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Part Two in the Hookman's series of short stories. |
Authorâs Note: Initially, the impetus to write â1255 Robertâs Cove Roadâ was a book on writing. In it, the author encouraged the readers to compose a brief story, and actually lays out the back story for you to begin with. I wrote the suggested six pages (a pretty short, short story) â and finished the assignment without feeling any real attachment to it. After my wife read it, however, she pretty much demanded that I go on (she said it was her favorite short story of mine!). How could I refuse her? I had wanted my second short story on this site to be an exercise in dialogue. â1255 RCRâ didnât have much talking in it, and to me, characters are made (or broken) by what they say. I wanted to practice by writing something that had a lot of speaking in it (a story of a disc jockey taking calls on a radio show). Since my wife is so⌠persuasive, I decided to bring my original idea into the Hookmanâs series of stories. Iâm sure it will be a challenge to do this, but Iâm trying to create each story independent of the others, while being intertwined with each other at the same time. Weâll see what happens. The places in the Hookmanâs series are real. We live near the real Robertâs Cove, the real Ohlenforst Road, and the real Hookmanâs grave site. My stories are just for fun, though some of them will be constructed around the urban legends surrounding Hookmanâs. From my front porch you can look out and see almost a dozen AM and FM towers, one (the old Channel 10/CBS tower) looms just a couple hundred yards from my house. Iâve looked up at it many a night and felt oddly inspired by its colossal height, wondering what it would be like to climb to the top. Never thought Iâd be writing a story about it, though. Well, here ya go babe: the second piece of the puzzle. B.J. 1 Tower Road Heâd taken the guys out to Tower Road already. It was the same group of friends that decided that it would be fun (he couldnât remember whoâs bright idea it was) to take turns laying on the roof of his Escort, on their backs, while driving through a parking garage at night. Their eyes would play tricks on them as they got accustomed to seeing the ceiling of the garage whipping past them â it gave the false perception of being right-side-up, and flying. The coolest part of it was reaching the top floor of the garage, when the ceiling gave way to night sky. Probably not a good idea for a first date, however. Looking up the tower was a better one. Plus, the tower site was nice and secluded â the perfect make-out spot. He was driving north on Highway 13, and was about to turn right onto Robertâs Cove Road. Heâd just gotten off work and met up with her uptown. They didnât have time for a traditional dinner-and-a-movie date â all the restaurants in Pinkerton were closed and the nine oâclock feature was half over already; plus, they both had curfews. âOkay, you have to close your eyes, weâre almost there.â He said. âHuh?â âJust trust me. Youâll get a kick out of this, I promise, but youâve got to keep your eyes closed until we get there.â âYou better not be some sort of weird psycho, mister.â He knew that his eyes were one of the things that got him this date in the first place, so he gave her the old puppy dogs. âTrust me.â then he laughed, âYouâre gonnaâ love it, just trust me.â As he pulled the Escort onto the narrow gravel road, he checked to make sure that her eyes were still covered. âOkay, weâre almost there. No peeking.â She giggled, âYes sir, no peeking.â In Biology, she gave the vibe that she was a good natured person with a pretty sharp sense of humor. He wouldnât have been quite as attracted to her if she didnât laugh at at least some of his jokes, but eventually she surprised him with a few of her own. She was gorgeous to boot. As he looked down at her thin, tanned legs, a warm gush went through the pit of his stomach. God, I hope she likes me. He pulled to a stop twenty feet from the base of the tower. âOkay, youâre going to have to sit here for a second, Iâm going to go around and open your door.â She was giggling again, as the anticipation and awkwardness of the situation reached its near peak. âWhere ARE we?â âYouâll see soon enough!â He killed the engine, ran around and opened her door. The sound of crickets and a low electrical hum coming from the small building at the base of the tower filled the air. It wasnât too hot either, which was odd for Louisiana in mid April. Just perfect. âIâm getting scared! If you took me all this way just to scare me, Iâm going to kill you⌠if I havenât died already!â More giggles. More goose bumps, too. As she got out of the car, she reached for him and put her arm on his shoulder, her other hand groped around and eventually found his hand. âOkay, I want you to open your eyes and look down at the ground⌠just the ground right in front of your feet, okay?â Suddenly, he didnât care if he got to make out with her â holding her hand like this was sending electricity up and down him. He just wanted her to like him, to enjoy the date, and most of all, to dig the tower thing. He had gone on a couple of dates before, but never even thought to take them out to the tower. This one was special, though. He had a feeling sheâd like it. âAll right, now Iâm going to point, and I want you to follow my finger, okay?â He had his arm around her now, and was pointing to a spot on the ground just a few feet in front of them. She let loose a bray of delicious laughter. âOkay!â She took a deep breath, âOkay. Okay-Okay-Okayâ. And she exploded into more laughter. He was laughing too. âAre you ready?â âUh huh.â âHere we go!â He slowly raised his hand; her eyes followed his finger up, ever so slowly to the base of the tower. âWhat the hell!â Her laughter drowned out the crickets and the generator shed. It was the only sound that mattered. Slowly he pointed up, up, and up the tower â the sound of her laughter grew louder the higher her eyes climbed. âOH - MY - GOD!â And he knew that it worked. ââŚit looks like itâs falling on me!â She definitely digged the tower. ******* The weight of the 1,200 foot tower was steadied by twenty-one steel cables thick as a manâs wrist. The red and white giant swayed considerably in the often violent, high-altitude winds, so inspections were scheduled every year to insure that each of the wireâs torque remained correct. During the day, from KFMQâs transmitter, the world below looked like a huge grid cast in hues of brown and green. At night, darkness swallowed everything, and the monolithic structure stood alone in the black expanse, red beacons pulsing their warning into the void. The KFMQ transmitter weighed half a ton and thrummed with electricity, as voltage pulled a signal from the receiver below up the enormous structure through tons of dense cable, and then burst the signal into every direction as far as the eye could see with a hundred thousand watts of force. If radio waves where visible to the naked eye, the tower would appear to be a perpetual, gargantuan fountain. ******* There was always a little shimmer of anticipation (and fright) right before pushing the red on-air button. Heâd been doing this for over four years, but he somehow knew that the jitters would never totally go away. That night, however, there was a new reason for feeling anxious. This was the night that Freddie Winbush took over the radio station. He put a blank tape into the small air-check cassette player which sat on top of the mixing board. The player was wired to start recording as soon as the microphone was turned on. Not all of the announcers air checked themselves, but Freddie always did. âKFMQ⌠Your favorite soft rock hits from the 70âs, 80âs, and today. That was Elton John and Rocket Man. Coming up, weâll hear from Celine Dion⌠and weâll also be doing something a little bit different ladies and gentlemen.â For a couple of seconds he felt the gravity of what he was about to do. âIâll be taking your calls in a segment Iâd like to call, âFuck You, Randi Marxâ. So stay tuned, weâll be right back.â He fired off the first commercial, put the system in âautoâ, turned off the mic and took off his headset. Not exactly what I had planned, but itâs a start. âWell, this is it.â He spun around in his chair and walked to the door of the studio. All four phone lines lit up, and his stomach suddenly felt like it was full of live worms. âCome on Freddie. This is it. Itâs time to put that bitch in her place.â After two monthâs of planning, he knew exactly what he was going to do⌠he just didnât want to sound nervous as he did it. Freddie had relieved Chuck at ten oâclock. Usually, Chuck would stick around for ten or fifteen minutes to smoke a cigarette and shoot the shit before heading home, but it was Friday night and Little Chucky had a hot date. Heâs probably listening right now in his car, wondering what in the hellâs going on. The thought brought a smile to his face. He liked Chuck. âYou said you wanted some extra hours, Chuck-O. Well here ya go.â He walked through the reception room, opened the front door, hung a cigarette from his lip, and yelled out to the empty street, âITâS TIME FOR PIRATE RADIO, BABY!â After four minutes of commercials, Celine was singing, and Freddie was puffing on his cigarette, pacing in front of the radio station. Pinkerton seemed deserted except for a few cars parked outside Larryâs Tavern two blocks down Main Street. Freddieâs Malibu was the only car in front of the station. He took the cigarette out of his mouth and held it up at eye-level, then addressed it: âWhat am I doing out here? My radio station isnât a smoke-free workplace. Not any more!â He grabbed the large aluminum ashtray which stood by the front door under one arm and carried it inside. After locking the door behind him, he went through the reception room, back into the studio and put the ashtray down next to his chair. âLetâs get the show started.â He sat down and put on his headset. âKFMQ⌠your favorite bubble gum crap from the seventies, eighties, and yada-yada-yada. Sorry to interrupt the music, but weâve got a show to put on, and timeâs wasting.â The mixing board sitting in front of Freddie had a total of thirty-two channels. The sixteen slider knobs controlled the volume levels for the two studio mics, the computer, two back up CD players, a digital recorder, a number of satellite feeds, and the phone line. He slid the knob labeled "PHONE" up until it was equal with the slider labeled "MIC 1". âAlright, letâs get down to it, shall we? As promised, weâre doing a segment called âFuck You Randi Marxâ. Hello, whoâs this?â Freddie pressed the button for line one. âHello? Am I on the air?â â A womanâs voice. âWhy yes you are maâam, and would you like to express your distaste for KFMQâs own Randi Marx?â âWell⌠no actually. Did I just heard you say the F-word?â âYes you did maâam. You don't miss a beat, do you? Next caller, letâs go to line two. Hello, youâre on the air with Freddie Winbush, whoâs this?â âMy name is Kevin.â âHi Kevin. Did you know that Randi Marx is an egotistical wench who would do just about anything to advance her pitiful career?â âDude, you are trippin! Weâre all cracking up over here!â Freddie could hear the sound of girls in the background laughing. âYes, I guess I am a little upset. Hey, thanks for the call.â âHello, youâre on the air with Freddie WinbushâŚâ Dead air. âHELLO⌠youâre live on the air. Whoâs this?â A thin, elderly female voice spoke, âYou shouldnât be playing around with the Marxâs. That family is evil.â âWoaw⌠finally. Maâam, where are you calling from tonight?â âYou neednât be stirring up trouble on a night like this.â âMaâam, did you know that Iâve never⌠NEVER received a raise in the four years that Iâve been at KFMQ?" Freddie took a deep pull on his cigarette and said through a cloud of smoke, "Yeah, Iâd call that evil, wouldnât you?â âSon, you donât know what youâre about to do. Iâve warned you.â âHello? Well, that was odd. We seem to have lost her. Back to the phone lines â Whoâs this, youâre live on the air with Freddie Winbush.â âI know Randi Marx. Iâve know her for years.â âAnd what is your name, sir?â Freddie crushed his cigarette in the ashtray and fished another one out of his pack. This was getting good. âIâd rather not say that.â âOf course, of course⌠so how do you know Ms. Marx?â He searched around the panel for his lighter, but couldnât find it. âShe was raised down the road from me.â âAnd how has Randi Marx fucked up YOUR life, sir? Silence. âSir, are you still there?â Freddie was about to go to line three. He held his finger over the button. "Well I guess he doesn't have anything to - " âShe killed my daughter.â Freddie had been planning this night with painstaking care. He had recorded every single âRandi and Jack in the Morningâ show on his cassette player at home for two months without missing a day, and had put together audio clips of what Randi said about him. Freddie was the butt of several of their glib, smarmy jokes, and all he wanted was to get back at her for their new segment that painted him as an untalented fool. She had asked for him to air check himself (so that she could critique his on-air work) but, of course, all she really wanted was fresh fodder for her morning show. âFreddie in the Graveyardâ was a segment that chronicled the struggles of an inept overnight jock. It highlighted his every mistake, every mispronounced word, and portrayed him as a stuttering fool to the thousands of listeners who tuned in every morning. Each segment ended with the tag-line: ââŚand that is why we keep Freddie in the graveyard.â His idea was genius. He wouldnât just quit his job. Heâd go out in a flash of brilliance, letting everyone know exactly what kind of a bitch Randi Marx was. He thought that opening up the phone lines might reveal that some of KFMQâs listeners shared his opinion. For some wise ass to call in and accuse her of murder wasnât brilliant. It was distracting. âAll right sir, I like a good story as much as anybody, but Iâm not joking around here. Randi Marx has tainted everything that was once good about working in radio. She turns me into a laughing stock every morning and expects me to play along. All Iâm here to do is let KFMQâs listeners know how much of a self-serving little wench she is.â I'm not stuttering now am I, bitch? âGloria Zaunbrecher. Ask her if she remembers Gloria Zaunbrecher. Randi Marx was twelve years old when she and her sister killed my little Gloria.â Freddie didnât know what to do next. He had planned to play back some of Randiâs âFreddie in the Graveyardâ segments and have callers comment on how mean-spirited and cruel the woman was. Surely they would agree that the woman was a vicious egomaniac. So much planning and effort⌠so much to say; now, all he could think to do was get himself, and this weirdo, off the air. âWell⌠Iâll have to ask her about, uh⌠your daughter, the next time I see her. Weâll be right back after these messages.â He clicked off the mic, ripped off his headset and snatched up the phone. âWhat are you trying to do, Buddy, steal my thunder?â He picked up the little caller ID box and examined it. Line One B. Zaunbrecher â 789-3248 âAre you still there mister?â âThe Marx family is a pack of lunatics, boy. Youâd do well not to trifle with them, especially on a night like tonight.â âWhat does that mean, 'on a night like tonight'? What are you people trying to pull?â âWhat are YOU trying to pull, boy? What that Marx girl has done to you is nothing compared to what sheâs capable of doing.â And he hung up. âShit.â What the hellâs going on here? He stared at the ID box and watched as the name B. Zaunbrecher vanished from the little window. Almost immediately, another name appeared: Line 2 R. Marx 789-2248 âShit!â Freddie dropped the little plastic box as if it had bitten him. He had expected her to call all along⌠wanted her to, in fact. He had even planned to have a little chat with her live on the air. Freddie was going to tear into her and really lay all her shit bare before the late night listeners of KFMQ. This phone call was supposed to be the highlight of the evening, but now he was⌠âŚTerrified? Itâs probably true. Wouldnât surprise me one bit. Crazy bitch would break the neck of a kitten just to record the sound of it⌠would probably find that hilarious. âShit. Iâve come this farâŚâ His fingers came upon the small Bic lighter he had been looking for. âI canât back down now.â He put on the headset, lit his cigarette, and hit the on-air button. "KFMQ⌠Shit folks. I uh⌠donât know what to say here. It seems that our very own Randi Marx is a little more⌠sinister than even I could have imagined." Freddie looked down at the phone lines blinking persistently. He could feel the presence of all the listeners, the same way a stage performer feels the eyes of the audience. He imagined them calling their freinds, telling them to tune in to KFMQ. A sudden realization came to Freddie. Even though things hadnât gone according to plan, this was even better. Sheâs going to have to explain away this manâs strange accusations to her listeners! He swam in the sudden euphoria of an unexpected victory. Sheâs gonnaâ have to squirm her way out of this one on the air. âWell⌠as chance would have it, we happen to have Ms. Randi Marx on the phone right now.â Freddie pushed the button for line two. âHello, Randi, so glad you could join us. What do you have to say for yourself?â ******* They sat on the hood of his Escort, enjoying the coolness of the night. Occasionally, she would look up the tower and laugh. âWhereâd you get the idea to come out here and do that?â âBoredom I guess. When you have nothing better to do, you use your imagination.â She hopped off the car and stood in front of him, taking his hands into hers, âWell, Iâm glad you used your imagination tonight. Itâs been a wonderful little date.â A loud whirring noise burst into the air, somewhere behind them; a giant ripping noise that quickly approached. Over his shoulder, she strained to see what was coming at them, and as it suddenly sprang into view, she could barely distinguish what it was. A huge serpentine cable, dancing in the air. He jumped off the car and pulled her down into a crouch beside him. He screamed, âWhat the hell is that?â ******* Her voice was soft and sexy to the extreme, with an unnatural throaty timbre that always annoyed him. A radio voice. âYou need your medication, donât you Freddie?â He was curious to see what angle she would use, and wasnât surprised. âYeah, and you need electroshock therapy, bitch.â âI just want you to know that Iâm not going to fire you for this little outburst. Youâre sick, Freddie, and weâre going to get you the medical care that you need.â ******* The cable whipped above the little Escort and writhed in mid air for a moment before tangling itself around the tower. âWeâve got to get out of here!â She screamed. He had her by the back of the neck and was pushing her down into the grass. After the cable swept past them, he shouted, âThis things gonna fall! Letâs go! Letâs go!â ******* âWhoâs Gloria Zaunbrecher, Randi? I think a lot of people out there want to know if you and your sister really killed a little girl when you were twelve years-â and his tongue suddenly felt cemented to the top of his mouth. âI think youâve said enough for one night, Freddie.â ******* He opened her door and pushed her into the car, and heard a loud ping in front of him, far off into the darkness. The whooshing, tearing sound rushed toward him again, and he jumped inside, on top of her. âThe towerâs going to come down! Oh my God, itâs about to fall on us!â He screamed. As the silver cable came into view it thrashed about over the Escort for a moment, then collided with the tower. A loud groaning sound filled the air, and sparks began to pour out of the little generator shed, uprooting the ground between the tin building and the tower in a straight line, as electricity climbed furiously out of the ground, up the tower. ******* âYouâre off the air you little shit.â Freddie was paralyzed behind the microphone; every word in his mind was trapped behind a thick tongue as mute as a piece of rubber. He shot up out of the chair, sending it crashing into the carpeted wall behind him. Images of Randiâs face hung before him as he tried to remove the earphones from his head. âNobody badmouths my family...â Her voice shook inside his head and reverberated there, as his mind tried to grasp the meaning of her words. She loosed a cackling, maniacal laugh which seemed to fuse her own voice with a myriad of others. Freddie backed away frantically from the mixing board â the black coiled wire which connected his headset to it stretched, but wouldnât come out. He tried to scream, but couldn't. âSomething from the earth... and something from the soul of man.â The voices tore like shards of glass across his mind. âSomething from the earth... and something from the soul of man.â He wound the black chord around his wrist and yanked on the wire. He felt a sharp tingle of electricity pass through the chord as he did. It held firm inside the mixing board. âSomething from the earth... and something from the soul of man.â The voices seared into his mind; the mad cacophony burning into his thoughts like salt poured onto a slug. Somehow Freddie sensed that these voices knew him; could reach inside of him, and were digging madly into the fiber of his soul. âRun away to the calling... at the grave find your home.â âRun away to the calling... at the grave find your home.â Freddie lingered at the doorway of the studio, unable to move. The headset felt like it was fused to his skull... he couldn't make it budge. He thrust himself backwards, out into the hallway, crashed upon the far wall, and slid down to the floor. âRun away to the calling... at the grave find your home.â Freddieâs voice had returned. It was trembling and brittle, but was the only voice he could hear. "Run away to the calling... at the grave find your home." His eyes swam across the thin blue carpet, past the threshold of the studio and picked up the silver glint of the headphoneâs plug lying on the ground. âRun away to the calling... at the grave find your home.â Freddie pulled off the headset and heaved it down the hall. He ran out through the reception area, out the front door, and jumped into the Malubu. He drove off into the night. ******* He slid the key into the ignition and brought the Escort to life. âHurry! Hurry! Hurry! Hurry! Hurry!â Her screams blended with the sound of grating steel and electrical current in a sick nightmare sonata. She could only see the base of the tower from inside the car, so she wrenched her face up against the window to try to glimpse which way the looming giant was going to fall. He reversed out of the grass, back onto the gravel road. It was too narrow to turn around on, so he was forced to speed down the road backwards. The carâs engine whined loudly as the transmission worked frantically under the strain. He looked over his shoulder then back at the tower repeatedly as he fought to keep the little car between the two ditches on either side of it. The tower came into full view. The top third of the structure began to sway wildly and was coming loose from the rest of the tower. âOh my God, itâs coming apart⌠hurry!â She shrieked into the windshield. The top piece of the tower which was breaking loose appeared to be falling well short of the car. As the Escort sped backwards, he made coarse adjustments to keep the car on the road; it lurched back and forth with each correction. âChuck! Look at it!â The bottom two-thirds of the tower began to sway toward them and the top piece which first appeared to be falling safely away from the rest of the tower was now being hurled down at them. His foot was jammed against the accelerator, but the car wasnât going fast enough. He was mesmerized by the falling tower; his eyes felt glued to the collapsing behemoth. He couldnât comprehend what he was seeing. âChuck, watch out!â The Escort veered off of the narrow gravel road and grated to a halt as it slid down into the ditch. "Oh... shit," he said. He shielded his face with one arm and extended the other across her body as the tower plummeted to the earth. He looked over to her and saw that her gaze was now glued to the tower. She moaned, âOH â MY â GOD⌠itâs falling on us.â The sound of the pieces of tower crashing into the ground reached his ears before the topmost portion of the tower finally fell. The tower had collapsed under its own weight, and huge fragments of it where slamming down all around them. The huge mast which extended out of the top of the tower smashed into the gravel road fifteen feet away from the car. And suddenly, there was silence. For several moments both of them sat, waiting for there to be more, but it was over. He broke the quiet. âAre we alive?â More silence. She finally found her voice. âI canât believe what I just saw.â ******* Freddie Winbush drove all the way up Main Street, which eventually turned into Highway 13 North. The radio was on, but only the white noise of static could be heard through the Malibuâs speakers. âRun away to the calling..." he muttered under the radio's hollow din, "at the grave find your home.â He passed a green highway sign which read: EUNICE 12 ROBERT'S COVE next right Freddie somehow knew to turn there, and he drove on into the uncommon coolness of the Louisiana night. A rush of anticipation flowed up out of his stomach and began to warm him, despite the fear and incredulity he still felt shimmering around inside him. There was nothing to fear. He was going home, after all. |