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Review Style
Feedback reveals much about a reviewer. What you offer in reaction can expose you. No crusader, “just another victim reporting.”
Feels like a million words in review. Wordometer needle stuck. I improve my critical analysis in feedback, meet other writers, if only their words. *Quill*}
Read my reviews, see output from others. Responses to my reviews have affirmed enough.
I try not be/play authority of someone else’s words, left to the master of the work. I will get carried away in response. Reflect/react/review, with fuller perspective.
In 2024: “Your reviews are great…supportive, encouraging, and ‘in depth’, with excellent suggestions…exactly the kind of reviews I…strive to write. Alas, such reviews are the exception on here. Most are drive-by reviews…just heap praise on the item. A small number are just critical and not supportive...Yours are among the one (in) twenty…that are gems. People should be grateful for getting them.”
I'm good at...
Hours a day given to reviewing, unable to shortcut, and conceivably offer. Thirst knowledge, resources sought illuminate brewing questions. No quit, always learn to improve. Any who negate miss out as much as I have. Communication is key; face to face is best. Foremost for writers, I learn from whatever associations. Life is thankless, self-corrected by humility, easily digested now. I'm blinder now, but react, encourage, may diagnose and suggest with notes. I don’t need any other shoes.
Favorite Genres
Poetry of nature, love, psychological, spiritual, inspirational, humor, emotional, drama, human interest, dystopian. I’m for open minds, or be prepared for well-intended crowbar questions. Sensitivity accepted but not required with me.
Least Favorite Genres
Fantasy, horror, most children’s, violence by association
Favorite Item Types
poetry, short story, essay/opinion/blog
Public Reviews
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Review of The Warning  Open in new Window.
Review by Brian K Compton Author IconMail Icon
In affiliation with disABILITY WRITERS GROUP  Open in new Window.
Rated: E | (4.5)
Dear Sumojo Author Icon ~

Very dark for humor, almost unsettling. For a flash fiction, you do well to create scene, conflict, resolution while giving character attributes through dialogue from a clinical psychologist/therapist with counsel to long-time agoraphobic. Again, written in 24 hours, with some minor punctuation miscues, it does functionally tell its story in under 300 words.

Looking at your item as inspiration produced from activity or exercise, the imagination is what one sees getting flexed here. For a reader of the fare, it’s obvious research or further knowledge could help this. If it were written as short filler, with enough attention to detail, I’m certain dark humor could be spun, if something like irony were added somehow.

If you were to rewrite, expand, I could suggest some things to try. (Or, just to consider to help layer your next write.) First, maybe Frank needs an actual irrational fear. Quite simply…dogs. A greyhound bus would seal that fate, as he has irrationally deduced or got a sign from the gods above. Any bus line with a moniker to symbolize with resultant fear will do, universal enough for readers to infer. You could give Frank a vision that obliquely describes bus with strange bus-like depictions (reaching here) like a metal dog with glass eyes, or chariot dog with fire in back, dog on rubber wheels, or a man piloting a forty-foot cur, etc.

Second, getting an agoraphobic this far out of the house on one call, especially at three years, is a bit of a sell to suspend a reader’s disbelief. I’d have to be sold on a nearing breakthrough. I discussed this with my wife while reviewing. We agree everything is in place but needs a little more or slightly different backstory to start. Like, “we’ve been making good progress (as to irritational trigger). Today, let’s try to just get a foot out the door.” Dialogue could be ‘you’ve never even seen (irrational fear symbol) outside’? Nope. Doc convinces him this much, and with diminishing hesitation, miraculously they’re celebrating…’I’m doing it’! Forgets fear, forgets traffic…and the same end.

You need more time on the above moment to slow pace, drag out a little longer. As flash fiction, there are edit opportunities to gain space to fill, like quick backstory summary (omniscient narrator), lose first call handler, just doc getting online. You could even begin mid session ‘so are we ready to do this?’ hooking reader from get-go. Then backfill (bring reader up to date), while it plays out to slow action with Frank’s hesitancy., and you might have additional space to end, unless making longer, like to further humor. Bounced a few thoughts off spouse and best I could come up with in five minutes is additional conversation with new person at end with doc to deliver extra humor. For instance: Doc is reeling from revelation, when the informant asks ‘who this is’? ‘Oh, I’m Frank’s doctor. I specialize in agoraphobics’. ‘Really? Huh, I guess that makes you really good at your job, or just bad’. And, if further…Pause…’Hey, my step-mom hasn’t been leaving the house. Suppose I could get your number/referral’?

Reaching, but you get the idea. Use any or all or none. Review has been fun to share with your story building process. Pace is important. He had hand on door, then outside, then gate in 10 seconds. If slowed, mid-story launch/hook, a foot out the door at first? Dialogue helps craft characters through manner of speech, but maybe framework intel enough to give fuller appreciation of scene in this context. Omniscient voice can describe just by tonality, but also character motives. I would need more of scene through that dialogue, if no omniscient eyes on this.

Overall, you did well. You’re braver than me. I can’t write to those particular prompts in a day, limited by imagination and personal experiences without those external influences like prompts with cues of constraint. A pleasure and obligation to review your short fiction.

Looking forward to more,

Brian Is…

WDC disAbility Writer’s Group
and I Write In 2025 Reviewer

I’m blind, not disabled.



My eyeballs are about to go offline…dry.


*Gold* My review has been submitted for consideration in "Good Deeds Get CASH!Open in new Window..
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Review by Brian K Compton Author IconMail Icon
In affiliation with disABILITY WRITERS GROUP  Open in new Window.
Rated: E | (5.0)
Anniversary Reviews email siggie


*CakeB* HAPPY WDC ACCOUNT ANNIVERSARY!!! from "Anniversary ReviewsOpen in new Window.*CakeP*
Celebrating your writing this month with a review.


Happy Account Anniversary The Ink Maiden~ Author Icon ~

I caught a glimpse at the poem "Beautiful Differences Open in new Window. among what few offerings of constructed words you share, and this compels me, but less from the secular presence imposed, but what the narrator draws as visions when disconnected from God, with observations all attributed to Him.

It’s tricky to wade through something described as genres Personal, Nature, Religious (in that order) where you present a poem that connects spirituality through sensory and visionary devices. Ultimately, as with developing prayer, we note observation of thankfulness for what most ordinarily take for granted. This accounting in your poem shows awe of nature and how it inspires foremost. It might suggest connection on a higher plain from life circumstance that many felt with being saved in some manner. God is in the works, but here his mention and capitalism of ‘Your’ (for me) do detract from what you describe or feel, thus, the Personal, Nature genres before owing this reverence to God. (Style book preference is lowercase for all personal pronouns, but this the personal choice to honor God, to show reverence. Stylebook says if done consistently, that matters most.)

The poem opens in address, and in this missive is a great framework for narrative to witness with the transcribed one-way transmission of thanks. Beyond that point, the poet seems to take God on a journey…a sort of, See? See what you made? And, it goes further to show us through Him, what that allows the speaker to feel…provided for, peace and safety from oppression. Many readers can draw their own connections, as with prayer, are minds can meditate, take journey to what’s in our hearts.

Because it is a short poem, the address reads heavily, and less attribution would help with focal,points,context, message. The summation, however, does not address when signing off. Perhaps, redistributing address here would help the reader. I know this is older. Few consider edit. Just a talking point. Definitely, giving more to the sparkling imagery can allows us to pay more attention, help put a reader in that scene, recall spirituality, visualize, and make connections with our own appreciation.

The summation in that final line is beautifully crafted and still shows reverence without additional attribution. It reads clean and serene and as an overall tone or mood for this offering speaks loudest to me. God is in the works of that line with subtlety, which is more impressive and impactful. Maybe, I could try…maybe show. Since prayer can come naturally for those who’ve immersed in it…

Lord, we thank you for this poem you have blessed and the writer who shares their devotion for you with a well-stated connection to nature and the living. The poem makes one aware of your presence, where you’ve designed and maintain the most wondrous artifice — earth, and our dwellings upon it. We have sinned against you daily, knowing your kindness and benevolence for forgiveness, bestowed on those who share your message. We are but human, from the fallen, ever striving to be like Him. These words the poet shares in a writer’s village as a token of appreciation can inspired others like me. I do not crave possession, nor dominion in this realm, but share a love of writing and reviewing, having learned by the guidance of others who intone your teachings. My wish is to further share joy and love of words, moving past my own visual limitations that cause frustration and doubt.

Be with those who can’t be with us, including those I’ve prayed for. No domain is ever as great as your kingdom. Care now for many I’ve known, including those who can’t join with me. It has been your will and I’m sorry for my failings, foremost to you. I pray the world heals from all violence, bloodshed, and wrongdoing that cause darker times. I pray for peace and harmony with struggles of Christianity at the core. I appreciate all you make possible, God, to grow these wings as writers, by faith and steadfastness spreading your word in the face of ignorance, foe, downtrodden and the complacent or absent, and many others who could yet know you.

In your name, we pray, Amen.


Your poetic offerings, either designed as adoration with thanks, or a gift for fellow writers, hits the mark, more than decidedly. Thanks for letting us get a glimpse, and praise this ability to lend feedback that others might know of the encouraging words out there. I take a cue from your poem to give myself even better context of my life arrangement, how I share and where I can nurture myself to be stronger, as yet meek, proponent of all the teachings ascribed since a childhood, thanks to s strong parent. Each day, I feel a little closer to peace, as days dwindle. I’d rather be about it than speak about, feeling safe sharing my words here.

All of this, inspired by words you crafted and hopefully will be found by others through shared appreciation of nature, romanticism, and by whatever faith chosen that allow eyes, as mine, to hopefully see those in need, help them know I am welcoming


God bless,

Brian
disAbility Writer’s Group
and Account Anniversary Reviewer

I’m for me now. Where are you? Rhetorical and ‘I accept your…what’?

Not a crusader but defender of faith, and however that presents whenever misunderstanding or inability to openly communicate are in doubt.



“…(B)eautiful and dying and yet still trying to be free.”

From “Cyclical” —no link as yet available. It’s about preserverance and devotion.


*Gold* My review has been submitted for consideration in "Good Deeds Get CASH!Open in new Window..
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Review of Conflict  Open in new Window.
Review by Brian K Compton Author IconMail Icon
In affiliation with disABILITY WRITERS GROUP  Open in new Window.
Rated: E | (5.0)
A review for the conflicted and the afflicted.

Dear John Quarles Author Icon,

I missed sending this review during your first account anniversary here last month.

Your sub-text of Conflict is evocative and provokes a reader to consider. I revisit this and my review, lacking time to give true introspect. This title line offers framework for the subject/theme of something of an enduring debate, “A conflict of the mind, between empathy and apathy.” My 2 cents, right off, is the sincerity factor. What feelings seem innate, against how much is conforming to elemental narratives that surround with support, negativity or silence? People are conditioned to give false empathy that passes off as pity, because they couldn’t possibly comprehend or be in any other shoes than their own. I commend you for tackling a worthy subject while mire in its folklore tar that becomes difficult to separate from.i tried a Br’er Rabbit thing there.

The title of your item offered for review, gave me all notions of ideas about how this subject reveals. Having consumed, and seeing this as a conversation with oneself, I first thought of a mirror. This could lead to titles like mirrored thoughts? It could also take your title ‘conflict’ and project it further. I was thinking of it including in parentheses with the word ‘inner’ that could lead into conflict.

Truly, the conflict doesn’t reveal as much as these revelations that seem to wind up repeatedly. I would also imagine these discussions with oneself become more enlightened as time goes on. With the enlightenment, there comes more confusion rather than answer. There seems to be a call to action and that is for empathy to fill the void in the emptiness that might be described as conflict with life or the world and all people who don’t ascribe in it.

Another way might be to feel motherless. Who else can show empathy than one who sprang from her loin. It might be a misconception to believe all mothers have empathy. As a child we have seen it employed, even projected outward toward others. Someone might have a mother like my own, who was a friend to everybody. She would go out of her way to make sure that I was happy. But I was also ignorant as a child. I did not view life with the correct lens. I see her love more like sympathy or pit now, which had confused me about how love operates.

A person becoming an adult, without that proper lens, might seem a little strange to others without proper correction. And if a person has an undiagnosed mental disorder because mother could not see the need to get said child help, you have a person who can be a problem for society. However, where empathy lacked, empathy I feel can be learned. Living through ignorance, hate and pity, I started to connect with others with familiar emotions demonstrated. It makes one want to give of themselves to the whole, selfishly feeling it will heal oneself…but only with the correct lens.

In society, unwritten rules and unknowable authority further confuse one with empathy to share. So these ponderings I’ve read come to me as lived emotions, and got this initially just from a titleline. This is my fourth attempt with edits to end review. The reason why this is going to be long, is low vision, poor editing tools, impatience. This community while making an effort to improve its appearance, has font that is too small for this reviewer. And, as I am challenged while encouraged to review properly, make use of a thing called review tool, for upgraded account, words store until ready to tackle again. This is not my best.

After reading your item, shaped like poetry meeting dialogue, with much pacing, a strange question came to me… “can a person feel empathy for themselves?“ Self-love is more important than serving the needs of others. How would one be strong enough to help another, if not strong themself? I liken this piece of yours to a person talking to the mirror, asking the routine questions about indifference and the lack of empathy. I know it doesn’t require sympathy or pity, which are the common applicators. It is forthright and very revealing, and does not mask anything as a notion of something one way or the other. It’s almost as if it’s affirmations with an ending that doesn’t fit the entire conversation. And yet it does, because it will continue the following day with similar revelations, or the same feelings, emerging about how one still finds themselves alone, but still wanting the betterment of apathetic society.

What you write typifies a person who commonly arrives at a social interaction where they can leave comment, receive none and after 11 months have not posted since joining. This is not ironic at all. It is just the norm for where we reside. Waves of people like ourselves wash on the WDC shore, seek refuge in divulging feelings through words. Finding angels once upon a time. Try to find a way to be a contributor to said community. And think that you’re going to get ahead with writing endeavors, all the time ignoring the mirror. The mirror comes in forms like others reflecting your thoughts. Many can’t relate, some are false, most don’t care to opine. Most, indeed, lack empathy, but do invoke pity and sympathy.

And this search for mother, quite possibly the only person that can feel empathy for you…Sorry, dad…continues, without a mirror. This item doesn’t get too personal. Not personal enough. Which… is good. You shouldn’t have to give away anything or everything about yourself, publicly, to be a part of society. It took me a long time to learn that I can keep a journal in private. But, it’s long past that and there’s nothing private to journal that I would keep online here. But would, personally, on my computer. So what is the purpose of writing down these feelings that look like a person looking to the mirror to see the only other person that feels empathy? The question, is there an outward projection in society with empathy for others? Do they dare speak? There could be this underlying feeling one feels compelled to be empathetic because of the lack of it and or a need for it. But, I think it’s a need for it, by demonstrating in writing, being sought in this lonely dialogue.

The compulsion to fill in where something valuable is lost seems noble, and you’d think respected. It becomes expectation, as bars rise higher, after offer. It gets one hurt even further. Trust is needed before empathy can be shared. Empathy is reserved for one special. In the end, the empathetic are trapped by their own feelings and all the struggles to empathize when ignorance, indifference or hate might apply. Frankly, most fon’t expect or want it. That’s why self-love is important, saves us with our own empathy.

Thanks for this, helping me consider and improve, hopefully, how I read, deconstruct, learn and share these frank thoughts. I have no compunction about being honest, if I can fully realize what that is while separating what people don’t expect to hear, or need shared.

Sincerely,

Brian
disAbility Writer’s Group Reviewer
I’m blind, not disabled.



*Gold* My review has been submitted for consideration in "Good Deeds Get CASH!Open in new Window..
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Review by Brian K Compton Author IconMail Icon
In affiliation with disABILITY WRITERS GROUP  Open in new Window.
Rated: E | (5.0)
Review for a poem that reminds of the importance of self-love, to care for oneself (when mom is not there, a poem exists).

Dear Michelle Author Icon ~

Wow! I have not seen a poem like this before. From the first look I'm drawn in and a bit mesmerized by a structure that looks like art and lovely. I previously reviewed a poem by you and referenced this, which I took further time to give consideration before feedback.

My first actual response: Within "My Child You Are Beautiful" reveals a hidden rhyme scheme that naturally sews up form, keeps the poem evenly paced and easy to read with soft and not harsh sounding rhymes. It's made me consider consonant sounds when offering something to the rhythm of a piece. Here you are encouraging a child to love themself from the inside. It's an assured voice that is touching in what it relates not only to child, but reader.

In one sense, I read a self-soothing mantra, a voice we create to induce calm with a motherly love. Too many times I’m deluded by TV and movies that this whisperer culling the calm is actually a villain. It’s hard to get that image of deceit from my head. Obviously, not the intent here. What makes the narrative voice special is we can self-heal. The poem pace with precision uses even sentences that contribute instruction to let oneself relax, too tense in a waves or layers of comfort.

The purpose of the poem from titleline is straightforward. Makes me think of a good mom, well-intentioned to help a child with body issues. And the other side of the coin is a father’s tough love (not in poem, but a drawn parallel). We learn early our parents have our back, but can’t always be there. We accept life is cruel; we eventually can’t hide from all that awaits, as there is something greater waiting beyond a child world. Self-reliance becomes important.

Mantras like these are important. The words, the rhythms teach us to be our own parents, take care of the child inside. It thwarts a society that knows of our ills, guilt, sins and weaknesses that could be exploited for many reasons, to turn self-perception on ourselves. It goes beyond cruel, as parents fade over time. A child can learn from well-meted phrases of self-comfort to quickly heal over a lifetime, grow a backbone, and stare down any foe that nears.

I like, “every stitch in your body has been perfectly sewn.” It’s emboldening. It could overfeed an ego that is weak, requires a certain kind of compliance to believe, but the expression is meant to lift that boulder burdening one fed negative images of oneself. The poem seems the best vehicle to reconsider in times of loneliness through isolation or lack of integration. This poem salves wounds and begins that process. Another side of this narrative could lie a paternal voice that demonstrates how to exist as Teflon and steel. Stoicism is a valuable asset.

Your poem and these tenets remind, we can be self-reliant. We can self-repair. We can persist in a world that seeks nothing but to enslave us, rather that allow individualism amid the whole. And, we are not the broken, but the ones who cast insults that need our pity in reply. Those are some broken people. Your message does well not to address external but internal factors. It relies on self-perception, as with a self-imagine. I see the inspiration for this, and likely a trait passed down that can continue, generation after generation. Do the tormentors forget or lack the teachings of their mothers when they addle, torment and refuse others, just so they can release frustration and feel better about themselves?

More thoughts I draw from having reading your Psalm to calm, I try to find a voice here to self-soothe.

Child, you know you are beautiful. I see beauty and perfection, as only your parent can. The world has cruel eyes, but it’s also broken. What is not broken, is you. A heart pure, beautiful, wondrous, all the days butterflies sought, scanning the sky for unicorns. You are unique and special. Take your hand; pretend it is mine. Rub the backside of your other hand. Feel it’s tenderness. Slowly, gently apply pressure and massage your skin how I do. Do you feel me there with you now? Do you know who is loving and caring for you? It’s the hand on that hand that gives a clue, as it is you. No one gets between you and yourself. No one tells you who you are, but you. If they deny you, abandon you, let them go. You have you. And, when the world sees you smile. They can’t deny it. Because you are for you. And that is not selfish, bragging or boasting. If you believe in yourself, others will believe, too. Spread this message of love, but guard it carefully. It is only what I give that you can give to you.

Parents can rock! Thank you for the reminder, demonstrating so I can also find words to self-soothe.

All the best,

Brian.
WDC disAbility Writer’s Group Reviewer.

I’m blind, not disabled.

Nature does trust a crude human’s love to touch a seldom seen Northern Pearly Eye.




*Gold* My review has been submitted for consideration in "Good Deeds Get CASH!Open in new Window..
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Review by Brian K Compton Author IconMail Icon
In affiliation with disABILITY WRITERS GROUP  Open in new Window.
Rated: E | (5.0)
Dear Michelle Author Icon

OMG, my heart as I was reading down that road, knowing the last word because of the word it would have to rhyme with. It had two directions to go as it started out but it became obvious near middle to end, this was not about giving up a child or having it taken away. I was moved by such a sad yet touching poem that I could feel something very personal and difficult to share in that speaker's use of language...in a poem that is fully developed with emotion, sense of loss, inability to have that true connection to the adored one with affection.

I've heard it said that a heart that is broken is unfortunate, but what's beautiful is it holds together with the love we lose but still hold onto. Perhaps, we romanticize or imagine a future from past with the fictional. Often we consider them with angels, or as our angels but cared for. All of this comes to mind when I note this read. It's short, with long lines that could bend or break another way, but what's holding it together is the rhythm of the read, the word that plays off of another to drive that second point. A rhyme scheme that could fully hold together but have some ideas of ways that can be repaired, though it is up to the author and the visionary who truly knows what should be said. I can only interpret from my perspective what I learned from this poem. And did I the previous poem of yours I visually and auditoralially consumed.

A pleasure to consider your offerings that I might lend feedback.

Sincerely,

Brian.
disAbility Writer’s Group Reviewer

I’m blind, not disabled.



*Gold* My review has been submitted for consideration in "Good Deeds Get CASH!Open in new Window..
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Review of Joyful Butterfly  Open in new Window.
Review by Brian K Compton Author IconMail Icon
In affiliation with disABILITY WRITERS GROUP  Open in new Window.
Rated: E | (4.5)
Dear Jo Paynter Author Icon

Surprise ending with this one and not sure if it applies or if it could be introduced with foreboding to give a reader a framework for this marvelous, imagery filled story that really comes to life with some great word choices to illuminate a reader's imagination.

"Joyful Butterfly," singular, seems to be about the speaker who perhaps feels as one, possibly going through a transformative process and the spectrum of yellow butterflies happily going about their business in that neck of the woods is something that inspires the narrative.

If it is some kind of sign one looks for, it is assured rare and beautiful. It is serendipity, but also treated as sign to symbolize something that anyone can relate to, but about what? We can attribute our own experiences and feelings of awe for nature. We know the days of no luck getting that prize fish, or whatever we angle for. It's an unexpected gift that means so much more, reaching deep into the psyche at one's existentialism.

A pleasure to come across someone new with poetry to share.

Sincerely,

Brian
disability Writer’s Group Reviewer

God tells me where to look, and lo and behold a new writer with such great gifts!
I'm looking forward to more in the future.

I’m blind, not disabled.



*Gold* My review has been submitted for consideration in "Good Deeds Get CASH!Open in new Window..
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Review of My Thoughts  Open in new Window.
Review by Brian K Compton Author IconMail Icon
In affiliation with disABILITY WRITERS GROUP  Open in new Window.
Rated: E | (5.0)
Dear Sumojo Author Icon ~

Some powerful imagery that connect to emotions related to social interactions with intrusive questions. It strikes as a very important issue in a world ever prying to get at something that goes beyond a casual encounter. This, may be the latter. But, I’ll project to show parallels found to a pathology of modern day intrusion.

What I’m noting is how you notate opening interrogatory and the following response. You start with the bold black font to open, it’s implies bad or menacing, a very overpowering influence that may be seeking compliance. The response, like a Buffalo Stance, isn’t giving in. But, you speaker is contemplating, noting ‘despise’, making me if they know each other. It doesn’t feel threatening in a physical sense, lacking supporting images. This helps shift to the ever-present psychology behind invasion of one’s privacy.

It feels compelling forces know they can work one over that might have a tell, an area of weakness. Maybe, just by bullying, more artlessly, getting at what they’re thinking. How you demonstrate this open line, to be stoic, yet as reader, feel the shift to finally open up as a result of coercion. To better demonstrate, some imagery that adds to the interrogatory persistence might help a reader feel and relate to a feeling of a persisting burden.

The respondents redirect of eyes to sky shows a veiled weakness. But, the hesitation to respond and consider, before offering a reply that lends nothing to the party of the first part, shows intelligence and patience. But, when these sorts who meddle with others assert, if they’re working an angle, fishing for something, they won’t quit, especially the narcissists.

So, while this could be just an intimate relationship, the overall message feels like intrusion on privacy in a surveillance state. We slowly lose freedoms, like privacy, identity to thieves, or basic freedoms that should be guaranteed. It’s not like any restraining order will be forthcoming, the way I read. This is essentially need to keep one’s sanity.

Your unusual poem goes right back to some very telling inner thoughts. It’s showing mental torture from predators allowed to prey with seemingly innocent questions. In this scenario, it seems tone of the interrogator’s voice is enough to feel intimidation, as yet without physical depiction. This is a psychological and social commentary that need be heard, might be intoned, if people are listening or watching communications.

The inner dialogue represented here is a person made to feel prisoner in their own mind. They know the presence and this intrusion are leading somewhere. This can be handled with the expression, “I feel unsafe.” This appears one-on-one, but seems a systemic issue where most who pry all play from the same narcissist handbook. It’s actually very simple, making these sorts seem pathetic.

Narcissism calls the shots, controls narratives, squeezes you when you try to escape, plays rope-a-dope when one fights back. Everything intimated vaguely they try to get one to infer. That’s where their narrative can apply. Many in society are lambs being lead to some slaughter. I feel a lamb that is trying to be defiant, knows what’s at stake. However, having no game to outwit, that a lamb can’t outlast these basic bullies. They don’t have the fortitude of those nosy busybodies.

This is a scenario where anything you give, even if silence, is connotated as something. The impossible is getting them to relent, admit another’s narrative, nor will allow defeat. They are the writers of false gossip, idles lies, that further the struggles of one cut off, isolated, made to feel alone. In comes the gaslighting. It’s very telling from this introspect you’ve portrayed.

They have a way of reading body language, aversion to assemble notions of fears and weaknesses that a lamb can be trapped by. Society is devolving into dehumanization, becoming wolves, destroying the fabric of community, the mantle of trusted friendship. And, what I see here is someone talking themself into non-compliance, but then, ta-da! We get the ending.

You intrigue with, “You wouldn’t want to know.” I could feel a table turn. Just to end on that, give a reader pause, I wonder if the inquisitive one is stalled, too.

Truly, physically, only the speaker of this poem demonstrates. The poem itself could reveal, but it’s only inner dialogue shared with reader friends. It shows a kind of safety to get the questioner to infer. They have to ask if some subterfuge with that last comment you’ve offered. Ending on it is the statement. Is it a bluff, is there really something they don’t want to hear? The latter, me thinks.

This can read as a relationship on the rocks. This could be fantasized dialogue undelivered, or there may be work, other interpersonal dealings that produce this. And, but not giving it context, just letting the inner workings air out, many can relate to being preyed upon. Here, I find the speaker now holds the power through the ambiguous. It’s the best you might be able to do in the face of these interferringbtypes.

There’s a lot to unpack from this. It’s very relevant today. It’s so hard to pinpoint or define. The lambs that complain get labeled, told get over it by intermediaries who should know. This is a tactic employed by more every day, outside of home: at work, in a social dynamic or hang out, at a place where something additional is sold from fries to extra insurance. Greed will bleed us dry of not only money, but sanity.

What you composed is universal, is applicable and what many feel as a perversion to interrupt our daily lives with emails, texts and robocalls. The level of noise getting higher inside the minds of the meek, downtrodden and troubled. It was supposed to be reserved for police interrogation, instead teaching people to be evasive, better liars, more deceptive, pass those polygraphs, to get security of mind and identity, to stay calm.

Thus, society is becoming insensitive, less availing, discourteous, negatively impacted by the persistence for information they have no right to compel another to fork over. Unsafe, unsafe I say.

This is a well thought and displayed Imaginary dialogue that has roots in society that extend out and beyond. It’s very compelling to me. Put them on notice. Our personal information is not to be sold to third party types. What if one steals our identity. Safe-guarding can be unknowable, until you test to see who your friends are. It can be assumed it’s none, just for that sanity, leaving us isolated. Blame politics in America, too. We’re divided while our parents fight.

Great job! I tout this. Let’s get back to humanizing and stop defaming people you shouldnt extort. All criminally prosecutable, by the way. And let them know, apologies are accepted without preface, if played right. Stalemate is the best you get, unless…they aren’t the narcissist. *Shock2* *Bigsmile* If nothing else, they might shut up. *Delight*

Nailed it,

Brian
disAbility Writers Group
and I Write in 2025 Reviewer

If any don’t agree, don’t credit this review. I’m for honest, not deceitful, discourse. I’m for human rights and NOT the privileged…or the constant hypocrisy, easily checked, yet none do. Cowards or no one have their back. Cover me. I’m going in! Area is clear. That’s a wrap. *shrug*


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8
8
Review by Brian K Compton Author IconMail Icon
In affiliation with disABILITY WRITERS GROUP  Open in new Window.
Rated: 13+ | (4.5)
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Celebrating your writing this month with a review.


Happy Account Anniversary GERVIC Author Icon ~

Alone in the dark, fear and nerves are tested. If it were sunny, or temperate, Hope might survive. The thought of snow either day or night presents some very romantic visions in nature. This poem and your approach to narrate in rhyming form can feel a bit Shakespearean, relate to commonality with readers. I think you could go further, directly referencing oneself. A reader drafts an image from their own bias to relate to these vocalized projections.

If it were me, I’d take whatever I wanted to write about from any prompt and try fly solo in my own direction while still mindfully fulfilling rules of activity. I had read “Embracing the Dark” once through, finding a narrator monologuing openly, but to no one in particular. Might be self-monologuing, if to envision. It ends with a message like beware. When I saw the prompt, I felt I needed to reread more carefully. I can’t make a case for lying to oneself, or if it is even poem intent. I find there can be different interpretations of words or theme applied as opportunity to spread my wings, thus reinterpret the prompt word ‘Lying.’ I could just introduce narrator to ground, pontificating the perils. The elements we lay with, observe, personify, or spiritualize could bring heavy weight to the burdened narration/speaker. And, contrasting night, in same scene, lying in sun, lying in snow, and how much different the voice might sound in a psychological approach. I found a poem that can’t be knowable, yet relatable. It’s how we interpret when we read that connects us.

You separate us from all the living with poetry, remove oneself, barely offer a pronoun. A feel of being alone, guarded by a dying flashlight. It can seem surreal and make even scarier, if describing a thing in a horror play. Many could view life as unending horror. To be alone in it, couldn’t imagine how others might survive. It is eerie, but the message is embracing your fear. In dark, sightless, we must trust, find our inner strength of convictions, beliefs, and righteousness. Coping becomes a skill over time. Fear never relents. I find these questions with message to have resolve. I have it in spades.

I note style, voice over message, because it disconnects, feels theatrical, as if in Hamlet’s sub-cioncious where some part of him might yell, ‘just shut up already’! It’s a tragedy. We can be our own worse enemy with self-doubt. Lucky sociopaths. *Laugh* I enjoyed the poem. Happy Anniversary this month. Thought I’d drop in and give one of your offerings some feedback with a good word.

All the best,


Brian
disAbility Writers Group
and Account Anniversary Reviewer

I’m blind, not disabled.
Sorry, review rambled a bit. Picked it up again after a few days away.

*DoorBr*


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9
9
Review of A Love Within  Open in new Window.
Review by Brian K Compton Author IconMail Icon
In affiliation with disABILITY WRITERS GROUP  Open in new Window.
Rated: E | (5.0)
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Celebrating your writing this month with a review.


Happy Account Anniversary Legendary❤️Mask Author IconMail Icon ~

One flower, a powerful symbol of love and how one has beauty in a romantic soul to share. This is adorable. Yeah. I couldn’t decide what inspired this approach to create but for contest. If there were additional notes, it’s nice sometimes to see prompt or general motivation. Obviously, it serves as a romantic appliance, and get the special someone. The single image gives me pause, when I consider an approach to poetry that gets right to it.

I would be the one who knows the ache, longing. Just the title-line alone exudes feelings, does well to framework this offering. The conciseness and decided approach here, one image, one utterance, can strike when the sixth line drops. This could work for many lovers, on different levels, including the engagement and the ‘do-over’, adapted, could fit anniversary. Here, you offer as Valentine. It could be for one day, to not feel lonely, an opening to something more, or that long awaited declaration to free oneself of lonely love purgatory and seek out heaven in another.

A rose braves elements and is thorny, guarded. A single rose as gift represents entirely different, symbol for one’s heart, capacity to love. The offering can be a powerful message, if not too much. With a simple stance on love with what feels like a tender promise is just the right amount for new love. Commitment is a big thing.

The last line for me is a throw away, if making the poem a gift to reader, to show bravery, steadfastness in an honest confession. Perfectly fine as note, otherwise. You deliver on five lines a preface to a sixth line summation, with question and head turner, if not tipped off. It surprised me. This is the value of condensing to the essence the very aim and heart of a thing.

I’m no rom-com expert (yes, I am), but this feels as great revelation in an element of surprise. This, poem as stated, would no doubt ease tension, break conflict, or just be the happily ever after moment. In my mind, all sorts of actors in all kinds of scenarios from boombox to knee, are delivering these lines to make us clutch our hearts.

So, well done. Thank you for your generous heart. May it find a love to cherish. Happy Anniversary! *Rose*

Sincerely,

Brian
disAbility Writers Group
and Account Anniversary Reviewer

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How were my personal pronouns? I’m asea at times to see life with broader perspective.


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10
10
Review by Brian K Compton Author IconMail Icon
In affiliation with disABILITY WRITERS GROUP  Open in new Window.
Rated: E | (5.0)
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Happy Account Anniversary GERVIC Author Icon ~

This is a fun read, full of imagery, but also the psychological, making me wonder if one narrative voice, or how to perceive it.

The first line, a visual, personifies what lay on shelf. A Robin’s egg? *BigSmile* *Think* The whole verse devoted to opening scene. I could only assume what to visualize, so googled ‘speckled’ in baking terms. You know, I never knew thst. But, I see it now, but was confused. I plug that in. I know the baking pans for my zucchini bread very well. They are stressed and don’t keep their form anymore. Know it so well, it feels it belongs to mother. These visuals and the potential interaction within form, harmonize. It’s also like a thinly veiled story that includes intro to characters, the presumed action in building a recipe, the subconscious conflict with doubt, the unfinished mix lay in wait and we cut to end with a call to action, if not encouragement through morality play. Like serve your banana bread today.

This also speaks to spirituality. Building that banana bread mystery brings visions depicted, it also gets overwhelming. Does the baker like the poet create a fun little ditty while going through this process, like outside of oneself. The spices and other devices are personified and yet not, lacking lifelike ability. So, the narrative shifts from monologuing while baking before admitting self-doubt, psyched themself out. Then, it lands with a narrator responding after all this unfolds, such as a movie trailer narrator with essentially, ‘Will the bread bake or not?’ And if at the end of the sitcom ‘Soap’, “tune in next week to find out.”

Ultimately, this play with speaker, scene and words is entertaining, adds spice (I went for it.) But, this is what I do while walking through the house, “will Brian take out the trash or get distracted with writing?” Essentially referring to oneself in third person, using a higher art form to inform reader. I use all voices, mimic, sing, whatever moves. This is like a poem coming to life. Making a saga from attempting to mix and bake bread comes from an imaginative mind. It had to be produced in a day to qualify for The Cramp, perhaps furthering the spirit of words at play.

There are questions, despite knowing this feels surreal, if not something cooked up (went there again), did the bread get made? Why does the speaker fear, assuming failure. Probably not necessary to answer the second. It’s more about word play. If I didn’t stumble over baking pan, I might have had this right out of the gate.

So, reflecting, that final stanza feels like a self pep talk, with respect to the banana bread, the ultimate gift of its arrival, described as perfectly made. In a way, cliffhanger. A reader went for the ride, the poem being more about the journey, the experience, conflicted with ‘what if it isn’t just right’, my interpretation. It’s a reader’s choice how the poem unfolded. This had rhythm and flow. A sweet read (last time). Happy to have viewed to lend feedback.

Good job!


Brian
disAbility Writers Group
and Account Anniversary Reviewer

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Did what I could to make this readable, with editing and vision issues. Also, no sleep since I woke at 8:51 last night. Happy Anniversary!


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11
11
Review of An Irish Lassie  Open in new Window.
Review by Brian K Compton Author IconMail Icon
In affiliation with disABILITY WRITERS GROUP  Open in new Window.
Rated: ASR | (5.0)
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Happy Account Anniversary JACE Author Icon ~

Finally, a limerick I can get on board with. That fourth line got a hardy chuckle. What can one say about limericks other than this is exactly the kind of rhythmic five line poem that’s intended. You have good rhythm/flow, proper syllabization. It’s even got a flair for the Irish. It adds verve, getting the authentic vernacular and flavor that adds sass to the sassy lassie.

Of course, the lead in with, “There once was a…” and I thought, ‘here we go’. It’s not Chaucer, but seems the fare. It doesn’t feel forced, relays imagery with anecdote that plays on the woman’s pride of her figure. You could get that feel of a bar setting, the confidence that really is the sass.

I had my own response when I read this, recalling a time when I was with my parents. My dad looked out the truck and blurted, “short wheelbase.” I was puzzled and there was a discussion about a woman he was commenting about. When I put it together, asked mom why she let him get away with that. They had an agreement, ‘he could look, but not touch’. Ha, “short wheelbase.” The story was funnier when I got older, never tire of recalling it. It’s a change-up from his usual demeanor.

This was well done. I’m sure the kind that can fill slotted space in many types of men’s reading to something for women. It really is liberation and confidence that intone character and a clever little ditty. I think it’s publishable, if it hasn’t been in print by now.

A belated account anniversary,


Brian
disAbility Writers Group
and Account Anniversary Reviewer

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12
12
Review of Where's Grimm?  Open in new Window.
Review by Brian K Compton Author IconMail Icon
In affiliation with disABILITY WRITERS GROUP  Open in new Window.
Rated: E | (4.0)
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Happy Account Anniversary Bearclaw Author Icon ~

Some activities just don’t get the writer juices flowing. Feels uninspired or abandoned with this, but I was curious about the prompt(s) and if it was too much information that restricted creative direction that limited your output. I try to pinpoint some stuff that bubbled up, googling questions after consuming your offering.

I did get a glimpse of how Grim might facilitate a death transaction (do his job), it’s more folklore and left to imagination within the confines of a few boundaries to weave one’s story into the word I lean into “trope” to see what actions or traits to perform his task, and this was the first result:

Just like other psychopomps, the Grim Reaper's job is to escort departed souls to the afterlife. The Reaper doesn't necessarily take a soul to Heaven, Hell, or any other religious afterlife. It simply helps the recently-deceased cross the boundary between this life and whatever's on the other side.

His (It’s) connection to Christianity, while lacking in reference, might take on biblical sub-headings of his role as some of the personified images from the Bible, which is realized with this AI response.

The Grim Reaper, as a cultural figure, isn't explicitly mentioned in the Bible. However, the concept of death is personified in the Bible through various representations, including the Angel of Death (Job 18:13) and the Four Horsemen of the Apocalypse (Revelation 6:7-8). The Pale Horseman, which represents death, is named Thanatos, the Greek personification of death.


The prompt question seems silly, but one that many consider as a form of satirical conversation. If Grim doesn’t report to work. This aligns with Santa Claus theory, there’s only one. Because children can’t conceive reality, offering additional Santas to serve is quashed until doubting innocence precociously seeks evidence or grow up and give up the belief. Same should be said about Death. I could google to see if it’s implied only one, or if people went overboard on the personification. But, Santa is a spirit of goodwill/happy anticipation, while Grim seems embodiment of guide to afterlife/not a happy anticipation.

Your story quick settles on a dying man reporting he’s not ready to go. This creates many stories where people try to cheat death. Per the prompt, Death might take permanent holiday. The complexity of the question could cause one to wonder about all the dying, if eternally suffering without escape, overflowing hospitals that run out of beds. Attempts to kill one to take them out of their misery doesn’t work, as they all go into coma, etc. Death beds will be where they reside at home.

It’s too complex as prompt to inspire a story that gives weight to something serious, possibly humorous. If you invoke cynicism, you could give Death a voice and escape the mundane, if this piece deserves resurrection and another life (since likely no longer anticipated for whatever activity to provoke this last fall).

Another way to go is if woken into consciousness, Grim Reaper personified becomes sentient, rather than just being a personified entity about it. Existential crisis could be a way to go, though having no soul or a life to recall, perhaps something seen or heard gives him belief he could do more as an undying one. The subplot of the 2021 movie, “Nobody” comes to mind when an ‘auditor’ for an arm of government spycraft is sent to end someone who pleads for a second chance because he’s got a new family now, checks on him in a year, discovers the guy was sincere, and this agent decides that’s what’s been missing, turns in his resignation in favor of a family life that is successful until, he’s drawn back into taking down a bad guy after trying to find something intruders took from his home. A bit much for parallel, movie made by same people that produced John Wick.

This is what I consider when I see your offering and how the wheel spin lead to it getting stuck by leaving it with an open quotation mark at end. That last symbol would be a great device to get a reader to stop and want to know what happens next. The beauty of it causes a reader to devise ending, possible outcomes up to our own existential questions about why it should be of importance…say, if it were the last complete novel offered for publication when a writer disappears as Salinger, eaten up with guilt like Truman Capote, or just dies with manuscripts unfinished that leave editors in quandary, but cobble two novels together.

I get all of this and could go further. This is part response with reaction/suggesions, this iis part investigation of what subject matter and prompts and how fiction weaves into an element of Grimm Brothers moral-lacking, or mono-moral, folklore. It’s too bad I’m not in college, I could have five thesis's to follow and hammer out. *Think*(How many doctoral could I have just from reviewing here? *Scroll* 👨‍🎓 Exactly, none. Sloppy work.

I round up to four stars, because this opens something between Pandora’s box and mystery of Schrödinger’s cat, as we can presume what exists and what therein should reside, and if we want to continue down a path that ends in nothing substantial as output, as some fated reviews of an offered item that has been gripping less a ledge since last year, but more an idle spot in the backyard where moss growth inches closer. It just hit me, and in writing, we personify inspiration as something comes from muses, though very loose and medievally antiquated.

Better luck with the next.

Good writing to you,

Brian
disAbility Writers Group
WDC Account Anniversary Reviewer
Loose assembler of thoughts in abyss

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13
13
Review by Brian K Compton Author IconMail Icon
In affiliation with disABILITY WRITERS GROUP  Open in new Window.
Rated: E | (5.0)
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Happy Account Anniversary Pumpkin Author Icon,

This is very moving as revelation, taking this reader through a personal but sensibly handled experience of losing a lifelong partner. I can’t imagine losing such an integral part of my life where I depend on my spouse for many things I find difficult, but also as someone who brought his brother’s ashes home to his grieving wife. I share similarly this grief, reminded of a brother who was a second dad — how his four weeks fighting fatal and irreparable medical issues with only concern for those he would leave, before hospice and giving her over 72 more hours to prepare.

There is a natural ability here to relate this information I see recently edited, after this item was offered here nearly 14 years ago. You walk a reader through the paces, the beneficial knowledge of the image of grieving in the four time periods. My sister-in-law was practical, helping my brother through 15 years with many life threatening scenarios before final peace. Her ability to let him go, selling off or giving away his stuff right away, allowed many considerations for those struggling with his loss. Your experience helps me connect dots. I got a better view in her shoes.

Music was the go to, knowing it all too well from the days I babysat and they were separated. They were solid after that and while concerned by the Eric Carmen song while helping her reorganize her life, it’s what she played when they were apart. Weeks before his passing, she stayed with us while he was in the hospital. I cooked, baked family recipes. I could tell it helped. Going it alone would seem miserable and take grit, knowing the awkward behaviors of repressed individuals who can’t share their feelings. I say, just be confident in yourself when preparing for someone who’ll grab you when they need to grieve most. It’s availability.

You use images, sensory to connect us in familiar ways. Scented cologne was a nice touch. I could smell my dad on his clothes. Much of life that makes sense came from tv and film for me. This makes complete sense. On the other side, there is an element missing, interactions with children, brothers and sisters, the ones closest. Your approach helped facilitate those awkward ones who did what they could, which wasn’t much. It feels like a lone alpha how I read, as it seems you gave them an outlet, or just an out. Takes strength.

And in the end, it’s true — we’re fond of the memories shared that helps pain subside, if only for moments at a time…whether a sudden passing or one that helped prepare/pave the way for acceptance. I eulogized my parents and brother with the same message, gone but not forgotten. In fact, still with us. He’s in our eyes, our hearts and shared stories. The lost are larger than life people, in some respects. Families become tighter knit after loss, my brother being the largest hole to fill. It also reminds of co-dependency, having to be a whole person again which might be the biggest task. My wife claims I won’t know how to take care of things/family by myself in the event she passes. What you don’t relate, still helps me realize estate planning and more.

Thank you for sharing a very personal experience and allowing others an opportunity to consider, help prepare a little. Or, just to put a reader further down that road to recovery from their loss. Thanks for being a part of this writing community.

Sincerely,

Brian
disAbility Writers Group
and WDC Account Anniversary Reviewer

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14
14
Review of Black and White  Open in new Window.
Review by Brian K Compton Author IconMail Icon
In affiliation with disABILITY WRITERS GROUP  Open in new Window.
Rated: E | (4.5)
Dear ⭐Princette♥PengthuluWrites Author Icon,

I call this observational emotion with symbolism after my first read through. So, 2007. You were about 16. You hated wasps. My mind can recall odd details from days in scroll. But, I see this young one who instant messaged back and forth with me.

This is contemplative, questions that could seem rhetorical seem to wonder like ‘am I missing something while noticing this’? Under the assumption no revisions planned, there are things to highlight here that truly impact, it might be useful to know.

A world without rainbows is a world not witnessed, for me, the message. At the core is world dreariness as shroud. 2007 was a simpler time, JK. But life really gives the feels now. What was dreary then would be absolutely black now…for earth.

What is observational in narration terms is really the emotions and how one relates to a shared environment. Concretely, no evidence of anything but missing rainbows, aka joy, and hidden. Maybe, elusive, possibly withheld, or hard to find by someone who feels hum drum sadness or loneliness. It’s a small plea within this poem, like a voice calling.

This is why we (I) write, a sort of therapy to sketch the images we see, make sense of it, putting it on notice. Irony is, and more visually that it could read, this is what lacks in this poem/person to bring to life barely viewable scenes, anything as evidence connecting thin metaphors to the mundane. Without showing, it reveals.

Doldrums slip over the edge don’t give an immediate image. This is where edge should tie to another metaphor invoking theme. Doubling down as much as you can to connect the dots rings adding more reaction for readers experiences. Enfolding the world in a black shroud just feels like something you can break down, put away and cover.

The poem feels very in the moment, unveils that innocence and charm. You land heavy on the colors at the end. These as symbols could tie to more of theme, or emotions, or actual imagery. This is where I get to the questions if joy lost. Is it a world issue? If so, innocence lost. Is this projection of what’s noted in life that feels drab, unexciting. Boredom. So, a poem is devised.

Whether directly tied to the thematic or merely an exercise in expression through prose, the message and feeling of your offering is conceived. While not powerful, I find it effective. You might have had bouts with hyperactivity followed by the drain of nothing to do, to entertain, such as a rainbow. But, it’s also about hope. This is all very relatable.

Caught you on the read and review pages. Til again, or next contest,

Brian
disAbility Writers Group Reviewer

Slightly used armor, barely any blood.


Sorry, double vision, falling asleep. Hope edits make readable.


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15
15
Review of Pain stains  Open in new Window.
Review by Brian K Compton Author IconMail Icon
In affiliation with disABILITY WRITERS GROUP  Open in new Window.
Rated: E | (5.0)
Dear Anna V.M Author Icon

Very expressive use of language with the power of color connected to emotion in "Pain stainsOpen in new Window.. This feels like an immediate response, outpouring with bursts of words driving the visceral feelings of the poet. The first two sentences are the whole story. Few can do that. The rest is explaining how the canvas was destroyed.

The last line separates two words that paired, rhyme, feel like the title, as ‘pain stains’ is my takeaway. ‘It’ being pain. You are right to split the two words there. The intentional inner-type rhyme would deter the distilled rage in sequential events. Another title might be ‘destroying canvases like therapy’. Probably reach on my part, simpler being better. It’s fun to think up titles that either set up a write or tempt someone to peer in.

Have you considered breaking this poem with short expressions into meted stanzas that would impact further with a reader, seeing waves of words down the page? It could get a reader’s ingest words more methodically as the mind turns on those end line words to meet the next statement. The first two sentences are the quick gut punch, with a tight couplet to hook someone. You don’t have to change a word, but layering the evidence can give fuller appreciation for revelation, as you have painted scenes of natural progression.

I respect your words, only offer this feedback as suggestion, and if it’s not objectionable, allow me to demonstrate and explain after:

He made the canvas.
I destroyed it.

I painted it red —
not with love, but with rage
and sorrow.

I kept painting it until
the pain stopped.

But pain doesn’t disappear.
It stains.


Meted, I can feel the events more fully. I realize the dichotomy and complexity of these feelings expressed. The I painted it red statement shows identity, strength of character and control.

Evocative how I see your expressions grouped, with natural breaks with revelations that can make a reader slow, if not stop, take in a car wreck of human emotions displaying artfully. I’d suggest, if this really exists, a photo of an angrily painted red canvas as an uploaded image to accompany as avatar.

Truly, the words are enough to dramatize story. I have a question, too. Somethings I drew conclusions from, like a break up, a painting gifted, or was it something precious to him? For clarity, ‘he made the canvas’ intrigues. How should I consider? The first line is important. We don’t need to be told. An adjective, a different noun, as something more to help us realize the destruction. It could have been just a blank canvas he crafted, but know it’s more, by value.

The why of it all seems more a reader related reaction, as we find ourselves in the art. What’s obvious from my perspective, destroy whatever is important to them, or, kill the memory of them. If the former, something tied to gift could be intimated. But, as good old vengeance, with the thing he loves most, could a reader better envision what is destroyed, or symbolically, what is being painted over? There is a chance for further symbolism there.

What I sense from your title line comments, this is something of a natural outpouring that has given you some pride for this written accomplishment. It’s personal as it stands, and perfect. Perhaps, as a therapeutic device, the poem coupled with the act are conjoined. One moves on. I also understand stasis. You can murder that canvas in poem(s) anew (we don’t paint one masterpiece, but visions that renew), and bring more story elements to poem. But, that might require wanting to relive the rage that produced this.

Either way, you have something symbolic and anthem unto you. Merely ideas to see you gather and project more of the experience so others might indulge fantasy further. We, or I, have all been there. For whatever reason, this act feels right in the heat of that moment. Usually, we move on. Sometimes, not enough. Maybe, the memory lingers, so we stab at it again and again. Make the monster die.

Pretty effective, compelling and succinct with an unusual display that looks like the aftermath.

Well done,

Brian
WDC disAbility Writers Group Reviewer
100% me, and legally blind

I like to lance a lot, sir.

I painted over plenty of bad art in my days, could really visualize this.

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16
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for entry "Communication?Open in new Window.
Review by Brian K Compton Author IconMail Icon
In affiliation with disABILITY WRITERS GROUP  Open in new Window.
Rated: 18+ | (5.0)
Dear ruwth Author Icon,

I think you nailed it with this, using two great quotes and noting the key to communication is the ability (or willingness to listen. These references show an adept ability to address the subject/question by laying out a format for how we communicate with one another, noting how sadly we are lacking. There are divisive forces in the world that would employ anything to destroy bonds on earth that could reach Heaven.

I do believe God is listening. He’s sent clear evidence when I asked for help when I didn’t know how I’d pay for college, not wanting my parents to cover my debt. He responded by literally, metaphysically, taking the wheel to my car and forcing it leap a guard rail, down an embankment to roll three times. I climbed out of a steaming, totaled, upside down Oldsmobile. Walked away, uninjured. When insurance settled, I had 25-hundred dollars and a new lease on life.

It’s your writing, offering and communication that help us all remember we can talk, He can listen, and if there’s actual sincere request from a believer, he’ll bolster you, lift up.

Great job and thanks for sharing,

Brian
disAbility Writers Group

Arriving, captured but fleeting. If not in the moment, missed.


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17
17
Review of The pain within  Open in new Window.
Review by Brian K Compton Author IconMail Icon
In affiliation with disABILITY WRITERS GROUP  Open in new Window.
Rated: E | (5.0)
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Happy Account Anniversary jaya Author Icon,

I didn’t give a great deal of thought into poetic structure or device, but note your worthy depictions that invoke elements of riveting story to keep me pensive. This is a powerful, impacting poem to read and consider about a mind portrayed here with such great tumult of emotion, and what is repressed and unspoken within. I can imagine our story begins before a journal with writer in repose with pen writing an ode to melancholy amid belligerence, releasing some grief through the poetic with psychological portrayal and device.

You invoke Shakespeare without the Bard’s craft of written iamb words, to rhythm and rhyme the uneven experience of knowing the meaning of Iago, while only portraying the character in passing note. And, what a heavy burden it appears through the well-crafted verses of one spirally, but going nowhere.

The landing line, “None knows of it but me, “ intrigues with a great hook to tempt a reader to pry. What we can’t know as readers would suggest the external forces that create these words of despair, and the only release to await being death. I have to wonder what we have here. A reader as I is tempted to conceive with three immediate scenarios, each superceding the other. This secret is not divulged, but cryptically lays out in insolvable form. And, this doesn’t feel lived external.

At first, I could assume guilt for being one with the Mercantile smile that would take a pound of flesh for debt. Though, the description seems to land on something not named. It can feel as how life plays a cruel hoax from fairytales to reality with faux exterior of ills that take a toll, all the way to cancerous. But, waiting for death seems to be more of a waiting room area thing than in a bed for death.

There is debt to something, whether vocation or someone who’d be a Shakespearean villain in this drama we cannot cast. Verse three was most appealing in regard to something taking shape. No, there are associations, pacts, binding agreements with life, debts to pay but never made clear. This is worrisome, where I sit across the waiting room way. We are not to know specifics. There is no one cure all for a tormenting thing not invoked by speaking its name.

As a bystander, who has felt the ills of associations, in whatever life, and no clear path to joy and enlightenment, these words would speak to me, if the right moment. I would paint the Sawyer fence if it would give sensation of the feelings pitched by a catfishing conman, whilst knowing his game. We all go our own way. A poem uttering words as if none can know is challenging to a clueless artisan of six-foot-high property boarders. But, some write odes as if bottled letters to plunge to the bottoms of murksome ponds.

I know a woman with ceaseless ills, who gets three hours of sleep many nights, ten hours of sweaty labor by day, who could ache and moan. Not in her DNA. She cheers others on. No, this truly troubles when lacking the stuff to overcome experiences causing a brain to seal up, plaster over, while fences dry, as if nothing is there.

I’ve considered this poem, these types of feelings, knowing no one cure for all. It can feel hopeless for brief moments, like swimming over a bottomless abyss, before it’s crossed. These typified stirrings poem readers will have some relation to, either as bystander or traumatized. It’s undeniably pervasive for those aware. I wonder if writers pen it/this to life, share it, knowing hope is out there? Or, just casting off /redistributing shackles’ weight. Experiences, while different, prompt something in each of us to try…something…different.

This speaks to me. I have empathy in my heart, nothing less. It’s not good to know others suffer, just good to know isolation can lift. I can walk out and experience the sun, steal a moment in the elapsing deconstruction of time wasting. Your poem demonstrates well. It teaches. I’ve met people who’ve related words that I could never know what it’s like, but think, how do you know until you try me?

It’s unto oneself, under lock and key. But, by association, I’ll extend a hand, should it be received. I’d never intentionally harm another. I hate when one of our cats is suffering and me not a whisperer can only make sure each lives a charmed life. Peace to you. Thank you for cracking the door open. I’ll light any light. I never question this logic, never judge, ridicule, assign whatever, with only respect and consideration for the carefully and thoughtfully depicted narrator with depiction in your poem.

Sincerely,

Brian
WDC disAbility Writers Group
and Anniversary Reviewer

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Neither beacon nor crusader be I for any other, but prose.


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Review of Double Ow Seven!  Open in new Window.
Review by Brian K Compton Author IconMail Icon
In affiliation with disABILITY WRITERS GROUP  Open in new Window.
Rated: E | (5.0)
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6 *Star*s! with my apologies for what comes next:
I enjoyed this dual form approach with "Double Ow Seven!Open in new Window. with innuendo and extended plausibilities that had me go as far as pitching movie ideas. My questions first written to consider answer had me a little daft. No coffee for hours…initially trying to come up with feedback for your poem described as, “Layoffs in spy-craft - a Haiku/Senryu.” It ‘intrigued’ as I initially got the two poetry forms intoning ‘double’ in the well-known secret agent ID in title (Bond is no secret to us). With a read to ponder, ‘what else makes this poem function, I get ‘burn’ as with spies who are cut off/locked out, more than just fired. Such is the spy business, as learned from every episode of “Burn Notice” streamed.

I had my wonderment, if budget cuts ever put spies in the unemployment line, and funny notions of sketch comedy arrive, or perhaps, a film premise. You know Adam Sandler gets paid another 20 mil with each story spiel like that, maybe with Jennifer Aniston in some spy craft fare. I also would wonder, could they get new jobs, since they know high-level secrets? Or, do non-disclosure agreements come into play, with a nod to professionalism, trusted to move on to work in the intel game, but with a no-compete clause. I guess the jokes with this one are arriving now.

Assessing the poem: The opening line means cut off from supply. So, no access to M to get the gadgets. Got it. And how this brief statement of a poem turns from the allure of spy craft to the eggheads who optimize government funding to get a special expresso machine in the spy break room. Budgets cuts affecting spies seems a Sandler angle, or moreover, his buddy Kevin James, on a restricted diet. In a world of elaborate intel, crafty skill, and celeb spies, he had to leave behind listening devices and walk away with dignity intact. *Kevin holds cardboard box with potted plant, bow tie, Cuban cigars with trick lighter…* “No, that stays,” says the $90 an hour CPA. *Eye roll*

This offering of yours amuses on many levels, ending with the signature catch phrase intro as the burned spy exits in the summation. Burned. Spies as staffers! (Not on meds yet when I started composing this). My first response to this took time to find insightful introspect before unpacking the layered wordplay and thematic implications of “Double Ow Seven.” A Senryu/haiku that touches on form, theme, and unlimited humor, if you take this vehicle down the roads I ventured.


So, from there to this: Your double-form haiku/senryu is quite clever, amuses with the idea of duplicity of ‘double’ in terms of espionage, layered humor that structurally and thematically work well. The title alone, Double Ow Seven, got me prepared for a parody, with “Ow” as pain over a job loss that might include blow to a spy ego. You use both physical (no gun, no bullets) and professional (layoffs). You do well to mock the suave mystique of Mr. Bond with a bureaucratic banality.

The phrase “No gun - no bullets” as a cold open is short, clipped, to the point, the spy mission here is aborted. Felt strong visuals, just like “Branded,” taking away military stripes…disgraced as agent, no access to the spy wash room. And, not unlike a suspended cop handing over their gun and badge.

The second line’s “Budgeting and staff layoffs” seems intentionally drab, a comedy by grounding the spy glamour with an HR reality. The final line, “The name’s Bum – James Bum,” delivers the punchline: Bond identity is reduced by farce.

The possibility of burned spies reentering the workforce is something I noted right away. It allows a reader to stretch the poem’s concept into speculative comedy, perhaps fiction or movie already exists. Would ex-spies become baristas with encrypted espresso machines? It had me in stitches before completing pitches and enactments of SNL-style skits or the satirical film.

As for form: I saw wave indentation away from margin like descending trajectory giving a visual cue of the demotion. Each line pushes further into absurdity and collapse, almost like a classified file redacted into irrelevance. I found it subtle, but effective. I do have a preference for “budget cuts” over “budgeting”— feel the former is sharper, more active. “Budgeting” mutes the humor slightly for me.

Overall, this does well with a contrast in elevated poetic terms to reduce a spy with mundane reality, over-powered by a paper pusher, and ironic. This is fun beyond the read, with imagination allowing jokes to gradually land. My surveillance footage of this finally reviewed, the true master of all is the writer. How else would literature and history survive, unless…not a democracy? I’m not going past that.

Funny to realize a short poem to be a thinker. The more dwelt upon, more unfolds/reveals in consideration, as reader reaction might be. The brevity sets it up as a quick joke, but the more one mulls, the deeper satire cuts. It plays with reader expectations: spy stories are about secrets and concealment, and here even the humor is covert, revealed slowly through the dull outcome. The delayed reaction can be part of the experience, as if decoding a message.

I wanted to retort, ‘do you think they saw it coming’? Even without a stirred martini in hand (Aside: two olives, please), it made me feel dry, witty, and in tune with the poem’s theme (Aside: no, the white tux. They’re boorish about the seasons here). It gave my muse a double agent pun itself: “Do you think they saw it coming?” What spy thinks about layoffs, or the poem’s twist, or the reader’s own slow realization. It invited me to pun, chuckle and pause (Aside: is that the gadget? I must go. It was good meeting with you, with your [Aside, aside: what was it? Limerick?]). With your double entendre senryu, haiku. Very wry, indeed (Aside: the plane will be ready? What do you mean ‘taxi’?). Long night ahead.

Sorry, I got lost in my own craft. “Double Ow Seven” sets the quick tone in short form, hinting at both spy tropes and painful consequences. Each line then unfolds with dry wit: ‘No gun – no bullets’, a stripped-down agent, burned, hand over the credentials, not a word to anyone. Hmm. Suppose HR sent out the usual memo, the spineless cads? Film noir?

Anyway, layered wordplay there, burn as betrayal, budget cuts as existential crisis, and the entire spy persona reduced to a punchline — declassified line by line, a sketch comedy in waiting — or a whole series. Maybe, rewatch ‘Burn Notice’ and look for irony. Now I want yogurt. NDAs, *chuckle* Is North Korea hiring? A good spy would see it coming, maybe blackmail the budget department?

Apologies for my indulgence,

Brian
WDC disAbility Writer’s Group
and Account Anniversary Reviewer

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Trying to give up compulsive, overdone reviews. Hard to edit.
Furthermore:

Just wondering again about Bond and the absurd double attribution introduction as deliberate. Maybe, ludicrous as the different actors who’ve taken on the role and recited it, it feels akin to satire.

You’d think the first utterance of the introductory Bond phrase is originally a self-correction. To go on uttering it like a signature line for an actual agent either borders on mind play to the sociopathetic, or with Aspberger’s.

And then, there’s the comedic (if an SNL skit) where the secret agent keeps approaching and introducing with the catch phrase. Then, annoyed characters eye roll, walk away or respond, “yes, we know.” Or to further, “yes. Yes, we know.” He says it like it’s supposed to have a hypnotizing effect or the ‘no doubt you’ve heard about me’ grandiosity.

Off chest


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Review of Desert Cliffs  Open in new Window.
Review by Brian K Compton Author IconMail Icon
In affiliation with disABILITY WRITERS GROUP  Open in new Window.
Rated: E | (4.0)
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Happy Account Anniversary Parkescape Author Icon ~

I came to your poem Desert Cliffs wanting to get a better grasp of what you convey after walking through Fisher Towers in Moab, Utah. I fell in love with the Red Rocks of Sedona, AZ and have written several poems seeking egress through that lone canyon that I compared to love, walking through the heart of another. I study your eight line offering to grasp intent. Let’s see if I can clear up early misgivings, mostly with the last stanza. I seek to discover what I’m missing in plain sight, and what way this might translate better to a reader…if just to get the fullest expression.

Where I begin I’d where I got stuck, confused at “ever ever” , realizing eventually the lack of a comma after another word repeated lower. First stanza was fine for the most part.

I also wanted to grasp whatever folklore/legend with presumed native spirituality or mystery about the depicted location.

I consider your poem because of its immense potential to appease poetry readers. Would there be a way to better envision how this constructs, making use of good imagery and expressive language. You have good information, but need better placement in the poem framework that could require punctuation, unless you like fun with enjambment and peculiar line breaks thst could show this place, as well.

Where Desert Cliffs run into some clarity and rhythm issues, seems especially in theatsecond stanza.

What I grasped here were your vivid natural imagery, “searing soaring red stone walls” and “devil dust hands.” You did well to create an atmosphere. Meanwhile, the tone took on an elevated, reverent tone for me that suited subject: the stark and timeless desert landscape. As for other poetic device, phrases “searing soaring” and “slowly slowly” build a strong auditory and alliterative rhythm, with oral traditions and poetic chants as with Indigenous or mythic verse…possibly influenced.

Where my confusion stalls with “ever ever” lead to syntax problems… “But ever ever year’s dense dunes” is likely meant to continue thought on the next line. Where it broke on line one, I considered accidental redundancy or a missing every. Is was clear the intent when the next repeated line came, knowing a comma between the two would help and not hinder read of your poem. Though, end of line and that construction could benefit from negotiating the wrapped line to find natural breaks, which includes moving a few words around for flow. or “But ever and again, the year’s dense dunes…” might work, but I see what you go for with rhythym of repeated words, especially intoning the other.

Other notes: “year’s dense dunes” as a possessive noun seemed odd as the dunes somehow belonged to the “year.” It may be clearer if restructured, for instance: But year by year, the dense dunes rise…

Sentence construction made it hard to follow cause and effect. Another example: Loft skywards crystals on devil dust hands…I was struck by that but temporarily dazed. This is a rich image, but it’s unclear what is lofting the crystals, like is it wind or time? erosion? The phrase also crams multiple metaphors into one line, causing confusion. Cohesion in metaphoric language can make a read more pleasing. Perhaps, you crammed too much in eight lines and would like to let this breathe better with a longer construction.

—————
Desert Cliffs (this is the annoying reviewer in me, doing something like notes in the columns.)

The searing soaring red stone walls (use of the takes power from searing soaring)
Climb stalwart over bare breast sands (maybe, flip to ‘Stalwart climb to get action nearer, eliminating ‘over’)
Their grandeur claims they never fall (start with ‘Claims’ for theatric, pause effect, follow with ‘their grandeur, leave out ‘they’ in this scenario)
Sentinel guardians of the long sere land (I prefer ‘a’ to ‘the’ to introduce to lend to lyrical, meter)

But ever ever year’s dense dunes (much about ‘ever ever’ and know this is to be emphatic, try other approaches to lead off here?)
Loft skywards crystals on devil dust hands (hmm, ‘skywards lofts’ instead, ‘Devil dust hands’ needs more personification, and as an outlier poetic device introduce could lengthen and add more air and prestige to your poem.)

And slowly slowly melt and ruin (the conjunctive and should not be here, but then, showing progression, showing time, which is important to honor this location and its history. Comma need for slowly, slowly…and a pause with comma shows slowing, too.)

Then mire and meld as desert sands (if ‘Then’ above, could replace here with ‘to’, not my strongest suggestion. But,if lengthened, this could have a different look. Most people I review let older poems stand. I say, write something new. There’s ability for growth, greater expression in a good poem here. Really consider punctuation abd a structure with good line breaks.)

What I sought to gather was a feel for folklore or a spiritual layer to this place. This hints at Native spiritual or mythic themes through “Sentinel guardians” and with your use of elemental forces (dust, stone, crystals, ruin, melding) within the red color scheme that includes text, which I would prefer left to word depiction, making it easier on eyes.

All considered, your poem could be enhanced by referencing spirits, animals, or myths from the Moab, Utah region (like Navajo or Ute traditions). The Fisher Towers are often seen as sacred or mystical in local storytelling. The cyclical decay and rebirth (“mire and meld”) could tie to the Indigenous beliefs, employing a sort of spirituality about the land and its remaining memory and the sacred transformation.

This poem captures striking visuals of Fisher Towers and sensory takeaways with a mystical tone. Maybe, clarifying who or what is doing the action in the second stanza, as in “ever ever” lacking punctuation. Consider breaking long lines into clearer segments or reordering for a stronger cause and effect logic. Sometimes, just reordering the words can give the lines that even, but smooth reading look. You’ve got powerful phrases like “devil dust hands” and “sentinel guardians” that are multi-layered in poetic device. You may just need space to breathe and connect with the spiritual theme. You could even anchor the mystery in a local legend, or lend to narrative voice with the land “speak” from this region. Local venacular can bring flavor. You’ll have more elements at work regarding telling, even inclusion of personification, lending to its own sacred erosion story with a voice.

I was happy to read, learn and consider your poem for feedback.


Brian
WDC disAbility Writers Group
and Account Anniversay Reviewers

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Review tool margins are a blinding, white sea, and characters are grains of sand meticulously guided to shore that I reconstruct into sloppy sand castles.
Good? Yes? *Meh* *Bigsmile* 7k characters? I have two yet in here with more verbiage. *Smirk* *drives bus off road into ocean* *lifepreserver*


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Review by Brian K Compton Author IconMail Icon
In affiliation with disABILITY WRITERS GROUP  Open in new Window.
Rated: E | (4.5)
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Happy Account Anniversary {

Decidedly poignant, capturing nature images in scene for contemplative one camping in the cold. I can viscerally feel this place. The words come across peaceful, mindful, in its appreciation of the outdoors, connections to it. There are hints that an underlying story exists, but not fully fleshed out.

When I get to ‘transient’ and reflect back on tent and first two lines of poem, the speaker is contemplative of something. I reference earlier the vagary of what the narrator is feeling that intertwines with nature. Is it comforting, does it allow reflection, does it intone thoughts or feelings of someone, something, or life in general? Many of these things you point a reader to consider can be intoned through various devices that cloak but give hints/clues to how this scenes with depictions and relation are important, deepening theme or message. At most, it feels sentimental and safe how this poem sets up.

The meaning in transient has many applications, so I was going to say it’s about the speaker, possibly homeless, but on the move. It is a transitional word that can further implore theme/subject to show a life changing while the scenery changes amid travel, times of day, various experiences in nature.

Overall, the prose is pretty, broken up nicely for an easier read, with strong, functioning words, minus flowery language that could entangle the read. The use of personification and making nature and its occupants like friends has a nice intimate tone. There is a great influx of sensory by the end, which can put readers there, in moments described. This is definitely more than shelter by stars in this commune with nature, though last three lines sum up intensely the feeling of the title.

It was a pleasure to read and lend feedback to "Sheltered by the StarsOpen in new Window..

Sincerely,

Brian

WDC disAbility Writers Group
and Account Anniversary reviewer

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21
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Review of True Love  Open in new Window.
Review by Brian K Compton Author IconMail Icon
In affiliation with disABILITY WRITERS GROUP  Open in new Window.
Rated: E | (4.0)
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Happy Account Anniversary Zaring Author Icon ~

I find yet another writer/poet that I haven’t crossed paths with. I’m taking a chance, since your last visit was Valentine’s Day, that you might get this review on your account anniversary. {item:720457 } is a poem of brevity with wit that finds wisdom in expressing true love like serendipity. Plus, advising what to do to find what’s ’true’.

“True love knows no boundaries,
Nor distance, nor time.
It may hang in the balance,
But will never die.”

The first verse had a rhythm, and felt a bit lyrical, stringing a few expressions/idioms together to form the basis of this piece. It read cleanly and clearly, as readers should not find this difficult to comprehend. That which you offer puzzles together as logic. It does not advise what ‘true love’ is. We take it on face value, as with “The Princess Bride.” The poem doesn’t necessarily employ visible language, no imagery. It’s not weaving a tale. From ‘boundaries’ to ‘balance’ and ‘never die’ are integral words that drive the message opening.

The soundest most pertinent logic to me sums up…

“Few people are lucky,
To find love this true.
You have to start looking,
As it won't, come find you.

Sounds like advice from my parents to get my butt off the couch, akin to there are other fish in the sea. Furthermore, there are all kinds of songs that intone the search for love, like the country song that goes, “looking for love in all the wrong places.” The song mentions finding one who has that same struggle, and also feels fortunate to have ‘found the one I’m dreaming of’. “Looking for Love” describes the search, employs eyes, while a listener connects to message,

(Lookin' for love) in too many faces
Searchin' their eyes
Lookin' for traces…
Now that I found a friend and lover
I bless the day I discover
You, oh you, lookin' for love…”

The lyrics shows the connection. Your poem invokes the logic you have to try. I wonder why the poem, if it was true love discovered that inspired it. As an old piece, it could be wistful, nostalgic, taking time to assess, when revisited. This is one of the better poems I found when searching your portfolio for an item that strikes me. This ‘old poem’, could be given new life to describe, tell your true love anecdotally, help readers connect emotionally, should you want a challenge anew. Some don’t want change it. Don’t have to. Create anew. Whenever I rewrite a poem, I add the year to end of title. I got that idea from George Michael, revisiting a popular song ‘Freedom 1990’ that was remarkably better. That way the original stands.

Your poem could be a beacon with sound logic, and if revisited, depictions that show how the writer came to experience before revealing these words. Happy anniversary here at WDC, whenever you log back in.

Brian
WDC disAbility Writer’s Group
and Account Anniversary Reviewer


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Review of Candy Corn Haiku  Open in new Window.
Review by Brian K Compton Author IconMail Icon
In affiliation with disABILITY WRITERS GROUP  Open in new Window.
Rated: E | (5.0)
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Happy Account Anniversary BeHereBook Author Icon ~

I love consuming haiku, especially of the candy confection. I noted it’s your anniversary here and skimmed your portfolio before laying eyes on "Candy Corn HaikuOpen in new Window.. It’s been 15 years here and I’m always poking around for good haikus to read. Now, I find it?

Getting right to syllables, and a note about how the Anglo-Saxon, probably Americans, adaptation of the Japanese form to come up with the 5-7-5 syllable structure. So, it’s fun to note the third line and enunciation of orange. I’m as white as any Caucasian, prone to being bland and boring. And, being a bit monotone, orange comes out like a hammered-flat syllable when I speak, as if ADHD creates a hurry. Though, it is technically a two-syllable word (Or-ange). Just for fun: o-ran-ge. Fancy. But, if need of helping last line achieve five syllables, it does. But it doesn’t have to, as traditionally haiku is intended can run short of the 5-7-5, to foremost succinctly achieve coherent message.

That being said, the themes of haiku move on from our spiritual response to nature to get connection with reverence of what allows life and get a takeaway on the last, intoning line. What you do here speaks of Autumn, as with colors and a traditional candy reserved primarily for Halloween, stale by summer. No leaves! Yay!! I like the approach, as I’m informed on multiple levels, giving your haiku layers. It invokes innocence, as well. It’s vibrant with life, maybe nostalgic for a reader that applies subjectivity to these words. It’s striking a lot of chords within the notes you offer.

The set up might not be the strongest but functions. The middle line and ‘crème’ of it all is very expressive just by placement, as a crème would. I’d call it genius. Maybe, this could work with Oreos, too. *Think* mm, now I want a double stuff and a cold glass of milk. So descriptive with a choice ‘tapered’ rather than mailed triangle, even if 3-D, as it’s not. Mellocreme even lands between two words on that line, double-placing it smack-dab center of poem. Very nicely done. Obvious ‘kernels’ as it is the candy corn.

The last line simply and without punctuation to waste time, cleanly closes this out. No need for elegant, vacuous words, but poetry that economizes its language within a strict form, while giving us something like a William Carlos Williams gem. It shows you not only gave thought to what you wrote, but have experienced poems of brevity, know the value in each word that collects a spiritual energy for reader, when each expression fully functional alone and yet intone and vibrate a vision to life.

Very pleased to have read this and be able to lend feedback on your anniversary here.

With respects,

Brian
disability Writer’s Group
and Account Anniversary Reviewer


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Review of roses  Open in new Window.
Review by Brian K Compton Author IconMail Icon
In affiliation with disABILITY WRITERS GROUP  Open in new Window.
Rated: E | (5.0)
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Happy Account Anniversary PoeticFox Author Icon,

I love the title line for this poem that I noted after the last line of "rosesOpen in new Window. with its blatant satirical absurdity. It gave me some pause mtothink, reminding not all poems have a title line to lend to message. But if there were a way, my option includes this/line as subtitle, in which I usually employ italics. For whatever reason, it frameworks a poem well to have options like this to describe with knowing before a viewer consumes. It helps deliver context.

Short, just three lines, I knew quickly not a haiku. Title even truncates from the traditional, ‘roses are red’ fare, usually reserved for school children or their penning on Mother’s Day, plus former greeting card fare that would now lean in the direction you’ve chosen.

“Roses are red violets are bluethis ones for you…”

The first line starts traditional, then has two words run together, then mails in end line like a beer commercial, “this one’s for you…”
It continues on as if the poet doesn’t care, lacking punctuation, blowing through a sentence break to enjamb a thought at end of line.

“…cupids arrow flew sraight and true if I can't have you
I will hit myself with a shoe”

The absurdity of “I will hit myself with a shoe” is so random, coming out of nowhere to give me a chuckle. ‘If I can’t have you’ is a Bee Gees song covered by Yvonne Elliman (yes, I’m old enough) and that briefly reminded, though likely not contextually intended.

The unpunctuated, lets words roll through stops, employs brevity of the formality; thus, the poem’s undoing actually is refreshing, rather than viewed as bad, but careless or abandoned writing. Its presence gives the feeling of abandonment, of giving up. It is unto itself its own poetry form, just by showing in structure. Whether intended or not, this is effective. If it were hand written, spelling, use of page, type of medium and instrument to write with, would each and all add even more dimension. To cap off the abandonment theme, it could imagine an image of the poem sitting on top a container’s trash heap…or better yet, alone at bottom of bin.

It was a pleasure to read and comment on this odd little poem that I like to think would be recited by a stone-faced, monotone girl in black. Now I’m thinking of a character from the former TV series, Suburgatory.

Good job.

Brian
WDC Disability Writers Group
and Account Anniversity reviewer


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We used to reserve 1 star ratings to see who could write the worstest poem. It could be viewed like that. I don’t.


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Review by Brian K Compton Author IconMail Icon
In affiliation with disABILITY WRITERS GROUP  Open in new Window.
Rated: E | (5.0)
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*CakeB* HAPPY WDC ACCOUNT ANNIVERSARY!!! from "Anniversary ReviewsOpen in new Window.*CakeP*
Celebrating your writing this month with a review.


Happy Account Anniversary Cyndee Paulson-Heer Author Icon

I used to have resumes. I could advise others how to write them. This is my wake up call.

Strong points as this reads easily for my otherwise slow word digestion. This encourages and can help, as I need to brush up. Lays out clean, easy on the eye. Brevity isn’t usually my strength.

It’s sad that many require resumes present in different ways, and I had several different approaches once upon a time. The submission of info tends to be a fickle process with many who are seeking writers. Don’t recall if Submittable allows attachments, if publishers accept resumes in that way.

Anyway, I find your item valuable and informative. Easy for one who is legally blind, a great reference to many who just need structure and guidelines, or even to ponder what attributes important and considerable to include as offer.

Thanks for sharing this,

Brian
WDC Disability Writer
and Account Anniversary Reviewer

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Review of Reboot.  Open in new Window.
Review by Brian K Compton Author IconMail Icon
In affiliation with disABILITY WRITERS GROUP  Open in new Window.
Rated: E | (5.0)
Dear Rainy Day Sox Author Icon,

I like this "Reboot.Open in new Window. for the contest prompt at "Starting StoriesOpen in new Window., with so many directions to take, “I knew it would mean trouble, but I couldn't control myself, and I pushed the button.” This SciFi/Drama described genre with short introduction to proposed story I found compelling enough to lure me into continued reading from a 250+ word start. It has me viewing the described events ongoing through that first person narrative monocle with what I feel comfortable with as a similar consciousness.

Where we pick up story in introduction works great as hook, as story not only is in scramble mode, but also the reader. Prose is a bit rough, but it doesn’t lack in value. I have to wonder, as I’m prone to do (over-analyze) things like what this person actually does (how they came to be in this particular situation…I offer ideas further down), what era or technological advancement for a futuristic or alternate universe, what type of passengers are these, and if so, a commercial flight?

At the center is AI, as it is incorporated, more in its infancy now, intrigued by projected use of it, coupled with assured things not working on time, how they should. And this character, having intestinal fortitude to act, then thinking something should have prepared passengers for all systems blackout. Great insight to how a mind might function under stress, though competently, given little options. And this short piece is wrought with questions about the timing to act; and yet, unassumed potential for hysteria making it worse.

What comes next also sets up with a logical scenario: backup systems, the half hope as it were, if it’s good to relax, or…but more may need resolve. However the pilots were incapacitated seems secondary at the point. I didn’t question it. For something longer, context likely needed to protract however this encountered. Having a contingency plan seems unknown here, making me feel this is not even a steward. Our main character could be a great mystery that could complicate a plot. Me like. I say, prisoner in transport jettisoned from restraint, getting a chance to do something heroic. I see all kinds of bias complicating a scenario like that, passenger hysteria could still involve and complicate solution. Isn’t ignorance wonderful for writers?

I think the fun in these intro-prompted events is how much you can get a reader to consider, even think for oneself how to spiel, come up with the next part of the story. Either, it could be a forum for people bidding for the rights to write the next section of a piece like this, before giving back to original author to keep, or moving it forward more, original author could reject outright and/or let it become available again, PLUS, option it to the original second author to add more. Eventually, it could be a joint writing adventure or another writer’s property. Too complex? Whatever. I have more.

So many times I’ve reviewed something, I’ve wanted to put my own signature on it…thus the long reviews…in hopes development is jump started. And now, let’s tell somebody to fire up the website’s interactives. One of these introductory vehicles (yours especially) are great catalysts, now a secondary prompt, and could launch something further into orbit to see it fly on forever (pun intended). I think these contests with intro to story prompts could give new life to those items and wrestle it back into the hands of the best storytellers. Cubby Author Icon had Chapter 1 and now Prompt Me, plus the similar Hook Of The Book is out there.

Spinning it more, make it an invite only club looking for the best storytellers to advance interactive stories into readable material as the foremost goal, a plan could reveal later to others how to make their own interactives, get writers to participate, make the most of it. It can focus on story and plot principles as structured prompts for experienced writers to craft from, thus honing craft, allowing some to develop and work on their weakest storytelling attributes, having a front row view to these constructs unfolding.

Grandstanding there a bit. As to this write, strong verbs can replace at least two of the three was’s in first three sentences. If a narrative choice, a few cues or hints either through enunciation, perhaps phonetics, or phraseology that lends flavor and distinctness that introduces character. Third person requires the good prose. *Laugh* But, just suggestions. Also noted a ‘to’ on line end in last part that should be ‘too’.

I really feel your imagination is hitting all cylinders on this one. I’m not much for Sci-Fi, but this would have me crossover. Best of luck.

Sincerely,

Brian
WDC Disability Writer’s Group Reviewer

He who is and isn’t, & yet…my inner Bond. Brian, to be precise. Not shaken or stirred.

Note: I’m not the authority over another’s words, simply a friendly reviewer happy to lend observations, POV takes.
People can ask if I’m off my meds/rocker, if they need clearer info. I’m not offended by honest feelings.
Happy to try, try again. *Smile*
My happiness is your happiness, I’ve oft told the Mrs. *Smile*


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