Lisa:
This is a good start to either a story or a novel and does a pretty good job of introducing the protagonist. You have conveyed Ben's character as a man who seems kind of dull, appears very much alone (but doesn't seem to mind), and has a monotonous life. This is good but yet I think you need to make the readers care a little more about him. It's imporant to make the reader care about what happens to the main character. Right now there isn't much to care about.
For example, a glimpse into the reasons for his reclusive behavior would give a reader an idea of why he's that way -- if he had a traumatic childhood, abusive childhood, smothering childhood, some major event or the fact that there was absolutely no reason for his lonely existence -- that would give readers something to entice them to want to know more about him.
You've changed tenses a couple of times in the beginning of the story: "at this moment he sits ", "Ben would have liked to do these things." Instead: "He sat (or slouched,or sprawled)", "Ben would have liked to have done these things" or "Ben wished he had done these things".
You've got some repetition, particularly about how much Ben likes the rain. Unless that is something pivotal to the plot, it seems a bit much.
Showing, rather than telling, will liven this piece up more. I think that's the key here. You've painted a pretty good picture of a man who leads a boring life but you can make the writing snap, crackle, and pop (so to speak) by showing the reader:
How Ben sits, how he works on his car, how he might work at other things (since working on things gives him so much joy) and it also shows a solitary life by choice, rather than just a boring life. At least, that's the feeling I get about Ben. He's chosen to live this way. How Ben dresses, what does his apartment look like -- all these things will bring him more alive.
Another way you can show rather than tell is to use the senses ... maybe how the tools feel in his hands as he works on his car, how the rain feels on his face, the smell of a car engine or the sound of a wrench dropping to the ground. Was it smoky in the tavern, what did it smell like, how did the pool cue feel in his hands? I think you get the picture.
Be careful of point of view ... the guy who asks him to shoot pool ... how does Ben know he wanted to respond and that he walked away in disgust? Make it clear these are Ben's thoughts. The same with the girl, "hoping he would take her up on her offer" -- how does he know this?
This last sentence seems a little strong: "The great Ben Connell was about to try something different." Why is he great? Maybe "the reclusive Ben Connell," or, "Ben Connell's very normal, very routine, very boring life was about to change."
All in all, it's a good start and I think with some changes you could really grab a reader's attention and pull them into Ben's world.
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