Hi there, kat ! Please accept this as a peer review-one reader's reaction. Welcome to WdC. 

Thought/Impressions
The unusual title drew me in, and I wanted to keep reading because you composed a story for a contest, and those are some of my favorite reads.
The first paragraph, optimally the first sentence, hooks the reader. Right away, a feeling of doom, or urgency settles over me. I'm curious. Although a dinosaur smuggler is an original character, I wondered frst, what about him suggests he is a dinosaur smuggler, and how does it relate to the plot? The story sounds contemporary; are there dinosaurs in your story world?
This was my favorite sentence, because it meshed tightly with the prior two sentences.
She was awash in fear.
Okay, here's another favorite sentence. It's a perfect example to demonstrate the show vs. tell.
That hit me like a five ton hammer.

Still thinking...
Your story has all the makings to create a compelling detective/body guard plot. It's easy to sympathize with the Candice and the imminent danger.
The reader is unsure if Leroy can be trusted, and when the main character calls the police station, I'm filled with dread. The character gives Leroy the wrong location for the safe house, and the [body guard?] deduces Leroy is on the take. How?

Suggestions
When you begin your editing, keep a few things in mind.
Less is more. If you don't need extra explaining, or there's anything not directly related to the plot, take it out. (I'm not sure why the dinosaur smuggler is essential.) Maybe you're writing more chapters, and you'll need the character later.
Instead of telling us what was discussed when Candice meets the main character [I could not find a name] try writing dialogue. It's snappier and keeps the reader interested. Here's some examples:
She said her name was Candice and she told of how she was there when the boss had ordered the baker killed.
"I saw the boss kill the baker, and I'm on the run."
The woman in red was escorted to my table by the waitress
The waitress escorted the woman in red to my table.
I was on the hit list? Candice seemed sure that I would soon be killed if I was not careful.
"I'm on the hit list?"
"Yes, and if you want to stay alive; be careful."
You could also choose to be more specific about how he should be careful. "Watch your back," is the first thing that comes to mind.
Do you feel the difference between the passive verses active voice? Learning how to show, not tell is a skill authors develop through practice.
In some sentences, the [baker] is capitalized, in others, he is not.

Lasting Impressions
I'm invested in the characters. Who can resist a man protecting a woman by stashing her in a rented house for a month. Who knows what might happen when they're alone, together?
Good for you, getting your work out there for review! You will soon discover all the richness and texture of the website. Enjoy, and Keep on Writing!
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