroupOpen in new Window.
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Review by Eliacie Author IconMail Icon
In affiliation with WdC SuperPower Reviewers Group  Open in new Window.
Rated: ASR | (3.5)
Hi Chels:

I needed to think about your poem a bit before starting this review. I usually avoid reviewing poetry at all costs, because I am very very critical of poetry. I hold Poetry up to a very standard, If its not Rumi, Plath, Bukowski or Keats I find it hard to be encouraging or to recognise the authors effort in making it. Poetry is one of greatest arts, I always feel slightly elitest about it.

That aside, your poem caught me.

I like it. The whole time I was reading it I was picturing the music video of the song 'weak and powerless' by a perfect circle. Have a look at it on You tube, you may see why.

The most obvious thing about your poem is that it is high fantasy that you have managed to work into verse.I think what I like about it is that your aim seems to be to tell the story a doomed necromancer from an extremely stylised point of view, and you manage to do this simply and clearly. You achieve your aim for the poem. This is less common then you might think, for instance, poems aimed at sweeping declarations of love more often come accross as sacharine, cliched and trite.

I'm also drawn by your careful repetion of lines. I have no idea why this works, but it does.You have created some very effective imagery. You describe your subject perfectly.

In terms of subject matter, device, structure and diction your poem is far from what I'll call universally recognised high brow poetry. Nevertheless, it has a certain quality, and strong enough imagery for me to think of it as pretty good fantasy Poetry. Well done.
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Review of WinterFall 1/?  Open in new Window.
Review by Eliacie Author IconMail Icon
In affiliation with WdC SuperPower Reviewers Group  Open in new Window.
Rated: E | (2.5)
Hi jack, I like your username:)

Here's my review of your chapter one of Winterfall. I'm going to make a few suggestions, feel free to ignore anything you don't agree or feel won't work for your story.

The first most noticeable aspect is that for a chapter it is extremely short, I assume therefore it is a work in progress and you will be writing more?

You begin your story with a concise and to the point description of the land. It is Icy, cold and gloomy. If you rework this you may want to experiment with a little more imagery and metaphor. Another neat trick for describing your setting is through the characters themselves. Sentences like: 'She pulled her coat more tightly around her to ward of the bittely cold wind' Or 'He held his hands close to the fire to warm them' can work well to immerse the reader in the story by letting them experience vicariously what the character is experiencing.

You then go on to say there are two heirs to the kingdom, apparantly not related. This seems very unusual and you may want to explain how that would have come about.

The next paragraph reveals that these two heirs are somehow responsible for the winter and also will cause a chain of events that will lead to their own demise. This seems like information about later plot points which you are revealing now. If this is the case, you may want to remove this to maintain the element of surprise.

Your final two paragraphs deal with descriptions of your characters and some background information. It is very good that you are attempting to breath life into them, but remember, describing your male character simply a strapping fellow gives almost no descriptive information. Try to include eye colour, hair colour and perhaps something unique about the way he walks, or if he has a tendency to slouch and so on.

THank you for story and keep writing!

This is WDC Power reviewers raid review!
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Review of Kingdomnation  Open in new Window.
Review by Eliacie Author IconMail Icon
In affiliation with WdC SuperPower Reviewers Group  Open in new Window.
Rated: 13+ | (4.0)
Hi AW
Here are some of my thoughts on kingdomnation.

Overall impression:
I like this story. I really want to read more. I must know more of this Hunchback prince, I cannot help but be curious about him. Your dialogue flows well, and already you've laid a few breadcrumbs for the reader to follow into the rest of the story. (who is Hector? is she going to fall in love with him instead of the Prince? and so on)

Favourite bits:

'The pleasure is all yours' The prince said curtly.'
I think I am going to learn to appreciate this mans wit. I'n already rooting for this character so I hope he's not a bad guy.

'Under his breath he added: 'His mental realm' ' Tension is already mounting, and I do like the biting remarks.

Suggestions:

Due to the shortness of the piece it's hard for me to give too much criticism at this stage. I can suggest however that you research some Medieval etiquette to add a little more authenticity
For example highborn children referred to their parents as 'my Lady Mother' and 'my lord, father'. Also there are probably protocols for the arrival of the heir to thrones bride, people crowding in the street to see her, etc. If you don't want to spent hours reading boring research you could maybe have a look at Wolf hall and Bringing up the Bodies, two novels by Hilary Mantel which give an excellent reconstruction of what life was like at court.

Secondly I would suggest a few more lines describing the environment, the castle etc, to give a good idea of where the story is set.

Thank you very much and Happy writing!

This is a WDC power Reviewers raid review



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Review of Fire Moon  Open in new Window.
Review by Eliacie Author IconMail Icon
In affiliation with WdC SuperPower Reviewers Group  Open in new Window.
Rated: E | (4.0)
Hi TJ!
What a lovely story*Smile* WhatI liked most was the sweeteness and love that was so apparant and seemed to make up the theme. I also enjoyed your creation story which seemed to retell the biblical version in a much gentler way and is definitely an interesting concept.

The idea of starting a story with a character's reincarnation is one I have never come across before so you get full points for originality.

Your spelling and grammer looks good, though I'm not the reviewer you would want to trust on that front. I don't focus on technical points.

What I would like to suggest is that you work on your dialogue, it doesn't always seem to flow right. I can't believe your main character knew nothing about the event, nor the simple wat she says thank you to the creator without any follow up questions.

Another area you could work on is your characterisation. At the end of the the piece I know very little about her, what she looks like, what defines her etc, so I feel some things could warrant bit more description.

Thank you for story. Hope to see more of your writing.
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Review by Eliacie Author IconMail Icon
Rated: 13+ | (4.0)
Hi, I really enjoyed this it has all the makings of really meaty fantasy, and looks solidly marketable. But now that you have it, edit, edit, edit,edit. Until your eyes turn red, your fingers are bloody stumps and your family abandons you. Just kidding, but you have quite a few grammar and spelling mistakes you'll want to fix and then a few issues with character. You're king in the beginning seems unnecessarily sadistic if meredith is nothing more then a slave, she should perhaps be a little beneath his notice. But if he has a reason to treat her so cruelly I suggest you expand on it and perhaps give a little introduction to this Arianna and a bit more background on the lead character. Remember, show me, don't tell me. Otherwise this is pretty decent, don't stop. :)
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Review of Mousie  Open in new Window.
Review by Eliacie Author IconMail Icon
Rated: ASR | (3.0)
Hi, this a very sweet story/poem and I could easily envision is as an illustrated children's story. I don't have too much criticism but there are several things I would change. Firstly, you sometimes use words that are too big and complicated for kids. I'm assuming this is a poem for young children, so words like masticate, vermin and titanic are unnecessarily cumberson in a something that should be easy and light hearted. Also the message seems to be one of revenge, and parents may object to that.
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