Rated: 18+ · Book · Personal · #2348964

This is a continuation of my blogging here at WdC

This will be a blog for my writing, maybe with (too much) personal thrown in. I am hoping it will be a little more interactive, with me answering questions, helping out and whatnot. It follows on from the old one, which is now full.

An index of topics from old and new can be found here: "Writing Blog No.2 Index

Feel free to comment and interact. And to suggest topics!
March 9, 2026 at 12:22am
March 9, 2026 at 12:22am
#1110196
Idea Judging

A couple of posts ago I mentioned I received a question from someone who has subsequently blocked me. This is the next one from them! FWIW, I have no idea why I was blocked, but she did it all of a sudden, including on Instagram, so I did something wrong… Allegedly…
         How do we know if an idea is worth pursuing?

So, I am taking this to mean how do we know if it is worth our while running with an idea we have. Well, truth be told, we don’t know until we have written it. And – and I think this is very important – an idea might not be right for you but could be perfect for someone else.
         So, anyway, I think these signs are tell-tale that the idea is not a good fit for you.
1) You get bored with it.
         Maybe during the planning phase, maybe when you start writing it, but it bores you.
2) You cannot see any possible ending.
         For Pantsers, this might hit later, but for plotters, that is a clear sign.
3) You struggle to fit characters into it.
         The idea might feel good, but you just cannot get characters to fit it, so maybe use it as backstory or world world-building.
4) You are more into the world to be built than the story.
         This can indicate that maybe you should just build a world and not force a story onto it.
5) It feels like it is too common.
         While it is fine to re-use ideas (no copyright on ideas), if you feel it is overdone, then don’t add to it, as you can get bored quickly (see point 1).
6) It feels too convoluted.
         This is especially the case for plotters, when their plotting is too much.

There are, however, times when it might feel like the idea is not going to work, but it could be the approach to the idea.
A) Don’t have a beginning.
         You can come back to this later. Not a big deal.
B) Not all characters work.
         This means some characters work, so change out those that don’t.
C) Have everything except the ending
         Let the ending come. If everything else feels good, then the story should tell you the ending.

And I think that covers how a writer could judge the value of an idea.



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