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Review by da_ddq Author IconMail Icon
Rated: E | (4.0)
What a lovely poem! I love the message delivered at the end, and the nice rhythm you have throughout.

The only suggestions I have are minor -

In line 6 I would suggest considering using broken instead of "broke" - grammatically it's a broken heart, not a broke heart

In the final line I would suggest eliminating the comma after better.

Both of those suggestions are minor though, and could easily just be a personal preference of mine - it's a beautiful poem just as it is!

Thank you for sharing your work!
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Review by da_ddq Author IconMail Icon
Rated: E | (4.5)
This definitely brings a smile to my face. It's a very sweet, short, and to the point tale. The only thing that is a little bothersome is you have a few tweaks in tense. I think it would make more sense to make it a uniform past tense. Also, I'm just being nitpicky and offering a few word change suggestions to play with the passive verbs and active verbs to give it a little more punch.

The tweaks:

"It had been some fifty...."
"Wife was by his side always."
"They had spent fifty odd years together."
"But then the doctors...."
"Why?" She asked.



As I said before, this is a quick, touching little read. A sweet way to start the day, and amazingly well defined characters for such an extremely short piece. Well done!
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Review of Goodbye and Hello  Open in new Window.
Review by da_ddq Author IconMail Icon
Rated: E | (3.0)
I like the story here. At first I thought it was birds, but I liked the twist you put on it. Here are a few edits I would encourage:


I look down out of the gaping hole, and can barely spot the ground below. My blood pulses throughout my body and I tremble as if in an earthquakethere is an earthquake around me. I lift my wings, and rise to my toes to begin to take flight, yet something holds me back.
“I can’t do it!” I screamed.
“If I believed that I would have never asked you to.”
My father always had such faith in me. I never accomplished tasks as quickly as my other siblings, but my father never loved me any less. To my brothers and sisters this was such an easy thing, but for me it was seemed a difficult and seemingly unreachable task.
“When you reach the bottom, there will be people there to greet you. Listen and learn from these people, because I have designed you to be with them.”
“Listen and learn. Got it. But will I ever see you again?”
“Yes. When your time has expired, you will come here again.”
With this I felt reassurance. I looked back toward the exit, took the deepest breathebreath I could muster, and leaped out into the unknown. As I felt the wind pass through my wings and seesaw the ground approaching quickly, I turned back towards the sky andto say goodbye to the only home I’ve ever known, Heaven,before I can say and hello to my new one, here on Earth.

A sweet little story, and I like the perspective of shoving angels out of the next. Good job.
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Review of Warm Summer Sun  Open in new Window.
Review by da_ddq Author IconMail Icon
Rated: 13+ | (5.0)
Ha! Hilarious, in a lovely dark humor sort of way (which is my favorite humor sort of way).

Only thing I would note is:

"So Miss Chesty, that's what I called her but not when she could hear it, says she needs to find that little" - I would suggest putting "that's what I called her but not when she could hear it" in ( )'s, just to separate it from this lovely narrative stream.

An excellent story! Good job!
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Review by da_ddq Author IconMail Icon
Rated: ASR | (4.5)
Awwww, zombie cuddles. I may be a little partial to this poem for personal reasons, but I really liked it.

Your rhythm and flow were impeccable. This poem glides easily from its start to its conclusion.


My (very minor) tiffs were:

"stoke our souls" - stoke felt a little bit like an odd work choice. make slake? That might be me trying to impart the idea that they already have souls in need, and not that they are trying to build up their souls. It would change the work drastically, so only change it if that is what you intended.

"Hips laid bare to flesh and bone" - perhaps the word flayed would be better than layed. When I think of laid bare, I think of horrible gashes to the bone. Flayed is more graphic of the removal of skin.

"Grapple in a desperate clutch" - Personally, I would remove the a, and just have "Grapple in desperate clutch",

I would add commas to the ends of lines 9, 17, and 19.

Great job! Very graphic and sweet at the same time.
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Review by da_ddq Author IconMail Icon
Rated: 13+ | (3.5)
Title: "Kellryia - Chapter 1 - Revised 6/14/10Open in new Window.

Author: Goldfish Author IconMail Icon

Plot: Ms. Kerr is dragged through space and time and plopped in a universe where Ella decides she needs to figure out what she’s doing here and sets the guards after finding her. Ms. Kerr tries to find refuge by finding work.

Style & Voice: Past tense 1st person.

Referencing: In the line by lines.

Scene/Setting: Aldenshire, a gothic feeling town in an alternative reality.

Characters: Lilian Kerr, modern day girl who has been dragged along into this reality. Ethan – her boyfriend in modern era. Ella – potentially evil church lady. Monks – have healing powers. Mrs. Salisbury – a seamstress who harbors Lillian.

Grammar:a few notes in the line by lines.

Just My Opinion: Please don’t take any of this personally. I am not trying to be mean or say your story sucks by any stretch of the imagination. These are all just my opinions on ways to make your story better. Take from them what you will, and please read with an open mind.

Okay. We have a few problems with this story. You have a modern day woman being sucked through time/space/universes and plopped somewhere else. Yet she knows exactly how to function in this new place. She knows the language, customs, etc.

Also, I hate to say it, but these characters that are pulled from real world present day, are in first person, and are plopped into a new world are in HIGH risk of being Mary Sue-rific. It is something to remain conscious of throughout the story.

You start with a memory composed almost entirely of passive voice. You have a lot of passive voice throughout the piece. Lots of point blank narration. There are a lot of jumps of understanding that don’t feel organic.

You have a few continuity issues. I get the drift you plan to show she knows this world for some reason, but unless she feels an instinctual understanding of everything, you need to explain how she knows what she knows. Wouldn’t she question herself as to why she knows all the ins and outs of culture here?

That being said, I am intrigued to see what the story is. You have intriguing characters towards the end, and I really enjoy your dialogue. It shows a lot of promise. I look forward to reading more.



Line by Line:

This next section does not belong at the beginning of your chapter. It gives away too much information, and should be a separate piece, perhaps with the title “Back cover description” or “book description”.

When Lillian Kerr wakes up in a world she thinks doesn't exist, she automatically believes she is dreaming. But after several days in this world, she begins to question her reasoning.

After a chance meeting with a mysterious man, The Bard, he offers to become her partner in crime as they run across the continent, trying to escape the forces that know her secret - that she's not from their world.

But when Lillian thinks she knows how to get home, the only thing from stopping her from returning is The Bard.
Chapter 1



I’m dead. There’s no way I survived that. I was lying down, unable to move, inside of what appeared to be a church, with people standing over me, melancholy organ music playing in the background. Yeah, I’m totally dead.
This may be a bit harsh, but this is my advice. I would cut this memory sequence. It is not a good hook and it makes me not want to read any more. It reads in a boring manner because it is (I hate to say it) boring. You told me she’s dead and in a church. THAT is interesting. Tell me more about that! That being said, I would cut this to later on (I’ll point out where when we get to it). Also, I would love to see this in active voice. Don’t make it a memory, make it a flashback. This is action packed! This sounds freakishly awesome, but at the moment it reads very dull.

The last thing I could remember was my boyfriend, Ethan, shouting at me, telling me to come back out of the cave I was exploring. As I pondered what his problem was, my foot slipped from under me, and my arms flailed about me, trying to stop my fall. I saw my cell phone fall under me and it shined onto nothing. There were no cavern walls or a floor in sight. The light of the phone went out and then it was complete darkness. As much as I feared the dark ordinarily, I loathed it now. How was I to prepare myself if I couldn’t see where I’d be landing?
(this is a potential rewrite to a more active voice. Definitely not the end all be all, just a suggestion. )

Ethan shouted, “Come out of that cave!”

What was his problem? As I turned to yell back at him, my foot slipped out from under me and my arms flailed as I tried to stop my fall. My cell phone fell out of my pocket and spun beneath me, shining onto nothing. The cavern walls and floor had disappeared. The light of the phone went out, leaving complete darkness.


My hands scraped along the rock wall, but it was too smooth to find a handhold. I screamed as I flipped over myself, meeting nothing but air, but I didn’t know what good that would do me now, besides letting Ethan’s family know that I was about to die.

It felt like I was floating in outer space. I had no sense of how fast I was falling due to the darkness, but the air around me seemed to move slower. I saw a faint glowing below me, similar to a distant star. Slowly it became colorful and brighter as I fell towards it. After a few more moments I noticed the rotation of it, like a black hole, sucking me towards it.

A faint high pitch sound met my ears, growing louder and louder as I was pulled into the swirling light. Pressure surrounded me, compressing my body painfully. My screams of agony mingled with the screeching siren.

I prepared myself for death as I was upon being sucked inside the black hole. My bones snapped and my muscles ripped apart with the force of pressure the black hole caused. The resulting pain was nothing I had ever experienced, nothing like my worst cramp. Having never broken a bone before, this was a brand new kind of pain I experienced. My ears went deaf and the light blinded my eyes. I then wished for a swift death, wanting to end the pain.
end the cut here for moving to later on in the chapter
Now inside a church, I blinked up at the people looking over me. If I had died, why did the faces above me look so relieved? Why were they smiling? And most of all, why didn’t I recognize them? Where was Ethan?

I moved my eyes about the space. The ceilings were arched aslike the old cathedrals were that were built during the gothic period which were held up by large stone columns. The people around me were dressed in plain brown robes, similar to the monks at St. Catherine’s of Mount Sinai we studied in art history class, which was built around 560 A.D.

Started new paragraphLast time I checked, there wasn’t an order of monks in Cleveland.

In the back of my mind, the thought that I was at some satanic ritual formed. Men in robes, check. Sacrificial altar, check. Virgin, check.

My theory of a virgin sacrifice left my head when I realized I wasn’t bound, that I could move. Swiping my long dark hair out of my eyes, my palm stung with the contact. My skin had been scraped badly, as if I braced myself from a fall. Inspecting the rest of me, I saw that I was still wearing what I had put on earlier, before my unpleasant fall: Black snow boots, dark blue jeans, a green wool sweater, and a black zip-up winter coat. However, there was a rip in the pants at the knee and there were splatters of wet red blood all over my clothing.

“Where am I?” I asked the men around me, my heart racing from the confusion I was feeling. “Am I dead?”

Smiling amongst themselves, one of them shook his head and said, “You’re in Alton’s cathedral, in Aldenshire.”

One of the monk’s hands passed over me, glowing brightly as he said a short prayer, a symbol in his hand. But iIt wasn’t one I recognized. The symbol was a crescent moon inside a sun that surrounded the silhouette of a mace. It glowed brightly and I felt it emanating heat, burning my wounds and realigning my muscles and bones, as if by magic. (Woah woah woah woah woah. If she had that much soft tissue and structural damage, scraped skin would NOT be the pain she noticed. Broken bones grate when you move, ligament damage is the most painful thing next to childbirth, and torn muscles ache like nobody’s business, even feeling like burning. If she’s in such bad shape, let us know with the pain she feels before hand.) This caused me to cry out in pain, but it was soon over, and I felt my strength returning.

“What just happened?” I was in a daze still, and witnessing my wounds disappearing before my eyes wasn’t helping. Nothing around me made any sense.

“The blessings of Alton have healed your wounds, my daughter.”

Apparently lasers shooting out from a holy man’s wood carving had fixed me. At this point I wasn’t too sure that I wasn’t dead or unconscious andor dreaming. But the mention of thethat name again reminded me to ask, “Alton?”

An expression of combined worry and confusion(what does that look like) crossed the man’s face. “Yes, my child, the god of protection and good.” Turning to one of his colleagues, I barely heard him say, “Poor thing must have hit her head very hard.”

I agreed with the man’s assessment, that I’d hit my head very hard, but it wasn’t because I didn’t recognize the god Alton. It was because this information sounded familiar. Somewhere in my mind, I believed recognized that what they said about Alton was true.

“Alton’s light shines brightly on you, Miss,” said a monk, with thinning blond hair and a round face.

“What happened to me?” I asked. I needed some sort of explanation to how I had come to be here, other than my current theory of death or coma.

“A traveling merchant passing through the Dragontail Mountains found you barely alive at the base of a cliff.” When I tried to move, he stayed me with his hand. “You must still be sore, you should rest.”

They found me at the base of a cliff? What was I doing there? “How? Why?”

“Dear, you don’t remember falling and breaking your bones?”

In fact, I did remember. I remembered falling towards a swirling vacuum and breaking my bones as I went into it. THIS is where I would insert the memory sequence. But I couldn’t tell what was real and what wasn’t anymore. The only conclusion I could come to was that I was in some sort of dream. This had to be some sort of dream.

“No, I don’t remember anything,” I lied.

I didn’tdon’t know what happened, but goose bumps traveled along my arms. “Priestess Ella will tend to you now.” As the men moved away from my side and went upstairs, the energy in the room changeding. As much as I was thankful they were leaving, since I didn’t like being the surrounded and being the center of attention, I didn’t want to be alone with someone I didn’t know. Even though I didn’t know these monks either, I was more familiar with them than this Ella person.

A young woman approached and smiled down at me, her dark curls hanging over her shoulder while her green eyes sparkled. She wore a white dress with gold trim, similar to the style of medieval times. The neck was square with sleeves flowing out into a bell shape. Radiating purity, she said, “Hello, my name is Ella Martin, and you are?”

It was like looking into a mirror, and it was the most bizarre feeling seeing ones own replica having a conversation with you. You said she had long dark hair earlier. Twinkie here has blonde. On purpose?Her eyes were round, long lashed and the same shade of green. The slight upturn of her nose, her dimples, and even her freckles were identical. I wondered why she didn’t have the same reaction as me, and then I came up with two possibilities. Either she didn’t know what she looked like from lack of mirrors, or my own face was too bruised and swollen to recognize. Somehow I managed to say, “Lillian Kerr.”

“Nice to meet you, Lillian.” Her eyes shifted away from me for a moment, as if she heard something from across the room. “Where are you from? I’ve not seen you about Aldenshire.”

Wherever Aldenshire was, I didn’t think she’d recognize the name of the town I was from. From what I saw, the people here dressed oddly and could magically heal my injuries, so I figured they wouldn’t know of Cleveland, Ohio, or the USA. “I’m not from here,” I said, not knowing what else to say, still amazed at our likeness.

Her eyebrow rose, bothered by my vague response. “Why were you found on the pass through the Dragontail Mountains?”

I decided to be honest. “I don’t know. You probably know more about it than I do.”

This seemed to frustrate her more and (show me, don’t tell me)her eyes narrowed. “When I return, I expect some answers.” Ella turned and walked upstairs.

Even though I knew what was happening couldn’t be real, survival instincts couldn’tcan’t be controlled. I didn’t want to find out what would happen once she returned. I never was very good at improvising or lying, but was reluctant to tell her the truth because if I did if I told her the truth, she would think I was crazy. I’d rather her have a bad impression of me than think I was crazy because I had the feeling that there would be some sort of witch trial. I didn’t want mychoice in death to come down to drowning or being burned alive.

Thankfully the first floor of the cathedral was empty. I gently rose from my pallet with a slight groan and hobbled to the front door. I struggled opening it. Why did they have to make them so humungous? (you made this italics, but don’t do this with thoughts throughout the rest. Please choose one format and stick with it) With one last pull, using my whole body weight, the door opened.

Whatever I was expecting to see, it wasn’t a snow covered medieval village. I noted the thatched roof cottages that were three stories tall, and were made of half-timber construction, like in the Tudor period. This is what studying architecture got me, being able to identify what period things were from.

I stepped into an open courtyard where merchants set up their stands, selling miscellaneous things. The snow was drifting around the buildings and the riding horses stepped through to make paths for the pedestrians. The people were all dressed strangely, men wearing cloaks and leather boots, the women wearing full skirts and shawls. It was like I was at a Renaissance festival. My eyes glanced up to the blue sky, which I noted had more than one moon in it. Weird.

I immediately noticed the difficulties in my escape. One was the snow, because my tracks would be clearly visible, and the other was my appearance. I was wearing jeans and a water resistant winter coat, made of fabrics that no one else was wearing. Wouldn’t everyone be looking at her? Pointing, staring? Whispering?

Closing the door behind me, I tried to hide my face from the guards standing outside the cathedral. Once Ella realized I was gone, I was sure she would send them after me. (Why would she do that?) I needed to get out of their sight, and fast.

Breathing in the subzero air, I coughed on its dryness. Despite the inability to breathe deeply, I realized the air was clean and smelled of pine needles.

Unfortunately, I didn’t know the layout of Aldenshire whatsoever. So, I just hustled out into the marketplace and tried to blend with the others, going with the flow. I kept my eyes open for a store to buy clothing, and – wait. I couldn’t buy a thing, because I didn’t have money. And wherever I was, I didn’t think they would accept paper money. Inspecting my other possessions, I had my diamond studded earrings that Ethan had given me recently, and some other sterling silver jewelry. I could trade my coat, but I decided they would become suspicious when they discovered it had a zipper – a thing that did not exist either. HOW DOES SHE KNOW THIS?!

Hearing some shouting from the cathedral, I turned to see Ella scanning the courtyard. Her guards approached her and she gave them an order, likely to retrieve me. If she could still see Ella she’s going way too slowly, and she needs a reason to be limping along like this. Is she still sore from her healing?

I’d guessed correctly. It took a matter of seconds for their eyes to lock onto me, their arms gesturing to my location. “Stop! Get her!”

Now would be a good time to wake up, I thought.

Realizing that wasn’t happening, I hustled away from the cathedral. I knew I must stick out like a sore thumb, so getting new clothing was priority number two. The number one priority was to find a place to run and hide.

Though running would definitely cause further suspicion, if I didn’t I knew they would catch up to me. I bolted from the open area of the marketplace and down the nearest alley. The stench nearly knocked me over. The alley was full of human waste and garbage, the rats digging through the latter. I did the best I could to avoid stepping toin the muck as I dashed to the end. Taking a turn onto a street, I began to walk more naturally to blend in. Where are the guard who were just chasing her? Did they stop because of the muck?

Hustling down the main street through the snow, I searched the store names, hoping to find one that might be good for hiding. Jareth’s Sword, The Shield and Forge, Arcania’s Wands, The King’s Jewels – ah, there we go. That sounded like a jewelry store. Since I needed to sell my earrings anyway, this was as good a hiding place as any. I took a deep breath before I pushed the door open, causing a bell to jingle. The store sparkled and shimmered with all the gems and gold that lined the walls and tables. I walked toward the owner, a gnome.

“Good day, Miss,” he greeted. His springy gray hair curled around his face and his blue eyes smiled through his delicate gold-framed glasses. Climbing onto a stool on the other side of the counter, he asked, “How may I help you?” Peering at me, his eyes lingered on my jacket and my bloody jeans.

“Hello,” I said lamely. I would have to learn how to speak more like them. “I would like to see what you can offer for this.” I showed him the diamond earrings, tapping my foot impatiently.

“Hmm,” the gnome said and took the earrings into his small hands. “What is this metal? Not platinum, but similar in appearance.”

“White gold,” I said.

The gnome eyed me, “I’ve never heard of it.”

I hastily said, “It’s very new. It is combined gold and nickel to make the gold white, and yet it is very strong.” And she knows this how? The makeup of white gold is not necessarily common knowledge. Nor that it makes gold stronger.

“Hmm, interesting. That aside, the diamonds are quite nicely cut,” he said as he looked through his eyeglass. “And of good color and clarity.” Looking up at me, he said, “I’ll offer…sixty gold.”

Was gold used as currency? I had no idea how much sixty gold was, and I was entirely in too much of a hurry to counter his offer.

I mentally sighed. “Deal.”

The gnome smiled, probably out of greed. He stowed the earrings away and gathered the coins of gold. He counted out six stacks of ten coins. “There you are, Miss. Thank you.” why wouldn’t he care about her clothes? Super greedy?

I stuffed the coins into several of my pockets, noting that I needed a pouch. “Thank you,” I said, and left the store quickly. Looking in both directions I thankfully didn’t see any guards.

Clothing store, clothing store, I needed a clothing store. I hustled down the narrow path lined with stores, again searching the names. The Happy Badger Tavern, Leather and More, The Blue Dragon Inn, The Red Hat Clothiers. Ah ha! I dashed into the store and a bell alerted the owner of my presence.

A round figured lady of midlife age came forward from the back room. “Just a moment, sir,” she called over her shoulder. The woman was jittery and high strung. “How can I help you, dear?”

“Sorry,” I said. She was obviously busy. “I’d like something a little more in fashion. A dress. Something simple.”

The woman’s eyes inspected me from head to toe. “Aye, that you do.” Focusing on my jeans, she asked, “What happened, dear?”

Squirming under her gaze, I attempted to explain my appearance. “I um, had an accident.” When he eyes traveled back to my coat, I added, “I must look odd, I know. I’m a foreigner.” What is wrong with her jeans? Just lots of blood? Are they torn? Are they ripped? Are they stained from the alleyway? Where would she think she is from that a foreigner would look like her clothes? I’m sure the clothesmaster would have an idea of how to id clothing.

Approaching me, she touched the sleek fabric on my arm, creating a swishing noise. What kind of fabric is it? Polyester? Wool? Cotton? “Incredible. Too bad it’s not becoming on you whatsoever,” she said with a grimace.

Bristling from her criticism, I made a little noise of offense.

“Oh, I’m sorry dear, I meant no insult. It’s just that the thing doesn’t even fit you properly.”

I could understand what she meant. This jacket was made in China somewhere and wasn’t tailored specifically for me, like clothing would be here. How does she know what the clothing would be like here? From what she had seen? From the woman herself? “Yes, you’re right about that. That’s why I’ve come here, so I can look proper.”

Nodding, she said, “That shouldn’t be any trouble, but I won’t be able to start (tailoring her clothing)until tomorrow. I just lost my assistant, died in childbed, poor thing.”

“That’s terrible. Can I help?” I asked without hesitation. I did have some experience with sewing, although it was with cut out patterns and a sewing machine.

She looked at me carefully, certainly seeing my strange, but fine, clothes, clean hair and skin, and my well fed form. “A lady, such as you, surely…”

I interrupted her. “I am no lady, Madam.” I thought about how they would explain it. Being in my early-twenties and unmarried, a woman here in my situation would either be a spinster or a widow. The differences would be in what she looks like physically – she would look much younger than being in her early twenties comparatively. Also – how would she know this? She has not spoken to anyone but this chica, the dwarf, and the monks. I went with the latter option. “I am widowed, and have no means to live.”

Nodding, I could see she understood and that she was too busy to care much about my experience. “Until I can find a replacement, you may help. Come then, Mrs.…”

“Kerr. Lillian Kerr.” If she is trying to hide, wouldn’t she change her name? Even a little? I immediately felt relieved when I stepped into the back room. Soon I would have decent clothes, employment, and a place to hide from Ella. I knew she wouldn’t let me go so easily. How? She knew there was something wrong about me being here, and she would be determined to find out.

“I am Mrs. Salisbury, nice to meet you. We’ll discuss the particulars later.”

I followed the woman to find a man standing in front of a mirror, dressed in a long jacket of red velvet and high black boots. His long platinum blond hair spilled over the collar and down his back. The energy in the room changed abruptly as he stiffened and slowly turned towards me.

“Madam Salisbury, who is this lovely creature?” The man smiled as he bore his eyes into me, and I had a hard time meeting his gaze. From what I did see, his face was flawless.

“This is Mrs. Lillian Kerr. She is to help me catch up on some of the orders.” The woman smiled at me.

“Is she now?” He looked over me, a peculiar expression on his face.

I lowered my head to avoid his eyes.

“Mrs. Kerr, kindly start hemming the things on that table there,” said Mrs. Salisbury, turning her attention to the man.

I gladly accepted this distraction. I took off my coat, revealing a green, form-fitting wool sweater, draped it along the back of the chair, and quickly found a needle and matching thread(how would she know where it is?). As I sat down to begin, I could see out of the corner of my eye that the man still watched me. I concentrated on keeping the stitches small and even, ignoring the man’s stare.

There was a ring of the bell from the front of the store, and I heard Mrs. Salisbury swear under her breath as she went to tend to the customer.

Great. I was now alone with this man, more uncomfortable than ever.

“So, Mrs. Kerr,” he said, smiling, “I couldn’t help but overhear your circumstances.” When I didn’t respond, he continued, “You don’t have the hands of a peasant.”

“Before the loss of my husband, I was privileged,” I said truthfully, continuing sewing. As for the privileged part, in comparison to people in this world, I was. I tried not to linger on the thought that this world didn’t have showers, internet, or pizza. How would she know that?

“I see,” he said. “Still, you would be better off to marry again than to work your fingers to the bone.”

I jerked my head towards him, annoyed, “Are you offering?”

This seemed to amuse him. “I’m not the marrying kind, unfortunately. Though, the idea tempts me.” He smiled, as if enjoying a private joke.

As I looked at him, I had trouble looking too closely, as if something about him prevented me doing so. Frustrated, my eyes rested on the outer edges of him. “I’ll do what I must. And, like you, I have no interest in marrying.”

In the blink of my eyes, he disappeared from where he stood. I heard his laugh close to my ear. Jumping out of my chair, I turned toward him aggressively. Taking my hands in his grasp, he laughed. “You are very amusing to me, and peculiar. I might have to visit again soon.”

His hands warmed my frozen ones(if they were frozen she would be unable to sew), and for a moment they curled in his hold. It took a great deal of effort as I took my hands out of his and crossed my arms to take my hands out of his and cross my arms. “If you must, but don’t expect a warm welcome from me.”

“You wound me, Madam. Such hostility, and I believe I am undeserving of it.”

I dared to glance at him, and I couldn’t help but grin grinned at his exaggerated look of despair. “Good,” I said.

“I do believe I’m beginning to enjoy your hostility.”

I had a hard time understanding his interest in me. Raising an eyebrow, I asked, “Are you a masochist then? Do you enjoy pain?”

“If it were from you, I believe I would.”

I noted his flirtations with mixed feelings. If I wasn’t dreaming, I would have turned frigid and ignored him without hesitation. Having been without such attention for so long, it almost felt invigorating to banter with this man. I could still remember Ethan yelling at me to not go down the tunnel, and it upset me. Though in the end he had been right, the way he treated me in recent months was so domineering. I am sorry, but this paragraph does not quite make sense. Why would she have turned frigid and ignored him? Because he was hitting on her or because she had a boyfriend? Why would Eric yelling at her upset her? Saying he had treated her in such a domineering manner is not enough. If he were controlling he would be giving her tons of attention, just not necessarily positive. Also, why hasn’t she thought about Eric before now? I know I’d be trying to figure out if he could find me, or if he’d be in the same position. What if he were looking for her? Give us something concrete, something that you don’t tell us outright, about their relationship. Has he become distant? Only talking to her to criticize? Give us more!

“I would do nothing to give you pleasure intentionally.”

Grinning, he said, “We’ll see.”

“If you don’t mind, I have work to do, Sir…?” Turning from him, I waited with too much anticipation of learning his name.

“No, you’re not ready for my name yet, darling. I’ll be at The Blue Dragon Inn, if you care to learn it.”

“Don’t wait up for me.” I leaned over my work, dismissing him, while I attempted to banish the scenario that played in my head.

My ears perked up as I heard the voices from the other room. “Sir, I assure you, there is no such person here,” said Mrs. Salisbury.

The guards had found me. shouldn’t she have mentioned something about this earlier? Maybe taken a few precautions? I dunno….NOT just gone straight to working and flirting? It’s such a rough transition with no middle ground. I didn't understand why Mrs. Salisbury had lied to the guards about my presence here, but I was thankful. If the guards came into the back room however, the both of us would be in trouble since she was harboring me. My eyes locked with the blond haired man and I was scared stiff. Silently I pleaded for him to help me.

Quickly he pulled me out of my chair and moved me into a closet. The door closed, the tiny space filled with darkness with only a dim glow from under the thresholdof what?. A chair scraped along the floor towards the closet, the light diminishing. Heavy boots slowly marched into the room, walking the perimeter.

An unfamiliar voice said, “I know she’s here.”
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Review by da_ddq Author IconMail Icon
Rated: 13+ | (4.0)
Title: "The Tramp Steamer Prologue Only revisedOpen in new Window.

Author: intheventoffire

Plot: Anthony West stole all of his family’s belongings and run away. His mother catches him too late and sends her other two children after him, as well as the rest of the town. You use a lot of adverbs. I’m a huge culprit of this myself, so I may be a bit hypersensitive to it. Too many adverbs slow down rather than carry along the story, and I did feel the story plodded along a little here and there.

Style & Voice: third person POV, switching from true third person, to third person limited in Anthony, Margret, Felicity, and Samson

Referencing: first chapter – none I could find

Scene/Setting: Not as steampunk as I was expecting from the initial description , but the ships were well described. I might have liked a little more description of the characters and the island.

Characters: Anthony – a jackass of a son and brother. Samson – an angry middle child. Felicity – my personal favorite character, the youngest daughter and impetuous, it looks like. Margret – a mother who has favorites.

Grammar: A couple of changes here and there in the line by lines. Also, please make sure you make it Writing ml friendly (delete all the extra blank lines! They’re botherin’ me!).

Just My Personal Opinion: I’m intrigued by this story. I want to know why Anthony is such a bastard, how he got away with all the junk, why he wants to escape, who Lochlann West is, and if Felicity survived (I have a hunch she did). I also liked how you had the ships be named North South and West (curious about where the East will come into play).

I am a big fan of steampunk fantasy, so I hope there is more of the mechanical involved in this story. Clockwork descriptions are fun to read!

Very original, and look forward to reading more.

Line by Line:

A young mans attempt to escape the shame of his family name and the boredom of his dreary island home will take him on a wild and terrible journey. In a world powered by steam and clockwork, Lochlann West will sail to the end of the world , where the discovery of a forgotten ship and a terrible crime will uncover a plot that threatens the stability of the entire world...





Please note that as an author from the UK the following words are correctly spelt...



Neighbour, Harbour, Colour etc... Thanks...











THE TRAMP STEAMER



By Neil D Campbell



Prologue





The first strike seemed more thud than boom. Hands wet with rain and fright tried again; this time the bell rang mightily, and soon the urgent summons were embedded deep within the wind. The sleeping islanders were forced reluctantly from their slumber and, curiosity aroused, the community slowly started to gathered around the desperate figure on The High Hill.

“He’s taken everything,” Margret West sobbed. “Everything!”

A neighbour gently removed her hands from the rope, taking her task as his own. The old lady slumped to the ground, her tears mingling with the rain. An audience was forming slowly around Margret West, (you said the same thing in the first paragraph, with the exact same adverb. I personally like this sentence better, so I edited the sentence earlier) and there wasn’t a single soul amongst them that didn’t know to whom she was referring.

The town's militia wasted no time; seconds after the old lady’s announcement, they raced down the dark path towards the town's port. As the small band of lawmen hurried down the steep, shadowy slope, a signal flare lit the sky like a comet, illuminating the scene below.

#

For the briefest moment The Northern Star shone like its celestial namesake.

Anthony West looked up at the arcing flare and drew twin etched-silver pistols from the inside pockets of his frock coat. Glancing towards the periphery of the dock, West could see two of his lackeys struggling with a heavily laden cart that would more usually be yoked to oxen.

“Hurry lads!” he shouted. The men quickened their pace. West could now make out movement on the higher terraces and assumed, correctly, that the authorities were on to him.

The men had nearly reached the steamer’s berth. Although a few oil lamps shone in her hurricane eaves she appeared deserted and in repose. West brushed past his men and stood on the wide wooden jetty where his ship sat at dock. He whistled curtly, and within seconds the steamer had sprung to life.

The twin(you used twin as a descriptor three paragraphs up there, maybe substitute another word in here for variety? Double or dual or even just two, perhaps?) red funnels of the great ship began to huff; thread-like wisps changing swiftly into great plumes of dark smoke. Behind him, you were just talking about the ship, which would usually be addressed as a her, but the change in subject would be easier to follow if you were more exact in who “him” was. Anthony, I assume) the pair struggled to get the cart over a makeshift gangplank. The nearest of the two fumbled, and the cart lost its footing, causing a woollen blanket to fall into the cold dark water, followed instantly by an armful of precious pewter and silverware. Anthony cursed the clumsy fools under his breath and, recklessly throwing one of his pistols to the ground and snatching his bull-whip from his belt, he lashed out an impossible distance. The man smothered a scream as the blow opened a gash a hand-span wide on his shoulder. Working with renewed urgency, they struggled to get their burden on board.

West could see motion on the lower terraces now, where the fat merchants kept their pretty villas and their prettier wives. He sheathed his pistols; his guns would do him little good against the pursuing mob. He took a second to light an amber cigarette with a broken match, the smoke stinging his cold, tin-coloured eyes. He smiled to himself, and stroked his beard with a calloused hand.

Close. So very, very close!


#


On The High Hill, Margret West stood by the storm bell, exhausted. The crowd had grown substantially since she’d first raised the alarm, and the onlookers now gazed on her in awe. Few on the Island had seen the old battleaxe so much as flustered before, but now, here by The Lost Rock, the normally fearsome lady was openly distraught. Two of her children had joined her, and the pair stood anxiously by her side. Samson, the second eldest of her brood, did his best to console her with an arm around her shoulders, but the old lady just shrugged him off as she so often did.

Felicity, Margret’s youngest child, found her voice first.

“We'll catch him, mother ..... I’ll bring him back! There’ll be some reason for this madness I am sure of it.”

Her mother regarded her distantly . “I'm sure you’re right, my dear. This is all some misunderstanding.She looked again at her waif-like daughter and turned to regard Samson. “Just bring him home .... Please!” she whispered to the pair.

“I'll catch the bastard,” Samson added, seemingly noting with some quiet satisfaction the sting his particular turn of phrase caused his mother. With that bitter victory he sprinted off down the trail to the harbour where his own ship also sat at berth.

#

Felicity tried in vain to calm her mother, but her attentions were clearly unwelcome, so she soon took her leave. (I deleted in vain because that was obvious from the rest of the sentence) She chose the funicular instead of the long walk to the bay. Her crew had also gathered by The Lost Rock, roused by the same deep bells. Silently they accompanied her to the High Hill Station and waited for the little clockwork train to arrive. None of them spoke a word as the distant clicking sound drew nearer. As the locomotive appeared round the last hairpin, Felicity finally addressed her crew.

“I want you all to know I don’t intend to return without my treacherous brother,” she said, ”Even if we have to chase him all the way to the empire.” Her small audience merely nodded, eyes not meeting(meeting Felicity’s eyes? Each other’s eyes? The dog in the corner’s eyes? Whose?) as the troupe boarded the small gauge train, with each person seeking their own individual bench. Felicity couldn’t begrudge them these few moments of solitude; if she was correct about the pursuit, they might have to spend months crammed together aboard her little steamer.

#

Samson's crew were was already aboard The Western Dream. He had long suspected some treachery from his braggart brother and had insisted the ship be ready to respond to whatever subterfuge the hoodlum was planning planned. As he ran down the High Hill path, fatigue forced him to stop and catch his breath by the cathedral gardens. The over-powering scent of lavender seemed to clogged his throat as he fought for air. Samson was portly, and unused to such vigorous exercise, but rage drove him on. Determinedly, he pulled himself to his feet and hurried off once more toward the docks.


#

The Northern Star was ready for departure. Anthony West followed his associates (if they’re his equals why is he whipping them? Are they his underlings or equal partners?) and, pausing paused for a second to look down into the dark water where his man had lost a portion of his haul, he cursedcursing again. (I felt like the emphasis of the sentence belonged with the longer action to help speed up the sentence) Quite how muchWhat he had lost due to the fumbling idiot would annoy him greatly on the coming voyage, and West made a mental note to make sure the offender would starve over the coming weeks for his ineptitude. What a meanie!

He knew the second he hit the quarterdeck that the ship was free of its moorings, the sway of the sea was clear to the seasoned sailor. He let out another shrill whistle, and immediately the ship began to creep out of the port.

#

Felicity and her crew reached the docks first, passing the berthed frigates, which were slowly being prepped for departure. Too slowly, she thought, as she hurried to her ship. Her little steamer, The Southern Swell, was berthed at the furthest jetty from the station and they were obliged to cross the majority of the harbour before boarding her. During the hurried walk she was unable to keep her eyes from the sea. The Northern Star had passed behind the headland and was no longer visible from the docks, but Felicity nonetheless stared at the memory of her wake.

#

Samson had also arrived at the docks and was making for The Western Dream, his own ship. She was moored out in the bay. As quickly as he could he boarded her tender; The Last Resort was a clockwork launch, sleek and fast, just shy of thirty feet. Once aboard he wasted no time, and within seconds Samson had her tearing towards her mother ship at full click.

#

Finally on board, Felicity gathered her crew on the bridge to begin her own preparations. Despite their fast arrival it took Felicity's crew a full thirty minutes to get The Southern Swell underway, by which time her sister ship The Western Dream was almost out of sight.

#

The Port Marshal had arrived embarrassingly late; it seemed the whole town had made it to The High Hill before him. He had arrived so late that he’d gleaned most of the story from others making their way back from the spectacle, already bored of the gossip and missing their beds.

#

“He's making for the wash,” he said to Margret.

“Of course he is!” she replied. “He's no idiot. He’s heading for the Empire or Mismeer at least. Not even Anthony would dare the Breach!” She looked the Marshall over. Did he really think Anthony would flee to the Gates? Or to the Steppes? He'd be hung within the week!

“We can't catch that ship. I assume you know that?” He added. “Was it not you yourself who built him the fastest boat in the isles?”

Her long forgotten boast sounded less appealing(deleted a comma) handed back to her. Margret West muttered quietly to herself. Yes, of course she knew, and it was true she had insisted her little prince have the fastest ship the Isles had ever made. She had built all her children ships. It was tradition was it not? But here on The High hill, she was forced to concede to herself that she had spoiled her eldest. Oh, The Southern Swell was a beautiful little cruiser and The Western Dream was as solid as a ship could be, but The Northern Star was the crown among the crown jewels. There was not a sloop, schooner or barque on the isle to equal her grace and speed.

“They will catch them, they must,” she replied. ”What of the frigates and corvettes? I presume they are to be sent in pursuit?” she demanded impatiently.

“They are being prepared as we speak,” the Marshal replied, ”although I should warn you, some of the council will object to their use.”

“A gaggle of geese, they object to everything,” she retorted. Margret turned away from the official, to look out over the bay. They must catch him, they must!



#

The Northern Star steamed for the wash. The journey now would be slow. The tedious run from the isles to The Empire would take over three weeks, even for the sleek steamer. West stood at her stern and watched the lights of his home gradually diminish. They would give chase of course, but nothing could stop him now.


#

The Western Dream was in full pursuit. Samson stood on the bridge surrounded by his officers. “How far ahead is she?” He asked the helmsman.

“She has an hour on us at best and we're approaching twenty knots,” he replied.

An hour? it may as well have been a week! Even at twenty knots they would never catch the faster ship.

“Any sign of my sister?” he asked the navigator. The young man shrugged, took a brass eyeglass to the port window and stared out into the dark seas behind them.

“She's gaining on us sir. She must be running in the red,” he replied.

“Then we'll run the red ourselves! I want engineers by the boilers. We'll catch the son of a bitch even it means tearing this ship to pieces.” His order acknowledged, he took his own telescope to the port window.

Felicity definitely appeared to be gaining, but was veering wildly off to port. On a hunch he turned to the navigator; “Plot the course of The Southern Swell would you please. I have a feeling my sister may be planning something reckless.” With that, Samson left the bridge and went below.

Half an hour later a tinny voice in the com-pipes summoned him back to the bridge.



"She's heading for The Breach, sir," the navigator said, eyes as wild as the murderous waters he had just been plotting.

“The stupid bitch! Where in hell did she find that crew? Change heading, we have to stop her,” Samson ordered. The navigator looked helplessly around him, desperately searching for some-one to talk his captain out of their imminent suicide. But The Western Dream was Samson's ship and his crew werewas loyal. Anxiously, the young man began plotting a new course that would take them out of the placid waters of the wash and into the chaos of the breach.

She was an ocean going vessel, strong, safe and easily capable of the month long journey to the empire. But no ship had ever successfully crossed the breach. So many expeditions had been lost to its murderous waters that sailing even as close as this was illegal and in theory punishable by prison. In the history of the isles not a single ship had been able to determine even how wide the breach was.

His ship had only just altered course, but Samson could already feel the fury of the legendary waters. He looked nervously out across the dark sea. There was no definite border between the serene canal that formed the wash and the perpetually raging rip tides of the breach, just a steadily worsening sea, where the cold waters from the ice flows of the north met the wind driven swells of the southern ocean. Beyond the Wash, the Breach ran like an impassable barrier, a thousand miles of wild white treacherous water.

Minutes after the ship changed course she was already struggling. The swell had begun to rise rapidly and The Western Dream was now traverseding waves of ten feet and more. If she was in trouble, The Southern Swell waswould be even worse off.

“How far away is she?” Samson asked his pilot.

“Too far sir, she's foundering. See for yourself,” the helmsman passed Samson his eyeglass and motioned him to port. Samson scrutinised the sea intently. He managed to catch the ship in the tiny glass eye for a just a second, twenty leagues ahead; the vessel had water pouring over her decks as she attempted to mount a peak of thirty or forty feet.

“She's on her beam ends!” Samson roared as he caught sight of the little ship toppling over. In that moment he saw his world shatter. The ship keeled over on the lip of a great wave, and careered down a wall of water on her side. Her lights went out instantly. From somewhere aboard an unseen figure managed to launch a flare. It ascended at a low angle, barely reaching the height of the highest wave.

“Quickly," Samson screamed into the com-pipes, "I want every man with a good set of eyes on the port side. Launch the flares, damn it, we'll not let them all drown.”

Within seconds the entire crew were gathered on the port decks of the ship, frantically scanning the nightmare waters for signs of life. They all knew they were searching in vain. There was nothing out there in the dark night but the cold killing sea.

“How many?”, Samson asked in a voice he'd borrowed from someone else, somehow stronger and braver than his own.

“Full complement sir, fifty - maybe more,” the helmsman answered, but he could not take his eyes from the wheel.

The Western Dream clung to the sea for all she was worth, lurching and rolling in the violent ocean.

The minutes that followed were cruelly slow. There was nothing out there in the blackness but death. The Western Dream pitched and rolled at awkward angles, but the choppy sea was taking its toll. In the gale force winds the first mate’s voice was barely audible.

“We must turn back sir, we're taking on water. The bilge pumps are having no effect. Please, sir, think of the men.” He roared. Samson couldn’t look at him, he could only nod as he dismissed his crew-mate with a wave.

The pilot swung the great wheel back to starboard. Slowly The Western Dream returned to the wash. Samson looked out into the now placid water. The cloudy night had turned the sea the colour of midnight. He looked to the north and saw The Northern Star - not his quarry, but its bright namesake – which even now shone like a beacon through the foggy sky. This would be as close as Samson would ever get to the Empire and the last night he would ever see his brother or sister.

Samson and his crew returned to Havant that night, but the shame and grief would never leave them. As they inched their way back to the island, Samson discovered that half the able ships on Havant had joined the chase, but one by one they too had abandoned the race. The Western Dream had become the flagship of a failed fleet, limping sadly back the way she had come. Nearly fifty cogs and sloops crawled behind her, each one beaten, flying their colours at half-mast.
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Review of the corridor  Open in new Window.
Review by da_ddq Author IconMail Icon
Rated: 13+ | (3.0)
Please remember I’m not trying to tear you down or say you are a terrible writer with anything I say. Everything is a suggestion to the best of my abilities to make your story a little more grammatically correct and maybe a bit easier to read. If I thought you were a terrible author, I wouldn’t bother reviewing your story and just said “Good try!”.

The Corridor
By Christine Robins

(add indent)“Where are we going?”
(add indent)The stranger was leading her gently by the hand(remove comma) through the dark. It seemed to Kate that they were going down some sort of corridorshe couldn’t quite make out how big it was, but her voice had echoed back and forth.
She didn’t even know who it was holding her hand. From what she could remember, it felt like she had been sleeping and then she woke to find herself here.
He didn’t answer. Kate felt it was a man but couldn’t prove it as he hadn’t made any noise. The grip on her hand was firm, but she didn’t feel scared as it was also gentle. Actually, the only emotion she did feel was calmness, if that wascounted as an emotion. Kate mused.
I wonder where we are going? She didn’t feel anxious or worried, which was a surprise to her as normally there was always something for her to worry about. (you just said how she only felt calmness….this is repetitive)Especially in the dark, Kate couldn’t sleep without a light on, you just never know what might be out there! I would suggest removing the calmness line, actually. It is well written, but it is repetitive and does not add as much to the story as these bits Even if there wasn’t anything to actually worry about she would find something. Her friend Mona was always telling her to “Take a chill pill!”
“Mona!” Kate exclaimed. That’s where she should be- they were meant to go shopping! Or had they already been? Kate frowned and remembered something vague about meeting her best friend at “Gregs” their local coffee shop.
Yes that’s right she frowned, they had met as usual, drank a couple of lattés and then left. She shook her head. It was like trying to remember a dream but you couldn’t as where everything was kind of garbled and out of focus.
Kate came to a stop. the hand guiding her had seemed to know that she was going to halt and had stopped also, even it seemed at exactly the same time! Weird, she thought. There had been no tug or surprise from the hand leading her at her indecision. But that was by the by, they had gone shopping- it wasn’t a dream! Kate was positive now as her memory seemed to be slowly focusing.
(add indent)She was sure they had met at and had left the café, but her memory became really fuzzy after that. At A slight tug on her hand and Kate started wakingwalking again and. The calm feeling returned. She even giggled! The last time she had felt this relaxed was when she was 12, just before her parents and brother were killed in that awful car crash. Kate did feel felt a small wave of sadness at thisthe memory, but it soon fled as the estranged hand gave hers a squeeze. It’s almost as if he can read my mind, she thought.
As they continued walking, Kate marveled marveled at how happy she felt. She really hadn’t felt this relaxed and unworried for years. Kate knew that her obsessions and fears had taken over her life, but they were almost a comfort to her now as she had been on her own for such a long time. Ever since she had left the care home and gotten her own apartment. Her parents luckily, had been quite well off and so there was enough money for her to live on comfortably.
Her doctors had all tried to help her lose her fears and to explain that there was nothing to be scared of. They had helped to a certain extent, to which Kate could leave the house and that she had almost lost her fear of enclosed spaces.
“Enclosed spaces!” Kate thought. “I am in an enclosed space and am not even a little bit afraid. Wow, this is great.” She even did a little skip and then giggled again at her own foolishness.
Then there it was, a little light had appeared ahead, which was weird as it didn’t seem like they had turned a corner or anything, but it just was there! But Instead of being afraid like the old Kate (as she was thinking of herself now) would’ve been (as she was thinking of herself now), she actually felt all warm and gooey inside. Not having felt this before she didn’t know how to describe it!.The light itself seemed to be warm and comforting, but how iswas this possible? What iswas going on? A couple of tense issues in that last bit – that’s what the corrections are.
Kate stopped dead as a memory hit her like a ten ton truck!. That’s it! Kate crumpled into a heap on the ground as the feelings came back. She had been hit by a truck! They had left the coffee shop and as they waited at the lights it had gone out of control and had come straight for them,. Mona hadn’t seen it and so Kate had jumped to push her out of the way and then? And then what? Here she was now, in the dark being led towards some bright light!
“Oh my God!” as tThe realisation hit her and the tears started to fallfell unsummoned down her cheeks.
Kate looked up to where she could now see an outline of the figure silhouetted in the light. It looked like he was wearing some kind of robe. I wonder what the colour is ? She mused, the calmness she had previously felt was now slowly returning.
“Are you…..?” Kate asked, she couldn’t bring herself to say the name.
There seemedwas a lifetime of silence before she heard an almost inaudible sigh and then the figure bent towards her and lifted her whole body into his arms like she weighed nothing but a feather and then just stood there.
All Kate could feel in his arms was this overwhelming love for everyone and everything, which was very confusing for her as most of her life she had felt either scared or guilty. Her friend mMona had finally managed to persuade her to go out once a month to the city shopping, but it actually took a whole month for her to steel herself up to doing it. She was scared of everything: from what the mailman thought of her to having not enough locks on her front door.
Kate turned her head to where they had been walking from and could now, if she listened closely, hear the sounds of traffic and screaming,. If she really strained, she was sure she could hear Mona sobbing and saying her name over and over. As another tear fell down her cheek she did feelfelt a momentary sadness for her friend
Kate looked to the other side to where the glow was now getting stronger, As she gazed down the tunnel the light seemed to seep its way slowly towards herthem, creating a corridor of light and warmth.
“IT’S TIME!”
Kate couldn’t tell from where the voice originated, it just came from everywhere and nowhere, but she did know who it was.
She signaledsignaled to be put down. and aAs he did so, Kate turned again towards the light and what she saw made her eyes well up with tears once more.
After taking a last long look behind her into the darkness Kate held her fathers hand and walked towards the light to where her brother and mother stood waiting for her with open arms.


I really enjoyed your ending of this story. Kate is a creative character, and I like the mysterious hand pulling her along. I did notice a tendency on your part to want to tell and not show. You did a lot of run on sentences and extraneous words. With a short story, every word counts, so only use ones that contribute to your story. Whenever possible, use action words (plopped, ran, conjured) instead of –ing endings (I myself am a HUGE culprit of this crime – but that’s what reviewers are for!). You also had a lot of exclamation points. Exclamation points should exclaim something, and thus should be used sparingly (otherwise they lose their effect).

Your story at the moment is slow to read and difficult to get through. Your extra words drag it down and your passive voice makes it a little boring. Take a step back, imagine what point you are trying to get across, and then rewrite it. Show me Kate’s journey from emptiness to giddiness to sorrow to denial to acceptance and absolution. It’s a beautiful story idea, and I love your twist at the end. However, I have faith you can make the journey the part that speaks to the reader just as much as the end.

Good job, and keep writing!
-DDQ
9
9
Review of The Portrait  Open in new Window.
Review by da_ddq Author IconMail Icon
Rated: 13+ | (4.5)
much cleaner! This is shaping up into a great story. I love the changes you made towards the end- they are positively eerie.

I would suggest revisiting the section with the light. It's beautifully written, but what does it add to the story to have all that destruction? What causes the books to fly everywhere? Is it ghostly images? Would love a little clarification, or maybe even just taking out the line about the books and the furniture and destruction of the rooms. Those are just suggestions - of course the final decision is yours.

I would also advise you to take another look at my punctuation suggestions for the beginning of the story from my last review, and correcting the spelling on "youthful".

It's a great story! Good job, and keep writing!
-DDQ
10
10
Review of The Portrait  Open in new Window.
Review by da_ddq Author IconMail Icon
Rated: 13+ | (3.5)
First off, let me say I really enjoy the creativity with this piece! Now a bit of nitty gritty.....

Plot: The narrator is musing about the past. A detail heavy plot that still manages to be very vague.

Tone/Voice: First person, dark and confused.

Line by Line:

I have a lot of little edits to be made with both grammar and spelling, so I'm going to just copy/paste your story here and make my changes look like this. My comments will also look like that in the line by lines.

Silence.
Even during the day it was quiet, too quiet. Always had been. I couldn't see it now, but I knew it was morning; and that the murky sun was once again rearing its head over the fragile frame of a building once decorated with a false illusion of grandeur and fortune. Yes, I could picture the scene in my mind: the pathetic sun attempting in vain to send a thin beam of light through the dense forests of the overgrown grounds. The vines and creepersdeleted the comma that had sneaked their way up the walls over the years deleted the comma would lift their faces hopefully, sniffing the airin an attempt to lap up the feeble effort at sunlight.
Oh, yes. I know this place well. I would have made good with this place, had the others not locked me away. But here I can do nothing. (Okay, two options. One: you delete the period after away and make it a comma, and make the b in but lowercase. Two: delete the word But and capitalize Here.) I must sit and watch my plans fall into disrepair; my ideas fade to dust and rot. I could have made good with this place, but they had ideas of their own and I was hopelessly outnumbered.
An assylum. Yes. An assylum. For children. Even now I hear the echoes of screams. Abandoned though it might be, this place still remembers. It remembers everything, just like me. The bleak stench of guilt and anger and innocent blood still reeks in the rooms, although masked slightly by age and dust it still lingers.
Wait...
Something is different...Youthfull footsteps echoing. I hear them through the forests. Their voices ring through the halls though they are not here...yet. But they are close. This is wrong. They should not be here...They are coming...

I awaken. I had not realised that sleep had overcome me, but I am almost certainl ey waking up. I can see nothing. It takes a few moments for my numb brain to realize that hours have passed, and darkness shrounds(not sure if you meant shrouds or surrounds….so take your pick!) the building. The lights haven't been switched on in years, and even in the day the curtains remain constantly drawn, so I sodo not worry. I am used to the darkness, but I know that night has fallen...They come and talk to me. The voices. They come and they whisper to me in the night- never during the day. It is the light. The light frightens them, even though I assure them, night after night, that it cannot harm them, they cannot be harmed...They always leave. They are too frightened.
But still, I don't worry. I know they'll come back, and they always do, they never fail me. Not like the others.

That was it for my grammar notes. The last note would be that you use a lot of ellipses towards the end. I would suggest maybe looking through it and see if you can cut some down. Maybe add other words, make use of -'s and ;'s and .'s? Just a suggestion, because it does get rather distracting...


Suggestions and Overall Impression: This is an eerie tale, and a fun read. A little confusing though. I love the twist at the end, and I love how you hint at it. Just a few things I would like to see more of:

Who is this person? Are they the one who was actually doing the torturing? Was he imprisoned because he was the bad guy or because he was trying to stop the bad guy? Is she the wife of the doctor? Is she a villain or a hero?

The explosion of light…I’m not sure if this is light destroying dreams and shadows or if it is an explosion actually destroying everything. Either of these is acceptable, but it would be nice if it were a little more clearly defined to either of these possibilities.

The children’s voices….I love his reactions to them, but I would really like it if you gave them more meaning. Are these the voices of the children who were in the asylum? Are these new voices? What are they doing there? Are they there to destroy? To tease each other? Is it a show? Is it a dare? There are a ton of possibilities with those voices, and it’d be great if there was just a bit more.

You describe your scenery very elegantly. I would love to see that attention to detail in other parts of your story as well, such as in the memories (although I know they are meant to be vague, a couple of your well chosen adjectives would be marvelous), the descriptions of the voices, the rooms inside the asylum, etc.

You have a great talent for the creepy. I had goosebumps as I read your descriptions, as I followed your tale. It does need a little bit of work, though. You have a great setting and great clinch ending, but your plot and character definition just need a little more information to give the reader. If you gave a little bit more you could completely submerge the reader in your story, trapping them along with the narrator.

You have a great idea for a story – I can’t wait to see it cleaned up and developed!

Good job, and keep writing
-DDQ
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Review by da_ddq Author IconMail Icon
Rated: 18+ | (5.0)
HA! Please pardon my incontrollable giggles for the moment... Almost able to form real sentences...getting there....okay, one last bout......aaaaand we're good.

So, yeah, I may have enjoyed this humorous short. A teensy bit. :) It's a very fun piece - delightful in the setup, leading somewhere you would never expect. Great buildup, and a ruthless conclusion.

In other words - delightful!
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Review of Finding My Way  Open in new Window.
Review by da_ddq Author IconMail Icon
Rated: E | (5.0)
You're a very good writer. I became very much involved in this from the beginning and kept going towards the end. I felt my muscles groaning in sympathy, yawning and wanting another cup of coffee, and I definitely felt your fear when you read through the email.

It's a very interesting and moving article. The only comment I would make is that it's not really an article about conventional vs. alternative medicine so much as investigation of the conventional. You never really consider the alternative medicine - it just makes you question what you know. So it was more of a starting place than the actual debate.

However, that doesn't really change the fact that this was both a moving and informative article, and very well written to boot.

Great job, and keep writing!
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Review by da_ddq Author IconMail Icon
Rated: E | (4.5)
I really like the story this sonnet tells. It is an interesting topic for a sonnet and it is very well done. I enjoyed the perspective and the word choice overall - it is a clever poem.

One thing - I just could not decipher what this line meant: "They want that for them others make errands,"
Is it "They want that" new thought" for them others make errands" or is it "they want that for them" new thought "others make errands". I would love to see some punctuation added into this line to make it a little more clear. Maybe put a dash after want that (which is the meaning I think you were going for).

Other than the need for punctuation in that line for clarification, I thought this was very fun! It is a very clever piece and a pleasure to read through. Sonnets are a personal love of mine, and this one did not disappoint.

Great job, and keep writing!
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Review of Dark Ink  Open in new Window.
Review by da_ddq Author IconMail Icon
Rated: 13+ | (4.5)
A fun little story with such a short word limit. I liked your use of color and formatting to help add extra to the story. I have to admit though, i am very intrigued by the addendum you added. Was this an issue?

Very fun little fright! good job!
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Review of Stolen Heart  Open in new Window.
Review by da_ddq Author IconMail Icon
Rated: E | (4.0)
Sweet and short. I really liked your ending - it was very touching. A couple of things that distracted me-

"humans need air". This phrase does not flow easily, and it sounds a little odd. Maybe switch it to "I need air" or "people need air". Humans just sounds so cold and technical.

"without him I am left breathless." is a beautiful sentiment. It just doesn't seem to flow well. Maybe try eliminating the word left?

Overall, it's a very enjoyable poem. I like it's brevity and its quick punch of emotion.

Good job, and keep writing!
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Review of Little Jamey  Open in new Window.
Review by da_ddq Author IconMail Icon
Rated: ASR | (4.5)
A very sweet story, and an interesting look into what she needed to help heal herself. You have a really good use of narrative, and your characters are wonderful and believable. It felt like a story you would hear talking with the girls (at least until the end), the narration was so smooth. Your descriptions are subtle and delightful - fully fleshing out the characters in a short period of time without being distracting. Very well done!

The only thing I might change is the beginning...it felt odd. Is she talking on the phone? Is it a recording? I do not like your use of () to describe actions. It reminds me too much of webspeak. I would like to see it in more of a literary context like, "not until after..."her throat closed up, choking off all noise.
It just makes it read more like a story, less like a transcription of dialogue.

However, it really doesn't take away too much from the story - it's a lovely piece, and a pleasure to read.

Great job, and keep writing!
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Review of Missed Call  Open in new Window.
Review by da_ddq Author IconMail Icon
Rated: E | (1.5)
Interesting story idea. However, you need to write in full English. A story with this kind of intensity and with this idea cannot be written in webspeak. Please use a spell checker and use full words.

Keep writing!
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Review of Confinement  Open in new Window.
Review by da_ddq Author IconMail Icon
Rated: E | (4.5)
Love it! Tells a full story with a minimum of words. I love the randomness of the bear in the zoo. Only thing to change - that last comma should be a period.

Beautifully done!
Great job, and keep writing!
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Review of The Long Way Home  Open in new Window.
Review by da_ddq Author IconMail Icon
Rated: E | (3.0)
This piece has potential. You have a few problems with syntax. But let me start with something I liked. I liked the vagueness of your piece. It makes it easy to relate to, easier to become involved in and possibly immerse yourself in.

However, you do have a few problems with sentence construction. You have a habit of inserting too many commas for dramatic pauses, and incorrectly using -. You want your piece to have a good amount of drama and suspense, and I suspect you wanted to use your sentence structure to show how lost the narrator really is. However, too many pauses and interruptions and your narrator starts to sound like William Shatner.

Also, this is a short piece where you focus primarily on emotion. Which is great. I appreciated your use of adjectives to try to describe the depressing surroundings of the narrator and help set the scene. However, you use too many adjectives and it ends up sounding forced and distracting. I would suggest consolidating your descriptions.

With those changes in mind, these are my suggestions:

First paragraph
Second sentence - no comma after tiny.

Third sentence - either get rid of lumpy or get rid of avocado green.

Fourth sentence - the phrases you chose just don't sit right with me. I would delete "with each other" as it is repetitive - what else would they be competing with? Also, I am not a big fan of "begging to be given validation". It just does not feel like the right sentiment to me. I feel like it should be another description of avoidance, rather than value.

Sixth sentence - should not end in -. Please end sentence in a period to conclude the thought. It will help add finality and a touch of desolation.

Second paragraph
First sentence - delete "and then" and remove the comma after slowly. I would also remove "seeming".

Third paragragh
First sentence - delete the comma after home. I would also change the semicolon to a period.
Fourth sentence - This sentence doesn't make sense. What is a frozen cobbler?
Fifth sentence - please delete the comma after glance.

Fourth paragraph
First sentence - I don't like having the - after away. That is just a personal note, not necessary. However, you do need to fix the tense. Change the wills to woulds.
Second sentence - please pick either easiest hardest or easy hard. Also, please change the - to a :.

This next bit is a little complicated. Please remove the - after my way, replace with a colon. With the dialogue I would like you to replace the , with the word or. I really like the sentiment you have in this dialogue. I enjoy the way you add the bit of doubt with the addition of somewhere.

Second to last paragraph
First sentence - I would really enjoy it if you change "away, it felt" to "away, I felt".
Third sentence - I would like for you to change "as the first day" to "as that first day". I would also like for you to add a comma after me and delete the word and.
Fourth sentence - I would like you to delete the words "think to" or "to drive" (driving doesn't require much thinking - it's primarily reflex based). Also, please delete the comma after finally and after truck and after town. Also please delete the - .

Last paragraph -
First sentence - change its to it's.
Second sentence - delete both -'s.
Fourth sentence - delete the comma after know and after place. Add one after home.

Please make these changes. This is a piece that has a lot of potential, it is just cluttered with grammatical errors. I would really like to read this again once it has been cleaned up.

Good job, and keep writing.
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Review by da_ddq Author IconMail Icon
Rated: E | (3.0)
A sweet poem. I appreciate the romance and the story this poem tells. You do have some problems with word choice and flow, I feel. I would like to offer some possible revisions.

I would like for you to remove all the spaces between lines. It is very difficult to read the flow of this poem with a stanza being so spaced out. Doublespacing is not really necessary.

In the first stanza:

In the second line, "Now on" should be "Now in"
In the fourth line, "To you I can" should be "From you I can".

In the second stanza:

In the first line I would take away the words "With a". It feels disjointed, uncomfortable.
In the third line I would change "what each one may" to "what each may"
In the fourth line I would change "I'll walk forward whatever the case" to "I will walk forward whate'er the case". I think that whate'er will add more of a medieval feel to it, adding to your knight errant theme. I also feel that changing to the full word adds more force to the idea.

In the third stanza:

In the first line I would change "I've" to "I have walked"
In the second line I would rewrite it slightly to add more poignancy. Perhaps "At last, not far, I see your face."
In the third line I would change "Rejoicing of" to "Rejoicing at"

In the fourth stanza:

In the second line "i" should be capitalized.

In the fifth stanza:

In the first line I would tweak it slightly to help with flow. The dying and finished grates because of the differences in tense. I would suggest changin "I'm dying and finished" to simply "I am finished".
In the second line I think I would exchange the word "reminisce" for "remember". I would also change the period in the middle of the line to a comma or a semicolon.
In the third line "deminished" should be "diminished"
In the fourth line you should exchange the period in the middle for a comma, and you should not have "I'd". The tense is wrong and I feel like this word is vaguely inappropriate and demeaning to the tone you try to set up through this piece. I would suggest changing it to " all this, I tell myself that it was worth it all the while".

I enjoyed the story your poem tells and the archaic romantic feel. I would like to see this tightened and cleaned up. I think it has the makings for a lovely, sweet piece.

Good job, and keep writing!
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Review of Breathe  Open in new Window.
Review by da_ddq Author IconMail Icon
Rated: E | (3.5)
First of all, let me say that you have wonderful diction in this piece! Your word choice and your style of your wording is fantastic! But I do have a couple of little twitchy things I would change:

*Heart*Word Changes
*Heart*

I noticed that your style tends to us repetition with slight variations to prove a point. However, towards the end you veer away from this, and I believe that that is not a good idea. It worked well in the rest of your poem, why stop using a good thing?

*Heart*In the third to last line, I would change "breathing" to "believing", because this stays with your style, and it helps reinforce the point.

*Heart*In the second to last line, I would change "Believing" to "And believing", just for continuity's sake.

That's it for wording changes!

Moving on, I would like to say that I appreciate what you did with the entire no punctuation thing. If punctuation cannot be done well, it is usually best to leave it out altogether.

However, I feel that your poem would be greatly improved with some prudent punctuation.

Here are my punctuation revisions:

*Snow1*Punctuation Changes*Snow1*


*Snow1*At the end of the first line I would add a comma

*Snow1*At the end of the second line I would add a period

*Snow1*At the end of the third line I would add a semicolon

*Snow1*At the end of the fourth line I would add a period

*Snow1*At the end of the fifth line I would add a period

*Snow1*At the end of the sixth, seventh, and eigth lines I would add a dash (a -)

*Snow1*At the end of the tenth and eleventh lines I would add a comma

*Snow1*At the end of the twelth line I would add a period.

*Snow1*At the end of the thirteenth and fourteenth lines I would add a comma

*Snow1*At the end of the fifteenth line I would add a period

That's it for my punctuation changes.

Overall, this really was an amazing poem, which touched me in very sincere and moving ways. You are a very talented poet.

Good job, and keep writing!
-DDQ
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Review of Bayou  Open in new Window.
Review by da_ddq Author IconMail Icon
Rated: E | (3.5)
First of all, let me say that you have lovely imagery in this piece. Your descriptions paint a vivid picture to enjoy during this poem.

That said, let me get on to a few revisions I have in mind:

In your fourth line of the first stanza, "Mocking bird" should be Mockingbird.

Also, in this first stanza, you use the word still twice. This catches the flow of the piece a little, making it feel repetitive. Perhaps on the second "still", in the fourth stanza, you could use the word "there" instead?

Also, in the last line, the sentiment is beautiful, but "Nature's gift to us" felt a little stilted to me. Try putting chaning "us" to "all", and perhaps putting a comma after "all".

Now, what I have to say next might seem a little offensive to you, but I really mean it with all respect. I appreciate the punctuation pattern you have going on in your piece, but it does not quite work. By changing the punctuation in this piece, you could add so many more layers to your poem.

For example, you could change the comma at the end of the third line of the last stanza to a semicolon. Or you could add a comma in the fourth line of the second stanza after "his friend".

Punctuation is not something to be shied away from in poetry, it is as important as the words themselves. Do not lock yourself into a punctuation pattern if it does not quite fit.

Once again, I congratulate you on beautiful imagery, and your subtle rhymes that made this poem enjoyable.

Good job, and keep writing
-DDQ
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Review of Golden  Open in new Window.
Review by da_ddq Author IconMail Icon
Rated: ASR | (4.5)
A very interesting and honest piece. The wording is very carefully chosen, as it would have to be for a piece of this type to be of this caliber.

This piece exhibits the idea that less is more. Fragmented sentences are very well done to get the idea across.

The only thing I would change is this from a poem to a prose. It isn't really a poem, but it is an excellent prose.

Great job, and keep writing!
-DDQ
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Review of Birthmother, Poet  Open in new Window.
Review by da_ddq Author IconMail Icon
Rated: ASR | (4.5)
A very powerful poem for being so short.

What really struck me about this poem is how vivid it is. You use such powerful words and arrangement in such a short time. I have a lot of respect for you for being able to do that.

The only thing I would do to change it is to delete the & symbol in the final line. I know it is there to keep it at about the same length, but it detracts from the imagery for me.

This really is a very powerful piece.

Great job, and keep writing!
-DDQ
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Review of Ars Poetrica  Open in new Window.
Review by da_ddq Author IconMail Icon
Rated: 13+ | (4.5)
o.O I feel so dirty just by reading that...
lol, j/k! This is a very tastefully written piece that only hints a little at the end. It's actually very sweet and very well written.

A few little errors here and there, nothing really dire.

*Star*In the first line, Toinght should be tonight.

*Star* In the fifth line you need a comma after claim.

*Star*In the sixth line, the comma at the end of the line should really be a period.

*Star* In the seventh line, I think the comma at the end of the line would be better as a semicolon.

*Star*I just wanted to say that I really love the words you picked!

As you can see, this piece has a few punctuation errors, but your wording and phrasing is just so fabulous I had to rate it at least a 4!

Good job, and keep writing!
-DDQ
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