Things I Like:
I'm rather particular about rhymes and their function. If they don't serve a strong purpose, there is no reason to have them, generally. The rhymes in this piece give the poem sort of a sing-song and lighthearted quality. As the subject matter is dark, it gives the piece a nice satirical tone. This is a technique that I quite like when done well, and I think that you did.
Many of the lines are strong. I think that my favorite is "and paused thereon to hush a wince". I don't usually love beginning lines with "and", but it works for this one, and I love "hush a wince"... quieting a facial expression... it's that weird swapping of senses that I just love! I do it often myself, in fact. 
The pronoun "she" could have gotten out of hand in this poem. The first few lines had more mentions of "she" than I personally would use, but they don't bog down the wording too much. I was impressed at how well the pronouns in general worked in the poem, as too many pronouns drive me nuts usually, and this poem does have what I would call "too many". Somehow, it works though.
Observations & Suggestions:
There are a few lines or phrasing choices that didn't work that well for me. Here are a few of them, in no particular order:
"to recall what she had forgot" The flow is iffy in this line, but my bigger problem is the "had forgot". It has the effect of listening to someone grind their teeth for me. Including grammatical errors to make a slant-rhyme? Pfft... I know you could do better than that. 
"she wound up falling on the floor" This is just super conversational. "wound" also seems like a strange choice in a poem about violence, as it is spelled the same as, say, "a bleeding wound". Now, this could be cleverly done, but it isn't. "wound up" is also a very conversational phrase that doesn't fit well with the formal tone throughout (therein, therefore, etc). I would consider:
"she fell upon the filthy floor" or "the pristine floor" or the "something floor". Basically, the wording right now is not concise, which means you're missing an opportunity to slip in a modifier. This poem is not packed to the gills with imagery, so you might as well include some. It would add a bit of setting too, which could be nice.
"for if she cried therefore he'd wake". This line just seemed sloppy to me. I would rewrite the entire thing, personally. There isn't a single bit of it that I like. The meaning is fitting for the poem, but the way it is said doesn't work for me... it just sounds awkward.
A few other notes:
When you first mentioned "the baby' I began to wonder if this "she" wasn't really a child whose father beat her or something. I assumed I missed something, as the child was going back for a doll. There was no way, in my mind, that the baby could have been real.
The end of the poem struck me as almost laughably false. No one would leave her BABY in an abusive situation while she escaped herself. And to forget completely about the baby? That is far beyond reason in my opinion. I don't care how distraught the woman was, no one is going to forget that they have a baby! An older child, the woman could possibly consider leaving I guess, but a baby? I don't buy that for a second. For me, it dramatically harmed the poem because I could not relate, on any level, to this person. She went from being the victim in my mind to being a victimizer of sorts... so intent of getting herself to safety that she would forget entirely about her own baby. Know what I mean?
There are a few places where the flow is off a tad-- not super important, but I might try reading the poem aloud. If you stumble at all or need to change your rhythm, edit the line. I find that it works pretty well usually.
Some word choice could use some work as well. For instance, in a poem this short, I see no reason to repeat words other than small, connector sorts (articles, prepositions, pronouns, etc).
For instance, "floor" is used twice in close proximity. These things slip into my poetry sometimes too, but unless there is a good reason to repeat, the poem will be stronger without the repetition. I would consider keeping the stronger of the two, regardless of the rhyme. "falling on the floor"... boring. "the floor received her sweated prints"... awesome!
Overall, I like the poem. I think that the writing has strong moments, the narrative is pretty strong, in general, it is pretty good. I might work a bit on the word choice and flow. The ending for me struck the wrong chord-- disbelief and mild annoyance was the reaction that it got from me. Keep it or change it... that's up to you. I did want to share my view of it though. The lines that I suggested changing were just a few examples, but I believe there is plenty of room for improvement in this poem. The poem is also worth that kind of fine-tooth revision in my opinion. It's a very nice start.
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My review has been submitted for consideration in "
It took that long just to recognize "near by" as "nearby". Maybe I'm slow!