Hello there!
I gave your story a read, and in the interest of providing some useful feedback, I'll not pull my punches. A few lines I've re-written (as -I- would write them, which is by no means the -correct- way) merely as examples for you to think on.
First of all, though, I would remove the "Chapters". Three or four paragraphs is not a chapter. If you feel they need a concrete separation, perhaps you could use "****", which is a commonly accepted mark for "scene-break". Ideally, however, you would segue into these portions with a few lines or a paragraph, or, if it's short enough, italicize it, to denote a flashback or memory.
On to a few technical issues.
"Feeling like the small crab running back and forth, running in circles trying to avoid the next crashing wave or the dog chasing his tail. It is impossible for her to catch a breath. Every time she begins to breath, the breath is taken away by another wave, another bad decision."
I'll break this into two parts. The first sentence runs together, and in my opinion, the imagery is a little backwards, and could be smoothed out like:
""Feeling like a dog chasing it's tail, running in circles, or the small crab skittering back and forth, trying to avoid the next crashing wave."
The second part, which had a bit of unnecessary repetition, could be worded:
""Every time she feels she can begin to breathe, it's snatched away by another wave, another bad decision."
This next began with a simple missing comma, but I ended up adjusting it to my own tastes anyway. It's up to you whether you like it or not.
"Was there ever a time she was truly happy, content or was it always a game, a facade?"
I felt flowed smoother as:
"Was there ever a time she was truly happy? Content, even? Or was it always a game...a facade?"
This line was the third, or maybe fourth, in which the word "help" was used. By this time, the reader is aware that 'help' is the subject being talked about, and further use makes the repetition obvious.
"Calling out and then running from what she needed most, help."
I re-wrote it as:
"Calling out for, and then running from, what she needed most."
This one just struck me as a little clunky:
"Just as easily however, it comes from experience. Sarah experienced more than was left unknown."
I tentatively re-wrote it as:
"[...]it comes from experience, and Sarah had experienced more than most."
And finally...a teeny little spelling mistake:
"the blue eyed boys with their blood hair"
Should be: "blonde" hair.
****
Now, I know all of that was kind of harsh. Just remember...that's one-person's-opinion. It's meant to simply give you something to think about. I'm not the best writer myself, and there are people here that would have a hey-day with my punctuation and word-choice, I'm sure. :P
Overall, I actually liked the piece, which is why I took the time to critique it properly. Most of the issues I took with it were related to 'flow', which is subjective at the best of times, and indefinable at the worst.
I think you have an interesting, realistic character here, and I would like to see you expand on her. I think you could explore a lot of interesting ideas and concepts, using her as a vessel.
If you take issue with anything I've commented on, or want some clarification, don't hesitate to e-mail me. I'll be glad to talk things over.
Write on!
(Also welcome! And I hope you enjoy your stay!) :) |
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