You recognize the character portraits of ladies from a slew of different franchises. Wild Arms, Legend of Zelda, Fatal Frame, Overwatch... But as you look around the shelves for women's attire that won't attract TOO much attention in the outside world, you find a possible solution that's just overflowing with irony: Dead or Alive.
Specifically, it's the portrait of Tina Armstrong that catches your eye. Instead of walking, in your haste you hover over to the shelf in question, your red cape flowing majestically behind you as you did so. And you belatedly realize that, if anyone were in the warehouse with you, they would have gotten a sweet glimpse at Power Girl's - or rather YOUR - full moon.
Heat rushes up into your cheeks as your boots softly touch down in front of all the stuff available for Tina Armstrong. The suit for the character herself was there, of course, but no need for that. Power Girl was a little taller, much heavier, and, well, had some SWEET superpowers. But Tina was close enough in height and (you stare down at your chest again) bust size to make wearing her clothes viable. So you strip out of Power Girl's costume. Holding the costume up with a couple fingers, a free hand on one hip, you look down again at Kara's naked, insanely built body. Wiggling your toes, swaying your hips... Everything was so different, seeing womanly beauty from this perspective and FEELING so womanly to boot, yet curiosity trumped your lingering male ego. With you free hand, you take a moment to feel up a bare boob, and let out an involuntary yelp when you pinch your own nipple.
"Oh God oh God... plenty of time for that later," you tell yourself, shocked by how sensitive a body that can survive meteor strikes could be. "Don't get ahead of yourself." With that, you let the Power Girl costume fall to the floor and reach for the shelves with Tina Armstrong's costume. Thankfully, there's some sensible undergarments in there. A lacy, embroidered white bra and panty set among them. Figuring you'd need to get used to feminine stuff anyway, as you were going to milk this warehouse for all it was worth, you decide to slip them on. Even though Kara's super-strength makes having massive breasts a non-issue, the support of a bra still felt welcome. You sigh contentedly as the cups slide into place. If only you could get the hang of fastening the back strap....
Once you're done with the eternity that is figuring out how women fasten their damn bras, you reach for a pair of blue jeans Tina wore in Dead or Alive 2. As you hoped, they slide right on. "At least some things work the same as a woman," you think aloud as you fasten the belt's buckle. Then you reach for Tina's knee-high, lace-up boots from Dead or Alive 2. After sliding those on as well, you take a deep breath and walk around a little. Surprisingly, it's simplicity itself. At first you think it's just automatic with this body, but then remember your foibles with the bra strap. You lift one foot up, effortlessly keeping balance on one high-heeled boot, and notice the wide, 'chunky' shape of the three-inch heel. THAT'S what made it so easy. Stilettos would have had you falling on your ass. Still, walking in those 'chunky' heels felt surprisingly good. You seemed to glide even more elegantly across the warehouse floor now, and they just FELT so comfortable.
To complete the look, you grabbed Tina's jacket from Dead or Alive 2, and her white blouse from Dead or Alive 5; that requires undoing your belt to tuck it in. Mix things up a little, but mostly because Tina's corset top from DoA2 would've showed off too much boobage, and you're not QUITE ready for that yet. And of course, you make sure to button up Tina's blouse ALL THE WAY. You're surprised the buttons are all there, to be frank.
And so, looking down at yourself again, you see a completely different picture. Those shapely legs seemingly poured into denim, your ample bosom now contained within a tight-fitting blouse and a bra underneath. And with no cape, only a thin layer of denim covered your peach of an ass. Still, it was sufficient for walking around the city without drawing TOO much attention, and getting an idea of what life was like on the other side.  indicates the next chapter needs to be written. |
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