KAMAL
HASSAN Vs JACKIE CHAN
The period was mid-nineties and I am counting my age in teens, I
was not aware, not even 95% of the Indian population would have known
about it, the deadliest among the combat skills of the world is
originated in India and extant. When it comes to martial arts either
"Bruce Lee" or Jackie Chan flashes first in my mind and I believe
this is the case with most of the people around the world because
these legends epitomised Karate and Kung fu respectively. I being a
Staunch Fan of Jackie Chan use to watch all his movies. Mater with
Cracked Fingers, Armour of God, Snake in the Eagle Shadow, Police
Story, Project A, Spanish Connection and the list goes on. I am
fascinated to such an extent that one day along with my friends
imitated some feats, luckily escaped broken bones whilst couple of my
friends couldn't but couldn't escaped a broken cane, courtesy my
Mother. Our gang use to think high about China and the Shaolin monks
for their invention Until Kamal Hassan and Shankar's combo hit the
screens with Bharateeyudu(Telugu)/Indian(Tamil)/Hindustani(Hindi). I
got glued to the frame where 80 year old Kamal disables a baddie with
crossed fingers in two strokes, witnessed something of that sort on
the silver screen for the first time and was flabbergasted. As the
plot slowly uncovers in the second half I came to know about Marma
Kala (Sanskrit) (Marma Vidhya (Telugu), and Varma Kalai (Tamil)) an
ancient combat skill of Bharat. Marm Kala is the most dangerous among
any other combat skills in the world and is tout to be the mother of
all martial arts, from then my perspective about martial arts got
changed and respect towards my motherland grown four fold. Then I
didn't tried to analyse which is the best among my favourite combat
arts but formed an impression from what I had witnessed on screen.
Today I'll walk you through the history & evolution of my
favourite combat skills Marma Kala & Kung Fu and leave it to you
to gauge the best among them.
History:
According to folklore Lord Shiva taught Marma Kala to his younger
son Lord Subrahmanya, in turn Lord Subrahmanya taught this skill to
Sage Agasthiya and then he taught this to a handful of selected
students who propagated the art form. Agasthiya lived in
south-pothigai mountains (Kutraalam) which is in the southern part of
Tamilnadu, he is also the Father of Siddha medicine. The speciality
of Marma Kala is that it has two forms one is therapeutic and the
other is combative and the outcome depends on the force with which
you strike the Marma points.
Marma Kala means the art of vital points or the pressure points.
There are around 108 vital points in the human body, when you gently
massage them with certain force it becomes therapeutic else deadly.
In case of defence the expert should balance the force with which
he's striking because degree of force is directly proportional to
the damage done to the enemy. With balanced striking enemies body
parts can be disabled temporarily or permanently, you can just make
the enemy to lose his senses temporarily and the deadliest strike can
cause death in a fraction of seconds. The chances of revival of the
victim purely depends on the degree of force the expert used to
strike, the victim can be revived in an hour or a day or a month or
cannot be revived at all which means the expert can send the enemy to
a vegetative state for a life time. The beauty of this art form is
that the victims can be revived only by those who are experts in it
and they only can understand the impact of the strike by examining
the victim, for this reason Marma Kala teachers are highly selective
over their choice of students, only well learned and composed gets
the priority. Besides the knowledge of this martial art form, they
are required to have an understanding of Biology, Chemistry,
Mathematics, Yoga, military tactics, horsemanship, elephant riding,
chariot riding and Hindu philosophy.
Techniques (Tamil):
Thodu Varmam: Thodu means touch in Tamil. This is not fatal, by
touching the vital points one can cause temporary damage by disabling
the victim's body and Organ functioning. Once affected we will come
to know the symptoms only after a certain time limit. Within this
time limit we should revive the victims. The time limit can be an
hour, a day, a month or even years
Padu Varmam: it refers to 12 Vital points which is deadly, when
triggered results death or severe damage.
Thattu Varmam: these are applied only on some vital points and
the knowledge is highly confidential, masters keep it with them until
they find a student who's deem fit to take the knowledge.
Nooku Varmam: Nooku in Tamil means look or Contact, this is the
high stage in Marma kala, one can strike a person by just eye
contact. This is similar to Vaseekaranam where you can control the
brain of other person by looking into their eyes.
Meitheenda Kalai: this the highest stage of Marma Kala which is
used to heal or to strike a person who's present in any part of the
world without even touching them
Nooku & Meitheenda varmams are very difficult to learn and
needs enormous amount of patience, concentration and practice.
Human
body is divided into five areas in which varmam (varma points) are
discussed. They are:
Unit
|
Area
|
Number
of Points
|
I
|
From
Top of the Head till Neck
|
25
|
II
|
From
Neck till Naval Point
|
45
|
III
|
From
Naval Point till Anus
|
9
|
IV
|
Both
Hands
|
14
|
V
|
Both
Legs
|
15
|
Total
|
108
|
In present day, Marma Kala is not practised extensively, tough
some ancient schools are extant in Tamilnadu and Kerala but the
expertise of the masters is questionable. This amazing art form
couldn't reached pinnacle of popularity as it's not simple and
only a few can survive the hardships of practice, another fact is
that Masters are selective in handing over the knowledge to their
descendants and chance of finding the right person who is well
learned, composed and could survive till mastering the technique are
rare. As the adage goes with great power comes great responsibility
our Sages passed on the invaluable wealth of knowledge to only those
who had used the skills for the betterment of the society and not for
worldly pleasures.
When Marma Kala is not so popular in its birth place its
descendent Kung Fu is the most popular in the martial arts circles
around the world. I believe readers might be mulling over a question
by now that "How come Kung Fu which is originated in China can
become a descendent of Marma Kala?" to know the answers continue
reading.
Marma Kala is orginated in Tamilnadu and all Tamil dynasties the
Chola, Chera, Pandiya and Pallava institutionalised and practiced the
art religiously. As per the legend "Bhodi Dharma" who lived from
470 to 543 AD laid the foundation to Kung FU, he is the third son of
the Pallava King from Kanceepuram, he practiced Zen Buddhism under
the guidance of Prajnatara. After his master's death he renounced
everything and migrated to China and reached a Shaolin Temple, he
started teaching meditation to the monks there. He noticed that the
monks are too weak and often falling asleep during the meditation
which is essential for enlightenment. Bhodhi Dharma formulated
"Eighteen Lohan Hands" exercises by combining the techniques of
Marma Kala and Hata Yoga to improve the muscle power and
concentration, these exercises became the foundation for modern day
Shaolin Kung Fu.
Note: China has its own set of ancient martial art forms
which are striving forthousands of years even before Bhodi Dharma
arrived and he didn't introduced martial arts to China.
The Shoalin Eighteen Lohan Hands are the fundamentals exercises of
Chi Kung and could produce enormous benefits if they are practiced as
Chi Kung. It is believed that Chi Kung has the capability to cure
many dreaded and unknown diseases but now a days these are practiced
as normal physical exercises. The main difference lies in maintaining
the internal dimensions of energy & mind and who doesn't know
what these internal dimensions are, it is unlikely that they get the
benefits of Chi Kung even though they practice the art for years.
Over the time these exercises got evolved into Kung Fu set called
Shaolin Eighteen Lohan Fists
List of Eighteen Lohan Hands:
Lifting the Sky
Shooting Arrows
Plucking Stars
Turning Head
Thrust Punch
Merry-go-Round
Carrying the Moon
Nourishing Kidneys
Three Levels to Ground
Dancing Crane
Carrying Mountains
Drawing Knife
Presenting Claws
Pushing Mountains
Separating Water
Big Windmill
Deep Knee Bending
Rotating Knees
Unlike its parent, Kung Fu managed to gain tremendous popularity
due to its reach, even a common man could practice it if he could
manage to absorb the techniques of Chi Kung. Marma Kala is confined
to a selected few and couldn't able to garb lime light even in its
mother land, due to its sacred and Supernatural nature it couldn't
reached common people. Though both the arts yields therapeutic
benefits, Marma Kala has the upper hand as its still been practiced
as a form of Siddha medicine in Bharat. Present day Kung Fu evolved
as a self-defence skill and lost the charm of Chi Kung whereas Marma
Kala is nearing extinction. Kung Fu is well known for agility and
muscle power whereas Marma Kala is well known for wisdom. When it
comes to naked arm combat skills I'll term Kung Fu as deadlier and
Marma Kala the deadliest. A Chi Kung master could easily bring down a
Tiger or any Wild creature in one stroke with naked Fist on the other
hand Master of Marma Kala could make the Tiger to dance to his tunes
by just eye contact.
Kung Fu had become favourite among the
current generation kids, thanks to our beloved Panda who is the
protagonist in all-time hit machine Kunfu Panda animation series, in
contrast its parent Marma Kala is waiting in the gallows with a meek
hope. Hundreds of Kung Fu styles evolved over the time, popular being
the Animal styles. Five Animals Southern styles of Chinese martial
arts i.e. crane, snake, monkey, mantis, and tiger came to life on
silver screen with the animation series Kunfu Panda whereas age old
Marma Kala techniques are lying as text on hard disks, dusted files
and ruffled palm leaves.
Keeping aside the debate on which is the best I personally feel
proud that the inventors of both these magnanimous art forms are
Namma Aalu (Tamil), Namma Huduguru (Kannada), Mana Vallu(Telugu),
Namalde Alugal (Malayam) means "Our People" in all 4 south Indian
languages.
|