Bugs gonna bug. What's bugging you? |
My weakness is bugging me. |
You want to know what's bugging me? I'll tell you what's bugging me! Why is that bolt yellow? There, you happy now? Now we can both be bugged about that issue. |
My eyesight is failing. |
Remembering the good times. What are some of your fondest childhood memories? |
Getting a Schwinn bicycle at age 11, that cost us an hour and a half drive (one way) and $98. Then, I could ride to town and back without a bike helmet. The distance varied from about two to five miles because we lived in two different houses out in the country. I still have the frame, which will still be good for a ride when I can replace the tires, brakes, and chain. |
At high noon in Dustcreek, Sheriff Ironspur rides in on his steam-powered horse to stop outlaw Flint Maddox, who’s causing chaos with his stolen gatling repeater and plans to rob the town bank using a set of sulfur-stink smoke bombs. |
The good guy is Muskogee Slim. The bad guy is Dark Rhodes. Dark likes to commit highway robbery which mainly consists of holding up the noon stage. Dark made a wrong step though when he tried to make off with Slim's lady's jewelry as she returned from her grannie's wake. Slim hunted down Dark, recovered the jewels, and won his lady's hand. |
Tincup Sam, the notorious horse thief and womanizer is having a shoot out with rival, Terwilger Steele, the notorious horse thief and womanizer. Shoot out at sundown. The good guy? He's the drunk behind that building over there. He begat the one, who begat the one, who begat the one, who... you get the point ... who begat Mother Teresa. |
Resolving Romantic Complications Without Killing the Chemistry. What's one thing you're grateful for in your relationship? |
S 🤦 ![]() Oh well... |
Some thoughts on characters or aspects in the POV character's life that might be a distraction. Do you have any distractions providing conflict in your romance story? |
The ubiquitous device of amnesia/sleeping beauty. First suitor is a jerk, knocks her down, thinks he kills her, stashes the body, she falls in love with the person who finds her (who turns out to be a very not-nice man himself). I feel like memory-loss is a cheap out, but it's the best I could do. Always having denigrated the romance novel as a generic churn and turn of regurgitated themes, I thought writing one would be "easy doggerel." I was doggone mistaken! |
Jeffrey Meyer ![]() |
In the two romance stories I have in the works, the setting plays a major role. My main characters are caught up in the roles they play in their worlds. Romance is actually the furthest thing from their minds. |
"Rhythms & Writing - July 2025 Winners" ![]() The following winners for the July 2025 running of "Rhythms & Writing: Official WDC Contest" ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() Thank you to our pool of official contest judges, and to Jeff ![]() |
Two different ways to come up with story ideas. Which of the two sources of inspiration mentioned in this week's newsletter appeals to you more? |
I appreciate the idea of looking at something from a different perspective, especially without changing its meaning. And have used it in my writings. |
Honestly, that's a tough question for me to answer. I'm very much for exploring concepts in new ways and I love when stories put a fresh twist on a familiar trope. At the same time, I'm often among the first in my social circles to advocate for using familiar tropes in effective ways. One of my favorite light novel series begins with a classic Boy Meets Girl scenario and that's one of the things I like about it. I haven't identified a preference between the two methods yet, as I like to see both and I want to write using both. |
Details: "The final days to enter the August round..."
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