Thank you for sharing your story. I found it to be intriguing and caught my interest. It passed my first test for any story. When I read a sample, or chapter, I like to end it with questions of what happens next. I find myself wondering how the parents will react to the tragic events in the story. I wonder what the impact will be for the Cas and the protagonist (I cannot seem to remember his name or if it was mentioned). Will this be a story that will transcend time, so will the young boy grow up and come across Royce at a later stage in life? Any time I wonder and have questions, that is a sign of something I found interesting.
I did make a few observations. Foremost, granted this is a first chapter of a larger story, but I wonder if the story should have left out some of the introduction. I like stories, and this is just my preference, to start doing something early, and then mix in some back story piece by piece. The first couple of pages throws a lot of background to the reader, that for this piece, may not entirely fit in. I really started to get real interested when the three children began to make their way to the pond or lake. Maybe getting action going, and interjecting a mention about the parents and some back story here and there. Some items may even be edited out
I do see you started to have some senses incorporated into the story. There are obvious descriptions, but you began to work in senses of smell: "It smelled different." That is a good start, but smelled different may not be something people can identify. Perhaps that can read as something that would be abnormal, but people may have a memory of something. The smell of decay from a dead animal, stagnant air, or something like that could be an option. You had a step in the right direction, and probably should stimulate other senses. This is a bit cliche, but when the ghost, I assume it was a ghost or apparition, in the movies temperature drops are common. Perhaps you could have something happen that chills her to the bone, or causes his hair to stand up or skin to crawl. This would create a more significant impact on his encounter.
There are the standard grammar mistakes or the misplaced apostrophe or dropped letter here and there. Nothing further proofing would take care of. I do remember a couple of "It is" examples in there. I do also make that mistake. Mixing formal and informal. The start has a few real long sentences that may benefit from shorter, varying lengths. Some minor word repetition, for example: "In youth we can all identify what we are meant for in our lives if we pay close enough attention to the signs we are given along the way." 'We' is repeated four times, ironically enough, it was the first sentence of the story. :) Also, "I knew I loved our mother as much as I loved peace" may be a little awkward. Maybe something like, "I loved our mother as much as a pacifist loves peace." The love of peace can vary by individual, and the reader may not know the protagonist's mind. For someone bend on revenge, peace may not be given much thought. Someone who is happy and in love, maybe their love of peace is quite high.
I would recommend restructuring the story just a bit. Perhaps starting off with the children beginning their trek into the woods. Intermix some back-story here and there. Now, if the parents relationship is paramount for the story success, then you may need to have this as one of the early components of the story. I'm not sure your intentions for the rest of the story, so I can only go on what I see before me.
I would like to see this story continued as I do feel it has many things working for it. The intrigue and the questions it piques are all good signs of a story. As with many stories out there, including my own, it would benefit from some further revision and perhaps a little restructuring.
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